Thursday, December 31, 2009

The Top 100 Songs from 2000-2009

First posted 6/11/2015; updated 10/25/2020.

Top 100 Songs of the Decade:


These are the top 100 songs from 2000-2009 according to Dave’s Music Database. Rankings are figured by combining sales figures, chart data, radio airplay, video airplay, streaming figures, awards, and appearances on best-of lists.

Check out other “songs of the decade” lists here.

1. Hey Ya!...OutKast (2003)
2. I Gotta Feeling…Black Eyed Peas (2009)
3. Lose Yourself…Eminem (2002)
4. Yeah!...Usher with Lil’ Jon & Ludacris (2004)
5. Umbrella…Rihanna with Jay-Z (2007)
6. Crazy in Love… Beyoncé with Jay-Z (2003)
7. Crazy…Gnarls Barkley (2006)
8. We Belong Together…Mariah Carey (2005)
9. Low…Flo Rida with T-Pain (2007)
10. Single Ladies (Put a Ring on It)… Beyoncé (2008)

11. Viva La Vida…Coldplay (2008)
12. Poker Face…Lady Gaga (2009)
13. Boom Boom Pow…Black Eyed Peas (2009)
14. Tik Tok…Ke$ha (2009)
15. Gold Digger…Kanye West with Jamie Foxx (2005)
16. Bleeding Love…Leona Lewis (2007)
17. Just Dance…Lady Gaga with Colby O’Donnis (2008)
18. I’m Yours…Jason Mraz (2008)
19. In Da Club…50 Cent (2002)
20. Irreplaceable… Beyoncé (2006)

21. Sexyback…Justin Timberlake (2006)
22. Hips Don’t Lie…Shakira with Wyclef Jean (2006)
23. Hot in Herre…Nelly (2002)
24. Fallin’…Alicia Keys (2001)
25. You’re Beautiful…James Blunt (2005)
26. No One…Alicia Keys (2007)
27. Can’t Get You Out of My Head…Kylie Minogue (2001)
28. I Kissed a Girl…Katy Perry (2008)
29. How You Remind Me…Nickelback (2001)
30. Apologize…One Republic with Timbaland (2007)

31. Boulevard of Broken Dreams…Green Day (2004)
32. Need You Now…Lady Antebellum (2009)
33. Empire State of Mind…Jay-Z with Alicia Keys (2009)
34. Bad Romance…Lady Gaga (2009)
35. Music…Madonna (2000)
36. Bad Day…Daniel Powter (2005)
37. Dilemma…Nelly with Kelly Rowland (2002)
38. Stan…Eminem with Dido (2000)
39. Love Story…Taylor Swift (2008)
40. Beautiful Day…U2 (2000)

41. Rehab…Amy Winehouse (2006)
42. Seven Nation Army…The White Stripes (2003)
43. Big Girls Don’t Cry (Personal)…Fergie (2007)
44. Mr. Brightside…The Killers (2004)
45. Take Me Out…Franz Ferdinand (2004)
46. You Belong with Me…Taylor Swift (2008)
47. Clocks…Coldplay (2002)
48. Kryptonite…3 Doors Down (2000)
49. Independent Women…Destiny’s Child (2000)
50. Hey There Delilah…Plain White T’s (2007)

51. Use Somebody…Kings of Leon (2008)
52. Get Ur Freak On…Missy Elliott (2001)
53. Lady Marmalade…Christina Aguilera with Lil’ Kim, Mya, & Pink (2001)
54. Chasing Cars…Snow Patrol (2006)
55. The Reason…Hoobastank (2003)
56. Hey, Soul Sister…Train (2009)
57. Disturbia…Rihanna (2008)
58. Complicated…Avril Lavigne (2002)
59. Since U Been Gone…Kelly Clarkson (2004)
60. Hot N Cold…Katy Perry (2008)

61. Promiscuous…Nelly Furtado with Timbaland (2006)
62. Toxic…Britney Spears (2004)
63. I Hope You Dance…Lee Ann Womack (2000)
64. Right Round…Flo Rida & Ke$ha (2009)
65. Stronger…Kanye West with Daft Punk (2007)
66. Yellow…Coldplay (2000)
67. Ms. Jackson…OutKast (2000)
68. Where Is the Love?...Black Eyed Peas with Justin Timberlake (2003)
69. Without Me…Eminem (2002)
70. Live Your Life…T.I. with Rihanna (2008)

71. Bye Bye Bye…N Sync (2000)
72. Drops of Jupiter (Tell Me)…Train (2001)
73. So What…Pink (2008)
74. Hollaback Girl…Gwen Stefani (2005)
75. Hero…Enrique Iglesias (2001)
76. Hurt…Johnny Cash (2003)
77. Lollipop…Lil Wayne with Static Major (2008)
78. How to Save a Life…The Fray (2005)
79. Foolish…Ashanti with Ja Rule (2002)
80. Crank That (Soulja Boy)… Soulja Boy Tell’em (2007)

81. Hung Up…Madonna (2005)
82. Paper Planes…MIA (2007)
83. Let Me Love You…Mario (2004)
84. Bring Me to Life…Evanesence with Paul McCoy (2003)
85. This Love…Maroon 5 (2002)
86. Love Song…Sara Bareilles (2007)
87. Whatever You Like…T.I. (2008)
88. Don’t Cha….Pussycat Dolls with Busta Rhymes (2005)
89. Candy Shop…50 Cent with Olivia (2005)
90. Fireflies…Owl City (2009)

91. Beautiful…Christina Aguilera (2002)
92. Hanging by a Moment…Lifehouse (2000)
93. All Summer Long…Kid Rock (2007)
94. Oops!...I Did It Again…Britney Spears (2000)
95. Get the Party Started…Pink (2001)
96. Take a Bow…Rihanna (2008)
97. It Wasn’t Me…Shaggy wih Ricardo “Rik Rok” Ducent (2000)
98. Party in the U.S.A….Miley Cyrus (2009)
99. Feel Good Inc….Gorillaz with De La Soul (2005)
100. Vertigo…U2 (2004)

Dave's Faves: Top 100 Songs, 2000-2009

First posted 5/6/2020.

Dave’s Faves:
My Top 100 Songs of the Decade


These are my personal favorite top 100 songs from 2000-2009. This was first posted on Facebook (see it here). This version on the blog has been updated.

1. Crowded House “Silent House” (2007)
2. Michael Franti & Spearhead “Everyone Deserves Music” (2003)
3. Michael Andrews with Gary Jules “Mad World” (2002)
4. Alan Jackson “Where Were You When the World Stopped Turning” (2001)
5. Johnny Cash “Hurt” (2002)
6. John Mellencamp “If I Die Sudden” (2008)
7. Dresden Dolls “Sing” (2006)
8. Sandi Thom “I Wish I Was a Punk Rocker” (2005)
9. Bruce Springsteen “My City of Ruins” (2001)
10. Gnarls Barkley “Crazy” (2006)

11. Eminem “Lose Yourself” (2002)
12. OutKast “Hey Ya!” (2003)
13. Limp Bizkit with Johnny Rzeznik “Wish You Were Here” (live, 2001)
14. Pearl Jam “Just Breathe” (2009)
15. The Gaslight Anthem “The ’59 Sound” (2008)
16. Evanescence with Paul McCoy “Bring Me to Life” (2003)
17. Beck “Everybody’s Gotta Learn Sometime” (2004)
18. Sheryl Crow “Safe and Sound” (live, 2001)
19. Death Cab for Cutie “I Will Follow You into the Dark” (2005)
20. Plain White T’s “Hey There Delilah” (2005)

