Showing posts with label Harold Arlen. Show all posts
Showing posts with label Harold Arlen. Show all posts

Saturday, April 17, 2021

Tin Pan Alley: Top 100 Songs

Tin Pan Alley:

Top 100 Songs

Tin Pan Alley is a reference to a collection of late 19th century and early 20th century music publishers and songwriters in New York City, specifically West 28th Street between Fifth and Sixth Avenues in Manhattan. The era is generally marked as starting in 1885 when a number of music publishers first set up shop in the area. Some consider the start of the Great Depression in the 1930s to mark the ending – a time when sheet music was no longer the driving force for American popular music, but a time when the phonograph, radio, and movies had more influence. Others consider the movement to have lasted into the 1950s when it was upstated by the rise of rock & roll and the subsequent influence of writers from the Brill Building. Some of the the most significant Tin Pan Alley writers were Harold Arlen, Irving Berlin, George M. Cohan, George Gershwin, Ira Gershwin, Oscar Hammerstein II, Jerome Kern, Frank Loesser, Cole Porter, Richard Rodgers, and Albert Von Tilzer. The phrase, however, has come to be associated more broadly with commercially successful music of the early 20th century.

This list was creating by aggregating 18 lists and giving extra weight to songs which fell between 1885 and 1933 and were written by one of the significant songwriters specifically associated with the Tin Pan Alley era. Songs are listed with the songwriters and first year the song emerged. These songs have largely become standards; more than half of them appear on the DMDB list of the top 100 American Songbook Standards .

Click here to see other genre-specific song lists.

1. Irving Berlin “Alexander’s Ragtime Band” (1911)
2. Jack Norworth and Albert von Tilzer “Take Me Out to the Ball Game” (1908)
3. Jack Norworth and Nora Bayes “Shine on, Harvest Moon” (1908)
4. Shelton Brooks “Some of These Days” (1910)
5. Milton Ager and Jack Yellen “Ain’t She Sweet?” (1927)
6. Leo Friedman and Beth Slater Whitson “Let Me Call You Sweetheart” (1910)
7. Shelton Brooks “Darktown Strutters’ Ball” (1917)
8. Ren Shields and George Evans “In the Good Old Summertime” (1902)
9. Irving Berlin “God Bless America” (1939)
10. Charles K. Harris “After the Ball” (1892)

11. George M. Cohan “Give My Regards to Broadway” (1904)
12. Edward Madden and Gus Edwards “By the Light of the Silvery Moon” (1909)
13. Joseph E. Howard and Ida Emerson “Hello Ma Baby” (1899)
14. Alfred Bryan and Fred Fisher “Peg O’ My Heart” (1913)
15. George Gershwin and Irving Caesar “Swanee” (1920)
16. George M. Cohan “Over There” (1917)
17. John Schonberger, Richard Coburn, and Vincent Rose “Whispering” (1920)
18. Milton Ager and Jack Yellen “Happy Days Are Here Again” (1930)
19. Hughie Cannon and Johnnie Queen “Bill Bailey, Won’t You Please Come Home” (1902)
20. Harry Von Tilzer and William Dillon “I Want a Girl Just Like the Girl Who Married Dear Old Dad” (1911)

21. Seymour Simons and Gerald Marks “All of Me” (1931)
22. Walter Donaldson and George A. Whiting “My Blue Heaven” (1927)
23. Edward Madden and Percy Wenrich “Moonlight Bay” (1912)
24. Jimmy McHugh and Dorothy Fields “On the Sunny Side of the Street” (1930)
25. Spencer Williams and Jack Palmer “Everybody Loves My Baby” (1924)
26. Jimmy Monaco and Joseph McCarthy “You Made Me Love You (I Didn't Want to Do It)” (1913)
27. Irving Berlin “Cheek to Cheek” (1935)
28. Hoagy Carmichael and Mitchell Parish “Stardust” (1927)
29. W.C. Handy “St. Louis Blues” (1914)
30. Theodore August Metz and Joe Hayden “A Hot Time in the Old Town” (1896)

