Saturday, December 31, 1983

Dave’s Faves: My Album Collection in 1983

Dave’s Faves:

My Album Collection in 1983

I bought my first album – an eight track actually – in 1979. It was a K-Tel compilation called High Energy which featured a few songs which still rank amongst my top 100 of all time: Styx’s “Renegade,” Blondie’s “Heart of Glass,” and Chic’s “Le Freak.” Over the next few years, I added a new eight track once and a while.

In September 1982, I joined the Columbia House Record and Tape Club and began not just the transition of my collection from eight track to cassette, but a move to a much faster-growing collection. 1983 would be a significant year for me as I added dozens more albums to my collection, picking up something new every week or so. They would have a long-lasting effect on me as well. The albums pictured below still rank in my top 100 albums of all time.

By year’s end, this was what my collection looked like:

  1. Air Supply Lost in Love (1980)
  2. Air Supply The One That You Love (1981)
  3. Asia Asia (1982)
  4. Asia Alpha (1983)

  5. The Beatles Sgt. Pepper’s Lonely Hearts Club Band (1967)
  6. The Beatles Magical Mystery Tour (1967)
  7. The Beatles Hey Jude (1968)
  8. The Beatles 1962-1966 (compilation: 1962-66, released 1973)
  9. The Beatles 1967-1970 (compilation: 1967-70, released 1973)

  10. Pat Benatar Get Nervous (1982)
  11. Blondie Parallel Lines (1978)
  12. Blondie Eat to the Beat (1979)
  13. Chicago Chicago 16 (1982)
  14. Def Leppard Pyromania (1983)
  15. John Denver Greatest Hits (compilation: 1969-72, released 1973)
  16. Neil Diamond The Jazz Singer (soundtrack, 1980)
  17. Dan Fogelberg Greatest Hits (compilation: 1972-82, released 1982)
  18. Foreigner 4 (1981)
  19. Foreigner Records (compilation: 1976-82, released 1982)
  20. J. Geils Band Freeze Frame (1981)
  21. Daryl Hall & John Oates H2O (1982)
  22. Daryl Hall & John Oates Rock ‘N’ Soul Part I (compilation: (1973-83, released 1983)

  23. Michael Jackson Thriller (1982)
  24. Billy Joel The Nylon Curtain (1982)
  25. Billy Joel An Innocent Man (1983)

  26. Journey Escape (1981)
  27. Journey Frontiers (1983)
  28. Barry Manilow Greatest Hits (compilation, released 1978)
  29. Men at Work Business As Usual (1981)
  30. Men at Work Cargo (1983)
  31. John Cougar (Mellencamp) American Fool (1982)
  32. Olivia Newton-John Greatest Hits (compilation: 1971-76, released 1977)
  33. Olivia Newton-John Totally Hot (1978)
  34. Olivia Newton-John/Electric Light Orchestra Xanadu (soundtrack, 1980)

  35. Olivia Newton-John Physical (1981)
  36. Olivia Newton-John’s Olivia’s Greatest Hits Vol. 2 (1982)
  37. Stevie Nicks The Wild Heart (1983)
  38. The Police Ghost in the Machine (1981)
  39. The Police Synchronicity (1983)

  40. Kenny Rogers Greatest Hits (compilation: 1977-80, released 1980)
  41. Queen Greatest Hits (compilation: 1973-81, released 1981)
  42. Styx Styx II (1973)
  43. Styx The Grand Illusion (1977)
  44. Styx Cornerstone (1979)
  45. Styx Paradise Theater (1981)

  46. Styx Kilroy Was Here (1983)
  47. Toto Toto IV (1982)
  48. John Williams (composer) Star Wars IV: A New Hope (soundtrack, 1977)

    Various Artists:

  49. Flashdance (soundtrack, 1983)
  50. K-Tel: High Energy (1979)
  51. K-Tel: Starflight (1979)
  52. K-Tel: Wings of Sound (1979)
  53. Two of a Kind (soundtrack, 1983)

1983 proved to be the year when my music obsession took the great leap forward. I was now an addict for life.


Resources and Related Links:


First posted 8/12/2020; updated 8/31/2021.

Saturday, December 10, 1983

Paul McCartney and Michael Jackson hit #1 with “Say Say Say”

Say, Say, Say

Paul McCartney & Michael Jackson

Writer(s): Paul McCartney, Michael Jackson (see lyrics here)


Released: October 3, 1983


First Charted: October 7, 1983


Peak: 16 US, 13 CB, 15 RR, 3 AC, 24 AR, 2 UK, 14 CN, 4 AU (Click for codes to singles charts.)