21. KT Tunstall “Black Horse & the Cherry Tree” (2004)
22. Pink with Indigo Girls “Dear Mr. President” (2006)
23. Queensrÿche “Home Again” (2009)
24. Amy Winehouse “Rehab” (2006)
25. Chris Cornell “Billie Jean” (2007)
26. Black Eyed Peas “I Gotta Feeling” (2009)
27. Dixie Chicks “Travelin’ Soldier” (2002)
28. David Baerwald “I Won’t Back Down” (2006)
29. Eagles “Hole in the World” (2003)
30. Fountains of Wayne “Stacy’s Mom” (2003)

31. Green Day “Boulevard of Broken Dreams” (2004)
32. Bruce Springsteen “Empty Sky” (2002)
33. Mike “Grace Kelly” (2007)
34. The White Stripes “Seven Nation Army” (2003)
35. Bruce Hornsby “Gonna Be Some Changes Made” (2004)
36. John Mellencamp “Rodeo Clown” (2007)
37. Eminem with Dido “Stan” (2000)
38. Gorillaz “Clint Eastwood” (2001)
39. John Mayer “No Such Thing” (2001)
40. Arnold McCuller “Free Bird” (2000)

41. Bruce Springsteen “Radio Nowhere” (2007)
42. Avril Lavigne “Sk8r Boi” (2002)
43. John Mellencamp “To Washington” (2003)
44. Franz Ferdinand “Take Me Out” (2004)
45. John Mellencamp “Rural Route” (2007)
46. Tori Amos “‘97 Bonnie and Clyde” (2001)
47. Bowling for Soup “1985” (2004)
48. U2 “Sometimes You Can’t Make It on Your Own” (2004)
49. Pearl Jam “Love Reign O’er Me” (2004)
50. Bright Eyes “Road to Joy” (2005)

51. Foo Fighters “Darling Nikki” (2003)
52. Green Day “Wake Me Up When September Ends” (2004)
53. Bruce Springsteen “The Rising” (2002)
54. Blur “Out of Time” (2003)
55. Tricky with Ed Kowalczyk & Hawkman “Evolution Revolution Love” (2001)
56. No Doubt “Simple Kind of Life” (2000)
57. Amanda Ghost “Silver Lining” (2000)
58. The White Stripes “Hotel Yorba” (2001)
59. Badly Drawn Boy “Something to Talk About” (2002)
60. Del Amitri “Jesus Saves” (2002)

61. Glen Hansard & Marketa Irglova “Falling Slowly” (2007)
62. D’Angelo “Untitled (How Does It Feel)” (2000)
63. Death Cab for Cutie “I Will Possess Your Heart” (2008)
64. Eminem “Like Toy Soldiers” (2004)
65. Sting “Stolen Car (Take Me Dancing)” (2003)
66. Alicia Keys “Fallin’” (2001)
67. Pearl Jam “Man of the Hour” (2003)
68. Hooters “Morning Buzz” (2007)
69. Eminem “Sing for the Moment” (2002)
70. The Killers “All These Things That I’ve Done” (2004)

71. Pink “Family Portrait” (2001)
72. Adele “Hometown Glory” (2007)
73. Alanis Morissette “My Humps” (2007)
74. Hooters “White Jeans” (2007)
75. Lucinda Williams “Righteously” (2003)
76. Eminem “Cleanin’ Out My Closet” (2002)
77. Nine Inch Nails “Only” (2005)
78. Uncle Kracker “Follow Me” (2000)
79. One Republic with Timbaland “Apologize” (2006)
80. Dixie Chicks “I Hope” (2005)

81. Adele “To Make You Feel My Love” (2008)
82. Damien Rice “The Blower’s Daughter” (2004)
83. Beck “Lost Cause” (2002)
84. Five for Fighting “Superman (It’s Not Easy)” (2000)
85. Kid Rock with Sheryl Crow “Picture” (2001)
86. Blue October “Into the Ocean” (2006)
87. Mindy Smith “Come to Jesus” (2004)
88. Alicia Keys “No One” (2007)
89. Alanis Morissette “Crazy” (2007)
90. Coldplay “Clocks” (2002)

91. U2 “Stuck in a Moment You Can’t Get Out Of” (2000)
92. U2 “Beautiful Day” (2000)
93. Eddie Vedder “Hard Sun” (2007)
94. Red Hot Chili Peppers “Hard to Concentrate” (2006)
95. Nelly Furtado “I’m Like a Bird” (2000)
96. Train “Drops of Jupiter (Tell Me)” (2001)
97. Bruce Springsteen “The Wrestler” (2008)
98. Eminem “Mosh” (2004)
99. Aaron Lewis with Fred Durst “Outside” (live, 2000)
100. Bob Walkenhorst “Primitivo Garcia” (2003)

Resources and Related Links:

Billboard Top Pop Album Artists

image from

Based on the Billboard album chart, these are the top album artists in the history of the chart from 1955-2009:

1. Elvis Presley
2. Frank Sinatra
3. The Beatles
4. Barbra Stresiand
5. The Rolling Stones
6. Johnny Mathis
7. Elton John
8. Bob Dylan
9. Neil Diamond
10. The Temptations

11. Eric Clapton
12. The Beach Boys
13. Rod Stewart
14. Willie Nelson
15. Mantovani
16. Ray Charles
17. Neil Young
18. Ray Conniff
19. Prince
20. Paul McCartney

21. Aretha Franklin
22. George Strait
23. Jimmy Buffett
24. Pink Floyd
25. Chicago
26. David Bowie
27. James Brown
28. Bruce Springsteen
29. Andy Williams
30. The Bee Gees

31. Lawrence Welk
32. Van Morrison
33. Kenny Rogers
34. The Supremes
35. Grateful Dead
36. Henry Mancini
37. The Kingston Trio
38. Barry Manilow
39. Aerosmith
40. Jimi Hendrix

41. Michael Jackson
42. Herb Alpert
43. Stevie Wonder
44. Nat “King” Cole
45. Johnny Cash
46. Metallica
47. Madonna
48. Led Zeppelin
49. U2
50. Queen

51. Roger Williams
52. Kiss
53. Fleetwood Mac
54. Linda Ronstadt
55. The Ventures
56. Santana
57. Garth Brooks
58. Diana Ross
59. James Taylor
60. AC/DC

61. Rush
62. The Who
63. Billy Vaughn
64. Billy Joel
65. Alabama
66. Jefferson Airplane/Starship
67. Alan Jackson
68. Eagles
69. Dionne Warwick
70. Tony Bennett

71. Dave Matthews Band
72. Harry Belafonte
73. The Isley Brothers
74. The Doors
75. John Denver
76. Mitch Miller
77. Mariah Carey
78. Dean Martin
79. Tom Petty & the Heartbreakers
80. The Lettermen

81. Nancy Wilson
82. Journey
83. Marvin Gaye
84. Jethro Tull
85. Bon Jovi
86. Elvis Costello
87. Dolly Parton
88. Carly Simon
89. Bob Seger
90. The Kinks

91. Tupac Shakur
92. Gladys Knight & the Pips
93. Pearl Jam
94. Kenny G
95. Joan Baez
96. R.E.M.
97. Anne Murray
98. The Monkees
99. Glen Campbell
100. The Jackson 5/The Jacksons

  • Joel Whitburn (2010). Top Pop Albums (7th edition). Record Research: Menomonee Falls, WI. Page 951.

2009: Top 25 Albums

First posted 1/8/2021.

