Saturday, July 23, 1994

Sheryl Crow charted with “All I Wanna Do”

All I Wanna Do

Sheryl Crow

Writer(s): Sheryl Crow/Wyn Cooper/Bill Bottrell/David Baerwald/Kevin Gilbert (see lyrics here)

Released: April 4, 1994

First Charted: July 23, 1994

Peak: 2 US, 2 CB, 2 GR, 16 RR, 18 AC, 35 AR, 4 MR, 4 UK, 14 CN, 11 AU, 1 DF (Click for codes to charts.)

Sales (in millions): 0.5 US, 0.2 UK, 0.81 world (includes US + UK)

Airplay/Streaming (in millions): 1.0 radio, 7.35 video, 151.44 streaming


Click on award for more details.

About the Song:

Sheryl Crow signed to A&M in 1991 after working as a session singer, most notably for Michael Jackson. TB She recorded her debut album with Hugh Padgham, who had produced the Police. His “polished pop sheen” TB wasn’t much better than the major labels who wanted “to turn her into a grown-up Debbie Gibson.” TB Her boyfriend, Kevin Gilbert, introduced her to an informal collective of musicians known as the Tuesday Night Music Club.

The group served as session musicians to Crow’s resulting album of the same name. Released in August 1993, it didn’t take off until a year later when “All I Wanna Do,” the fourth single, started garnering attention at radio. “Carefully driven by lilting slide-guitar and handclaps, the single was – somewhat ironically…much more slick and polished than the rest” TB of the album.

The song went all the way to #2 on the Billboard Hot 100, stuck for six weeks behind Boyz II Men’s “I’ll Make Love to You.” It went to #1 in Australia and Canada and made the top 10 in Austria, France, Germany, Ireland, the Netherlands, New Zealand, and the United Kingdom. WK It also won Grammys for Record of the Year and Best Female Pop Vocal Performance.

The lyrics were adapted from Wyn Cooper’s 1987 poem “Fun.” Crow said “it encapsulated what was going on in LA, a real extreme feeling of apathy and defeat. It’s masked in this light pop ditty, but it’s about somebody down and out, sitting in a bar watching their life go by.” SF Bill Bottrell, a member of the Tuesday Night Music Club, and the producer for the album discovered the book of poetry, The Country of Here Below, in a used bookstore in Pasadena. The original run was for only 500 copies, but the success of “All I Wanna Do” spawned multiple reprints as well as earning considerable royalties for Cooper. WK


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First posted 4/9/2020; last updated 2/3/2023.

Tuesday, July 19, 1994

The Rolling Stones’ Voodoo Lounge released

Voodoo Lounge

The Rolling Stones

Released: July 19, 1994

Peak: 2 US, 11 UK, 12 CN, 11 AU

Sales (in millions): 2.0 US, 0.1 UK, 6.0 world (includes US and UK)

Genre: classic rock veteran


Song Title [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Love Is Strong [3:46] (7/5/94, 91 US, 2 AR, 14 UK, 2 CN, 47 AU)
  2. You Got Me Rocking [3:34] (7/23/94, 2 AR, 23 UK, 29 CN, 64 AU)
  3. Sparks Will Fly [3:14] (1/7/95, 30 AR, 57 CN)
  4. The Worst [2:24]
  5. New Faces [2:50]
  6. Moon Is Up [3:41]
  7. Out of Tears [5:25] (10/7/94, 60 US, 48 CB, 37 RR, 31 AC, 14 AR, 36 US, 3 CN, 43 AU)
  8. I Go Wild [4:19] (4/1/95, 20 AR, 29 UK, 45 CN, 57 AU)
  9. Brand New Car [4:13]
  10. Sweethearts Together [4:46]
  11. Suck on the Jugular [4:26]
  12. Blinded by Rainbows [4:32]
  13. Baby Break It Down [4:07]
  14. Thru and Thru [5:59]
  15. Mean Disposition [4:09]

All songs written by Mick Jaggers and Keith Richards.

