Metallica released Master of Puppets

Master of Puppets Metallica

Released: February 24, 1996 Charted: March 15, 1986 Peak: 29 US, 41 UK, 52 CN, 33 AU Sales (in millions): 6.0 US, 0.3 UK, 10.5 world (includes US and UK) Genre: metal

Tracks: Song Title [time] (date of single release, chart peaks) Click for codes to charts. Battery [5:13] (8/5/86, --) Master of Puppets [8:36] (7/2/86, 35 US, 22 UK, 32 CN, 19 AU, 21 DF) The Thing That Should Not Be [6:36] Welcome Home (Sanitarium) [6:27] (10/30/86, --) Disposable Heroes [8:17] Leper Messiah [5:40] Orion (instrumental) [8:27] Damage, Inc. [5:32] Total Running Time: 54:47 The Players: James Hetfield (vocals, guitar) Kirk Hammett (guitar) Cliff Burton (bass, backing vocals) Lars Ulrich (drums)

Rating: 4.387 out of 5.00 (average of 21 ratings) Awards: (Click on award to learn more).

About the Album: Master of Puppets “was the realization of all the promise Metallica, and thrash metal music in general.” GW However, the album’s true testament is that it has been “hailed as a masterpiece by critics far outside heavy metal’s core audience.” AMG “On their final recording with bassist Cliff Burton (who would die in a tour bus accident) they reinforced everything good about heavy metal (the velocity of the playing, the emotional release of the vocals) while undermining at least a few of the cliches.” TL “Metallica fully recasts metal as thinking-person’s music” TM by expanding “metal’s ritualistic pummeling with music of impressive, even daunting, intricacy.” TM The group effectively plays “metal as modern-day classical music, offering up harmonically and structurally complex arrangements that convey a stunning range of ideas and emotions.” GW Thematically, the album focues on “the concept of power and abuses thereof.” AZ “Welcome Home (Sanitarium) is from the point of view of an institutionalized inmate and Disposable Heroes is the perspective of a soldier.” AZ “They also got in digs at…head banging conformists” TL and “primal, uncontrollable human urges” like rage and drug use, such as in the “unmistakably anti-drug” TL title track. “This eight-song album clocks in at over an hour, which makes it all the more impressive that not one moment on this recording is boring.” AZ “The arrangements are thick and muscular, and the material varies enough in texture and tempo to hold interest through all its twists and turns.” AMG Like predecessor Ride the Lightning, the album was produced by Flemming Rasmussen, who had previously engineered works by Cat Stevens and Bert Jansch. His only “previous heavy-metal production experience lay with Rainbow’s Difficult to Cure (1981), but his uncluttered style is perfect for the visceral assault of Metallica.” TB It is “thrash metal’s finest moment” GW and has even been called “the best heavy metal album ever recorded; if it isn’t, it certainly comes close.” AMG

Resources and Related Links: AMG All Music Guide review by Steve Huey AZ Amazon.com review by Genevieve Williams GW Guitar World 50 Greatest Guitar Albums (2/19/2009) TM Tom Moon, 1,000 Recordings to Hear Before You Die (2008). Workman Publishing Company, Inc.: New York, NY. TB Thunder Bay Albums: The Stories Behind 50 Years of Great Recordings. Thunder Bay Press; San Diego, CA. (2005). Page 231. TL Time Magazine’s All-TIME 100 Albums by Josh Tyrangiel and Alan Light (11/13/06). UT USA Today, Top 40 Albums – the USA Today Way (12/5/2003). WK Wikipedia Other Related DMDB Pages: First posted 2/24/2012; last updated 11/30/2022.

Alan Parsons Project Stereotomy released

Stereotomy Alan Parsons Project

Charted: February 1, 1986 Peak: 43 US, -- UK, 32 CN, 50 AU Click for codes to charts. Sales (in millions): -- Genre: progressive rock lite

Tracks: Song Title [time] (date of single release, chart peaks) Click for codes to charts. Stereotomy [7:15] Beaujolais [4:27] Urbania [4:34] Limelight [4:39] In the Real World [4:17] Where’s the Walrus? [7:34] Light of the World [ 6:22] Chinese Whispers [1:02] Stereotomy Two [1:18] Total Running Time: 41:58 Also from This Era: Rumour Goin’ Round [4:39] The Players: Alan Parsons (production, engineering, assorted instruments) Eric Woolfson (vocals, keyboards, piano) Ian Bairson (guitar) Stuart Elliott (drums, percussion) David Paton (bass) Richard Cottle (keyboards, synthesizer, saxophone) Gary Brooker, Graham Dye, Steven Dye, John Miles, Chris Rainbow (vocals) The Philharmonia Orchestra, arranged and conducted by Andrew Powell

Rating: 3.190 out of 5.00 (average of 16 ratings) Awards: (Click on award to learn more).