Dave’s Music Database:

Top Albums of 2009

Based on a combination of year-end lists and overall status in Dave’s Music Database, these are the top 25 albums of 2009:

  1. Animal Collective Merriweather Post Pavilion
  2. Black Eyed Peas The E.N.D. (Energy Never Dies)
  3. Mumford & Sons Sigh No More
  4. U2 No Line on the Horizon
  5. Susan Boyle I Dreamed a Dream
  6. The XX XX
  7. Michael Bublé Crazy Love
  8. Eminem Relapse
  9. Maxwell Black Summer’s Night
  10. Miranda Lambert Revolution

  11. Muse The Resistance
  12. Florence + the Machine Lungs
  13. Lady Gaga The Fame Monster
  14. Jay-Z The Blueprint 3
  15. Bruce Springsteen Working on a Dream
  16. Green Day 21st Century Breakdown
  17. Grizzly Bear Veckatimest
  18. Michael Jackson This Is It
  19. Pearl Jam Backspacer
  20. Dave Matthews Band Big Whiskey and the Groogrux King

  21. Neko Case Middle Cyclone
  22. Lily Allen It’s Not Me, It’s You
  23. Phoenix Wolfgang Amadeus Phoenix
  24. Miley Cyrus Hannah Montana: The Movie soundtrack
  25. Bob Dylan Together Through Life

Resources and Related Links:

Dave’s Faves: #1 Songs in the 2000s

First posted 4/29/2020.

Dave’s Faves:

#1’s: 2000-2009

September 18, 1982. I can peg my fascination with music charts to that date. After listening to a local radio station’s countdown of the hits of the summer, I decided to make my own list of favorites (see original list here). I ended up revising it every few days, eventually developing my own charts which I maintained into the ‘90s.

I’ve also projected before and after those lists to create speculative lists of #1 songs for eras not covered by those original charts. You can check out those links here, but this page is focused on the #1 songs that might have been for me in the 2000s.


  • Jan. 1: David Baerwald “A Friend Like Our Dear Stranger” (2 wks)
  • Jan. 15: Kid Rock “Only God Knows Why” (3 wks)
  • Feb. 5: D’Angelo “Untitled (How Does It Feel)” (4 wks)
  • Mar. 4: 3 Doors Down “Kryptonite” (2 wks)
  • Mar. 18: Moby “Natural Blues” (5 wks)
  • Apr. 22: Lee Ann Womack & Sons of the Desert “I Hope You Dance” (4 wks)
  • May 20: Creed “With Arms Wide Open” (3 wks)
  • June 10: Stone Temple Pilots “Sour Girl” (4 wks)
  • July 8: No Doubt “Simple Kind of Life” (4 wks)
  • Aug. 5: Aha “Barely Hanging On” (3 wks)
  • Aug. 26: Fuel “Hemorrhage (In My Hands)” (3 wks)
  • Sept. 16: Arnold McCuller “Free Bird” (3 wks)
  • Oct. 17: Arnold McCuller & Paul Giamatti “Try a Little Tenderness” (2 wks)
  • Oct. 21: Eminem with Dido “Stan” (3 wks)
  • Nov. 11: Nelly Furtado “I’m Like a Bird” (2 wks)
  • Nov. 25: Kevin Gilbert “Certifiable #1 Smash” (2 wks)
  • Dec. 9: Kevin Gilbert “Suit Fugue (Dance of the A&R Men)” (2 wks)
  • Dec. 23: Incubus “Drive” (3 wks)


  • Jan. 13: Roger Waters “Each Small Candle (live)” (3 wks)
  • Feb. 3: Uncle Kracker “Follow Me” (3 wks)
  • Feb. 24: Train “Drops of Jupiter (Tell Me)” (2 wks)
  • Mar. 10: U2 “Stuck in a Moment You Can’t Get Out Of” (2 wks)
  • Mar. 24: Gorillaz “Clint Eastwood” (3 wks)
  • Apr. 14: Bruce Springsteen “American Skin (41 Shots) (live)” (3 wks)
  • May 5: Eve 6 “Here’s to the Night” (2 wks)
  • May 19: Staind “It’s Been Awhile” (3 wks)
  • June 9: Amanda Ghost “Silver Lining” (3 wks)
  • June 30: Five for Fighting “Superman (It’s Not Easy)” (3 wks)
  • July 21: Afro-Celt System with Peter Gabriel “When You’re Falling” (2 wks)
  • Aug. 4: Tricky with Ed Kowalczyk & Hawkman “Evolution Revolution Love” (3 wks)
  • Aug. 25: Bruce Springsteen “Land of Hope and Dreams (live)” (2 wks)
  • Sept. 8: Glen Tilbrook “Interviewing Randy Newman” (2 wks)
  • Sept. 22: Tori Amos “’97 Bonnie and Clyde” (1 wk)
  • Sept. 29: Limp Bizkit with Johnny Reznik “Wish You Were Here (live)” (2 wks)
  • Oct. 13: Sheryl Crow “Safe and Sound (live)” (2 wks)
  • Oct. 27: Bruce Springsteen “My City of Ruins (live)” (2 wks)
  • Nov. 10: John Mayer “No Such Thing” (3 wks)
  • Dec. 1: Alan Jackson “Where Were You When the World Stopped Turning” (4 wks)
  • Dec. 29: The White Stripes “Hotel Yorba” (3 wks)


  • Jan. 19: Puddle of Mudd “Blurry” (2 wks)
  • Feb. 2: Dixie Chicks “Travelin’ Soldier” (4 wks)
  • Mar. 2: Pink “Don’t Let Me Get Me” (3 wks)
  • Mar. 23: Noa “Eye in the Sky” (2 wks)
  • Apr. 6: Jack Johnson “Flake” (2 wks)
  • Apr. 20: Indigo Girls “Bitterroot” (2 wks)
  • May 4: Del Amitri “Jesus Saves” (3 wks)
  • May 25: Moby “We Are All Made of Stars” (4 wks)
  • June 22: Badly Drawn Boy “Something to Talk About” (3 wks)
  • July 13: Bruce Springsteen “The Rising” (3 wks)
  • Aug. 3: Robert Plant “One More Cup of Coffee” (1 wk)
  • Aug. 10: Eminem “Cleanin’ Out My Closet” (2 wks)
  • Aug. 24: Bruce Springsteen “Empty Sky” (3 wks)
  • Sept. 14: Avril Lavigne “Sk8r Boi” (3 wks)
  • Oct. 5: Eminem “Lose Yourself” (5 wks)
  • Nov. 9: Pink “Family Portrait” (3 wks)
  • Nov. 30: Kid Rock with Sheryl Crow “Picture” (3 wks)
  • Dec. 21: U2 “The Hands That Built America” (2 wks)


  • Jan. 4: Beck “Lost Cause” (3 wks)
  • Jan. 25: Evanescence with Paul McCoy “Bring Me to Life” (5 wks)
  • Mar. 1: Chris Difford “No Show Jones” (2 wks)
  • Mar. 15: Eminem “Sing for the Moment” (3 wks)
  • Apr. 5: Bangles “Song for a Good Son” (1 wk)
  • Apr. 12: Blur “Out of Time” (3 wks)
  • May 3: Lucinda Williams “Righteously” (4 wks)
  • May 31: Live “Heaven” (3 wks)
  • June 21: Eagles “Hole in the World” (4 wks)
  • July 19: John Mellencamp “To Washington” (3 wks)
  • Aug. 9: Fountains of Wayne “Stacy’s Mom” (4 wks)
  • Sept. 6: Michael Franti & Spearhead “Everyone Deserves Music” (3 wks)
  • Sept. 27: OutKast “Hey Ya!” (4 wks)
  • Oct. 25: Foo Fighters “Darling Nikki” (2 wks)
  • Nov. 8: David Bowie “New Killer Star” (1 wk)
  • Nov. 15: Johnny Cash Hurt (4 wks)
  • Dec. 13: Pearl Jam “Man of the Hour” (3 wks)


