Jewel Pieces of You released

Pieces of You Jewel

Released: February 28, 1995 Peak: 4 US, 82 UK, 2 CN, 5 AU Sales (in millions): 12.0 US, 0.1 UK, 15.4 world (includes US and UK) Genre: pop/folk rock

Tracks: Song Title (date of single release, chart peaks) Click for codes to charts. Who Will Save Your Soul (5/4/96, 11 BB, 4 BA, 7 CB, 2 GR, 3 RR, 29 AC, 5 A40, 1 AA, 14 MR, 52 UK, 7 CN, 27 AU, 8 DF) Pieces of You Little Sister Foolish Games (11/30/96, 7 BB, 1 BA, 1 GR, 1 RR, 4 AC, 1 A40, 2 CN, 12 AU, 14 DF) Near You Always Painters Morning Song (11/3/98, --) Adrian I’m Sensitive You Were Meant for Me (11/1/96, 2 BB, 1 BA, 2 GR, 1 RR, 1 AC, 1 A40, 6 AA, 26 MR, 32 UK, 2 CN, 3 AU, 14 DF) Don’t Daddy Angel Standing By Amen Total Running Time: 58:31

Rating: 3.826 out of 5.00 (average of 23 ratings) Awards: (Click on award to learn more).

About Jewel Jewel Kilcher was born in 1974 in Utah but raised in Alaska where she sang and yodeled with her father, Atz Kilcher. She got a partial scholarship to the Interlochen Arts Academy in Michigan when she was fifteen. She studied operatic voice and started writing and performing at clubs and coffeehouses in San Diego, California, after she graduated. She lived in her car for a time. W-J In 1993, Jewel was discovered by Inga Vainshtein, a Vice President of Productions at Paramount. Inga became Jewel’s manager and launched a bidding war that ended up in a deal with Atlantic Records. Jewel released her first album, Pieces of You, in 1995 when she was 21 years old. Recording Pieces of You The album is comprised of acoustic, guitar-based songs which Jewel mostly wrote between the ages of 16 and 19. Some of the songs were recorded live in 1994 at the Innerchange, one of the coffeehouses in San Diego where she performed. WK However, Jewel said, “I’m a live singer who’s always fed off the energy of the audience. In a studio, you’re just looking at a wall – it feels very odd to me. I’ve been a live performer since I was six years old.” WK Others were recorded at Neil Young’s personal studio at Broken Arrow Ranch in Redwood City, California. WK Jewel’s producer, Ben Keith, had produced work for Young as well as Patsy Cline. WK Critiquing the Live Recordings In his review for AllMusic.com, Stephen Thomas Erlewine said, “Songs this simple and sweet need clean, direct arrangements, but Pieces of You…often sounds ragged and rough” AM because most of it was recorded live. That meant that “the slapdash production emphasizes the awkwardness of the lesser songs.” AM “Still, Pieces of You has enough charm to make it an ingratiating debut, even if the album doesn't quite fulfill Jewel's potential.” AM A Slow Burn Upon its release, the album failed to chart. However, Jewel gained widespread exposure in 1997 when Bob Dylan invited her to tour with him as his opening act. When the album was reissued in 1997, the three hit singles were all re-recorded. Erlewine says the single versions “are superior…since these live album cuts sound hurried.” AM The album finally took off and reached its peak of #4 on the Billboard album chart two years after it was released. WK It would go on to sell more than fifteen million copies worldwide. The Album’s Reception Despite his criticism of the live recordings, Erlewine called Pieces of You “a charming debut that is somewhat undone by its own naïveté. Jewel has a rich voice and an innocent, beguiling charm that makes…songs with slight, simple lyrics and catchy, sweet melodies – quite endearing; they sound like a high-school diary brought to life.” AM Entertainment Weekly’s David Browne called the album “a wimpily produced batch of songs,” WK specifically citing that the singles had to be re-recorded for the 1997 reissue. The Village Voice’s Robert Christgau said, “this is the bad folkie joke to end all bad folkie jokes.” WK However AllMusic.com’s Sara Sytsma called it “a charming collection of light alternative folk-rock…Her songs are occasionally naïve, but her melodies can usually save her lyrics.” WK “Who Will Save Your Soul?” Who Will Save Your Soul? was written while Jewel was busking during a hitchhiking trip she took on her own during spring break from Interlochen. WK Released as a single more than a year after the album came out, this was the song that finally earned Jewel some attention. “You Were Meant for Me” and “Foolish Games” In late 1996, You Were Meant for Me was released as the second single from Pieces of You. When the song was reissued in 1997, however, it rebounded into the top ten because of the inclusion of Foolish Games on the single. As a result, “You Were Meant for Me” ended up logging a then-record 65 weeks on the Billboard Hot 100.