31. Ben Bernie, Kenneth Casey, and Maceo Pinkard “Sweet Georgia Brown” (1925)
32. Hoagy Carmichael and Stuart Gorrell “Georgia on My Mind” (1930)
33. Irving Berlin “Always” (1926)
34. Harry Akst, Sam M. Lewis, and Joe Young “Dinah” (1932)
35. Ray Henderson and Mort Dixon “Bye Bye Blackbird” (1926)
36. Joseph E. Howard, Harold Orlob, Frank R. Adams, and Will M. Hough “I Wonder Who’s Kissing Her Now” (1909)
37. Fred Fisher and Alfred Bryan “Come Josephine in My Flying Machine” (1910)
38. Jimmy McHugh and Dorothy Fields “I Can’t Give You Anything But Love” (1928)
39. Nat D. Ayer and Seymour Brown “Oh You Beautiful Doll” (1911)
40. George Meyer, Edgar Leslie, and E. Ray Goetz “For Me and My Gal” (1917)

41. Harry Von Tilzer and Andrew B. Sterling “Wait Till the Sun Shines, Nellie” (1905)
42. Chris Smith and Jim (James Henry) Burris “Ballin’ the Jack” (1913)
43. Scott Joplin “The Entertainer” (1902)
44. Harry Von Tilzer and Arthur J. Lamb “A Bird in a Gilded Cage” (1900)
45. Cole Porter “Night and Day” (1932)
46. George and Ira Gershwin “I Got Rhythm” (1930)
47. Charles B. Lawlor and James W. Blake “The Sidewalks of New York” (1894)
48. Johnny Green, Eddie Heyman, Robert Sour, and Frank Eyton “Body and Soul” (1930)
49. Gus Kahn and Walter Donaldson “Carolina in the Morning” (1923)
50. Paul Dresser “On the Banks of the Wabash” (1897)

51. Harold Arlen and Ted Koehler “Stormy Weather (Keeps Rainin' All the Time)” (1933)
52. Frank Silver and Irving Cohn “Yes! We Have No Bananas” (1923)
53. Turner Layton and Henry Creamer “After You’ve Gone” (1918)
54. W.C. Handy, George A. Norton, Charles Tobias, and Peter DeRose “The Memphis Blues” (1912)
55. Alfred Bryan and Al Piantadosi “I Didn’t Raise My Boy to Be a Soldier” (1915)
56. Ray Henderson, Sam Lewis, and Joe Young “Five Foot Two, Eyes of Blue” (1926)
57. Turner Layton and Henry Creamer “Way Down Yonder in New Orleans” (1922)
58. Gus Edwards and Will D. Cobb “School Days (When We Were a Couple of Kids)” (1907)
59. Buddy DeSylva and Louis Silvers “April Showers” (1922)
60. Tell Taylor “Down by the Old Mill Stream” (1910)

61. Joe Burke and Al Dubin “Tip Toe Through the Tulips” (1929)
62. Walter Donaldson and Gus Kahn “Yes Sir! That’s My Baby” (1925)
63. Cole Porter “I’ve Got You Under My Skin” (1936)
64. The Original Dixieland Jazz Band, Harry DeCosta “Tiger Rag” (1918)
65. George M. Cohan “You’re a Grand Old Flag (aka “The Grand Old Rag”)” (1906)
66. Isham Jones and Gus Kahn “I’ll See You in My Dreams” (1925)
67. Arthur B Sterling and Kerry Mills “Meet Me in St. Louis, Louis” (1904)
68. Cole Porter “I Get a Kick Out of You” (1934)
69. Mark Fisher, Joe Goodwin, and Larry Shay “When You’re Smiling, the Whole World Smiles with You” (1928)
70. Gus Edwards and Vincent Bryan “In My Merry Oldsmobile” (1902)

71. Victor Young and Will Harris “Sweet Sue, Just You” (1928)
72. George M. Cohan “Yankee Doodle Boy” (1905)
73. Fred Fisher “Chicago (That Toddlin’ Town)” (1922)
74. Johnny S. Black “Paper Doll” (1942)
75. Vincent Youmans and Irving Caesar “Tea for Two” (1925)
76. Walter Donaldson and Gus Kahn “Makin’ Whoopee” (1928)
77. Richard Rodgers and Lorenz Hart “Blue Moon” (1935)
78. Arthur Johnson and Johnny Burke “Pennies from Heaven” (1936)
79. Irving Berlin “White Christmas” (1942)
80. Jean Kenbrovin and John William Kellette “I’m Forever Blowing Bubbles” (1919)