  • Jan. 3: Evanescence “My Immortal” (1 wk)
  • Jan. 10: Bob Walkenhorst “Primitivo Garcia” (2 wks)
  • Jan. 24: Michael Andrews & Gary Jules “Mad World” (4 wks)
  • Feb. 21: Blink-182 “I Miss You” (3 wks)
  • Mar. 13: Viktor Krauss & Alison Krauss “Big Log” (1 wk)
  • Mar. 20: Indigo Girls “Tether” (1 wk)
  • Mar. 27: Jason Mraz “Curbside Prophet” (3 wks)
  • Apr. 17: Beck “Everybody’s Gotta Learn Sometime” (4 wks)
  • May 15: Jet “Look What You’ve Done” (1 wk)
  • May 22: Mindy Smith “Come to Jesus” (3 wks)
  • June 12: Sting “Stolen Car (Take Me Dancing)” (2 wks)
  • June 26: Glenn Tilbrook “Hot Shaved Asian Teens” (2 wks)
  • July 10: Tim McGraw “Live Like You Were Dying” (3 wks)
  • July 31: Bruce Hornsby “Gonna Be Some Changes Made” (4 wks)
  • Aug. 28: Bowling for Soup “1985” (4 wks)
  • Sept. 25: Velvet Revolver “Fall to Pieces” (2 wks)
  • Oct. 9: The Killers “All These Things That I’ve Done” (3 wks)
  • Oct. 30: Tears for Fears “The Devil” (2 wks)
  • Nov. 13: David Baerwald “If Wishes Were Horses” (2 wks)
  • Nov. 27: Green Day “Boulevard of Broken Dreams” (3 wks)
  • Dec. 18: Eminem “Mosh” (3 wks)


  • Jan 8: Eminem “Mockingbird” (2 wks)
  • Jan. 22: Damien Rice “The Blower’s Daughter” (3 wks)
  • Feb. 12: Eminem “Like Toy Soldiers” (3 wks)
  • Mar. 5: Bright Eyes “Road to Joy” (4 wks)
  • Apr. 2: U2 “Sometimes You Can’t Make It on Your Own” (3 wks)
  • Apr. 23: KT Tunstall “Black Horse & the Cherry Tree” (5 wks)
  • May 28: The Killers “Ruby Don’t Take Your Love to Town” (1 wk)
  • June 4: Styx “Blue Collar Man @ 2120” (2 wks)
  • June 18: U2 “Original of the Species” (2 wks)
  • July 2: Green Day “Wake Me Up When September Ends” (4 wks)
  • July 30: Nine Inch Nails “Only” (3 wks)
  • Aug. 20: David Baerwald “Why Not Me” (2 wks)
  • Sept. 3: Coldplay “Fix You” (2 wks)
  • Sept. 17: Death Cab for Cutie “Soul Meets Body” (3 wks)
  • Oct. 8: Sandi Thom “I Wish I Was a Punk Rocker” (4 wks)
  • Nov. 5: Dixie Chicks “I Hope” (2 wks)
  • Nov. 19: Berlin “Scream” (1 wk)
  • Nov. 26: Alanis Morissette “Crazy” (3 wks)
  • Dec. 17: Youth Group “Forever Young” (3 wks)


  • Jan. 7: Nine Inch Nails “Every Day Is Exactly the Same” (3 wks)
  • Jan. 28: Jack Johnson “Upside Down” (3 wks)
  • Feb. 18: Blue October “Hate Me” 3 wks)
  • Mar. 11: Sheryl Crow with Sting “Always on Your Side” (2 wks)
  • Mar. 25: Gnarls Barkley “Crazy” (4 wks)
  • Apr. 22: Dresden Dolls “Sing” (4 wks)
  • May 20: Red Hot Chili Peppers “Hard to Concentrate” (3 wks)
  • June 10: David Baerwald “I Won’t Back Down” (3 wks)
  • July 1: Sierra Swan “Mother” (2 wks)
  • July 15: Stone Sour “Through Glass” (3 wks)
  • Aug. 5: Death Cab for Cutie “I Will Follow You into the Dark” (4 wks)
  • Sept. 2: Melissa Etheridge “I Need to Wake Up” (2 wks)
  • Sept. 16: Blue October “Into the Ocean” (3 wks)
  • Oct. 7: Pearl Jam “Gone” (2 wks)
  • Oct. 21: U2 with Green Day “The Saints Are Coming” (2 wks)
  • Nov. 4: Amy Winehouse “Rehab” (3 wks)
  • Nov. 25: Tim Finn “Salt to the Sea” (2 wks)
  • Dec. 9: John Mellencamp “Our Country” (2 wks)
  • Dec. 23: Pink with Indigo Girls “Dear Mr. President” (4 wks)


  • Jan. 20: Mika “Grace Kelly” (4 wks)
  • Feb. 17: Mika “Over My Shoulder” (2 wks)
  • Mar. 3: Viktor Krauss with Shawn Colvin “Shine on You Crazy Diamond” (2 wks)
  • Mar. 17: John Mellencamp “Rodeo Clown” (3 wks)
  • Apr. 7: Plain White T’s “Hey There Delilah” (3 wks)
  • Apr. 28: Alanis Morissette “My Humps” (2 wks)
  • May 12: Pearl Jam “Love Reign O’er Me” (2 wks)
  • May 26: John Mellencamp “Rural Route” (2 wks)
  • June 9: Chris Cornell “Billie Jean” (3 wks)
  • June 30: Bruce Springsteen “When the Saints Go Marching In (live)” (2 wks)
  • July 14: Marillion “Most Toys’ (2 wks)
  • July 28: Crowded House “Silent House” (4 wks)
  • Aug. 25: Velvet Revolver “The Last Fight” (2 wks)
  • Sept. 8: Bruce Springsteen “Radio Nowhere” (4 wks)
  • Oct. 6: Hooters “Morning Buzz” (2 wks)
  • Oct. 20: Eddie Vedder “Hard Sun” (3 wks)
  • Nov. 10: Glen Hansard & Marketa Irglova “Falling Slowly” (3 wks)
  • Dec. 1: Barenaked Ladies “The Big Bang Theory Theme” (2 wks)
  • Dec. 15: Mika “Happy Ending” (1 wk)
  • Dec. 22: Bruce Springsteen “Magic” (2 wks)


  • Jan. 5: Hooters “White Jeans” (2 wks)
  • Jan. 19: Eddie Vedder “Guaranteed” (2 wks)
  • Feb. 2: Eddie Vedder “Long Nights’ (2 wks)
  • Feb. 16: Bruce Springsteen “Terry’s Song” (1 wk)
  • Feb. 23: Eagles “No More Walks in the Wood” (2 wks)
  • Mar. 8: Adele “Chasing Pavements” (2 wks)
  • Mar. 22: Sheryl Crow “Lullaby for Wyatt” (2 wks)
  • Apr. 5: Adele “Hometown Glory” (3 wks)
  • Apr. 26: Jack Johnson “Sleep Through the Static” (2 wks)
  • May 10: Death Cab for Cutie “I Will Possess Your Heart” (3 wks)
  • May 31: Chris Difford “Fat As a Fiddle” (3 wks)
  • June 21: Chris Difford “On My Own I’m Never Bored” (2 wks)
  • July 5: R.E.M. “Hollow Man” (2 wks)
  • July 19: John Mellencamp “If I Die Sudden” (4 wks)
  • Aug. 16: The Gaslight Anthem “The ’59 Sound” (4 wks)
  • Sept. 13: Toni Childs “I Saw God in the Supermarket” (2 wks)
  • Sept. 27: The Airborne Toxic Event “Sometime Around Midnight” (3 wks)
  • Oct. 18: Bruce Springsteen “The Wrestler” (2 wks)
  • Nov. 1: Eddie Vedder “All the Way” (3 wks)
  • Nov. 22: Marillion “Half-Full Jam” (3 wks)
  • Dec. 13: Adele “To Make You Feel My Love” (3 wks)


