About Alan Parsons
Alan Parsons was born in Britain on December 20, 1948. “He studied piano and flute as a child and was always intrigued by gadgetry. He picked up the guitar in his early teens and played as a soloist as well as with various bands at school. One of his first jobs was at an EMI tape duplication facility in West London.” AP When he heard “the master tape of the Beatles’ Sgt. Pepper album, [it] boosted his determination to become a recording engineer. Says Alan, ‘I couldn't wait to find out the secrets behind the album. It left me totally in awe of the talent of The Beatles themselves of course, but also the work behind the scenes in the studio.’” AP
“He landed a post at the then not-so-celebrated Abbey Road Studios” AP where he served as an assistant engineer on The Beatles’ Abbey Road and Let It Be albums; he even “actively participated in the famous Apple rooftop session.” AP He went on to serve “as a full-blown engineer [on] Paul McCartney[‘s eponymous debut as well as Wings’ albums] Wild Life and Red Rose Speedway, including the singles ‘Hi Hi Hi’ and ‘C Moon.’ Alan adds ‘I couldn't have asked for a better grounding in recording - after all not many engineers got to work the greatest Rock act of all time.’ He also helped out on George Harrison’s All Things Must Pass album both as an assistant and as a mix engineer.” AP

Parsons also ”worked on a number of hits with The Hollies including ‘He Ain't Heavy He's My Brother’ and ‘The Air That I Breathe.’ However, his reputation was totally solidified with…Pink Floyd's legendary Dark Side of the Moon, which earned him the first of many Grammy nominations.” AP “As the engineering mastermind…Alan became highly sought after as one of the new breed of creative engineers.” AO-P
”Alan soon ventured into production with the British band Pilot and scored immediate success with the hit single ‘Magic’…Other hits followed with Cockney Rebel and John Miles. Alan made three albums with Al Stewart, spawning the hit singles ‘Year of the Cat’ and ‘Time Passages.’” AP “Influenced by his work on Stewart's concept album Time Passages, Parsons decided to [create] his own thematic records.” JA
”Alan has written extensively for the Pro-Audio press and is an acknowledged expert in 5.1 Surround Sound recording. He has often lectured at Recording conferences and Schools of Recording and was the keynote speaker at The Audio Engineering Society convention in 1998.” AP
”Alan now lives in Santa Barbara, California with his wife Lisa and her two teenage daughters, Tabitha and Brittni, four cats, four Guinea pigs, a lop-eared rabbit and a giant Labrador called Harrow.” AP
About Eric Woolfson
Songwriter/manager “Eric Woolfson, with whom [Parsons] had worked at Abbey Road, became actively involved in steering Alan towards becoming an artist in his own right.” AO-P Woolfson was born in Glasgow, Scotland in 1945 and died on December 2, 2009. “He started composing music in his early teens and at the age of eighteen, moved to London where he found work as a session pianist.” PC He was ”signed as a writer…by Andrew Loog Oldham, the legendary producer of the Rolling Stones,” AO-W for Oldham’s ”newly formed record label ‘Immediate.’” PC
”During the following years, Woolfson’s songs were recorded by over one hundred artists both in Europe and America.” PC “including such names as: Marianne Faithful, Frank Ifield, Joe Dassin, The Tremeloes, Marmalade, Dave Berry, Peter Noone, and the US group Music Explosion.” AO-W “Eric's song ‘Baby Make It Soon,’ sung by Chris Farlowe, was Mick Jagger's first production and the French artist Marie's recording of his composition ‘Soleil’ won the Antibes Song Festival in 1971 and reached number one in the French charts.” AO-W

”As a record producer, Eric’s credits included artists such as The Equals, Freddy Garrity (of The Dreamers), The Tremeloes, Dave Berry, and Graham Gouldman of 10cc.” AO-W “In the early seventies, Eric turned his hand to management and was instantly successful. His first two signings were Carl Douglas, (whose record ‘Kung Fu Fighting’ was one of the biggest selling hits of all time) and engineer/record producer Alan Parsons.” AO-W
He had a behind-the-scenes-of-the-music-world background similar to that of Parsons. “Although they started with a business venture, Eric was to use his songwriting talents to form a creative partnership with Alan” AO-P and The Alan Parsons Project was born. Woolfson “conceived and [wrote] all ten Alan Parsons Project albums, which have achieved world-wide sales in excess of forty million.” AO-W In addition, he served as pianist and sometime vocalist, most notably on hit singles Eye in the Sky and Time, “both of which have achieved awards for million plus performances in America alone.” AO-W
Meanwhile, Parsons “occasionally played keyboards and infrequently sang;” AP “the Project was designed primarily as a forum for a revolving collection of vocalists and session players…to interpret and perform Parsons and Woolfson's conceptually-linked, lushly arranged and orchestrated music.” AP
The Alan Parsons Project
The Alan Parsons Project formed in 1975 in London, England. It wasn’t initially intended as a group, but a one-off project. Alan Parsons, known for his engineering work on classics like Pink Floyd’s Dark Side of the Moon and the Beatles’ Abbey Road, wanted to do a musical interpretation of the works of writer Edgar Allan Poe. That became Tales of Mystery and Imagination, the first of ten Alan Parsons Project studio albums.
