Showing posts with label Babyface. Show all posts
Showing posts with label Babyface. Show all posts

Monday, September 4, 2023

New Jack Swing: Top 50 Songs

New Jack Swing:

Top 50 Songs

New Jack Swing is a sub-genre of R&B generally traced back to Janet Jackson’s Jimmy Jam and Terry Lewis-produced Control album in 1986 and running into the ‘90s. It used some of the sampling, rhythm, and production techniques of hip-hop. Other significant producers included Babyface & L.A. Reid, Teddy Riley (who also fronted Guy and Blackstreet), and Bernard Belle. New Edition were one of the genre’s significant acts as well as former members Bobby Brown, Johnny Gill, and Ralph Tresvant, as well as offshoot group Bell Biv DeVoe. 1991’s Dangerous album by Michael Jackson, and produced by Jackson and Riley, is the genre’s best-selling album with 30 million.

So how was this list created? As with any genre lists at Dave’s Music Database, this is an aggregate based on other sources. In this case, a dozen lists of the top new jack swing songs of all time were compiled. In response to some of the comments left on this page, you may not think a particular song falls into this genre, but enough people on the aggregated lists did think so.

Click here to see other genre-specific song lists.

1. Bobby Brown “My Prerogative” (1988)
2. Boyz II Men “Motownphilly” (1991)
3. Tony! Toni! Toné! “Feels Good” (1990)
4. Bell Biv DeVoe “Poison” (1990)
5. Keith Sweat “I Want Her” (1987)
6. Johnny Kemp “Just Got Paid” (1988)
7. Johnny Gill “Rub You the Right Way” (1990)
8. Michael Jackson “Remember the Time” (1992)
9. Guy “Groove Me” (1988)
10. Color Me Badd “I Wanna Sex You Up” (1991)

11. Joe Public “Live and Learn” (1992)
12. Janet Jackson “Miss You Much” (1989)
13. Bobby Brown “Don’t Be Cruel” (1987)
14. Guy “Teddy’s Jam” (1988)
15. New Edition “If It Isn’t Love” (1988)
16. Jade “Don’t Wallk Away” (1992)
17. Christopher Williams “I’m Dreamin’” (1991)
18. Al B. Sure! “Nite and Day” (1988)
19. Bobby Brown “Every Little Step” (1989)
20. En Vogue “Hold On” (1990)

21. SWV (Sisters with Voices) “Weak” (1993)
22. Hi-Five “I Like the Way (The Kissing Game)” (1991)
23. Wreckx-N-Effect “New Jack Swing” (1989)
24. TLC “Ain’t 2 Proud 2 Beg” (1992)
25. TLC “What About Your Friends” (1992)
26. Public Announcement “She’s Got That Vibe” (1992)
27. Portrait “Here We Go Again’ (1992)
28. Karyn White “The Way You Love Me” (1988)
29. Ralph Tresvant “Sensitivity” (1990)
30. Troop “Spread My Wings” (1989)

31. Montell Jordan “This Is How We Do It” (1995)
32. Teddy Riley with Tammy Lucas “Is It Good to You” (1992)
33. Tony! Toni! Toné! “If I Had No Loot” (1993)
34. Hi-Five “She’s Playing Hard to Get” (1992)
35. Whitney Houston “I’m Your Baby Tonight” (1990)
36. Bell Biv DeVoe “Do Me!” (1990)
37. Shanice “I Love Your Smile” (1991)
38. Soul II Soul “Back to Life (However Do You Want Me)” (1989)
39. Timex Social Club “Rumours” (1986)
40. En Vogue “My Lovin’ (You’re Never Gonna Get It)” (1992)

41. LL Cool J “Around the Way Girl” (1990)
42. Club Nouveau “Lean on Me” (1987)
43. Heavy D & the Boyz “Now That We Found Love” (1991)
44. Janet Jackson “Love Will Never Do Witthout You” (1989)
45. Janet Jackson “Nasty” (1986)
46. Paula Abdul “Straight Up” (1988)
47. Another Bad Creation “Iesha” (1990)
48. Jodeci “Come and Talk to Me” (1991)
49. Janet Jackson “Rhythm Nationa” (1989)
50. Bobby Brown “On Our Own” (1989)


Resources/Related Links:


First posted 5/16/2020; last revised 9/4/2023.