  • Jan. 3: Playing for Change “Stand by Me” (4 wks)
  • Jan. 31: Tim Finn “The Saw & the Tree” (2 wks)
  • Feb. 14: Peter Gabriel with Hot Chip “Cape Cod Kwassa Kwassa” (3 wks)
  • Mar. 7: Bruce Springsteen “Outlaw Pete” (3 wks)
  • Mar. 28: Glenn Tilbrook “Still” (2 wks)
  • Apr. 11: U2 “Moment of Surrender” (2 wks)
  • Apr. 25: The Decemberists “The Wanting Comes in Waves/Repaid” (3 wks)
  • May 16: Queensrÿche “Home Again” (4 wks)
  • June 13: Perpetuum Jazzile “Africa” (4 wks)
  • July 11: Black Eyed Peas “I Gotta Feeling” (5 wks)
  • Aug. 15: Shawn Colvin “Crazy” (3 wks)
  • Sept. 5: Bruce Springsteen “London Calling (live)” (3 wks)
  • Sept. 26: Train “Hey, Soul Sister” (4 wks)
  • Oct. 24: Kevin Gilbert “Tired Old Man” (4 wks)
  • Nov. 21: Kevin Gilbert “Bitter Souvenir” (2 wks)
  • Dec. 5: Pearl Jam “Breathe” (5 wks)

The Top 100 Albums of the 2000s

First posted 11/6/2011; updated 12/12/2020.


The Top 100 Albums

These are the top albums from 2000-2009 according to Dave’s Music Database, which factors in sales, chart data, awards, album ratings, and appearances on best-of lists. Compilations, archival recordings, and reissues are not factored into this list.

Also, check out annual picks for album of the year.

1. Eminem The Marshall Mathers LP (2000)
2. The Strokes Is This It (2001)
3. Coldplay A Rush of Blood to the Head (2002)
4. Amy Winehouse Back to Black (2006)
5. Radiohead Kid A (2000)
6. The White Stripes Elephant (2003)
7. Green Day American Idiot (2004)
8. Norah Jones Come Away with Me (2002)
9. Eminem The Eminem Show (2002)
10. Arcade Fire Funeral (2004)

11. OutKast Speakerboxxx/The Love Below (2003)
12. Arctic Monkeys Whatever People Say I Am, That’s What I’m Not (2006)
13. Taylor Swift Fearless (2008)
14. Radiohead In Rainbows (2007)
15. Usher Confessions (2004)
16. Kanye West The College Dropout (2004)
17. O Brother Where Art Thou (soundtrack, 2000)
18. Coldplay Parachutes (2000)
19. Alicia Keys Songs in A Minor (2001)
20. OutKast Stankonia (2000)

21. Lady Gaga The Fame (2008)
22. Jay-Z The Blueprint (2001)
23. The White Stripes White Blood Cells (2001)
24. U2 All That You Can’t Leave Behind (2000)
25. Linkin Park Hybrid Theory (2000)
26. Coldplay X & Y (2005)
27. 50 Cent Get Rich or Die Tryin’ (2003)
28. James Blunt Back to Bedlam (2004)
29. Wilco Yankee Hotel Foxtrot (2002)
30. Justin Timberlake Justified (2002)

31. Coldplay Viva la Vida or Death and All His Friends (2008)
32. Beyoncé Dangerously in Love (2003)
33. Franz Ferdinand Franz Ferdinand (2004)
34. Sufjan Stevens Illinois (2005)
35. Justin Timberlake FutureSex/LoveSounds (2006)
36. Mariah Carey The Emancipation of Mimi (2005)
37. LCD Soundsystem Sound of Silver (2007)
38. U2 How to Dismantle an Atomic Bomb (2004)
39. Bob Dylan Love and Theft (2001)
40. Norah Jones Feels Like Home (2004)

41. Dixie Chicks Home (2002)
42. Kings of Leon Only by the Night (2008)
43. Beck Sea Change (2002)
44. Kanye West Late Registration (2005)
45. D’Angelo Voodoo (2000)
46. Keane Hopes and Fears (2004)
47. Bruce Springsteen The Rising (2002)
48. Evanescence Fallen (2003)
49. Brian Wilson Smile (2004)
50. Bob Dylan Modern Times (2006)

51. Loretta Lynn Van Lear Rose (2004)
52. Animal Collective Merriweather Post Pavilion (2009)
53. Carrie Underwood Some Hearts (2005)
54. Shania Twain Up! (2002)
55. Robert Plant & Alison Krauss Raising Sand (2007)
56. Queens of the Stone Age Songs for the Deaf (2002)
57. Red Hot Chili Peppers By the Way (2002)
58. Red Hot Chili Peppers Stadium Arcadium (2006)
59. Black Eyed Peas The E.N.D. (Energy Never Dies) (2009)
60. PJ Harvey Stories from the City, Stories from the Sea (2000)

61. Avril Lavigne Let Go (2002)
62. The Libertines Up the Bracket (2002)
63. N Sync No Strings Attached (2000)
64. Fleet Foxes Fleet Foxes (2008)
65. Streets Original Pirate Material (2002)
66. The Killers Hot Fuss (2004)
67. System of a Down Toxicity (2001)
68. High School Musical (TV soundtrack, 2006)
69. Kelly Clarkson Breakaway (2004)
70. Jack Johnson In Between Dreams (2005)

71. David Gray White Ladder (2000)
72. Eminem Encore (2004)
73. Bon Iver For Emma, Forever Ago (2008)
74. Streets A Grand Don’t Come for Free (2004)
75. Nickelback All the Right Reasons (2005)
76. Various Artists (Eminem et al) 8 Mile (soundtrack, 2002)
77. 50 Cent The Massacre (2005)
78. Dixie Chicks Taking the Long Way (2006)
79. Kanye West Graduation (2007)
80. Mumford & Sons Sigh No More (2009)

81. U2 No Line on the Horizon (2009)
82. Rihanna Good Girl Gone Bad (2007)
83. Lil Wayne Tha Carter III (2008)
84. Alicia Keys The Diary of… (2003)
85. Dizzee Rascal Boy in Da Corner (2003)
86. Bruce Springsteen Magic (2007)
87. Taylor Swift Taylor Swift (2006)
88. Flaming Lips Yoshimi Battles the Pink Robots (2002)
89. High School Musical 2 (TV soundtrack, 2007)
90. Nelly Nellyville (2002)

91. Madonna Music (2000)
92. Linkin Park Meteora (2003)
93. Destiny’s Child Survivor (2001)
94. Gorillaz Demon Days (2005)
95. Nelly Country Grammar (2000)
96. Vampire Weekend Vampire Weekend (2008)
97. Maroon 5 Songs About Jane (2002)
98. Benny Andersson/Björn Ulvaeus (composers) Mamma Mia! (stage debut: 2000, cast album: 2001, soundtrack: 2008)
99. Pink M!ssundaztood (2001)
100. Interpol Turn on the Bright Lights (2002)

Resources and Related Links:

Tuesday, December 22, 2009

2010 Rock and Roll Hall of Fame Inductees

Last week, the 2010 Rock and Roll Hall of Fame inductees were announced. At the onset of the year, I inducted myself into the world of blogging by scrawling down my humble opinions about the 2009 crop of Rock Hall inductees (“How to Get into the Rock and Roll Hall of Fame”). Obviously someone in high-up places at the Hall read my blog and made some adjustments, albeit minor ones.

A year ago I whined about an apparent bias against progressive rock. This year Genesis has finally broken down that door. Hopefully, Yes, Rush, King Crimson, and others will follow. Now, do we get to see Gabriel on stage with Collins, Rutherford, and Banks? Performing something from Lamb Lies Down on Broadway perhaps?