Resources: AM AllMusic.com review by Stephen Thomas Erlewine W-J Wikipedia page on Jewel Related DMDB Links: First posted 4/6/2008; last updated 12/4/2024.

Madonna “Take a Bow” #1 for first of 7 weeks

Take a Bow Madonna

Writer(s): Madonna, Kenneth “Babyface” Edmonds (see lyrics here) Released: December 6, 1994 First Charted: December 9, 1994 Peak: 17 US, 18 CB, 15 RR, 19 AC, 40 RB, 16 UK, 12 CN, 15 AU, 29 DF (Click for codes to singles charts.) Sales (in millions): 0.5 US, 0.1 UK, 0.9 world (includes US + UK) Airplay/Streaming (in millions): 1.0 radio, 33.0 video, -- streaming

Awards: Click on award for more details.

About the Song: “Part of the reason that Madonna maintained her place near the top of the hierarchy for so long was that she could recognize shifts in fashion and aesthetic. She could see those changes coming in real time, and she could adjust her style to meet those changes.” SG However, in the early ‘90s, “the Erotica album, the Sex book, the movie Body of Evidence – all came off as try-hard attempts to be risqué.” SG She adjusted with 1994’s Bedtime Stories, “a clear, unambiguous commercial move.” SG As she said, “I wanted a lot more of an R&B feel to this record.” FB That meant “Madonna, who was never exactly famous for her vocal firepower, was willingly putting herself in the same bracket as Mariah Carey and Whitney Houston and Boyz II Men.” SG She turned to Babyface, who wrote and produced Boyz II Men’s huge #1 hit “I’ll Make Love to You,” as a collaborator on “Take a Bow.” They met at his house and he played a piece of music he’d written but wasn’t sure where to take it. FB She wrote lyrics about an actor (rumoured to be Warren Beatty, who Madonna dated in the early ‘90s) who blows an affair by taking the narrator for granted. SG The resulting song was recorded with a full orchestra, a first for Babyface. FB It ended up as Madonna’s longest-running #1 on the Billboard Hot 100, which is surprising. The song is “soft and sleepy” SG and “sounds like it was built to become background music.” SG It doesn’t sound like “Madonna’s best hits, ballads included, [which] have always been big and dramatic and immediate. “ SG “The hooks just aren’t Madonna-sized.” SG Balladry wasn’t new to Madonna, but her previous efforts had typically been from movies – “Crazy for You” from 1984’s Vision Quest, “Live to Tell” from 1986’s At Close Range, “This Used to Be My Playground” from 1992’s A League of Their Own, “I’ll Remember” from 1994’s With Honors. Resources: DMDB encyclopedia entry for Madonna FB Fred Bronson (2007). The Billboard Book of Number One Hits (4th edition). Billboard Books: New York, NY. Page 834. SG Stereogum (3/18/2022). “The Number Ones” by Tom Breihan Related Links: First posted 8/22/2022.

