Thursday, March 23, 1978

Bob Marley & The Wailers released Kaya

Kaya

Bob Marley & the Wailers


Released: March 23, 1978


Peak: 50 US, 50 RB, 4 UK, 5 AU


Sales (in millions): 0.5 US, 0.1 UK, 4.0 world (includes US and UK)


Genre: reggae


Tracks:

Song Title (date of single release, chart peaks) Click for codes to singles charts.

  1. Easy Skanking
  2. Kaya (2/71, --)
  3. Is This Love (2/25/78, 9 UK)
  4. Sun Is Shining
  5. Satisfy My Soul (5/78, 21 UK)
  6. She’s Gone
  7. Misty Morning
  8. Crisis
  9. Running Away
  10. Time Will Tell


Total Running Time: 36:59


The Players:

  • Bob Marley (vocals, guitar)
  • Aston “Family Man” Barrett (bass)
  • Carlton “Carlie” Barrett (drums, percussion)
  • Tyrone Downie (keyboards)
  • Alvin “Seeco” Patterson (percussion)
  • Junior Marvin (electric guitar)
  • Rita Marley, Judy Mowatt, Griffiths (backing vocals)
  • Vincent Gordon (trombone)
  • Glen Da Costa (trumpet)
  • Winston Grennan (drums)

Rating:

3.454 out of 5.00 (average of 20 ratings)

About the Album:

Kaya continues what has become an unspoken tradition in the evolution of Bob Marley & the Wailers discography — blending western sounds and motifs with the icons and traditions from the very core of Jamaican society. In fact, the very word ‘kaya’ is synonymous with marijuana in Rastafarian culture. Likewise, the album Kaya could be easily construed as an open love letter or musical paean to the lifestyle that Marley so eagerly embraced and promoted.” AMG

“Themes of commonality and unity pervade this release more so than previous albums. Likewise, the overt political stances that had become somewhat of a moniker for Marley and the Wailers are temporarily replaced by timeless compositions, such as the eternally optimistic Easy Skanking and Is This Love.” AMG

“Marley had not — as some proclaimed — gone soft, however. The light, at times practically giddy, rhythms on Satisfy My Soul contrast the darker brooding sonic and lyrical images on Running Away.” AMG

“The most pressings issues Marley deals with concern ever-increasing spiritual consciousness. Throughout Kaya, humble thanks is offered to, as well as guidance sought from, Jah — evidence that the spirituality that permeates the Wailers music is real and not lip service. Kaya could be considered the oasis before the political and personal eruptions that would inform and influence Marley and the Wailers next studio releases Survival and Uprising.” AMG


Notes: “Kaya” and “Sun Is Shining” were first featured on Soul Revolution; “Satisfy My Soul” had also been previously recorded, but not featured on album. The 2001 "Definitive Remasters" edition of Kaya also includes "Smile Jamaica." Although initially issued as the flip side of "Satisfy My Soul," the song was recorded more than a year prior to this album.

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First posted 3/26/2008; last updated 5/10/2021.

Saturday, March 18, 1978

Bee Gees hit #1 with “Night Fever”

First posted 10/23/2020; last updated 3/7/2021.

Night Fever

Bee Gees

Writer(s): Barry Gibb, Maurice Gibb, Robin Gibb (see lyrics here)


First Charted: February 3, 1978


Peak: 18 US, 18 CB, 18HR, 16 RR, 19 AC, 8 RB, 12 UK, 15 CN, 7 AU (Click for codes to singles charts.)


Sales (in millions): 2.5 US, 0.5 UK, 3.15 world (includes US + UK)


Airplay/Streaming (in millions): 1.0 radio, 168.1 video, -- streaming

Awards: (Click on award for more details).

About the Song:

“How Deep Is Your Love” was the first single from Saturday Night Fever and “Stayin’ Alive” is the one which endured to become the most iconic, but “Night Fever” was the biggest hit at the time. In the U.S., the first two spent a combined 7 weeks atop the chart, but “Night Fever” stayed there for a whopping 8 weeks. It was the biggest #1 of the year.

The soundtrack was such a juggernaut that “Night Fever” was knocked from its perch by Yvonne Elliman’s “If I Can’t Have You,” the fourth #1 single from Saturday Night Fever. For the week ending April 1, 1978, one of the Bee Gees – Barry Gibb – had a writing credit on five of the top 10 songs. It also meant he had writing credits on four consecutive #1 songs since his brother Andy’s song “Love Is Thicker Than Water” was the #1 song after “Stayin’ Alive” and preceding “Night Fever.”

The song contributed to the name of the movie. Robert Stigwood, who produced the movie and the Bee Gees, was developing a film about the disco scene in the Big Apple. He was inspired by the article “Tribal Rites of the New Saturday Night” in New York magazine about teens going to dance competitions. With the working title of Saturday Night, the movie’s star, John Travolta, rehearsed his dancing moves to the Bee Gees’ “You Should Be Dancing,” SF a #1 from 1976.

