Saturday, September 30, 1978

Styx charted with Pieces of Eight

Pieces of Eight


Charted: September 30, 1978

Peak: 6 US, -- UK, -- CN, 70 AU

Sales (in millions): 3.0 US

Genre: classic arena rock


Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Great White Hope (Young) [4:22]
  2. I’m O.K. (DeYoung/Young) [5:41]
  3. Sing for the Day (Shaw) [4:57] (12/30/78, 41 US, 41 CB, 39 HR, 17 CL, 27 CN)
  4. The Message (DeYoung) [1:08]
  5. Lords of the Ring (DeYoung) [4:33]
  6. Blue Collar Man (Long Nights) (Shaw) [4:05] (9/9/78, 21 US, 21 CB, 22 HR, 21 RR, 4 CL, 9 CN, 98 AU)
  7. Queen of Spades (DeYoung/Young) [5:38]
  8. Renegade (Shaw) [4:13] (1/9/79, 16 US, 18 CB, 22 HR, 17 RR, 1 CL, 10 CN)
  9. Pieces of Eight (DeYoung) [4:44]
  10. Aku Aku (Shaw) [2:57]

Total Running Time: 42:18

The Players:

  • Dennis DeYoung (vocals, keyboards)
  • Tommy Shaw (vocals, guitar)
  • James “J.Y.” Young (guitar, vocals)
  • Chuck Panozzo (bass)
  • John Panozzo (drums)


3.954 out of 5.00 (average of 21 ratings)

Awards: (Click on award to learn more).

About the Album:

Styx became an arena rock favorite with their seventh album, 1977’s The Grand Illusion. It became their first top-10 album and was a multi-platinum seller on the strength of hits “Come Sail Away” and “Fooling Yourself.” Pieces of Eight followed suit and became the band’s second multi-platinum top-10 album, also fueled by a pair of top-40 hits.

Like its predecessor, Pieces of Eight was “a tour de force for the band’s trio of songwriters…with the superb backing of the Panozzo rhythm section.” UCR The band’s “feisty, straightforward brand of album rock is represented best by Blue Collar Man, …an invigorating keyboard and guitar rush — hard and heavy, yet curved by Tommy Shaw's emphasized vocals.” AMG It reached #21 on the Billboard Hot 100.

“The frolicking romp of RenegadeAMG met with even more success, peaking at #16. The anthemic song became a fan favorite and concert encore.

Some considered Pieces of Eight to be the band’s last album “with significant progressive rock leanings.” WKSing for the Day, Lords of the Ring, and Aku-Aku all contain slightly more complex instrumental foundations, and are lyrically reminiscent of the material from albums like The Serpent Is Rising or Man of Miracles, but not as intricate or instrumentally convoluted.” AMG The aforementioned “Lords of the Ring” as well as “DeYoung’s title track…provided more majestic pomp rock highlights, and JY simply brought the house down with Great White Hope and (with DeYoung) the simply sublime Queen of Spades.” UCR

It’s also considered a theme album, with Dennis DeYoung explaining that it was about “not giving up your dreams just for the pursuit of money and material possessions.” WK “While the writing may stray slightly from what Styx provided on The Grand Illusion, Pieces of Eight kept their established rock formula in tact quite firmly.” AMG

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First posted 3/24/2008; last updated 5/18/2021.

Saturday, September 16, 1978

Blondie charted with Parallel Lines

First posted 2/19/2008; updated 11/24/2020.

Parallel Lines


Charted: September 16, 1978

Peak: 6 US, 14 UK, 2 CN, 2 AU

Sales (in millions): 1.0 US, 1.69 UK, 20.0 world (includes US and UK)

Genre: new wave


Song Title (date of single release, chart peaks) Click for codes to singles charts.

  1. Hanging on the Telephone (11/11/78, 5 UK)
  2. One Way or Another (6/2/79, 24 US)
  3. Picture This (8/26/78, 12 UK)
  4. Fade Away and Radiate
  5. Pretty Baby
  6. I Know But I Don’t Know
  7. 11:59
  8. Will Anything Happen?
  9. Sunday Girl (5/19/79, 1 UK)
  10. Heart of Glass (1/27/79, 1 US, 1 UK, 44 AC, gold single)
  11. Gonna Love You Too
  12. Just Go Away

Total Running Time: 39:06

The Players:

  • Deborah Harry (vocals)
  • Chris Stein (guitar)
  • Clem Burke (drums)
  • Jimmy Destri (keyboards)
  • Nigel Harrison (bass)
  • Frank Infante (guitar)


4.466 out of 5.00 (average of 28 ratings)

Quotable: “Downtown art-punk goes pop” – Blender Magazine


About the Album:

“Blondie were too smart and sexy to be genuine punks” BL and when they “turned to British pop producer Mike Chapman for their third album…they abandoned any pretensions to new wave legitimacy (just in time, given the decline of the new wave) and emerged as a pure pop band.” WR “With pop chops, disco grooves and enough cooing harmonies to pass for low-rent Ronettes, …Parallel Lines transcended new wave, winning over Middle America.” BL

“But it wasn’t just Chapman that made Parallel Lines Blondie’s best album; it was the band’s own songwriting, including Deborah Harry, Chris Stein, and James Destri’s Picture This, and Harry and Stein’s Heart of Glass, and Harry and new bass player Nigel Harrison’s One Way or Another, plus two contributions from nonbandmember Jack Lee, Will Anything Happen? and Hanging on the Telephone.” WR

“That was enough to give Blondie a number one on both sides of the Atlantic with ‘Heart of Glass’ and three more U.K. hits, but what impresses is the album's depth and consistency – album tracks like Fade Away and Radiate and Just Go Away are as impressive as the songs pulled for singles. The result is state-of-the-art pop/rock circa 1978, with Harry’s tough-girl glamour setting the pattern that would be exploited over the next decade by a host of successors led by Madonna.” WR

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