The group’s sound “was a bold concession to early 70s art-rock and progressive rock, fusing the expansive (and often lengthy) compositions of such acts as Yes with the conceptual cohesion of Pink Floyd and Emerson Lake & Palmer.” LB The Project crafted a more commercial, lite-rock sound that got them played on album rock and adult contemporary alike. “Most of their titles…share common traits…they were concept albums, started with an instrumental introduction fading in to the first song, had an instrumental piece in the middle of the second LP side, and concluded with a quiet/sad/powerful song.” FI
This video from the Sea of Tranquility (Pete Pardo, Brendon Snyder, Scot Lade, Grant Arthur) explores the different genre tags which have been attached to the Alana Parsons Project. It was uploaded on October 27, 2024.
In a continued commitment to Parsons’ original vision to “to dispense with the focus on the performers and place the emphasis entirely on the concept,” LB the Project enlisted more than 40 players over the years, particularly “a stream of guest vocalists seemingly chosen by their vocal style, to complement the style of each song.” FI
Parsons still relied on a core of regulars, most notably Eric Woolfson, “a musician, songwriter and vocalist in his own right who was serving as Parsons’ manager in 1975.” LB Woolfson’s biggest claim to fame had been working with Herman’s Hermits; as Parsons’ collaborator, the pair ”worked together to craft noteworthy songs with impeccable fidelity.” FI
Andrew Powell, who arranged and conducted the Philharmonia Orchestra, was also a Project regular. While groups such as “the Moody Blues…and Electric Light Orchestra had fused classical instrumentation with rock numbers,” LB none did so as elaborately as the Project.
Other longtime members included guitarist Ian Bairnson, bassist/vocalist David Paton (both from Pilot, a mid-‘70s band produced by Parsons), and drummer Stuart Elliott. The Project relied on a vast number of vocalists over the years, but turned most frequently to Lenny Zakatek, Chris Rainbow, Colin Blunstone, and John Miles.
The group disbanded in 1987. They have sold at least 45 million albums worldwide, PC landing “gold and platinum awards from nearly every country in the world.” AO-P Parsons, who had ”ten Grammy nominations for engineering and production,” AO-P also ”started a company…devoted to improving the sound quality of film and video. He has also turned his hand to directing music based TV programmes…and he was instrumental in the creation of Music Box, the European music cable service.” AO-P
Parsons continued to release work under his name and Eric Woolfson released more stage-oriented works, including some reworkings of Alan Parsons Project albums, until his death in 2009. The pair also collaborated on 1990’s Freudiana.
Alan Parsons Project: The Players:
- Alan Parsons (engineering work; k/v/g: 1975-87; Keats: 84)
- Eric Woolfson (v/k – Herman’s Hermits; v/k and executive producer for Alan Parsons Project: 75-87)
- Andrew Powell (conductor for the Philharmonia Orchestra: 1975-87)
- Ian Bairnson (g – Pilot; Alan Parsons Project: 1975-87; Keats: 84)
- David Paton (b/v – Pilot: 75; with Elton John; Alan Parsons Project: 75-86; Keats: 84)
- Stuart Elliott (d: 1977-99; Keats: 84)
- John Miles (v: 1975,78,86-87)
- Lenny Zakatek (v: 1976-85,87)
- Colin Blunstone (v – The Zombies: 63-67; Alan Parsons Project: 1978,82-85; Keats: 84)
- Chris Rainbow (v: 1979-87)
v = vocals, g = guitar, b = bass, k = keyboards, d = drums
Links (Alan Parsons Project):
Links (Alan Parsons):
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