Tuesday, February 27, 1996

Alanis Morissette released “Ironic”


Alanis Morissette

Writer(s): Alanis Morissette, Glen Ballard (see lyrics here)

Released: February 27, 1996

First Charted: January 6, 1996

Peak: 4 US, 3 CB, 14 RR, 28 AC, 5 A40, 7 AA, 18 AR, 13 MR, 11 UK, 16 CN, 3 AU, 1 DF (Click for codes to singles charts.)

Sales (in millions): 0.6 US, 0.66 UK, 1.3 world (includes US + UK)

Airplay/Streaming (in millions): 1.0 radio, 195.5 video, 330.83 streaming


Click on award for more details.

About the Song:

Alanis Morissette was a minor pop star in her native Canada in the early ‘90s, but exploded worldwide with her third album, Jagged Little Pill. “Ironic” was the third single from the album – and the third song for Alanis to top the alternative rock chart. It was one of five songs from the album to top the Canadian charts and her highest charting on the Billboard Hot 100.

The won the Juno Award for Single of the Year and was nominated for Grammys for Record of the Year and Best Short Form Music Video. It was also nominated for six MTV Video Music Awards, winning three of them. The iconic video features Alanis driving through a winter landscape with three passengers – all played by Alanis.

The song garnered attention for what some considered a misuse of the word “ironic.” The Oxford English Dictionary describes it as “a figure of speech in which the intended meaning is the oppositie of that expressed by the words used,” WK which meant situations described in the song such as “rain on your wedding day” and “a traffic jam when you’re already late” weren’t irony, but bad luck. In a 2008 interview with The London Times, Alanis said “the dictionary now says [irony is also] a coincidence and bad luck – not that I don’t deserve a little slap on the writst for malapropism. I always tell people that I’m the smartest stupid person you’ll ever meet.” SF

The song’s co-writer, Glen Ballard, explained that he has a degree in English and knew their examples of irony weren’t “technically right, but I think it’s wonderful that everybody sort of jumped in on it and wanted to really define it as a literary term.” SF Salon.com’s Michael Reid Roberts defended the song as using situational irony, in which “the state of affairs…that seems deliberately contrary to what one expects.” WK

Ultimately, the song – whether or not it is technically accurate in its portrayals of irony – is an observation that “life has a funny…way of helping us out – in spite of all the bad stuff that we have to go through.” SF


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First posted 2/3/2021; last updated 11/1/2022.

Monday, February 12, 1996

Fugees released The Score

First posted 3/16/2008; updated 10/12/2020.

The Score

The Fugees

Released: February 12, 1996

Peak: 14 US, 18, 2 UK, 12 CN, 5 AU

Sales (in millions): 6.0 US, 1.5 UK, 20.0 world (includes US and UK)

Genre: hip-hop


Song Title (date of single release, chart peaks) Click for codes to singles charts.

  1. Red Intro
  2. How Many Mics
  3. Ready or Not (3/30/96, 69a US, 1 UK, 22a RB, 1 UK, 24 AU)
  4. Zealots
  5. The Beast
  6. Fu-Gee-La (12/30/95, 29 US, 13 RB, 21 UK, 43 AU, gold single)
  7. Family Business
  8. Killing Me Softly with His Song (3/2/96, 2a US, 1a RB, 30 AC, 1 UK, 1 AU)
  9. The Score
  10. The Mask
  11. Cowboys
  12. No Woman No Cry (6/15/96, 38a US, 58a RB, 2 UK, 20 AU)
  13. Manifest/Outro

Total Running Time: 60:52

The Players:

  • Wyclef Jean
  • Lauryn Hill
  • Pras Michel


4.379 out of 5.00 (average of 16 ratings)

Quotable: “One of the most distinctive hip-hop albums of its era” – Steve Huey, All Music Guide


About the Album:

“A breath of fresh air in the gangsta-dominated mid-‘90s, the Fugees’ breakthrough album, The Score, marked the beginning of a resurgence in alternative hip-hop. Its left-field, multi-platinum success proved there was a substantial untapped audience with an appreciation for rap music but little interest in thug life. The Score’s eclecticism, social consciousness, and pop smarts drew millions of latent hip-hop listeners back into the fold, showing just how much the music had grown up. It not only catapulted the Fugees into stardom, but also launched the productive solo careers of Wyclef Jean and Lauryn Hill, the latter of whom already ranks as one of the top female MCs of all time based on her work here.” AMG

“Not just a collection of individual talents, the Fugees’ three MCs all share a crackling chemistry and a wide-ranging taste in music. Their strong fondness for smooth soul and reggae is underscored by the two hit covers given slight hip-hop makeovers (Roberta Flack’s Killing Me Softly With His Song and Bob Marley’s No Woman, No Cry).” AMG

“Even when they’re not relying on easily recognizable tunes, their original material is powered by a raft of indelible hooks, especially the great Fu-Gee-La; there are also touches of blues and gospel, and the recognizable samples range from doo wop to Enya.” AMG

“Their protest tracks are often biting, yet tempered with pathos and humanity, whether they’re attacking racial profiling among police (The Beast), the insecurity behind violent posturing (Cowboys), or the inability of many black people in the Western Hemisphere to trace their familial roots (Family Business).” AMG

“Yeah, the Chinese restaurant skit is a little dicey, but on the whole, The Score balances intelligence and accessibility with an easy assurance, and ranks as one of the most distinctive hip-hop albums of its era.” AMG

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