Today in Music (1945): Hal McIntyre charted with “My Funny Valentine”

My Funny Valentine Hal McIntyre & His Orchestra with Ruth Gaylor on vocals

Writer(s): Richard Rodgers (music), Lorenz Hart (words) (see lyrics here) First Charted: February 24, 1945 Peak: 16 PM, 8 DF (Click for codes to charts.) Sales (in millions): -- US, -- UK, -- world (includes US + UK) Airplay/Streaming (in millions): -- radio, 113.44 video *, 181.69 streaming * * multiple versions

Awards (all versions): Click on award for more details. Awards (McIntyre): Awards (Chet Baker): Awards (Frank Sinatra): Awards (Tony Bennett):

About the Song: Richard Rodgers and Lorenz Hart were one of Broadway’s most successful teams writing “some 650 songs for musicals, many of which have become standards.” TC Rodgers “was disciplined, methodical, termperamental, inventive, and almost scholarly.” TC Hart was “forever troubled about his amost dwarf stature, his homosexuality, drinking, and gambling.” TC They wrote “My Funny Valentine” for the 1937 coming of age musical Babes in Arms. The show opened on Broadway on April 14, 1937 and ran for 289 performances. WK Mitzi Green played the character of Billie Smith and sings “My Funny Valentine” to Ray Heaterton’s character Valentine “Val” LaMar, “the show’s charming but ‘slightly dopey’ protagonist.” RH Billie describes Val in “unflattering and derogatory terms…but ultimately affirms that he makes her smile and that she does not want him to change.” WK “For a number that’s long been accepted as one of the great American love songs, ‘My Funny Valentine’ is a savagely dark piece of lyric writing.” SS “The description of Valentine was consistent with Lorenz Hart's own insecurities and belief that he was too short and ugly to be loved.” WK Journalist Max Welk said, “He wrote about himself all the time.” TC The lyrics are accompanied by Rodgers’ “languid, rich melody [which] is the very essence of melancholy.” TC The song’s “gender-neutral lyrics…made it universal, appealing to a wide variety of popular singers.” RH Hal McIntyre was the first to chart with the song in 1945. It has become a popular jazz standard, recorded by more than 600 artists including Chet Baker, Tony Bennett, Elvis Costello, Miles Davis, Ella Fitzgerald, Judy Garland, Rickie Lee Jones, Julie London, Linda Ronstadt, Carly Simon, Frank Sinatra, Sting, and Barbra Streisand. WK Baker’s recording with Gerry Mulligan became his signature song. Resources: TC Toby Creswell (2005). 1001 Songs: The Great Songs of All Time. Thunder’s Mouth Press: New York, NY. Page 390. RH RodgersAndHammerstein.com “My Funny Valentine” SS Steve Sullivan (2013). Encyclopedia of Great Popular Song Recordings (Volumes I & II). Scarecrow Press: Lanham, Maryland. Pages 546-7. TY2 Don Tyler (2007). Hit Songs, 1900-1955. McFarland & Company, Inc.: Jefferson, North Carolina. Pages 232-3. WK Wikipedia Related Links: First posted 5/12/2025.

Joan Osborne “One of Us” released

One of Us Joan Osborne

Writer(s): Eric Bazilian (see lyrics here) Released: February 21, 1995 First Charted: September 30, 1995 Peak: 4 US, 3 CB, 3 RR, 19 AC, 16 A40, 16 AA, 26 AR, 7 MR, 6 UK, 11 CN, 15 AU, 3 DF (Click for codes to singles charts.) Sales (in millions): 0.5 US Airplay/Streaming (in millions): -- radio, 50.9 video, 137.32 streaming

Awards: Click on award for more details.