81. Richard H. Gerard and Harry Armstrong “Sweet Adeline (You’re the Flower of My Heart)” (1903)
82. Isham Jones and Gus Kahn “It Had to Be You” (1924)
83. Jerome Kern and Otto Harbach “Smoke Gets in Your Eyes” (1933)
84. Irving Berlin “Puttin’ on the Ritz” (1930)
85. Henry J. Sayers “Ta-Ra-Ra Boom-De-Ay” (1891)
86. Scott Joplin “Maple Leaf Rag” (1899)
87. Herman Hupfield “As Time Goes By” (1931)
88. Daniel Decatur Emmett “Dixie” (1860)
89. Euday L. Bowman “Twelfth Street Rag” (1916)
90. George & Ira Gershwin “Summertime” (1935)

91. Jerome Kern and Oscar Hammerstein II “Ol’ Man River” (1927)
92. Cole Porter “Begin the Beguine” (1935)
93. Sam M. Lewis, Joe Young, and Jean Schwartz “Rock-a-Bye Your Baby with a Dixie Melody” (1918)
94. Irving Berlin “Blue Skies” (1927)
95. Gus Kahn, Ernie Erdman, and Dan Russo “Toot Toot Tootsie (Goo-Bye!)” (1922)
96. Harry M. Woods “Side by Side” (1927)
97. Richard Rodgers and Lorenz Hart “My Funny Valentine” (1937)
98. George & Ira Gershwin “They Can’t Take That Away from Me” (1937)
99. Harold Arlen and E.Y. “Yip” Harburg “Over the Rainbow” (1939)
100. Hoagy Carmichael and Sidney Arodin “Lazy River” (1931)


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First posted 4/17/2021.

Sunday, December 22, 2019

Dave's Music Database Hall of Fame: Music Maker Inductees (December 2019)

Originally posted 12/22/2019; last updated 5/21/2021.

January 22, 2019 marked the 10-year anniversary of the DMDB blog! To honor that, Dave’s Music Database announced its own Hall of Fame. This fourth batch of music maker inductees celebrates the top 10 music makers who made their names primarily as songwriters in the pre-rock era. See the full list of music maker inductees here.

Harold Arlen (1905-1986)

Inducted December 2019 as a “Top 10 Songwriter.”

A highly regarded contributor the Great American Songbook. He composed more than 500 songs, most notably with lyricsts Ted Koehler (“Get Happy,” “Let’s Fall in Love,” “Stormy Weather”), E.Y. “Yip” Harburg (“Over the Rainbow,” “I’ve Got the World on a String”), and Johnny Mercer (“Blues in the Night,” “That Old Black Magic,” “Ac-Cent-Tchu-ate the Positive,” “One for My Baby”). Read more.

Irving Berlin (1888-1989)

Inducted December 2019 as a “Top 10 Songwriter.”

Russian-born composer and lyricist. George Gershwin called him “the greatest songwriter who ever lived.” Jerome Kern said, “Irving Berlin has no place in American music – he is American music.” A 2001 Time magazine article estimated Berlin wrote around 1250 songs (“Alexander’s Ragtime Band,” “Always,” “Blue Skies,” “God Bless America,” “White Christmas”). 25 have reached #1 on the pop charts. He wrote 17 complete scores for Broadway musicals and revues including Call Me Madam and Annie Get Your Gun. List of Berlin songs here. Read more.

George Gershwin (1898-1937)

Inducted December 2019 as a “Top 10 Songwriter.”

Brooklyn-born composer and pianist who wrote popular and classical music (“Swanee,” “Rhapsody in Blue,” “I Got Rhythm,” “Summertime,” “Someone to Watch Over Me”), often with his brother, lyricist Ira Gershwin. Wrote more than a dozen Broadway shows (Porgy and Bess) and had work featured in movies (An American in Paris). Read more.

Ira Gershwin (1896-1983)

Inducted December 2019 as a “Top 10 Songwriter.”

New York-born classical and musical theater composer (“Someone to Watch Over Me,” “I Got Rhythm,” “I Can't Get Started,” “Summertime”). Often worked with his brother, George Gershwin, including the Broadway show Porgy and Bess and the movie An American in Paris. Read more.

Oscar Hammerstein II (1895-1960)

Inducted December 2019 as a “Top 10 Songwriter.”