I also complained about an overemphasis on R&B acts and, lo and behold, this year there are no one-hit wonder doo wop groups from the ‘50s on the list. Instead we have Jimmy Cliff, a reggae artist who is best known for the soundtrack for The Harder They Come, not exactly a must-have for the average fan.

Then again, if it were just about the fans, the Stooges might have prolonged their decade-and-a-half overdue entrance into the Hall. Amongst this year’s batch, no act has more “rock cred.” As architects of what became the punk movement in the ‘70s, Iggy & Co. also can lay claim to being the godfathers of most of the alternative music that followed. The Nirvanas and Pearl Jams that are shoo-in inductees within the next-half decade wouldn’t be here if weren’t for the Stooges.

I also lamented a year ago that being a true rock and roll act doesn’t seem to be a requirement. The Rock Hall made it clear long ago that they were more about popular music of the rock era than actual rock. As such, Abba isn’t exactly what people have in mind when they utter the phrase “rock and roll,” but there’s no question they belong in a pop music hall of fame.

Finally, there’s The Hollies, which sort of straddle the line between pop and rock, but do so in such a way that they deserve being regarded as one of the important bands of the British Invasion.

On the nonperformer end of things, apparently there was an all-out effort to correct some gross oversights. David Geffen, the man who founded Geffen Records and signed artists like the Eagles; Crosby, Stills & Nash; Jackson Browne; and Linda Ronstadt, wasn’t in yet? How about Barry Mann & Cynthia Weil, who helped define the “Brill Building” sound with classics such as “You’ve Lost That Lovin’ Feelin’,” which alone should have been an automatic ticket to induction years ago. Similarly, the writing team of Ellie Greenwich & Jeff Barry, who crafted the Ronettes’ “Be My Baby,” and Ike & Tina Turner’s “River Deep, Mountain High,” have been astonishingly overlooked for years.

And when it comes to overlooked songwriters, how has Otis Blackwell been passed over for so long? Songs like “Great Balls of Fire” and “Don’t Be Cruel” are foundations of rock and roll and their creator wasn’t in the Hall yet? There’s also Mort Shuman, who along with Doc Pomus, wrote songs like “Save the Last Dance for Me” and “Viva Las Vegas.” Similarly, Jesse Stone crafted gems like “Shake, Rattle, and Roll” and “Money Honey.”

There’s still acts that need to be inducted (Kiss, Deep Purple, Rush, and more), especially in light of the head-scratching acts whose influence on rock and roll is questionable. Nonetheless, I tip my hat to some of the oversights which the Rock Hall has corrected this time around. I’m so glad I could be a voice of reason for you last year.

Thursday, December 3, 2009

Farewell, Eric Woolfson

It was the last week of March in 1984 that I became an Alan Parsons Project fan. “Don’t Answer Me” was climbing the charts, eventually becoming a top 20 hit on the Billboard Hot 100. I knew of the Project before that – “Damned if I Do” and “Games People Play” were album rock staples and “Eye in the Sky” had been a huge pop hit (the biggest of the Project’s career) a couple years before. However, I hadn’t plunked down change for an APP album – until that week when I took the leap and grabbed up not just Ammonia Avenue, which featured “Don’t Answer Me,” but also The Best Of collection which had been released just a few months earlier.

A year later I would joyously plump for 1985’s Vulture Culture and a year after that for Stereotomy. As I was prone to do when discovering music in the ‘80s, I started dipping into the back catalog. Beyond the hits, I stumbled across gems like “Old and Wise” and “Turn of a Friendly Card.” Most amusingly though was, in May 1986 when I was anticipating a new album by Styx frontman Dennis DeYoung. I fell in love with this song on the radio that I thought was surely by him. I was wrong – it turned out to be “Breakdown,” from the nearly-decade old APP album I, Robot.

I learned the requisite back story necessary to claim a band as a new favorite. It turns out the Project’s namesake did engineering work on classic albums such as The Beatles’ Abbey Road and Pink Floyd’s Dark Side of the Moon. However, Alan Parsons wasn’t alone in the creation of those prog-lite concept albums forged from 1976 to 1987 that sold over 40 million albums worldwide. The group owed as much to Eric Woolfson – a songwriter, keyboardist, singer, and manager who lent his chops to some of the group’s best-known songs such as the aforementioned “Eye in the Sky” and “Don’t Answer Me.”

Following 1987’s Gaudi, the Project disappeared for three years, returning in 1990 with Freudiana. The thing confusingly was not credited to anyone, suggesting that it was a new group called Freudiana. However, this Eric Woolfson-helmed project was clearly the Project with Parsons producing and credits including longtime APP players Ian Bairnson on guitar, Stuart Elliott on drums, and orchestral arrangements from Andrew Powell. John Miles and Chris Rainbow, who’d warbled on past-Project tunes, also put in appearances.

There was something different, though. Peppered with far more guests and stretched to twice the length of the average APP album, this felt more like a musical cast album. Sure enough, there in the liner notes was the statement that “the first stage production of Freudiana has its world premiere in December 1990 in Vienna.” Hmm. This was definitely a new direction for the band.

It proved to be a new direction, but for Woolfson, not Parsons. While Woolfson was eager to explore musical theater, it was the jumping off point for Parsons. The Project was no more. Woolfson went on to craft the musicals Gaudi (1995), Gambler (1996), and Poe (recorded 2003, premiered 2009). He also wrote the music and lyrics for 2007’s Dancing Shadows, which won for Best Musical at the Korean Tony Awards.

This year, I was overjoyed to stumble across The Alan Parsons Project That Never Was, an album from Woolfson that combined some unreleased material from the Project days alongside songs crafted for his musicals. Sadly, it would be Woolfson’s finale. As I scanned the various comments on Facebook this morning about who was headed off to work and who needed coffee and who wasn’t enjoying the weather, I stopped sharply upon a fan notice: Eric Woolfson had died of cancer at the age of 64 on December 2, 2009 – a date that will now, sadly, overshadow that wonderful week in March 1984 when I became a fan. Farewell, Eric. You will be missed.

“Somewhere in the midst of time/ When they ask you if you knew me
Remember that you were a friend of mine
As the final curtain lifts before my eyes/ When I’m old and wise.”

- “Old and Wise” – Alan Parsons Project

Click here to hear an early version of the song that featured Eric Woolfson’s guide vocal.

Also check out my page on the detailed history of the Alan Parsons Project as well as the solo work of Parsons and Woolfson at

Saturday, November 28, 2009

Jay-Z hit #1 with “Empire State of Mind”

Last updated 4/22/2020.

Empire State of Mind

Jay-Z with Alicia Keys

Writer(s): Angela Hunte, Alicia Keys, Alexander Shuckburgh, Burt Keyes, Janet "Jnay" Sewell-Ulepic, Shawn Carter, Sylvia Robinson (see lyrics here)

Released: October 20, 2009

First Charted: September 19, 2009

Peak: 15 US, 5 RR, 39 A40, 13 RB, 2 UK, 3 CN, 4 AU (Click for codes to singles charts.)

Sales (in millions): 5.51 US, 0.77 UK, 6.49 world (includes US + UK)

Airplay/Streaming (in millions): 0.4 radio, 213.07 video, -- streaming


About the Song:

“Empire State of Mind” was written by Angela Hunte and Jane’t Sewell Ulepic as a tribute to their hometown of New York City. They wrote it while overseas in London and feeling homesick. They submitted the song to Jay-Z’s Roc Nation label and it was initially rejected. However, EMI’s Jon Platt heard the track at a barbeque and sent it to Jay-Z again.

