Tuesday, September 28, 1976

Stevie Wonder released Songs in the Key of Life: September 28, 1976

Originally posted September 28, 2012.

image from revivalist.okayplayer.com

Release date: 28 September 1976
Tracks: (Click for codes to singles charts.) Disc 1: Love’s in Need of Love Today / Have a Talk with God / Village Ghetto Land / Contusion / Sir Duke (4/2/77, #1 US, #2 UK, #1 RB, #3 AC) / I Wish (12/4/76, #1 US, #5 UK, #1 RB, #23 AC) / Knocks Me Off My Feet / Pastime Paradise / Summer Soft / Ordinary Pain

Disc 2: Isn’t She Lovely (1/8/77, #23 AC) / Joy Inside My Tears / Black Man / Ngiculela-Es Una Historia-I Am Singing / If It’s Magic / As (11/5/77, #36 US, #36 RB, #24 AC) / Another Star (8/27/77, #32 US, #29 UK, #18 RB, #29 AC)

EP: Saturn / Ebony Eyes / All Day Sucker / Easy Goin’ Evening (My Mama’s Call)

Sales (in millions): 5.0 * US, 0.3 UK, 11.0 world (includes US and UK)

* Because this is a double album, the RIAA certifies it as having sales of 10 million.

Peak: 114 US, 2 UK


Review: Thanks to a boatload of Grammys and a slew of hits in the early 1970s, Motown renewed Stevie Wonder’s contract to the tune of an unprecedented $13 million sum. Then two years went by – “an eternity in R&B.” TL However, he spent that time working relentlessly, sometimes logging 48-hour sessions. NRR The resulting album proved well worth it; it “featured more true classics than even most great artists write in a lifetime.” TL

Originally packaged as a double album plus an EP, Songs in the Key of Life, was “Wonder’s longest, most ambitious collection of songs.” AMG It “is a Grand Artistic Statement, meant to demonstrate Wonder’s ability to entertain just about any audience he chooses.” EK It is “like stumbling into a cave full of treasure” JM and not knowing “which piece of gold to stuff into [one’s] pocket first.” JM It “touched on nearly every issue under the sun, and did it all with ambitious (even for him), wide-ranging arrangements and some of the best performances of Wonder’s career.” AMG

Isn’t She Lovely

However, as is generally true of double albums, one can “argue what can get cut to make a lean, mean single album. Songs in the Key of Life could almost be gotten down to fighting weight just by cutting tracks off when they start to drag. Do we need three minutes of baby noises on Isn’t She Lovely,” EK an otherwise lovely celebration of the love for a newborn child? How about “the two-part, smooth-and-rough Ordinary PainAMG where “the second half…sounds like a completely different song?” EK The album showcases “all of Wonder’s most endearing characteristics – intricate and inventive arrangements, the sheer joy of music-making – and all of his most aggravating (mawkishness, a less-than-industrious approach to his lyrics) in one package.” EK “Stevie seems to be vacillating between pure genius and only-slightly-inspired mediocrity—sometimes within the same song.” JM “It’s like one of those giant novelty sundaes that’s free if you can finish it in one sitting. Delicious, but in the end a bit much.” EK It might be necessary to try “skipping by the schmaltzy, whip-creamed tracks and focusing on the funk and jazz fusion-driven scoops of goodness.” JM


One long track which holds up well is As, “which builds perfectly over the course of its seven minutes, thanks in large part to one of the most memorable choruses Stevie Wonder ever wrote (which is seriously freakin’ saying something).” EK It “could have/should have been the ‘Hey Jude’ of the 1970s.” EK

Sir Duke

Among highlights are “the torrid fusion jam ContusionAMG and Sir Duke, “a big, brassy hit tribute to the recently departed Duke Ellington.” AMG It ”is not only a delight, but it also something of a statement of purpose for Wonder. It’s telling that he name-checks Basie, Miller, Armstrong, Ellington, and Fitzgerald over, say, Mingus or Miles.” EK “The bumping poem to his childhood, I Wish,” AMG is “one of the most joyous of Stevie’s singles…[which is] really saying something.” EK

I Wish

While not organized as such, Songs in the Key of Life “contains nearly a full album on love and relationships, along with another full album on issues social and spiritual. Fans of the love album Talking Book can marvel that he sets the bar even higher here, with brilliant material like the tenderly cathartic and gloriously redemptive Joy Inside My Tears, …the bitterly ironic All Day Sucker, or another classic heartbreaker, Summer Soft.” AMG

“Those inclined toward Stevie Wonder the social-issues artist had quite a few songs to focus on as well: Black Man was a Bicentennial school lesson on remembering the vastly different people who helped build America.” AMG This “eight-minute tour of Stevie’s prowess as a musician and a lyricist” JM has been called “the apex of the album,” JM but can also be an example of excess. It “starts out great – positive message, bubbling funk, nice flourishes throughout. But as those teachers go on hectoring those poor students (which, by the way, flies in the face of all known pedagogical theories), [one] can’t help wishing they would just knock it off already.” EK

Pastime Paradise

Pastime Paradise examined the plight of those who live in the past and have little hope for the future.” AMG It became the basis for Coolio’s smash rip hit, “Gangsta’s Paradise,” nearly two decades later. Village Ghetto Land is “a fierce exposé of ghetto neglect set to a satirical baroque synthesizer” AMG while “Saturn found Stevie questioning his kinship with the rest of humanity and amusingly imagining paradise as a residency on a distant planet.” AMG