New York-born musical theater composer who co-wrote 850 songs, most notably with Jerome Kern (“Ol’ Man River,” “All the Things You Are”) and Richard Rodgers (“Oh, What a Beautiful Mornin’,” “You’ll Never Walk Alone,” “Some Enchanted Evening”). He won eight Tony Awards and two Academy Awards for Best Original Song. Co-wrote musicals Show Boat, Oklahoma!, Carousel, South Pacific, The King and I, The Sound of Music. Read more.

Lorenz Hart (1895-1943)

Inducted December 2019 as a “Top 10 Songwriter.”

New York-born musical theater lyricist (“Blue Moon”, “Isn’t It Romantic?”, “My Funny Valentine,” “The Lady Is a Tramp”, “Bewitched, Bothered and Bewildered”, “My Funny Valentine”). Often worked with Richard Rodgers (Babes in Arms, The Boys from Syracuse, Pal Joey, On Your Toes). Read more.

Jerome Kern (1885-1945)

Inducted December 2019 as a “Top 10 Songwriter.”

New York-born musical theater composer of more than 700 songs (“They Didn't Believe Me,” “Ol’ Man River,” “Smoke Gets in Your Eyes,” “The Way You Look Tonight,” “All the Things You Are”) used in more than 100 stage works. Collaborated with many of his era’s greatest lyricists, including Ira Gershwin, Oscar Hammerstein II, Otto Harbach, Yip Harburg, and Johnny Mercer. Created dozens of Broadway musicals (Show Boat) and Hollywood films over a career lasting more than four decades. Read more.

Johnny Mercer (1909-1976)

Inducted December 2019 as a “Top 10 Songwriter.”

Singer (“On the Atchison, Topeka and Santa Fe,” “Ac-Cent-Tchu-ate the Positive,” “Zip-a-Dee-Doo-Dah,” “Baby, It’s Cold Outside”) songwriter (“Blues in the Night,” “That Old Black Magic,” “One for My Baby,” “Moon River”) who wrote lyrics to more than 1500 songs and more popular songs than any other songwriter in history. Worked in the legendary Brill Building, known for housing some of pop music history’s most famous songwriters and publishers. Received 19 Academy Award nominations. Also a co-founder of Capitol Records. Read more.

Cole Porter (1891-1964)

Inducted December 2019 as a “Top 10 Songwriter.”

Musical theater composer born in Indiana. Songs included “Love for Sale,” “Night and Day,” “You’re the Top,” “I Get a Kick Out of You,” “I’ve Got You Under My Skin,” and “Begin the Beguine.” Musicals included Anything Goes, Kiss Me, Kate, and High Society. Read more.

Richard Rodgers (1902-1979)

Inducted December 2019 as a “Top 10 Songwriter.”

Musical theater songwriter born in New York who composed over 900 songs and 43 Broadway musicals. He worked with lyricist Lorenz Hart (“Blue Moon,” “My Funny Valentine,” “Bewitched, Bothered, and Bewildered,” Pal Joey) in the 1920s and ‘30s and Oscar Hammerstein II (, “You’ll Never Walk Alone,” “Some Enchanted Evening,” Oklahoma!, Carousel, South Pacific, The King and I, The Sound of Music) in the ‘40s and ‘50s. He was the first person to win the four top American entertainment awards – an Emmy, a Grammy, an Oscar, and a Tony Award. He also won a Pulitzer Prize, making him and Marvin Hamlisch the only two people to do so. Read more.

Friday, February 14, 1992

Today in Music (1942): Woody Herman hits #1 with “Blues in the Night”

Blues in the Night (My Mama Done Tol’ Me)

Woody Herman

Writer(s): Johnny Mercer, Harold Arlen (see lyrics here)


First Charted: December 6, 1941


Peak: 11 US, 12 HP, 1 GA, 11 SM (Click for codes to charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 0.16 video, 0.77 streaming

Awards (Woody Herman):

Click on award for more details.