Jay-Z kept the singing part of the hook, but changed the verses. WK Initially Hunte was still going to sing the hook, but she suggested Alicia Keys. WK Because of the track’s piano loops, Jay-Z wanted Key’s piano and vocal talents. He called her and said, “I feel like I have this record that’s going to be the anthem of New York…and it couldn’t be the anthem of New York without you.” WK She went by the studio and listened to it and, as she said, “I really felt the energy of New York all through it…I said ‘I love it, so let’s do it.’” SF

Complex magazine agreed with Jay-Z’s assessment, saying that the song “has replaced Frank Sinatra’s ‘New York, New York’ as the city’s go-to anthem.” WK The New York Racing Association concurred when they replaced “New York, New York” with “Empire State of Mind” as the opening song at the 142nd running of the Belmont Stakes. WK The song also got attention during the New York Yankees’ World Series run and Jay-Z performed it at their victory parade. SF

The song was Jay-Z’s fourth time to reach the pinnacle of the Billboard Hot 100, but his first time as a lead artist. WK The song was a top ten hit in Australia, Canada, France, Italy, Sweden, and the United Kingdom. WK The song won Grammys for Best Rap Song and Best Rap/Sung Collaboration. Entertainment Weekly named it the best single of 2009. WK

Resources and Related Links:

Sunday, November 15, 2009

40 Years Ago: Led Zeppelin chart with “Whole Lotta Love”

Last updated 3/7/2021.

Whole Lotta Love

Led Zeppelin

Writer(s): John Bonham, Willie Dixon, John Paul Jones, Jimmy Page, Robert Plant (see lyrics here)

Released: November 7, 1969

First Charted: November 15, 1969

Peak: 4 US, 2 CB, 4 HR, 1 CL, 21 UK, 2 CN, 12 AU (Click for codes to singles charts.)

Sales (in millions): 1.0 US, 0.4 UK, 1.4 world (includes US + UK)

Airplay/Streaming (in millions): -- radio, 169.25 video, -- streaming

Awards: (Click on award for more details).

About the Song:

“Whole Lotta Love” can be traced back to a 1962 Willie Dixon song, although he wasn’t credited until 1985. Dixon was a Chicago blues songwriter who penned the song “You Need Love” in 1962 for Muddy Waters. The Small Faces, a British rock band, covered the song as “You Need Loving” on their debut album in 1966. According to Steve Marriott, the band’s singer and guitarist, future Led Zeppelin members Jimmy Page and Robert Plant came to some of their gigs and expressed interest in the song. WK

Jimmy Page was the guitarist in the Yardbirds in the late 1960s. When the group folded, Page set about creating a group originally dubbed “The New Yardbirds” which included Plant on vocals. The group eventually settled on the monker “Led Zeppelin” and set about “jamming on the blues standards they loved, stretching them out into psychedelic orgies.” RS500 On its first two albums, Led Zeppelin covered “You Shook Me,” “I Can’t Quit You, Baby,” and “Bring It on Home” – all by Willie Dixon. RS500

The band’s reworking of “You Need Love” bore similarities to the Small Faces’ version. Marriott pointed out that Plant “sang it the same, phrased it the same, even the stops at the end were the same.” WK However, it wasn’t until Dixon brought legal action in 1985 that he got a rightful share of the credit. RS500 The band settled out of court for an undisclosed amount and, on subsequent releases, included Dixon’s name in the credits. WK Dixon used the money to set up a program which provided instruments for schools. SF

Plant also tossed in lines from “Shake for Me” and “Back Door Man,” a pair of Dixon songs written for Howlin’ Wolf. RS500 The band also borrows a phrase from Blind Lemon Jefferson and Robert Johnson, in asking to have one’s lemon squeezed “till the juice runs down my leg.” RP-124

Page developed the riff in the summer of 1968 on his houseboat on the River Thames in England, although bassist John Paul Jones said it came out of improvisation on stage during their song “Dazed and Confused.” WK In 2014, a BBC radio listeners’ poll rated “Whole Lotta Love” as having the greatest guitar riff of all time. WK The song was also rated in the top 5 on similar lists from Q magazine and VH1. WK

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Saturday, October 31, 2009

Taylor Swift hit #1 on the AC charts with “You Belong with Me”

Last updated 2/15/2021.

You Belong with Me

Taylor Swift

Writer(s): Taylor Swift, Liz Rose (see lyrics here)

Released: April 18, 2009

First Charted: November 22, 2008

Peak: 2 US, 11 RR, 114 AC, 2 A40, 12 CW, 30 UK, 3 CN, 4 AU (Click for codes to singles charts.)

Sales (in millions): 7.0 US, 0.4 UK, 8.0 world (includes US + UK)

Airplay/Streaming (in millions): 0.7 radio, 1187.49 video, -- streaming

Awards: (Click on award for more details).

About the Song:

Taylor Swift took the world by storm in 2008-2009. Her second album, Fearless, pulled off the astonishing feat of sending twelve of its 13 songs into the Billboard Hot 100. Four went top ten, with “You Belong with Me” being the biggest. The song also gave her a fourth trip to the top of the country charts and marked her second ascension to the pinnacle of the adult contemporary chart (following “Love Story”). It was also the first song in nearly a decade (the last being Faith Hill’s “Breathe” in 2000) to simultaneously chart in the top 5 of the Hot 100 and country charts. WK and the first country song to top the Billboard Hot 100 radio airplay chart AB’00

Swift somehow “made teen love, angst, and romance sound incredibly fresh again.” AB’00 She explained that she overheard a friend’s conversation and wrote the song’s first line, “You’re on the phone with your girlfriend/ She’s upset, going off about something that you said.” SF The song hit on the idea that, as she told MTV News, “somehow the popular girl gets the guy every time” even though she “doesn’t appreciate him at all.” WK She extended the idea “that I’m in love with him and he should be with me instead of her,” SF and highlighted the differences between the two women with lines like “She wears short skirts, I wear T-shirts.” SF

The video for the song was shot at the high school in Hendersonville, Tennessee, where her brother went. SF Lucas Till, from Hannah Montana: The Movie, starred as her love interest and in case of life imitating art, the two dated for a short time after doing the video. SF The video’s director, Roman White, said the sparks between the two were evident to everyone on set. He joked, “How many kisses did we go through? I stopped counting at, like, 45.” SF

Swift became the first country artist to win an MTV Video Music Award, landing the prize for Best Female Video at the 2009 Awards. Her win was overshadowed when rapper Kanye West interrupted her acceptance speech to proclaim his opinion that Beyoncé should have won the award. When Beyoncé won Video of the Year for “Single Ladies (Put a Ring on It),” she graciously invited Swift back on stage to finish her speech.

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Pearl Jam released “Just Breathe”

First posted 5/7/2020.

Just Breathe

Pearl Jam

Writer(s): Eddie Vedder (see lyrics here)

Released: October 31, 2009

First Charted: November 7, 2009

Peak: 78 US, 20 A40, 113 AA, 36 AR, 6 MR, 14 CN (Click for codes to singles charts.)

Sales (in millions): 1.0 US, -- UK, 1.0 world (includes US + UK)

Airplay/Streaming (in millions): -- radio, 43.25 video, -- streaming

Awards (Pearl Jam version):

Awards (Willie Nelson version):

About the Song:

As big as Pearl Jam had been since their beginnings in 1991, it took nine albums before they pulled off a platinum-selling single – “Just Breathe” from 2009’s Backspacer. The song grew out of “Tuolumne,” an instrumental on the Into the Wild soundtrack by Pearl Jam’s Eddie Vedder. It was released as a double A-side along with “Got Some.” WK

Vedder described it as being “as close to a love song as we’ve ever gotten.” SF It says, “Just stop, and be together. Don’t talk now, just breathe and feel each other’s presence – now that the kids are in bed.” SF Jennifer Warnes, who covered it on her 2018 album Another Time, Another Place, said the song has a universal them about mortality: “[It] is on everybody’s mind at one time or another.” SF

One can hear the reflective meditation on life in Vedder’s aching, angst-ridden, middle-aged voice. However, the song took on even more weight in the hands of Willie Nelson, who released his version on his 2012 album Heroes, just days shy of his 79th birthday. It chills the listener the way Johnny Cash did with Nine Inch Nails’ “Hurt.” The difference? The posthumous success of Cash’s recording, combined with a video showcasing his fragility at the end of his life turned it into an epitaph for Cash. Nelson made it clear he wasn’t drawing his last breath just yet.