Tuesday, April 25, 2023

SZA “Snooze” released as sixth single from SOS

Snooze

SZA

Writer(s): Solána Rowe, Kenny B. Edmonds, Khris Riddick-Tynes, Leon Thomas, Blair Ferguson (see lyrics here)


Released: April 25, 2023


First Charted: December 24, 2022


Peak: 2 BB, 13 BA, 11 RR, 32 A40, 32 AA, 132a RB, 18 UK, 11 CN, 21 AU, 22 DF (Click for codes to charts.)


Sales (in millions): 4.0 US, 0.4 UK, 5.51 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 380.41 video, 1189.30 streaming

Awards:

Click on award for more details.

About the Song:

R&B singer/songwriter Solána Imani Rowe (known as SZA) released her second album, SOS, at the end of 2022. It had already been promoted by three singles, two of which reached the top ten on the Billboard Hot 100. After the album’s release, three more top-ten singles followed, including the #1 hit “Kill Bill,” and “Snooze,” the sixth and final single from the album. It has spent a record-breaking 33 weeks atop the R&B/hip-hop airplay chart.

“Snooze” was not originally intended for SOS, but for Babyface’s ninth studio album, 2022’s Girls Night Out. His concept for the album was all songs with female collaborators. As such, Babyface and SZA did work together on the song and are both credited as songwriters. He also produced the song and it became his first top-ten hit as a producer in 23 years. SF

The song has been described as “a dreamy ballad” in which SZA reflects on a relationship where she wants to devote all her feelings to make it work. WK She “doesn’t want to fall asleep and waste theprecious moments she has with her love interest.” SF However, the song also takes on a violent tone with her fantasizing about being Elvira Hancock, the partner of Scarface, a movie character based on gangster Al Capone. She goes so far as to say she would kill and hide bodies for her lover, which conflicts with the tone of the song and emphasizes it as satire.


Resources:


First posted 3/24/2024; last updated 10/15/2024.

Saturday, February 25, 1995

Madonna “Take a Bow” #1 for first of 7 weeks

Take a Bow

Madonna

Writer(s): Madonna, Kenneth “Babyface” Edmonds (see lyrics here)


Released: December 6, 1994


First Charted: December 9, 1994


Peak: 17 US, 18 CB, 15 RR, 19 AC, 40 RB, 16 UK, 12 CN, 15 AU, 29 DF (Click for codes to singles charts.)


Sales (in millions): 0.5 US, 0.1 UK, 0.9 world (includes US + UK)


Airplay/Streaming (in millions): 1.0 radio, 33.0 video, -- streaming

Awards:

Click on award for more details.

About the Song:

“Part of the reason that Madonna maintained her place near the top of the hierarchy for so long was that she could recognize shifts in fashion and aesthetic. She could see those changes coming in real time, and she could adjust her style to meet those changes.” SG However, in the early ‘90s, “the Erotica album, the Sex book, the movie Body of Evidence – all came off as try-hard attempts to be risqué.” SG

She adjusted with 1994’s Bedtime Stories, “a clear, unambiguous commercial move.” SG As she said, “I wanted a lot more of an R&B feel to this record.” FB That meant “Madonna, who was never exactly famous for her vocal firepower, was willingly putting herself in the same bracket as Mariah Carey and Whitney Houston and Boyz II Men.” SG

She turned to Babyface, who wrote and produced Boyz II Men’s huge #1 hit “I’ll Make Love to You,” as a collaborator on “Take a Bow.” They met at his house and he played a piece of music he’d written but wasn’t sure where to take it. FB She wrote lyrics about an actor (rumoured to be Warren Beatty, who Madonna dated in the early ‘90s) who blows an affair by taking the narrator for granted. SG The resulting song was recorded with a full orchestra, a first for Babyface. FB