Awards (Frank Sinatra):


Awards (Ella Fitzgerald):

About the Song:

Composer Harold Arlen and lyricist Johnny Mercer were approached to write a song for a movie about a jazz quintet riding the rails in search of its big break. There was a scene in which the band members ended up in jail and needed to sing a blues song. Arlen wrote a melody after analyzing recordings of blues songs and then Mercer penned four pages of lyrics. Arlen rarely suggested changes to Mercer’s lyrics, but recommended that the line “my mama done tol’ me” be moved to the beginning. It became the song’s subtitle. SB

When they finished the song, Mercer called singer Margaret Whiting, who’d sung the pair’s songs “That Old Black Magic” and “Come Rain or Come Shine.” She told Mercer she had guests for dinner, but he and Arlen could come over later to share the song. When Mercer found out the guests included Judy Garland, Mickey Rooney, and Mel Tormé, he announced, “My God, we’re coming right over.” After they played the song, Garland asked them to play it again and Rooney said, “That’s the greatest thing I’ve ever heard.” SB

The producers of the movie were taken with the song as well – so much so that they changed the name of the movie from Hot Nocturne to Blues in the Night. TY1 Jimmie Lunceford’s band introduced the song in the movie and took it to #4 on the charts. It charted six times in 1941 and 1942. Dinah Shore (#4) had her first million-seller with the song TY1 and Cab Calloway (#8), Artie Shaw (#10), and Benny Goodman (#20) also had success with the song. In 1952, Rosemary Clooney charted with the song again (#17). Frank Sinatra and Ella Fitzgerald also recorded the song. The latter two version are in Steve Sullivan’s Encyclopedia of Great Popular Song Recordings along with Woody Herman’s.

It was Herman who had the most successful recording of the song. He was born Woodrow Charles Herman in 1913 in Milwaukee, Wisconsin. He started as a sideman and singer with Isham Jones’ orchestra from 1934-36, specializing in clarinet and saxophone. SM After Jones retired, Herman fronted his own band and became, in the words of writer Will Friedwald, “the most successful…talent scout in the history of jazz.” SS His initial plan was to record “Blues in the Night” as an instrumental but in a cab ride to the recording session, Mercer taught him the lyrics. SS Mercer and Arlen sat in on the session and reported satisfaction with his performance. SS


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First posted 2/14/2016; last updated 1/31/2024.

Saturday, September 9, 1989

50 years ago: Judy Garland charted with "Over the Rainbow"

Over the Rainbow

Judy Garland

Writer(s): Harold Arlen/E.Y. “Yip” Harburg (see lyrics here)


First Charted: September 9, 1939


Peak: 5 US, 12 GA, 17 HP, 1 DF (Click for codes to singles charts.)


Sales (in millions): 4.2 US, -- UK, 5.63 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 60.8 video, -- streaming

Awards:

Click on award for more details.

About the Song:

There are few songs more associated with a movie more than “Over the Rainbow” is with The Wizard of Oz and then-sixteen-year-old Judy Garland’s performance of it. It topped the AFI’s list of movie songs. However, the song was initially deleted when it was thought to slow down the film. LW Movie execs even said it was inappropriate for audiences to see the movie’s star singing in a farmyard. LW It only made it back in when Harold Arlen, one of the song’s writers, and executive producer Arthur Freed lobbied on the song’s behalf. AB40

Arlen and lyricist “Yip” Harburg originally penned the song not as “a little girl’s plea for a silver lining,” TC but as a declaration of hope for America from two “unabashed lefties” TC who believed in President Roosevelt’s New Deal. TC

As was common in the first half of the 20th century, multiple versions of the song charted. In 1939, four acts took “Rainbow” into the top 10. Interesting, Garland’s was neither the most successful nor the first to chart. Glenn Miller and Larry Clinton both debuted with it the week of August 19. Miller’s went to #1 the same week Garland hit the charts. A week later, Bob Crosby hit with his #2 version. Charting versions in later years included the Dimensions (#16 US, 1960), Gary Tanner (#69 US, 1978), Jerry Lee Lewis (#10 CW, 1980), Matchbox (#15 UK, 1980), Cliff Richard (#11 UK, 2001), Katharine McPhee (#12 US, 2006), Danielle Hope (#29 UK, 2010), Nicholas David (#96 US, 2012), and the Glee Cast (#44, 2010).

However, it was Garland’s version which “became the most famous and beloved.” JA Hers was selected by the RIAA as the top song of the 20th century and won the Oscar for Best Song. She had no problem with the “theme song around which she constructed her career.” LW As she said, “I’ve sung it time and time again and it’s still the song that’s closest to my heart.” TC


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First posted 9/9/2011; last updated 11/22/2022.