In fact, with his laid-back delivery and familiar, gravelly voice, Nelson still taps into the song’s retrospective nature, but there’s a satisfaction with a life well lived. As another bonus, the song pairs Willie with his best vocal impersonator – his son Lukas. If possible, with his twangier voice, Lukas sounds more like Willie than Willie does.

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Wednesday, October 28, 2009

The Thrill of the New

I am a download junkie. There’s no denying it – the 28,000+ songs on my hard drive weren’t all ripped from my CD collection that now does little more than keep one of the basement walls from being bare. A healthy chunk of my music has known no other home but the computer and isn’t likely to find its way to disc. Occasionally I still buy a CD (they still make ‘em, can you believe it?), but generally out of necessity – some of the stuff is obscure enough that I can’t find it to download.

Still, I get nostalgic for my former music buying habits – paying for an actual, tangible object that might have even required unwrapping. Hmm…I guess a benefit of the mp3 is that you don’t have to wait for your fingernails to grow before you can get the shrink wrap off a CD. How about those awful plastic cases CDs and cassettes used to come in that required super human strength or a machete to open?

I’ve survived a few music formats. Beyond 45 records, my first-ever album music purchase was a K-Tel compilation eight track. That might evoke more than a few chuckles, but there’s even more ammo when it comes to the cassette department, considering my first venture into the tape world was the Xanadu soundtrack. I am proud of my first CD buy – Marillion’s Clutching at Straws, even if I didn’t own a CD player when I bought it. I already had the cassette, but the CD had a bonus track and my buddy across the hall in the dorm let me play it on his CD player.

In my pre-digital adult life, Tuesdays were weekly holidays since that’s when new releases came out. In my college days, the only game in town was (shudder) Wal-Mart, but I occasionally hopped a ride with a buddy to Streetside Records thirty minutes away. In post-college days, my musical hunts often took me to Westport. For those unfamiliar with the Kansas City area, Westport is the kind of neighborhood where, well, there were lots of used record shops. My favorite was Music Exchange. It was one of those places that smelled of dust from the crates of old records and whose door and windows were wallpapered with notices of when and where local bands were playing.

Once the CD dominated, my most frequent stop was Disc Traders. Neither would win a best-name contest, but at the latter they knew me by name, knew my tastes well enough to make recommendations, and weren’t wearing brightly-colored smocks and asking if I needed a shopping cart. It was a relief to know that even in suburbia, I could hit a store that didn’t have a TM after their logo – or even a logo for that matter.

Wrapped or unwrapped, once the acquisition was home or in the car, I’d check out the album packaging, read off song titles, peruse the liner notes and lyrics, and plop the thing in for that virgin listen. What really heightened the experience is when the tunes of choice were either 1) new stuff by a favorite act, or 2) a been-on-my-most-wanted-list-forever item.

I can’t remember the last time I plopped down cash or credit card on an actual counter instead of clicking on the “Pay Now” button. While grabbing up 7 Worlds Collide on may not be the same as stumbling across that long-sought 3rd Matinee disc (complete with a “For Promotional Use Only” label) at whatever-the-name-of-that-place-was-on-75th-Street, both methods can still elicit joy.

Last Friday, two new Kevin Gilbert CDs greeted me in my mailbox. There hasn’t been a “new” KG album since 2002’s Kaviar Sessions. Of course, unless you’re Elvis, Hendrix, or 2pac, you aren’t moving a lot of product from the grave. To the credit of KG’s estate, they’ve released a handful of gems since his untimely passing in 1996, most notably The Shaming of the True in 2000 – my favorite album of the last decade. No worries if you don’t know the name – his solo stuff hasn’t even scraped the bottom of the Billboard charts. His greatest fame comes from his 1990 Toy Matinee project that sold a few hundred thousand shy of gold on the strength of minor album-rock hit “Last Plane Out” and his stint as one of the under-appreciated musicians behind Sheryl Crow’s success with Tuesday Night Music Club. If you’re curious about him, check out my Dave’s Music Database page on him or go straight to the official website.

However, I digress. The point of this blog wasn’t to convert you to KG’s music (well, maybe a little), but to simply relive those music buying experiences in era when phrases like “backmasking” and “dropping the needle on a stack of vinyl” dominated instead of “iTunes” and “synching up your musical device.” The names and formats in your own collection will vary, but there remains one constant among anyone who’s ever bought music – the elation of that perfect purchase, the discovery of a lost treasure, the arrival of a long-awaited must-have. Go ahead and break out that Xanadu soundtrack again – nobody has to know but you.

Monday, September 21, 2009

50 years ago: Johnny Mathis charted with Heavenly for 1st of 295 weeks

First posted 10/1/2020.


Johnny Mathis

Released: August 10, 1959

Charted: September 21, 1959

Peak: 15 US, 10 UK, -- CN, -- AU

Sales (in millions): 1.0 US, -- UK, 1.0 world (includes US and UK)

Genre: easy listening


Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Heavenly (Burt Bacharach, Sydney Shaw) [3:23]
  2. Hello, Young Lovers (Richard Rodgers, Oscar Hammerstein) [4:18]
  3. A Lovely Way to Spend an Evening (Harold Adamson, Jimmy McHugh) [4:04]
  4. A Ride on a Rainbow (Leo Robin, Jule Styne) [4:11]
  5. More Than You Know (Vincent Youmans, Edward Eliscu, Billy Rose) [4:18]
  6. Something I Dreamed Last Night (Sammy Fain, Herbert Magidson, Jack Yellen) [4:32]
  7. Misty (Erroll Garner, Johnny Burke) [3:38] (9/14/59, 12 US, 14 CB, 12 UK)
  8. Stranger in Paradise (George Forrest, Robert Wright) [4:06]
  9. Moonlight Becomes You (Johnny Burke, Jimmy Van Heusen) [4:06]
  10. They Say It’s Wonderful (Irving Berlin) [3:33]
  11. I’ll Be Easy to Find (Bart Howard) [4:04]
  12. That’s All (Alan Brandt, Bob Haymes) [3:50]

Total Running Time: 48:03


4.248 out of 5.00 (average of 5 ratings)

Quotable: --


About the Album:

In 1958, Columbia Records released Johnny’s Greatest Hits. This collection by Johnny Mathis has been described as the “original greatest-hits package.” It peaked at #1 on the Billboard album chart and logged more than 10 years on the chart, a record it held until it was surpassed by Pink Floyd’s Dark Side of the Moon in 1983.

While the album could be considered the peak of his career, Mathis followed it with nine consecutive top-10 albums, including the five-million-selling Merry Christmas. From a chart standpoint, the most successful of these was 1959’s Heavenly. It was his only other #1 album and, like Johnny’s Greatest Hits, became a staple on the album chart, logging 295 weeks.

The album is “the epitome of Mathis’ approach to music.” AMG “The tempos are slow, the strings swell, and Mathis’ vulnerable tenor, dripping with tender emotion, yet never missing a beat, soars and swoops over all.” AMG This was Mathis’ tenth album release in under three years, which made him “a recording veteran while still being fresh enough to give his performance real feeling.” AMG

The most notable track is Misty, a jazz piano standard by Erroll Garner with new lyrics added by Johnny Burke. It wasn’t the biggest hit of Mathis’ career (that would be the #1 “Chances Are” in 1957), but it became what many considered his signature song. In 2002, it was inducted into the Grammy Hall of Fame.

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