Saturday, May 28, 2016

Justin Timberlake debuted at #1 with “Can’t Stop the Feeling”

Can’t Stop the Feeling!

Justin Timberlake

Writer(s): Justin Timberlake, Max Martin, Johan Schuster (see lyrics here)


Released: May 6, 2016


First Charted: May 21, 2016


Peak: 11 US, 12 RR, 116 AC, 19 A40, 2 UK, 11 CN, 3 AU (Click for codes to singles charts.)


Sales (in millions): 7.6 US, 1.3 UK, 12.77 world (includes US + UK)


Airplay/Streaming (in millions): 0.59 radio, 1157.7 video, 1050.0 streaming

Awards: (Click on award for more details).

About the Song:

Justin Timberlake wrote and produced the “Can’t Stop the Feeling!” with Max Martin and Shellback for the movie Trolls, for which he served as the executive music producer. Timberlake said the movie felt “like one big, trippy disco experience” WK which needed a disco song. They initially had Earth, Wind & Fire’s “September,” but Timberlake wanted a more modern song. He noted the challenge of crafting a song which characters in the movie would sing.WK The film version featured vocals from James Corden, Zooey Deschanel, Anna Kendrick, and Gwen Stefani. Timberlake’s effort snagged a Grammy for Best Song Written for Visual Media and was nominated for an Oscar for Best Original Song. It took best song honors at the iHeartRadio Music Awards and Peoples’ Choice Awards. WK

The uptempo single was released six months before the film came out and debuted at #1 on the Billboard Hot 100, the 26th song to do so. WK It was Timberlake’s fifth song to reach the summit in the United States and topped the charts in 18 other countries. WK It became the best-selling song of 2016 in the U.S. and was named the most-played song in the U.K. WK Billboard magazine named it the year’s Top Selling Song and Top Radio Song. WK

It was described as a “funky mix of disco and pop” (Entertainment Weekly) which “gives off a feeling of pure joy that only a talent as great as Timberlake could bring to the table” (Music Times’ Jon Niles). WK AZCentral’s Ed Masley said, ‘the lyrics sound like they were custom-made to be the soundtrack to your favorite summer memories.” WK The A.V. Club’s Annie Zaleski said, “The tune doesn’t have to be meaningful – in fact, the more lightweight, the better – and it should offer a few minutes of unadulterated escapism.” WK “If Friday had a sound,” said CNN Entertainment’s Lisa Respers France, “it would be…’Can’t Stop the Feeling!’” WK

The video shows Timberlake in everyday places such as a laundromat, diner, and barbershop. People dance to the song at each stop and then congregate at a highway overpass at the end of the song to dance with Timberlake. WK Mark Romanek, the director, said it was “the overall feeling of unironic and sincere humanism…It makes people smile for four minutes.” WK


Resources and Related Links:

Last updated 4/1/2021.

50 years ago: Percy Sledge hit #1 with “When a Man Loves a Woman"

When a Man Loves a Woman

Percy Sledge

Writer(s): Cameron Lewis, Arthur Wright (see lyrics here)


First Charted: April 9, 1966


Peak: 12 US, 12 CB, 12 HR, 14 RB, 2 UK, 11 CN (Click for codes to singles charts.)


Sales (in millions): 1.0 US


Airplay/Streaming (in millions): 7.0 radio, 121.5 video, 104.91 streaming

Awards for Sledge’s version:


Awards for Bolton’s version:

About the Song:

Sledge called this song “a happy accident.” BR He was touring the South with an R&B group known as the Esquires. RS500 After a break-up, he was too distraught one evening to do the regular setlist. HL He asked bassist Cameron Lewis and organist Andrew Wright to improvise something to which he could sing along. SJ The descending riff created by the pair HL gave Sledge an outlet from which to pour out his soul. HL

Percy later polished up a version which won over Quin Ivy, who was “one of the movers and shakers in the music industry in Alabama.” BR Percy recorded the song at Fame studios under producer Rick Hall, who would put Muscle Shoals, Alabama, on the map, establishing it as the world headquarters for deep soul music. PA Atlantic Records’ Jerry Wexler was sent a copy. He wanted a new recording done at the expense of Atlantic TB because Sledge was off-key and the horn section was out of tune on the original. TB After much time and expense, a new version was created, but a mix-up led to Atlantic releasing the original version instead. TB It didn’t matter – “soulful to the max,” KX the song was a hit in any rendition.

Thanks to its use in a UK TV commercial for Levi’s,” HL the song recharted in England in 1987 at #2, besting its original #4 peak. In 1991, Michael Bolton topped the U.S. pop & AC charts and won a Grammy with his version. When Bolton’s version hit #1 on the Billboard Hot 100, it marked only the seventh time in chart history that two different recording acts took the same song to the pinnacle.

Although the song has generated millions in royalties, Percy has likely seen very little of it TB having given the writing credit to Lewis & Wright.


Resources and Related Links:

  • DMDB Encyclopedia entry for Percy Sledge
  • DMDB Encyclopedia entry for Michael Bolton
  • BR Fred Bronson (2003). The Billboard Book of Number One Hits (5th edition). Billboard Books: New York, NY. Page 199.
  • HL Michael Heatley and Spencer Leigh (1998). Behind the Song: The Stories of 100 Great Pop & Rock Classics. London, England: Blandford Books. Page 25.
  • KX KXXO Mixx 96, Olympia, WA. Top 96 Soft Rock Songs of All Time
  • PA Robert Palmer. (1995). Rock & Roll: An Unruly History. Page 92.
  • RS500 Rolling Stone (2011). “The 500 Greatest Songs of All Time
  • SJ Bob Shannon and John Javna (1986). Behind the Hits: Inside Stories of Classic Pop and Rock and Roll. New York, NY; Warner Brothers, Inc. Page 182.
  • TB Thunder Bay Press (2006). Singles: Six Decades of Hot Hits & Classic Cuts. Outline Press Ltd.: San Diego, CA. Page 81.