It ended up as Madonna’s longest-running #1 on the Billboard Hot 100, which is surprising. The song is “soft and sleepy” SG and “sounds like it was built to become background music.” SG It doesn’t sound like “Madonna’s best hits, ballads included, [which] have always been big and dramatic and immediate. “ SG “The hooks just aren’t Madonna-sized.” SG

Balladry wasn’t new to Madonna, but her previous efforts had typically been from movies – “Crazy for You” from 1984’s Vision Quest, “Live to Tell” from 1986’s At Close Range, “This Used to Be My Playground” from 1992’s A League of Their Own, “I’ll Remember” from 1994’s With Honors.


Resources:

  • DMDB encyclopedia entry for Madonna
  • FB Fred Bronson (2007). The Billboard Book of Number One Hits (4th edition). Billboard Books: New York, NY. Page 834.
  • SG Stereogum (3/18/2022). “The Number Ones” by Tom Breihan


Related Links:


First posted 8/22/2022.

Saturday, August 27, 1994

Boyz II Men spend 1st of 14 weeks at #1 with “I’ll Make Love to You”

I’ll Make Love to You

Boyz II Men

Writer(s): Kenneth “Babyface” Edmonds (see lyrics here)


Released: July 26, 1994


First Charted: August 5, 1994


Peak: 114 US, 113 CB, 19 GR, 14 RR, 13 AC, 19 RB, 5 UK, 13 CN, 12 AU (Click for codes to charts.)


Sales (in millions): 1.63 US, 0.45 UK, 2.14 world (includes US + UK)


Airplay/Streaming (in millions): 2.0 radio, 218.17 video, 252.10 streaming

Awards:

Click on award for more details.

About the Song:

Boyz II Men emerged in 1991 with their debut album Cooleyhighharmony, featuring top-five hits “Motownphilly” and “It’s So Hard to Say Goodbye to Yesterday.” They followed up the album with “End of the Road,” a cut from the Boomerang soundtrack which topped the Billboard Hot 100 for 13 weeks, the most in the history of the chart at that time. They didn’t hold the record for long. Whitney Houston’s “I Will Always Love You” logged 14 weeks at the pinnacle in 1992-93.

However, Boyz II Men shot back with “I’ll Make Love to You,” the lead single from their 1994 album II. It matched Houston’s 14 weeks at #1. That record wouldn’t last long either. In 1995-96, Mariah Carey spent 16 weeks at #1 with “One Sweet Day” – a song featuring none other than Boyz II Men. That gave the R&B group the incredible distinction of singing on three of the four biggest #1 songs in the first 40 years of the history of the Billboard Hot 100.

Boyz II Men tapped Babyface, who’d co-written “End of the Road,” as the producer for their second album because of his experience singing hits on his own, writing for others such as Pebbles, Klymaxx, and the Whispers, and producing for Mary J. Blige, Aretha Franklin, Johnny Gill, Whitney Houston, and Madonna. SF

Babyface saw “I’ll Make Love to You” as kind of a sequel to “End of the Road.” He admitted it was hard to try to outdo that song, but that was essentially his goal. SF He said his hope was that “it not be exactly the same, but familiar enough where you could touch some of the same ingredients.” FB However, the group initially thought it sounded too much like “End of the Road” and considered leaving it off the album. According to Babyface, Motown Records’ then-president Jheryl Busby made the decision to release the song despite the protests of the group. SF It won a Grammy for Best R&B Performance by a Duo or Group with Vocals and American Music Awards for Favorite Pop/Rock Single and Favorite Soul/R&B single.


Resources:

  • FB Fred Bronson (2007). The Billboard Book of Number One Hits (4th edition). Billboard Books: New York, NY. Page 830.
  • SF Songfacts
  • WK Wikipedia


Related Links:


First posted 3/28/2020; last updated 1/18/2024.