Sales (in millions): 2.0 US, 0.25 UK, 4.57 world (includes US + UK)


Airplay/Streaming (in millions): 1.0 radio, 85.43 video, 67.92 streaming

Awards:

Click on award for more details.

About the Song:

“Say, Say, Say” capped off one of the most successful year’s in music history for an artist. When it hit the top 10, it gave Michael Jackson his seventh top-ten of 1983 – the most successful run since the Beatles had eleven top-ten hits in 1964. TB Of course, the song paired Jackson with none other than Paul McCartney of the Beatles. Anything less than another smash would have been a letdown. It didn’t disappoint. Its #26 debut on the Billboard Hot 100 was the highest since John Lennon’s “Imagine” premiered at #20 in 1971. “Say, Say, Say” would go on to sit at the pinnacle for six weeks.

In his “Number Ones” column at Stereogum, Tom Breihan criticizes it as “a slight song” SG without a “bulletproof hook,” SG although he also calls it “a strong piece of breezy post-disco synth-funk, a worthy artifact of Jackson’s peak moment.” SG “Its lyrics are about some unrequited crush, and none of them stick with you.” SG Songfacts.com notes, however, that “the bipolar nature of the song lends itself to the duet format, with McCartney’s verses seeming somewhat reasonable…while Jackson is the voice of desperation.” SF

Breihan also points out how in the video the pair play “charming-rogue conmen, who keep people happy in desperate circumstances even as they’re taking their money.” SG “The symbolism practically hammers you over the head: Two grinning masters of the form, sidling right up to you and showing you exactly how they’re taking advantage of your affection.” SG

The song is “a thick mix, full of funky bass/guitar interplay, bright horn blats, and cinematic synth-effects. The drum sound is huge. Some extremely cool vocoder-murmurs pop up here and there. All of that marks the song as being within Jackson’s wheelhouse.” SG It sounds closer to what Jackson was doing on Off the Wall than Thriller, which makes sense considering it was recorded between the two albums. Jackson first reached out to McCartney on Christmas Day, 1980. Jackson flew to England the next autumn and they worked on the song. In 1982, they met at McCartney’s Arizona ranch and again in Los Angeles to finish the song and shoot a video for it. They also recorded “The Man,” which was released on McCartney’s Pipes of Peace album along with “Say, Say, Say.” A third song, “The Girl Is Mine,” was released as the first single from Jackson’s Thriller and soared to #2 a year before “Say, Say, Say” was released.

As great as their chemistry was, the two would never work together again. In 1984, Michael Jackson bought the vast majority of the Beatles’ catalog for $46 million. McCartney had tried to buy the rights previously with no luck. Now his former collaborator was in charge of licensing Beatles’ songs for commercials and McCartney had to negotiate royalty rates for his own songs with Jackson.


Resources:


Related Links:


First posted 6/25/2022.

Saturday, December 3, 1983

Lionel Richie hit #1 with Can’t Slow Down

Can’t Slow Down

Lionel Richie


Released: October 11, 1983


Peak: 13 US, 123 RB, 13 UK, 11 CN, 13 AU


Sales (in millions): 10.0 US, 1.89 UK, 21.0 world (includes US and UK)


Genre: pop/R&B


Tracks:

Song Title (date of single release, chart peaks) Click for codes to charts.

  1. Can’t Slow Down
  2. All Night Long (All Night) (9/17/83, 1 US, 2 UK, 1 RB, 1 AC, gold single)
  3. Penny Lover (10/6/84, 5a US, 18 UK, 8 RB, 1 AC)
  4. Stuck on You (6/23/84, 3 US, 12 UK, 8 RB, 1 AC)
  5. Love Will Find a Way
  6. The Only One
  7. Running with the Night (11/26/83, 7 US, 9 UK, 6 RB, 6 AC, 49 AR)
  8. Hello (2/25/84, 1 US, 1 UK, 1 RB, 1 AC, gold single)


Total Running Time: 40:56

Rating:

4.295 out of 5.00 (average of 21 ratings)


Awards:

(Click on award to learn more).

About Lionel Richie

Lionel Richie was born in 1949 in Alabama. He went to Tuskegee Institute on a tennis scholarship and graduated with a Bachelo of Science degree in economics. While there, he became a singer and saxophonist with the Commodores. They became a prominent R&B group in the 1970s with Motown. Richie “gradually steered the band away from rigid soul and funk towards a more commercial pop sound.” AB He became the group’s most prominent member, singing lead on #1 hits “Three Times a Lady” and “Still” as well as top-five hits “Easy” and “Sail On.”