Stigwood reached out to the Bees in hopes that they might contribute some new songs. He asked the group to write a song with that title, but they balked, thinking it was a dumb title. SF They did, however, already have a song called “Night Fever” and convinced Stigwood to use it and call the movie Saturday Night Fever. WK The final soundtrack featured five #1 songs by the Bee Gees – “Night Fever,” “Stayin’ Alive,” “How Deep Is Your Love,” the aforementioned “You Should Be Dancing,” and “Jive Talkin’” from 1975.


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Billy Joel “Movin’ Out” charted

Movin’ Out (Anthony’s Song)

Billy Joel

Writer(s): Billy Joel (see lyrics here)


Released: November 1, 1977


First Charted: March 18, 1978


Peak: 17 US, 14 CB, 13 GR, 19 HR, 15 RR, 40 AC, 7 CL, 35 UK, 11 CN, 99 AU, 2 DF (Click for codes to charts.)


Sales (in millions): 1.0 US


Airplay/Streaming (in millions): -- radio, 24.7 video, -- streaming

Awards:

Click on award for more details.

About the Song:

Billy Joel became a superstar with his 1977 album The Stranger. In four previous albums, he’d landed two top-40 hits with “Piano Man” (#25) and “The Entertainer” (#34). The Stranger generated four top-25 hits – “Just the Way You Are” (#3), “Movin’ Out (Anthony’s Song)” (#17), “Only the Good Die Young” (#24), and “She’s Always a Woman” (#17).

Joel wrote “Movin’ Out,” the album’s second single, as an attack on the “New York working-class immigrant masculine ethos.” SF He said he saw friends who wasted their talents in favor of working long hours at unfulfilling jobs to afford the appearance of success. In the song, he cites characters such as Sergeant O’Leary who works two jobs so he can trade in his Chevy for a Cadillac.

Joel said Anthony isn’t a real person but a representation of “every Irish, Polish, and Italian kid trying to make a living in the U.S.” WK He is also stuck in the pursuit of the American dream, pondering if it is worth the effort to own a home in the suburbs of Hackensack, New Jersey.

Billboard described “Movin’ Out” as an “upbeat narrative that is…a commentary on upward mobility.” WK Cashbox said the “growling cellos and a pulsating rhythm section set the mood for Joel’s threatening indictment of middle-class values..” WK It also said the song had “one of the best choruses he has written in some time, combined with unusual effects, a yapping horn section, and a melodic guitar finale that wraps it up nicely.” WK


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First posted 12/28/2022.

Friday, March 10, 1978

Eric Clapton “Wonderful Tonight” released

Wonderful Tonight

Eric Clapton

Writer(s): Eric Clapton (see lyrics here)


Released: March 10, 1978


First Charted: May 13, 1978


Peak: 16 US, 24 CB, 23 GR, 25 HR, 39 AC, 2 CL, 30 UK, 15 CN, 53 AU, 1 DF (Click for codes to charts.)


Sales (in millions): 1.0 US, 0.6 UK, 2.68 world (includes US + UK)


Airplay/Streaming (in millions): 7.0 radio, 296.24 video, 331.86 streaming

Awards:

Click on award for more details.

About the Song:

This was the third single from Slowhand, Eric Clapton’s fifth solo outing. The album reached #2 in the United States and sold three million copies. His only studio album to match it in sales was 1994’s From the Cradle although his 1992 Unplugged live album did sell ten million copies in the U.S.

Clapton wrote “Wonderful Tonight” about Pattie Boyd. While the song is celebrated for its romantic expression of love and become “a fixture at proms and weddings,” SF the back story isn’t so sweet. Clapton met the international model when she was married to the Beatles’ George Harrison (he wrote the Beatles’ 1969 hit “Something” about her). Even though Clapton and Harrison became close friends, Clapton fell for her and pursued her. She rebuffed his advances and he wrote the Derek and the Dominos’ 1970 classic rock hit “Layla” about his longing for her.

After a three-year self-imposed exile and heroin addiction, Clapton pursued Boyd again in 1974. They began a relationship while she was still married to Harrison, who she eventually divorced in 1977. She married Clapton in 1979 but she divorced him in 1989, citing alcoholism, abuse, and infidelity.

Clapton wrote the song on September 7, 1976 while waiting for Boyd to get ready for an annual Buddy Holly party hosted by Paul and Linda McCartney. WK As she said, Eric “was sitting round playing his guitar while I was trying on dresses upstairs. I was taking so long and I was panicking about my hair, my clothes, everything, and I came downstairs expecting him to really berate me but he said, ‘Listen to this!’” SF

Cashbox said his “singing is superbly understated; the guitar work is simple and evocative.” WK Billboard described itas “perhaps Clapton’s prettiest and mellowest love ballad in some time.” WK


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First posted 12/24/2022; last updated 12/26/2022.