 | Dave’s Faves:My Album Collection in 1987 |
By year’s end, this was what my collection looked like. Albums acquired in 1987 are marked with an asterisk.
Resources and Related Links:
First posted 8/31/2021. |
DavesMusicDatabase.com is devoted to ranking, rating, and reviewing music of all genres and eras. The DMDB blog serves up album and song reviews, best-of lists, music history snapshots, and music-related essays.
|
|
|
|
|
|
|
|
|
|
Thursday, December 31, 1987
Dave’s Faves: My Album Collection in 1987
Sunday, December 27, 1987
50 years ago: Show Boat opened on Broadway
Show Boat |
|
 |
Recorded/Released: 1928 Charted: -- Peak: -- Sales (in millions): -- Genre: show tunes |
|
|
Charted: July 21, 1951 Peak: 119 US Sales (in millions): -- Genre: show tunes |
Tracks (Order from Original Show):
Tracks (from 1951 Soundtrack): Song Title (Performers) [time] Click for codes to singles charts.
Singles/Hit Songs: As was common in the pre-rock era, songs from musicals were often recorded by artists not associated with the musical and released as singles. Here are some of the most notable hit singles resulting from Show Boat:
|
Rating:  4.443 out of 5.00 (average of 11 ratings from all versions of Show Boat)
Quotable: “Generally considered to be the first true American ‘musical play’” – Wikipedia Awards (Cast Album and Soundtrack): (Click on award to learn more).
|
About the Show: Show Boat “is generally considered to be the first true American ‘musical play’.” WK It separated itself from the operettas, light musical comedies, and Follies-type musical revues of the 1890s and early 20th century by telling a dramatic plot-and-character driven story accompanied by music. WK The musical, with music by Jerome Kern and lyrics and book by Oscar Hammerstein II, was based on Ednar Ferber’s 1926 novel of the same name. WK The show works in a few songs not by Kern and Hammerstein, including Bill, written by P.G. Wodehouse in 1918, but reworked by Hammerstein for Show Boat. Goodbye, My Lady Love by Joseph Howard and After the Ball by Charles K. Harris have become mainstays in the American stage productions of the show as well. WK The show opened on Broadway on December 27, 1927 at the Ziegfeld Theatre in New York, where it ran for a year and a half. The 1928 London cast album was released in England before the United States. Since the U.S. had not started making original cast albums of Broadway shows, there was no album made of the 1927 Broadway cast. WK However, for the 1932 revival of the musical, a cast album was made featuring Helen Morgan and Paul Robeson, who were both in the original American and London casts of Show Boat, E-C alongside “James Melton, Frank Munn, and Countess Olga Albani” WK and an orchestra conducted by Victor Young. WK The recordings of “Ol’ Man River and a Can’t Help Lovin’ Dat Man…are truly authoritative. The…sound is astonishingly good.” E-C The show was revived again in 1946, 1983, and 1994. WK Similarly, cast album recordings have been made multiple times, including 1946, 1956, 1958, 1962, 1966, 1971, 1988, and 1994. It was also made into a movie in 1936 with members from the original Broadway and London productions. It was made into a movie again in 1951 although it “was prettied up considerably and reshaped almost beyond recognition. On the other hand, Howard Keel’s baritone is one of the most pleasing voices in movies of that era, and teamed with Kathryn Grayson’s fluttering alto, the results are beguiling on songs like Only Make Believe.” E-S It “wasn’t treated too seriously by most purists until the 1990s, when it emerged as a minor classic in its own right.” E-S |
Resources and Related Links:
Other Related DMDB Pages: 
First posted 8/11/2008; last updated 12/21/2021. |
Saturday, December 12, 1987
George Michael hit #1 with “Faith”
| First posted 11/26/2020. |
 | FaithGeorge Michael |
Writer(s): George Michael (see lyrics here) Released: October 12, 1987 First Charted: October 23, 1987 Peak: 14 US, 15 CB, 13 RR, 5 AC, 2 UK, 14 CN, 11 AU (Click for codes to singles charts.) Sales (in millions): 1.0 US, 0.6 UK, 1.79 world (includes US + UK) Airplay/Streaming (in millions): -- radio, 28.17 video, -- streaming |
Awards: (Click on award for more details). 
|
About the Song: George Michael started his transition from half of the bubblegum-pop duo Wham! to a more serious artist in 1987. First, he dueted with Aretha Franklin on the #1 song “I Knew You Were Waiting for Me.” He followed that with the controversial “I Want Your Sex,” a #2 solo hit with a decidedly more adult message. The title cut from his first solo album, Faith, could arguably be viewed as Michael finally planting his flag in the “now I’m a serious artist” land for good. “Faith” topped the charts at the end of 1987 and was followed to the #1 spot by “Father Figure,” “One More Try,” and “Monkey,” giving the album four chart-topping hits. This one, however, spent the longest time on top and was named the song of the year by Billboard magazine. The album went on to win the Grammy for Album of the Year. The “rockabilly-tinged title track” AMG was supposedly written as a rock and roll pastiche, which is demonstrated by the incorporation of Bo Diddley’s classic rock and roll beat WK which is also present on Buddy Holly’s “Not Fade Away” and U2’s “Desire.” SF While the video depicted Michael playing guitar, he didn’t know how to play. SF Thank Scottish session player Hugh Burns for the guitar lick which harkened back to the ‘50s Sun Records-era and Bo Diddley. SF Michael worked with Burns for hours to synch the guitar sound to his vocals. SF However, the song definitely had a modern touch as well. It was one of the first digital recordings, meaning he could write and record lyrics line-by-line and even word-by-word. Whie the process was tedious, it let Michael scrutinize every syllable to create the polished track he wanted. SF Resources and Related Links:
|
Saturday, November 28, 1987
The Rainmakers charted with Tornado
Tornado |
|
Charted: November 28, 1987 Peak: 116 US Sales (in millions): -- Genre: roots rock |
Tracks: Song Title (date of single release, chart peaks) Click for codes to singles charts.
All songs written by Bob Walkenhorst. Total Running Time: 40:23 The Players:
|
Rating:  3.934 out of 5.00 (average of 9 ratings)
Awards: (Click on award to learn more).
|
About the Album: “The Rainmakers' second album finds their basic Midwestern rock sounding a little tired, despite more studio polish and Steve Phillips’ solid guitar work. While the band sounds more accomplished than on their 1987 debut, Tornado lacks anything as arresting as ‘Rockin' at the T-Dance’ or ‘Let My People Go-Go’ on that album, or ‘Reckoning Day’ on their next one, although Snake Dance and Wages of Sin come close.” AMG “For most of Tornado, Bob Walkenhorst tones down his yelp of indignation, which is both the most distinctive and potentially annoying characteristic of the band’s sound. The restrained Small Circles shows how conventional the band could be, suggesting how easily the Rainmakers could have carved out a comfortable career as a standard AOR act.” AMG “Nice as that track may be, Tornado generally sticks to the Rainmakers’ strengths: being wry, provocative, and confrontational. Only the overly long I Talk with My Hands is truly a poor effort, seriously bogging down the album with a misguided attempt at dance-oriented rock.” AMG “Even when they come up short on melody, though, as on the bland No Romance, Walkenhorst’s lyrics usually provide something to listen for. The Rainmakers’ next release, The Good News & the Bad News, would offer more of Walkenhorst’s outrage, which may have been what Tornado needed to register as one of the band’s better efforts.” AMG |
Resources and Related Links:
|
Subscribe to:
Posts (Atom)