Friday, July 23, 2004

100 years ago: Billy Murray hits #1 with “Meet Me in St. Louis, Louis”

Meet Me in St. Louis, Louis

Billy Murray

Writer(s): Arthur B. Sterling, Kerry Mills (see lyrics here)


First Charted: July 23, 1904


Peak: 19 US, #12 GA (Click for codes to singles charts.)


Sales (in millions): -- US, -- UK, -- world (includes US + UK)


Airplay/Streaming (in millions): -- radio, -- video, -- streaming

Awards:

Click on award for more details.

About the Song:

In 1904, the world shone a light on St. Louis. In celebration of the centential of the Louisiana Purchase, the U.S. “Gateway to the West” became the stage for two major parties – the World’s Fair and the third modern Olympic Games. Composer Kerry Mills (“At a Georgia Camp Meeting,” “Red Wing”) and lyricist Andrew Sterling (“Wait Till the Sun Shines, Nellie,” “When My Baby Smiles at Me”) capitalized on the city’s popularity by penning what what would become the exposition’s theme song. RA

According to Mills and Sterling, the idea for the song came when they ordered a drink called a Louis and had it served to them by a bartender named Louis. They crafted a story of Flossie, a housewife who bolts for the World’s Fair in St. Louis, leaving a note behind for her husband, Louis. RCG He discovers, “The dresses that hung in the hall/ Were gone, she had taken them all/ She took all his rings/ And the rest of his things.” In her note, Flossie says, “We will dance the Hoochie-Koochie/ I Will be your Tootsie-Wootsie/ If you will meet me in St. Louis, Louis/ Meet me at the Fair.”

In an era when songs when commercial recordings were sometimes held off until sheet music sales proved a song’s worth, “Louis” enjoyed success on both fronts simultaneously. Certainly the timeliness of the event helped, but it also didn’t hurt that it was Billy Murray who crooned the tune. He was “the greatest star of the recording industry’s pioneer recording era.” SS His biographers said, “his greatest talent was casting himself as Everyman in his recordings…Murray [always] managed to come across as a member of the crowd…forging an empathetic bond with the average American citizen.” SS

He took the song to #1 in 1904. That same year, S.H. Dudley and J.W. Myers went top 5 with their versions. Songs about famous events were commonplace then, but most had a short life. However, this song found its way into stage revues and “became a vaudeville standard in hundreds of acts.” RCG It was also featured in movies such as The Strawberry Blonde (1941) and By the Light of the Silvery Moon (1953). Judy Garland immortalized the song when she performed it for the 1944 movie of the same name and took the song back to the charts, reaching #22.


Resources:

  • DMDB Encyclopedia entry for Billy Murray
  • RA Theodore Raph (1964). The Songs We Sang: A Treasury of American Popular Music. A.S. Barnes and Co., Inc.: New York. Page 295.
  • RCG RimChiGuy.com The Old Songs (1900-1929)
  • SS Steve Sullivan (2013). Encyclopedia of Great Popular Song Recordings (Volumes I & II). Scarecrow Press: Lanham, Maryland. Page 434.


Last updated 12/27/2021.

Saturday, July 17, 2004

Tim McGraw’s “Live Like You Were Dying” hit #1 on country chart

Live Like You Were Dying

Tim McGraw

Writer(s): Tim Nichols, Craig Wiseman (see lyrics here)


Released: June 7, 2004


First Charted: June 5, 2004


Peak: 29 US, 34 RR, 4 AC, 21 A40, 17 CW (Click for codes to singles charts.)


Sales (in millions): 2.31 US


Airplay/Streaming (in millions): -- radio, 44.4 video, 130.24 streaming

Awards:

Click on award for more details.

About the Song:

Tim McGraw was already a well-established country singer when “Live Like You Were Dying” became the biggest hit of his career. His chart debut came in 1992 and two years later he achieved then-rare crossover appeal when hs songs “Indian Outlaw” and “Don’t Take the Girl” became top-20 hits on the Billboard Hot 100. The latter became his first of 19 country chart-toppers leading up to “Dying.”

Tim Nichols and Craig Wiseman wrote the song based around family and friends who’d gained new perspectives on life after learning they had cancer. The lyrics focus on “experiencing life to its fullest, while also becoming a better person.” WK The song focuses on a man diagnosed with a life-threatening illness and decides to do the things he’d always wanted to do, such as skydiving and mountain climbing. By the end of the song, the singer is following the same example.

The song had a personal connection for Tim McGraw. His father, baseball pitcher Tug McGraw, died of a brain tumor on January 5, 2004 – just two weeks before Tim went to Allaire studios in upstate New York to record “Live Like You Were Dying.” SF All Music Guide’s Thom Jurek said this is “the very best kind of modern country song; the emotion in McGraw’s delivery is honest, not saccharine…The lyric itself is sold and beautifully constructed, a perfect marriage of melody, hook, and direct, simple lyrics.” AMG

From an awards standpoint, the song can make a claim as the most celebrated in country music history, claiming prizes from the Academy of Country Music (Best Single and Song), Billboard (Country Song of the Year), Broadcast Music Inc. (Country Song of the Year), Country Music Association (Best Single and Song), and the Grammys (Country Song of the Year).


Resources:


First posted 11/2/2021.