After success as a songwriter – Kenny Rogers took Richie’s song “Lady” to #1 – and a huge #1 hit as a solo artist paired with Diana Ross on 1981’s “Endless Love,” Richie decided it was time to pursue a solo career. His self-titled 1982 solo debut was a four-time platinum smash with three top-five hits, including the #1 song “Truly.”

His Second Album

Richie quickly followed up his debut with Can’t Slow Down. He “ran with the sound and success of his eponymous debut, creating an album that was designed to be bigger and better.” AM He follows the template of Michael Jackson’s Thriller by “adding funky dance pop and watered-down elements of hard rock to the expected ballads.” TB As Rolling Stone’s Don Shewey said, “If you can’t innovate, imitate. And the more honest they are about their sources, the better.” WK

“But safe bets do pay off, and with Can’t Slow Down Richie reaped enormous dividends.” AM The album generated five top-ten hits, topped the Billboard album chart, and spent 59 consecutive weeks in the top 10. It became Motown’s biggest seller AB and won the Grammy for Album of the Year.

The Songs

Here are insights into some of the album’s songs.

“All Night Long (All Night)”
For the first single from Can’t Slow Down, Richie went with All Night Long (All Night). A Q magazine review called it “an anthem to good times that makes the heart sing and feel twitch.” WK Richie showed how he was more suited to “jumpy international dance pop” WK than the funk music he made with the Commodores. WK

“Running with the Night”
Richie “adds a bit of rock with the sleek nocturnal menace of Running with the Night,” AM the album’s second single and another top-ten hit. It is “one of the best songs here.” AM Richie “ups the ante on his dance numbers, creating grooves that are funkier.” AM “The dance songs roll smooth and easy, never pushing the beats too hard and relying more on Richie’s melodic hooks than the grooves.” AM

“Hello,” “Penny Lover,” and “Stuck on You”
Richie embraces being a pop singer, especially on the “smooth ballads.” AM where Village Voice’s Robert Christgau said Richie demonstrates a “surprisingly solid” improvement. WK The other three top-ten hits from Can’t Slow Down all worked in this vein, from Penny Lover to the “country-ish Stuck on YouAM and the album’s second #1 hit, Hello.

Other Songs
With only eight songs, “the short running time does suggest the record’s main weakness, one that it shares with many early-‘80s LPs — the songs themselves run on a bit too long, padding out the running length of the entire album. This is only a problem on album tracks like Love Will Find a Way, which are pleasant but a little tedious at their length, but since there are only three songs that aren’t hits, it’s a minor problem. All the hits showcase Lionel Richie at his best, as does Can’t Slow Down as a whole.” AM


Notes:

The 20th anniversary of the album, released in 2003, added remixes originally released on the singles and instrumental versions of “All Night Long” and “Running with the Night” as well as demos and alternate versions of all the songs on the album. A couple of unfinished songs, “Ain’t No Sayin’ No” and “Tell Me,” are also included.

Review Sources:


Related DMDB Links:


First posted 3/28/2008; last updated 12/8/2024.

Journey “Ask the Lonely” charted

Ask the Lonely

Journey

This post moved here.

Friday, December 2, 1983

Michael Jackson’s “Thriller” video was released

Thriller

Michael Jackson

This post has been moved here.

Thursday, November 24, 1983

50 years ago: Bessie Smith's final recording session

The Essential

Bessie Smith


Released: September 23, 1997


Recorded: 2/15/1923 to 11/24/1933


Peak: --


Sales (in millions): --


Genre: blues/jazz


Tracks, Disc 1:

Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Aggravatin’ Papa (8/25/23, 12 US)
  2. Baby, Won’t You Please Come Home (9/1/23, 6 US)
  3. ‘Tain’t Nobody’s Bizness if I Do (10/20/23, 9 US)
  4. Jail-House Blues (1923)
  5. Graveyard Dream Blues (1923)
  6. Ticket Agent, Ease Your Window Down (1924)
  7. Boweavil Blues (1924)
  8. Weeping Willow Blues (1924)
  9. Dying Gambler’s Blues (1924)
  10. St. Louis Blues (6/13/25, 3 US)
  11. You’ve Been a Good Ole Wagon (1925)
  12. Cake Walkin’ Babies from Home (1925)
  13. Careless Love Blues (10/31/25, 5 US)
  14. I Ain’t Goin’ to Play Second Fiddle (11/28/25, 8 US)
  15. At the Christmas Ball (1925)
  16. Jazzbo Brown from Memphis Town (1926)
  17. Backwater Blues (1927)
  18. After You’ve Gone (8/6/27, 7 US)