About the Album: “’Stereotomy’ is the scientific term for enclosing scientific samples in wax and then cutting them into fine shavings. The word was used by Edgar Allan Poe in his work The Murders in the Rue Morgue which was the first detective novel.” APP The album, the ninth by the Alan Parsons Project, uses “stereotomy” as “a metaphor for the way that famous people…are often ‘shaped’ by the demands of fame.” WK This allows for the exploration of themes about how ‘the modern world molds the personality, the character, and the livelihood of the human being. People are but a slave to their lifestyle and their environment and they are destined to be thrown into this situation at birth.” AM "The Alan Parsons Project’s conceptual grandeur began to lose its potency right around the mid-‘80's.” AM On Stereotomy, "one must really pay attention to the profound lyrics and loose structuring of the music to attain the concept that Parsons metaphorically dances around.” AM “The lack of unity and cohesion means that [this] is merely a collection of good songs and not a work in its own right.” DV Commercially, the Project were on the downside as well. They had top 20 hits like “Games People Play” and “Don’t Answer Me” as well as the top-10 “Eye in the Sky,” but now they were lucky to grace the Billboard Hot 100 at all. The title cut peaked at a lowly #82. “The elegant, Appolonian keyboard-based sound of albums like Eye in the Sky and Vulture Culture was gone, replaced with a drum and bass-heavy throb on the opening track. The production was still crisp and clean, the engineering exquisite,” DV but “in many ways this was the end of any pretensions that Alan Parsons’ was progressive rock…this was a stripped down and…almost…funky?…Project.” DV While the Project’s instrumentals may be a selling point to many fans, the presence of three of them, not to mention a very unnecessary reprise of the title cut, make the album feel lazy. Coupling that with Parsons’ growing weakness in presenting readily apparent concepts well supported by the songs makes for a mediocre effort. “Parsons’ genius can be better investigated on numerous past releases, as this album proves to come up short.” AM Notes: A 2008 reissue included alternate versions of “Stereotomy” and “Light of the World” along with a demo of the unreleased “Rumour Goin’ Round.” The Songs Here’s a breakdown of each of the individual songs.

Stereotomy Alan Parsons Project

Writer(s): Alan Parsons, Eric Woolfson (see lyrics here) Vocals: John Miles Released: 1/18/1986 (single), Stereotomy (1986), The Best of, Volume 2 (compilation, 1988), The Definitive Collection (compilation, 1997), The Essential (compilation, 2007) Peak: 82 BB, 5 AR, 1 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 1.83 streaming

Awards: (Click on award to learn more).

About the Song: The Project used a myriad of singers over the years and in this case, they turned to John Miles for most of the vocal, although Eric Woolfson, the only mainstay in the group other than Parsons, does come in toward the end. Miles wasn’t well known in the United States, but his song “Music” hit #3 on the UK charts in 1976. The “angriness” of his “forceful voice” makes “Stereotomy “a passable rock tune.” AMG “Stereotomy” notched a fitting place on the album rock tracks (#5), but once again was shunned by pop radio, peaking at a mere #82 on the Billboard Hot 100.

Beaujolais Alan Parsons Project

Writer(s): Alan Parsons, Eric Woolfson Vocals: Chris Rainbow Released: Stereotomy (1986) Peak: 31 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 0.65 streaming About the Song: The “new wave-tinged dance of Beajolais” DV is a decent, but not overly memorable song.

Urbania Alan Parsons Project

Writer(s): Alan Parsons, Eric Woolfson Vocals: NA (instrumental) Released: Stereotomy (1986), Instrumental Works (1988) Peak: -- Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 0.66 streaming About the Song: “Two of the album’s instrumentals, Where’s the Walrus? and Urbania, conjure up mood and keep the listener slightly poised, causing some musical buoyancy among the blandness of the other tracks.” AM

Limelight Alan Parsons Project

Writer(s): Alan Parsons, Eric Woolfson Vocals: Gary Brooker Released: April 1986 (single),Stereotomy (1986), The Best of, Volume 2 (compilation, 1988), The Very Best Live (live, 1995), The Essential (compilation, 2007), The Never Ending Show (live, 2021) Peak: 14 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 3.65 streaming About the Song: “Limelight is almost Broadway in its sheer power.” DV It is a beautiful song and one of the rare highlights on the album.

In the Real World Alan Parsons Project

Writer(s): Alan Parsons, Eric Woolfson Vocals: John Miles Released: Stereotomy (1986), The Definitive Collection (compilation, 1997) Peak: 6 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 0.64 streaming About the Song: “With the help of [vocalist John] Miles’ assertiveness,” AM In the Real World is a “vocal standout” AM and "one of the greatest rock songs you've never heard.” DV This song should have followed “Stereotomy” on to the album rock charts.

Where’s the Walrus? Alan Parsons Project

Writer(s): Alan Parsons, Eric Woolfson Vocals: NA (instrumental) Released: Stereotomy (1986), Instrumental Works (1988) Peak: 28 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 0.89 streaming About the Song: “Two of the album’s instrumentals, Where’s the Walrus? and Urbania, conjure up mood and keep the listener slightly poised, causing some musical buoyancy among the blandness of the other tracks.” AM

Light of the World Alan Parsons Project

Writer(s): Alan Parsons, Eric Woolfson Vocals: Graham Dye Released: Stereotomy (1986) Peak: 11 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 0.58 streaming About the Song: “Light of the World is a passionate, powerful ballad about spiritual seeking and longing.” DV

Chinese Whispers Alan Parsons Project

Writer(s): Alan Parsons, Eric Woolfson Vocals: NA (instrumental) Released: Stereotomy (1986) Peak: -- Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 1.36 streaming About the Song: “The synth-laden wistfulness of Chinese Whispers” DV makes for the third (!) instrumental on the Stereotomy album.

Stereotomy Two Alan Parsons Project

Writer(s): Alan Parsons, Eric Woolfson Vocals: John Miles Released: Stereotomy (1986) Peak: -- Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 0.61 streaming About the Song: This is a very unnecessary reprise of the title cut which, especially in light of the album’s three instrumentals, feels like filler.

Resources/References: APP The-Alan-Parsons-Project.com AM AllMusic.com review by Mike DeGagne DV DailyVault.com review by Duke Egbert WK Wikipedia Related DMDB Pages: First posted 3/24/2008; last updated 4/26/2026.