“If all this sounds overwhelming, it is; Stevie Wonder had talent to spare during the mid-‘70s, and instead of letting the reserve trickle out during the rest of the decade, he let it all go with one massive burst. (His only subsequent record of the ‘70s was the similarly gargantuan but largely instrumental soundtrack Journey Through the Secret Life of Plants).” AMG

Songs in the Key of Life was a powerhouse – a rare moment when a master was faced with a new level of pressure, and responded by taking his game to new heights.” TL

Resources and Related Links:


Saturday, September 11, 1976

Boston charted with “More Than a Feeling”

Updated 1/21/2019.

image from theatlantic.com

More Than a Feeling


Writer(s): Tom Scholz (see lyrics here)

Released: Sept. 1976

First Charted: 9/11/1976

Peak: 5 US, 4 CB, 4 HR, 22 UK, 4 CN, 11 AU (Click for codes to singles charts.)

Sales *: 1.0 US, -- UK, 1.0 world (includes US + UK)

Radio Airplay *: --

Video Airplay *: 141.0

Streaming *: --

* in millions


Boston’s 1976 self-titled debut album proved to be a classic rock staple with “a sound that was unique and yet somehow familiar.” UCR “The distinctive tone of [Tom] Sholtz’s guitar coupled with the soaring vocals of Brad Delp became the trademark Boston sound.” UCR Critics and the press hated the band, often calling them “corporate rock,” UCR but the 17 million who bought the first album disagreed.

The lead single “More Than a Feeling,” was “an almost sickly sweet ear worm” UCR which served up “a rush of sunshine-laced guitars and vocals” UCR which sometimes blended so seamlessly as to seem to become one. Scholz “wasn’t your average poor struggling rocker; he was an M.I.T. graduate who invented his own effects pedal called ‘The Rockman.’” UCR He worked on the song for five years, recording in his basement WK with equipment he bought with money he earned from a job at Polaroid. SF

The Book of Rock Lists suggests that the song’s riff on the chorus may be an homage to the Kingsmen’s “Louie Louie.” Scholz has said the Left Banke’s “Walk Away Renee” was the song’s main inspiration. WK In turn, “More Than a Feeling” inspired the riff for Nirvana’s “Smells Like Teen Spirit.” RS500 Scholz said he didn’t hear the similarity, but that he “consider[ed] it a compliment.” SF

Boston’s website explained that “Feeling” is about “the power an old song can have in your life.” WK The lyrics focus on the writer being discontent with the present and yearning for Marianne, a former lover, whose memory is evoked by an old familiar song. WK

Scholz confirmed there really was a Marianne. When he was 8 or 9 years old, he was “secretly in love” with a cousin who much much older. He also said, though, that the lyrics were about the ending of a school love affair. WK

Resources and Related Links:

Note: Footnotes (raised letter codes) refer to sources frequently cited on the blog. Numbers following the letter code indicate page numbers. If the raised letter code is a link, it will go directly to the correct page instead of the home page of a website. You can find the sources and corresponding footnotes on the “Lists” page in the “Song Resources” section.


Saturday, September 4, 1976

Abba hits #1 in the UK with “Dancing Queen”: September 4, 1976

Originally posted September 4, 2012.

This content is taken from the The Top 100 Songs of the Rock Era, 1954-1999, available at DavesMusicDatabase.com as a standard book or ebook!

This song has mistakenly been rumored to have been written for the wedding of the King and Queen of Sweden. KL Abba did debut the song at a televised tribute to Sweden’s Queen Silvia and King Gustaf XVI, a day before their marriage on June 19, 1976. SF However, since the song’s origins date to August 1975, TB it hardly could have been written with the nuptials in mind.

The lyrics deal with a visit to a disco, but the song hones in on the joy of dancing. AMG That has aided the song’s durability since it isn’t just tied to disco, but to the greater world of dance-pop music. AMG The song is “arguably the world’s first Europop disco hit” SF with a rhythm inspired by George McCrae’s 1974 “Rock Your Baby.” BBC

Björn Ulvaeus says that when he and Benny Andersson, his co-writer and co-member in Abba, finished mixing the instrumental track, he was so excited he drove all over Stockholm to find someone to listen to the song. He ended up at his sister’s house, playing it over and over. As he says, “We couldn’t believe how good it sounded.” BBC

Neither could the rest of the world. The song topped multiple international charts, BBC notably becoming the group’s biggest of their nine #1 songs in the U.K. and part of an 18 consective top ten singles streak. BR1 In the U.S., the song was the group’s best-selling single LW and only hit to reach the chart pinnacle.


Resources and Related Links:
  • DMDB page for “Dancing Queen”
  • Abba’s DMDB Encyclopedia entry
  • AMG All Music Guide
  • BBC BBC Radio 2 “Sold on Song Top 100” (2004).
  • BR1 Fred Bronson (2003). The Billboard Book of Number One Hits (5th edition). New York, NY: Billboard Books. Page 458.
  • KL Jon Kutner/Spencer Leigh (2005). 1000 UK Number One Hits: The Stories Behind Every Number One Single Since 1952. London, Great Britain: Omnibus Press. Page 222.
  • LW Alan Lewens (2001). Popular Song – Soundtrack of the Century. Billboard Books: New York, NY. Page 137.
  • SF Songfacts.com
  • TB Thunder Bay Press (2006). Singles: Six Decades of Hot Hits & Classic Cuts. Outline Press Ltd.: San Diego, CA. Page 163.