Tracks, Disc 2:

  1. Alexander’s Ragtime Band (10/15/27, 17 US)
  2. There’ll Be a Hot Time in the Old Time Tonight (1927)
  3. Trombone Cholly (1927)
  4. Send Me to the ‘Lectric Chair (1927)
  5. A Good Man Is Hard to Find (recorded 1927, charted 3/10/28, 13 US)
  6. Dyin’ by the Hour (1927)
  7. Me and My Gin (1928)
  8. Kitchen Man (1929)
  9. Nobody Knows You When You’re Down and Out (8/31/29, 15 US)
  10. On Revival Day (A Rhythmic Spiritual) (1930)
  11. Moan, You Moaners (1930)
  12. Black Mountain Blues (1930)
  13. Shipwreck Blues (1931)
  14. Need a Little Sugar in My Bowl (1931)
  15. Do Your Duty (1933)
  16. Gimme a Pigfoot and a Bottle of Beer (1933)
  17. Take Me for a Buggy Ride (1933)
  18. Down in the Dumps (1933)

Rating:

4.360 out of 5.00 (average of 18 ratings)


Quotable: “If you’ve never experienced the genius of Bessie Smith, pick this one up and prepare yourself to be devastated.” – Cub Koda, All Music Guide


Awards: (Click on award to learn more).

About the Album:

“Bessie Smith was crowned the Empress of the Blues, and, while this moniker was well deserved, she was much more. A prolific recording artist, Smith was quite an eclectic performer. In fact, she may have been one of the first true crossover artists.” LG “Bessie could sing it all, from the lowdown moan of St. Louis Blues and Nobody Knows You When You’re Down and Out to her torch treatment of the jazz standard After You’ve Gone to the downright salaciousness of Need a Little Sugar in My BowlCK or other “suggestive material [such] as Kitchen Man.” LG She “could breathe new life into a pop chestnut like Alexander’s Ragtime Band.” LG

The collection works its way through Smith’s entire career, from her very first recording session on February 15, 1923 through her final session on November 24, 1933. DA “This two-disc, 36-song set sweats it down to the bare essentials in quite an effective manner,” CK giving “the listener a good sampling of her wide repertoire.” LG “This is the perfect entry-level set.” CK

“Utilizing the latest in remastering technology, these recordings have never sounded quite this clear and full, and the selection – collecting her best-known sides and collaborations with jazz giants like Louis Armstrong” CK – ‘St. Louis Blues’…features [his] horn work” LG – Coleman Hawkins, and Benny Goodman – is first-rate. If you’ve never experienced the genius of Bessie Smith, pick this one up and prepare yourself to be devastated.” CK “The title of this album says it all.” LG

Resources and Related Links:


First posted 3/6/2011; last updated 2/9/2022.

Monday, November 14, 1983

Eurythmics released Touch

Touch

Eurythmics

Released: November 14, 1983


Peak: 7 US, 12 UK, 3 CN, 4 AU, 13 DF Click for codes to charts.


Sales (in millions): 1.0 US, 0.3 UK, 1.3 world (includes US + UK)


Genre: new wave


Tracks:

Click on a song title for more details.
  1. Here Comes the Rain Again
  2. Regrets
  3. Right by Your Side
  4. Cool Blue
  5. Who’s That Girl?
  6. The First Cut
  7. Aqua
  8. No Fear, No Hate, No Pain, No Broken Hearts
  9. Paint a Rumour

Total Running Time: 45:30


The Players:

  • Annie Lennox (vocals, keyboards)
  • Dave Stewart (guitar, bass sequencer, drum computer program)

Rating:

4.087 out of 5.00 (average of 15 ratings)


Awards:

(Click on award to learn more).

About the Album

“Eurythmics followed their…breakthrough album Sweet Dreams with the superior Touch, which yielded three hit singles and kept the innovative duo at the forefront of the 1980s British new wave explosion and MTV phenomenon. Mixing cold, hard, synthesized riffs with warm, luscious vocals, the duo crafted some of the most unique and trendsetting music the 1980s had to offer. Subsequent albums found the duo leaning heavier toward straightforward rock – this album found them at the height of their electronic incarnation.” AM

Beyond the album’s three singles “other standouts include the seven-and-a-half-minute disco trance of ‘Paint a Rumour,’ the driving ‘The First Cut,’ and the icy, spellbinding, and sparse ‘No Fear No Hate No Pain (No Broken Hearts).’” AM

“The cool, sophisticated musical experimentalism all over Touch cemented Eurythmics’ reputation as one of the most innovative duos of their time; the hit singles solidified their reputation as dependable 1980s hitmakers and MTV mainstays. Touch is a testament to what Eurythmics were at the height of their electronic-techno phase and, without doubt, is a milestone in 1980s pop music.” AM

The Songs

Here’s a breakdown of each of the individual songs.