About the Song: Rick Chertoff, Eric Bazilian, and Rob Hyman became friends while attending the University of Pennsylvania. Chertoff would go on to produce the Kinks, the Alan Parsons Project, and Air Supply for Arista Records before moving to Columbia. There he signed Cyndi Lauper and brought in Bazilian and Hyman as backing musicians for her debut album, 1983’s She’s So Unusual. The exposure helped them launch their band, the Hooters. Their 1985 major-label debut, Nervous Night, was a double-platinum seller fueled by three top-40 hits. It proved to be the band’s commercial peak and by 1993 it looked like they’d released their final album (although they would make a comeback in 2010). Meanwhile, Rick Chertoff started his Blue Gorilla label at Polygram in 1992. The label released Relish, the 1995 major-label debut for singer/songwriter Joan Osborne. He brought in Bazilian for some songwriting duties, including “One of Us.” Bazilian said, “I wrote that song one night – the quickest song I ever wrote – to impress a girl. Which worked, because we’re married and have two kids.” WK He wrote it in January 1994 when his future wife asked him to record something. He said, “You can’t just sing, you have to write the song, you have to discuss the concept, you have to re-write then decide you were better in the first place.” SF Despite her protests, he obliged and, as he said, “the verses came out in the first pass, the chorus came out in the second pass.” SF He played it for Rick and Joan the next day and they recorded a demo of her singing it. He said, “When I got into my car and popped the cassette in, I started practicing the Grammy speech that I should've gotten to give.” WK It didn’t win, but was nominated for Song of the Year, Record of the year, and Best Female Pop Vocal. The song is “a simple, direct statement of faith, honest and unadorned, one framed in a near-perfect chorus and delectable Neil Young-ish guitar riff.” AMG Bazilian said it wasn’t about advocating any specific religious belief. SF It “was more about what happens to you when you look at something that has completely changed your world view, which could be meeting God, it could be meeting an alien, it could be a near-death experience.” SF Resources: DMDB encyclopedia entry for Joan Osborne DMDB encyclopedia entry for Eric Bazilian AMG All Music Guide album review of Relish by Roch Parisien SF Songfacts WK Wikipedia First posted 9/6/2022.

Today in Music (1895): “The Sidewalks of New York” hit #1 - for the first time

The Sidewalks of New York Dan Quinn

Writer(s): James W. Blake (lyrics), Charles B. Lawlor (music) (see lyrics here) First Charted: February 9, 1895 Peak: 19 PM (Click for codes to charts.) Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, -- streaming

Awards (Dan Quinn): Click on award for more details. Awards (J.W. Myers): Awards (George J. Gaskin):

About the Song: Charles Lawler (1852-1925) was a Dublin-born vaudeville performer who came to New York. On a walk home one night, he thought he should write a song of his own. He came up with a melody and the next day hummed the melody for James Blake (1862-1935), a salesman who worked at John Golden’s hat store. WK Blake told him to get the music down on paper and he’d write lyrics. Lawler returned twenty minutes later with the musical notes written out and Blake finished his already halfway-completed lyrics in another half hour. WK The song was introduced by Lottie Gilson at the Old London Theatre in the Bowery. SS “The audience was so taken with it that they joine her in singing a repetition of the chorus.” SS She performed it at vaudeville houses for years. SS The song was pivotal in the success of the music publishers Howley & Haviland as a staple of Tin Pan Alley, SS but the two authors of the song both died penniless, having sold the copyright of the song for $5000. WK The song became “a virtual anthem for New York City.” SS In 1928, New York’s Al Smith used it in his presidential campaign. SS Dan Quinn was the first to chart with the song on February 9, 1895. After nine weeks at #1, it was knocked out by Edward M. Favor’s “My Best Girl’s a New Yorker” for five weeks. It was then replaced by J.W. Myers’ version of “The Sidewalks of New York” for four weeks. In between Quinn and Myers’ versions, George J. Gaskin also charted with the song, reaching #2. Nat Shilkret gave the song a fourth chart run in 1928, also peaking in the runner-up position. PM The song has also been performed by artists as versatile as Blondie, Nat “King” Cole, Duke Ellington, the Grateful Dead, and Paul Whiteman. Resources: DMDB encyclopedia entry for Dan Quinn DMDB encyclopedia entry for J.W. Myers DMDB encyclopedia entry for George J. Gaskin DMDB encyclopedia entry for Nat Shilkret SS Steve Sullivan (2013). Encyclopedia of Great Popular Song Recordings (Volumes I & II). Scarecrow Press: Lanham, Maryland. PM Joel Whitburn (1986). Pop Memories 1890-1954. Record Research, Inc: Menomonee Falls, WI. Page 578. WK Wikipedia First posted 6/26/2024.