Total Running Time: 62:08

The Players:

  • Mick Jagger (vocals, guitar, percussion)
  • Keith Richards (guitar, vocals, bass)
  • Ronnie Wood (guitar, backing vocals)
  • Charlie Watts (drums)


3.591 out of 5.00 (average of 23 ratings)

Quotable: Voodoo Lounge exults in the Stones’ reason for being: transcendent, fundamental rock & roll.” – Paul Corio, Rolling Stone

Awards: (Click on award to learn more).

About the Album:

Voodoo Lounge is a remarkable experience, the most visceral, daring Rolling Stones album since...who knows when.” CD “It’s a gas gas gas to hear the truth, the guts of rock and roll peek through the curtains of time.” CD 1989’s Steel Wheels, “which vaulted stylistic barriers, was in fact the riskier bid. But Voodoo Lounge exults in the Stones’ reason for being: transcendent, fundamental rock & roll.” RS

For their first studio album in five years, the Stones “strip their sound back to its spare, hard-rocking basics…turning out a set of songs that are pretty traditionalist.” AMG “They revive some of the English folk and acoustic country-blues that was on Beggars BanquetAMG although “there are no new twists or turns in either the rockers or ballads (apart maybe from the quiet menace of Thru and Thru, later used to great effect on The Sopranos).” AMG These are “songs that may not be classics, but are first-rate examples of the value of craft.” AMG

Part of the sound can be attributed to Don Was, “a neo-classic rock producer… helming the boards with the Glimmer Twins.” AMG “Without seeking to alter their basic approach, [he] has given this classic band a contemporary perspective.” CD “Because [he] insisted Mick have actual lyrics ready for the basic tracks, it obliged the Stones to return to the kind of live, spontaneous rhythm section feel that made even their most humble throwaways just jump out and bite you on the ass.” CD

“The departure of bassist Bill Wyman has forced the Stones to dig deep, and the arrival of Darryl Jones has given drummer Charlie Watts, if not a new lease on life, a different point of view. Watts and Wyman were like the Benny Benjamin and James Jamerson of rock ’n’ roll, and without his trusted rhythm mate, the drummer has to listen like his life depended on it.” CD

“This is the Stones…playing as a band. The Richards/Ron Wood guitar interplay is peerless, Charlie Watts swings easier than any other rock drummer, and the leanly muscled material flexes deep attitude.” RS

“There’s an edge and a sense of danger to Voodoo Lounge that is palpable from the reassuring crunch of Richards and Wood on the opening Love Is Strong, through the honky tonk bump of Baby Break It Down and the blue suede groove of Mean Disposition.” CD

“It’s on formula pieces (You Got Me Rocking, Brand New Car), rather than on experiments like Blinded by Rainbows, that the boys kick fiercest, realizing an essential truth: Rock & roll – like its revered forebears, blues and country – soars higher off blessed authenticity than off original expression.” RS

The hour-run time is “an ironically bloated length for an album whose greatest strengths are its lean, concentrated classic sound and songcraft.” AMG Had this been released “even five years earlier, this would be a near-triumph of classicist rock, but since Voodoo Lounge came out in the CD age, it’s padded out to 15 tracks, five of which could have been chopped to make the album much stronger.” AMG

Resources and Related Links:

Other Related DMDB Pages:

First posted 3/23/2008; last updated 10/25/2021.

Saturday, July 16, 1994

July 16, 1994: The Lion King soundtrack hit #1

image from

Originally posted June 10, 2011. Last updated September 3, 2018.

The Lion King (soundtrack/cast)

Elton John/Tim Rice/Hans Zimmer

Soundtrack Released: May 30, 1994

Stage Debut: July 8, 1997

Sales (in millions):
US: 11.0 S, 1.0 C
UK: 0.3 S
IFPI: --
World (estimated): 18.4 S+C

US: 110-S, 162 C
UK: 4 S
Canada: 15-S
Australia: --

S soundtrack
C cast album

Quotable: --

Genre: Disney/show tunes

Album Tracks – Soundtrack:

  1. The Circle of Life (CARMEN TWILLIE)
  2. I Just Can’t Wait to Be King (JASON WEAVER)
  3. Be Prepared (JEREMY IRONS)
  5. Can You Feel the Love Tonight? (JOSEPH WILLIAMS/ SALLY DWORSKY)
  6. This Land (HANS ZIMMER)
  7. To Die For (HANS ZIMMER)
  8. Under the Stars (HANS ZIMMER)
  9. King of Pride Rock (HANS ZIMMER)
  10. The Circle of Life (ELTON JOHN) ((8/27/94, #15a US, #11 UK, #2 AC, airplay: 2 million)
  11. I Just Can’t Wait to Be King (ELTON JOHN)
  12. Can You Feel the Love Tonight? (ELTON JOHN) (5/21/94, #2a US, #14 UK, #1 AC. sales: ½ million, airplay: 1 million)


A 2004 special edition added “an unreleased song, ‘The Morning Report,’ sung by Jeff Bennett, James Earl Jones, and Evan Saucedo” SL and written by John & Rice, “and yet another remix of Elton John’s ‘Can You Feel the Love Tonight,’ this time with added percussion.” SL

Click here for the chart codes for singles/hit songs.

Album Tracks – Cast Album:

  1. Circle of Life (Tsidii Le Loka)
  2. Grassland Chant (Ensemble)
  3. The Morning Report (Samuel E. Wright)
  4. The Lioness Hunt (Ensemble)
  5. I Just Can’t Wait to Be King (Scott Irby-Ranniar)
  6. Chow Down (Tracy Nicole Chapman)
  7. They Live in You (Samuel E. Wright)
  8. Be Prepared (Ensemble)
  9. The Stampede (Ensemble)
  10. Rafiki Mourns (Tsidii de Loka)
  11. Hakuna Matata (Max Casella)
  12. One by One (Ensemble)
  13. The Madness of King Scar (Heather Headley)
  14. Shadowland (Heather Headley)
  15. The Lion Sleeps Tonight (Lebo M)
  16. Endless Night (Jason Raize)
  17. Can You Feel the Love Tonight (Heather Headley)
  18. He Lives in You (Reprise) (Jason Raize)
  19. Simba Confrots Scar (Robert Elhai)
  20. King of Pride Rock/Circle of Life (Reprise) (Heather Headley)


“Walt Disney Pictures had its fourth straight massive hit with an animated movie musical in the summer of 1994 with its tale of the coming of age of a young lion. The movie studio changed composers, replacing Alan Menken, who wrote The Little Mermaid, Beauty and the Beast, and Aladdin, with Hans Zimmer (instrumental score) and Elton John (songs); lyricist Tim Rice, who took over on Aladdin after the death of Howard Ashman, remained in place.” WR

“Elton John doesn’t seem like a natural choice to write for a Disney musical, but he rose to the task on The Lion King, transcending his usual penchant for the softest of soft rock.” AZ He “took a leaf from the Paul Simon Graceland songbook and filled his music with references to South African mbaqanga.” WR John’s “collaboration with Tim Rice (former writing partner of Andrew Lloyd Webber) helps connect the soundtrack to the theatrical lineage of all Disney musicals – so much so that, like Beauty and the Beast, The Lion King was eventually adapted for Broadway.” AZ

However, from a content standpoint, “there wasn’t that much of it.” WR “but that didn’t keep this album from topping the charts as the movie harvested hundreds of millions of dollars all summer.” WR “Undistinguished songs like Can You Feel the Love Tonight? are far outnumbered by stirring, stately tunes that lent the film so much of its sense of pageant and play.” AZ

However, “while it is hard to argue with the ecology lesson behind Circle of Life or the impossibly infectious rumba of Hakuna Matata,” SL there’s really only “about five songs here, three of which are repeated at the end in versions by John.” WR

Then this “already padded soundtrack was further padded with four excerpts from Zimmer’s score.” WR Of course, some would suggest that “the true heart of the original soundtrack…was the…inspiring and majestic score.” SL