Here Comes the Rain Again

Eurythmics

Writer(s): Annie Lennox, Dave Stewart


Released: 1/13/84 (single), Touch (1983), Greatest Hits (1991), Live 1983-1989 (1993), Ultimate Collection (2005)


B Side: “Paint a Rumour”


Peak: 4 BB, 5 CB, 3 GR, 4 RR, 6 AC, 8 AR, 2 CO, 8 UK, 7 CN, 16 AU, 3 DF Click for codes to charts.


Sales (in millions): -- US, 0.20 UK


Airplay/Streaming (in millions): -- radio, -- video, 184.56 streaming

Awards:

(Click on award to learn more).

About the Song:

“Here Comes the Rain Again” “is a melodramatic opus, complete with pre-techno beats, sweeping strings, and Annie Lennox’s rushing, cool vocals.” AM It shows how the Eurythmics achieved success via Dave “Stewart’s innovative approach to pop songs and Lennox’s soul-bearing singing.” TC

The song found the duo moving on “from the synth-pop of earlier records with the addition of a string section.” TC The song also uses “a quirky arrangement with its absence of a chorus” TC and employs “a melody that borrows from torch songs but doesn’t quite go to the same places.” TC

Dave and Annie wrote the song in New York at the Mayflower Hotel. It reflects on her experiences with anxiety and depression. She said, “I lived like that for years, sort of verging on suicide…No matter how much you want to get out of that sort of thing, or who much help you get, it’s a very hard thing to crack…But…with a bit of luck and a lot of grit, you can also turn them into something creative.” TC

Regrets

Eurythmics

Writer(s): Annie Lennox, Dave Stewart


Released: Touch (1983)


Peak: 23 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.74 streaming


About the Song:

A

Right by Your Side

Eurythmics

Writer(s): Annie Lennox, Dave Stewart


Released: 10/23/83 (single), Touch (1983), Greatest Hits (1991), Live 1983-1989 (1993), Ultimate Collection (2005)


B Side:Right by Your Side (Party Mix)”


Peak: 29 BB, 30 CB, 33 GR, 28 RR, 38 AC, 5 CO, 10 UK, 39 CN, 15 AU, 6 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 3.27 streaming


About the Song:

“’Right by Your Side," finds the duo in a cheerful, Caribbean-inspired mode.” AM

Cool Blue

Eurythmics

Writer(s): Annie Lennox, Dave Stewart


Released: Touch (1983)


Peak: 15 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.72 streaming


About the Song:

A

Who’s That Girl?

Eurythmics

Writer(s): Annie Lennox, Dave Stewart


Released: 7/1/83 (single), Touch (1983), Greatest Hits (1991), Live 1983-1989 (1993), Ultimate Collection (2005)


B Side: “You Take Some Lentils and You Take Some Rice,” “ABC (Freeform)”


Peak: 21 BB, 21 CB, 15 GR, 16 RR, 5 CO, 3 UK, 15 CN, 20 AU, 4 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 6.59 streaming


About the Song:

“The soulful ‘Who’s That Girl’ is an icy, steamy throwback to the torch songs of yesteryear, with Lennox oozing sensuality from every syllable emitted from her lips.” AM

The First Cut

Eurythmics

Writer(s): Annie Lennox, Dave Stewart


Released: Touch (1983)


Peak: 30 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.66 streaming


About the Song:

A

Aqua

Eurythmics

Writer(s): Annie Lennox, Dave Stewart


Released: Touch (1983)


Peak: 39 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.56 streaming


About the Song:

A

No Fear, No Hate, No Pain, No Broken Hearts

Eurythmics

Writer(s): Annie Lennox, Dave Stewart


Released: Touch (1983)


Peak: 27 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 1.02 streaming


About the Song:

A

Paint a Rumour

Eurythmics

Writer(s): Annie Lennox, Dave Stewart


Released: Touch (1983)


Peak: 30 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.39 streaming


About the Song:

A

Resources/References:


Related DMDB Pages:


First posted 6/12/2026.