First posted 4/9/2013; updated 4/25/2021.

50 years ago: Ike & Tina Turner charted with “River Deep, Mountain High”

River Deep, Mountain High

Ike & Tina Turner

Writer(s): Jeff Barry, Ellie Greenwich, Phil Spector (see lyrics here)


First Charted: May 28, 1966


Peak: 88 US, 91 HR, 1 CL, 3 UK, 57 CN, 14 AU (Click for codes to singles charts.)


Sales (in millions): 0.2 UK


Airplay/Streaming (in millions): -- radio, 18.1 video, 28.43 streaming

Awards:

Click on award for more details.

About the Song:

Producer Phil Spector has said this was his best work. WK He wrote the song with the famed writing writing time of Ellie Greenwich and Jeff Barry, who also wrote “Do Wah Diddy Diddy” and “Leader of the Pack.” Spector was known for his “Wall of Sound” technique in which songs had layers upon layers of sound. The approach made for “very dense recordings that required a strong vocalist to cut through.” SF The song was written specifically for Tina Turner because he knew “her flamethrower voice could handle it.” SF

Spector wanted total control over the production, which meant using his own session musicians. As a result, he paid Ike Turner $20,000 to stay away from the sessions, although his name still appeared on the record. SF Because Spector was such a perfectionist (and abusive), he made Tina sing the song repeatedly for several hours. WK The result? Record World called it “perhaps the greatest single of all time.” WK George Harrison declared it “a perfect record from start to finish. You couldn’t improve on it.” WK

At the time of its release, however, the song didn’t exactly storm the charts. It only reached #88 on the Billboard Hot 100. Ike Turner said “because Tina Turner’s name was on it, the white stations classified it an R&B record and wouldn’t play it. The white stations say it was too black, and the black stations say it was too white, so that record didn’t have a home.” WK Spector was reportedly so disillusioned with the song’s poor performance that he retreated from the recording industry for two years, largely becoming a self-destructive recluse and only returning to the studio intermittently after that. WK

The song did reach the top 20 on the U.S. pop charts and top 10 on the R&B charts in 1970, but it was a version recorded by the Supremes with the Four Tops. The Animals, Neil Diamond, Celine Dion, Deep Purple, and Darlene Love have also recorded the song. A version was recorded for the television show Glee reached #41 on the Billboard Hot 100.


Resources and Related Links:


Other Related DMDB Pages:


First posted 10/7/2021.

Saturday, May 21, 2016

Drake landed at #1 in the U.S. with “One Dance”

First posted 7/8/2012; updated 3/16/2021.

One Dance

Drake with Wizkid & Kyla

Writer(s): Aubrey Graham/ Paul Jefferies/ Noah Shebib/ Ayodeji Balogun/ Errol Reid/ Luke Reid/ Kyla Smith/ Corey Johnson (see lyrics here)


Released: April 5, 2016


First Charted: April 23, 2016


Peak: 110 US, 11 RR, 20 A40, 118 RB, 115 UK, 17 CN, 17 AU (Click for codes to singles charts.)


Sales (in millions): 7.0 US, 2.4 UK, 12.69 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 307.0 video, 1819.0 streaming

Awards: (Click on award for more details).

About the Song:

Grime pioneer Logan Sama supposedly played Drake’s team the 2008 song “Do U Mind” by Kyla. WK Drake and company reached out to her record company to tell her they wanted to sample the song. Kyla initially thought it was an April Fool’s joke – until she signed legal documents. CX The song ended up serving as the bridge for “One Dance,” which also featured Nigerian Afrobeat artist Wizkid as a writer and co-producer. WK Kyla didn’t get to listen to the final version – which was recorded in just a week’s time – because Drake rushed the song out for fear of it getting leaked, as had happened with his song “Controlla” in March. WK

Unsure how it would go over, Drake’s team released the song simultaneously with “Pop Style,” a more convential rap record which featured Kanye West and Jay-Z. They didn’t need to worry – “One Dance” landed at #1 in 15 countries, marking Drake’s first time to the summit as a lead artist. He’d previously guested on “What’s My Name?” CX and “Work,” both #1 songs for Rihanna. WK In the U.S., it became one of only 32 songs to top the Billboard Hot 100 for 10 weeks or more. It became the second-longest consecutive #1 in the UK with 15 weeks at the pinnacle. WK

It became the most streamed song in the history of Spotify with over a billion streams WK and was the biggest-seller in the world in 2016. WK Interestingly, the song’s lack of an official video aided the song’s success on the charts in countries which didn’t tally YouTube streams. A scene from the short film Please Forgive Me, however, featured the song and ended up serving as a video for the song. WK

Pitchfork described the song as “a throbbing, wine-worthy tropical thumper…about the spiritual connection two people can have in a club.” WK The New York Times’ Jon Caramanica called it “one of Drake’s breeziest and most accessible songs, and also one of his savviest.” WK Rolling Stone’s Rob Sheffield said it was “a utopian fusion of global styles.” WK


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