In 1997, The Lion King was turned into a stage musical directed by Julie Taymor. It featured “actors in animal costumes as well as giant, hollow puppets.” WK It debuted on July 8, 1997 at the Orpheum Theatre in Minneapolis, Minnesota and premiered on Broadway on October 15, 1997 at the New Amsterdam Theatre. It is still running (although now at the Minskoff Theatre) after 8500 performances, now making it the “third longest-running show in history and the highest grossing Broadway production of all time, having grossed more than $1 billion.” WK

It opened in London on October 19, 1999 at West End’s Lyceum Theatre and is still going after 7500 performances. “In September 2014, The Lion King became the top-earning title in box-office history for both stage productions and films, surpassing the record previously held by The Phantom of the Opera.” WK

Review Sources:


Related DMDB Link(s):

Friday, July 1, 1994

50 years ago: Bing Crosby “I’ll Be Seeing You” hit #1

I’ll Be Seeing You

Tommy Dorsey’s Orchestra with Frank Sinatra

Writer(s): Irving Kahal, Sammy Fain (see lyrics here)

First Charted: April 27, 1940

Peak: 4 US, 2 DF (Click for codes to singles charts.)

Sales (in millions): --

Airplay/Streaming (in millions): -- radio, -- video, -- streaming

I’ll Be Seeing You

Bing Crosby with the John Scott Trotter Orchestra

First Charted: April 22, 1944

Peak: 14 US, 12 GA, 110 HP, 14 AU, 2 DF (Click for codes to singles charts.)

Sales (in millions): -- US, -- UK, -- world (includes US + UK)

Airplay/Streaming (in millions): -- radio, -- video, -- streaming

Awards (Bing Crosby):

Click on award for more details.

About the Song:

Tamara Drasin introduced this “torch ballad” TY about a Parisian love affair in the Broadway musical Right This Way in 1938. The show was a failure, closing after a mere 15 performances. WK Like the musical, the song was initially overlooked. Frank Sinatra recorded it with Tommy Dorsey’s orchestra in 1940, but it didn’t take off at the time. SS

In 1944, the song became an inspiration for a film. The movie, named after the song, starred Joseph Cotton and Ginger Rogers as a couple who meet on a train. Both have secrets. She had been convicted of involuntary manslaughter and he was on leave from a military hospital trying to adjust to daily life after suffering from shell shock. WK

By recasting the song as a war anthem, the song was given new meaning through the perspective of “a soldier who saw the image of his beloved in everything around him.” SS In this new context, Bing Crosby, who ruled the music charts and won an Oscar that year for his performance in Going My Way, recorded the song and took it to #1. As Will Friedwald said, “No other singer could so effectively portray so ineffable a sense of absence and loss.” SS It became the go-to song for couples separated by war. MM

At that point, the Dorsey/Sinatra version resurfaced and went to #4. Over the years, Judy Collins, Barry Manilow, Johnny Mathis, Willie Nelson, and Neil Sedaka have also sung it. MM Liberace used it as his closing theme for many years. MM The song was referenced in an episode of The Honeymooners and was used in episodes of TV shows Get Smart, Designing Women, Star Trek: Deep Space Nine, and Beavis and Butt-head. It was also used in the movies Yanks (1979), Crimes and Misdemeanors (1989), Misery (1990), Shining Through (1992), The Aviator (2004), and The Notebook (2004). Doc Severinsen and the NBC Orchestra performed it on the final episode of The Tonight Show Starring Johnny Carson. WK


  • DMDB encyclopedia entry for Frank Sinatra
  • DMDB encyclopedia entry for Bing Crosby
  • MM Max Morath (2002). The NPR Curious Listener’s Guide to Popular Standards. New York, NY; Penguin Putnam Inc. Page 166.
  • SS Steve Sullivan (2013). Encyclopedia of Great Popular Song Recordings (Volumes I & II). Scarecrow Press: Lanham, Maryland. Page 604.
  • TY Don Tyler (1985). Hit Parade 1920-1955. New York, NY: Quill. Page 125.
  • WK Wikipedia

Related Links:

First posted 7/1/2016; last updated 7/25/2022.