Showing posts with label best disco songs. Show all posts
Showing posts with label best disco songs. Show all posts

Monday, May 10, 2021

The Top 100 Disco Songs of All Time

Disco:

Top 100 Songs

Disco is one of the most-aligned musical genres, ridiculed for its robotic music and simplistic lyrics. However, those who rip on it for being light, trivial music miss the point: that’s what it was designed to be. It was supposed to be fun, party music and wasn’t created with the idea of standing the test of time. However, these songs exemplify how, like it or not, some of these songs have endured.

This list was created by aggregating 40 lists and compilation albums focused on disco. See sources at the bottom of the page. All songs appearing on 3 or more lists were then ranked in order of their overall status in Dave’s Music Database.

Click here to see other genre-specific song lists.

1. Bee Gees “Stayin’ Alive” (1977)
2. Abba “Dancing Queen” (1976)
3. Gloria Gaynor “I Will Survive” (1978)
4. Chic “Le Freak” (1978)
5. Blondie “Heart of Glass” (1978)
6. Village People “Y.M.C.A.” (1978)
7. Kool & the Gang “Celebration” (1980)
8. Bee Gees “How Deep Is Your Love” (1977)
9. Sister Sledge “We Are Family” (1979)
10. Queen “Another One Bites the Dust” (1980)

11. Bee Gees “Night Fever” (1977)
12. Wild Cherry “Play That Funky Music” (1976)
13. Michael Jackson “Don’t Stop ‘Til You Get Enough” (1979)
14. Lipps Inc. “Funkytown” (1980)
15. Diana Ross “Upside Down” (1980)
16. The Sugarhill Gang “Rapper’s Delight” (1979)
17. Chic “Good Times” (1979)
18. Donna Summer “Hot Stuff” (1979)
19. Commodores “Brick House” (1977)
20. The Emotions “Best of My Love” (1977)

21. Rick James “Super Freak” (1981)
22. Andy Gibb “Shadow Dancing” (1978)
23. Rod Stewart “Da Ya Think I’m Sexy?” (1978)
24. Van McCoy “The Hustle” (1975)
25. Carl Douglas “Kung Fu Fighting” (1974)
26. Donna Summer “I Feel Love” (1977)
27. Earth, Wind & Fire “September” (1978)
28. Andy Gibb “I Just Want to Be Your Everything” (1977)
29. KC & the Sunshine Band “Get Down Tonight” (1975)
30. KC & the Sunshine Band “That’s the Way I Like It” (1975)

31. Thelma Houston “Don’t Leave Me This Way” (1976)
32. George McCrae “Rock Your Baby” (1974)
33. Michael Jackson “Rock with You” (1979)
34. Donna Summer “Bad Girls” (1979)
35. The Rolling Stones “Miss You” (1978)
36. Bee Gees “You Should Be Dancing” (1976)
37. Donna Summer “Last Dance” (1978)
38. The Trammps “Disco Inferno” (1977)
39. The Four Seasons “December 1963 (Oh What a Night)” (1975)
40. The O’Jays “Love Train” (1973)

41. Rose Royce “Car Wash” (1976)
42. Anita Ward “Ring My Bell” (1979)
43. Marvin Gaye “Got to Give It Up” (1977)
44. Barry White “Can’t Get Enough of Your Love, Babe” (1974)
45. Barry White “You’re the First, the Last, My Everything” (1974)
46. LaBelle “Lady Marmalade” (1974)
47. Earth, Wind & Fire “Shining Star” (1975)
48. A Taste of Honey “Boogie Oogie Oogie” (1978)
49. Diana Ross “Love Hangover” (1976)
50. Bee Gees “Jive Talkin’” (1975)

51. Bee Gees “Tragedy” (1979)
52. Patrick Hernandez “Born to Be Alive” (1979)
53. Donna Summer “Love to Love You Baby” (1975)
54. Earth, Wind & Fire “Let’s Groove” (1981)
55. The Hues Corporation “Rock the Boat” (1974)
56. The Weather Girls “It’s Raining Men” (1982)
57. McFadden & Whitehead “Ain’t No Stoppin’ Us Now” (1979)
58. Hot Chocolate “You Sexy Thing” (1975)
59. Average White Band “Pick Up the Pieces” (1974)
60. Diana Ross “I’m Coming Out” (1980)

61. Kool & the Gang “Jungle Boogie” (1973)
62. Ohio Players “Love Rollercoaster” (1976)
63. Yvonne Elliman “If I Can’t Have You” (1977)
64. KC & the Sunshine Band “Shake, Shake, Shake, Shake Your Booty” (1976)
65. Vicki Sue Robinson “Turn the Beat Around” (1976)
66. Peaches & Herb “Shake Your Groove Thing” (1978)
67. Love Unlimited Orchestra “Love’s Theme” (1973)
68. Rufus & Chaka Khan “Ain’t Nobody” (1983)
69. Kiss “I Was Made for Lovin’ You” (1979)
70. MFSB with the Three Degrees “T.S.O.P. (The Sound of Philadelphia)” (1974)

71. The S.O.S. Band “Take Your Time, Do It Right” (1980)
72. Alicia Bridges “I Love the Nightlife (Disco ‘Round)” (1978)
73. Rick James “Give It to Me Baby” (1981)
74. Cheryl Lynn “Got to Be Real” (1978)
75. Kool & the Gang “Get Down on It” (1982)
76. Earth, Wind & Fire with the Emotions “Boogie Wonderland” (1979)
77. Kool & the Gang “Ladies’ Night” (1979)
78. Silver Convention “Fly Robin Fly” (1975)
79. Meco “Star Wars Theme/Cantina Band” (1977)
80. Andrea True Connection “More, More, More” (1976)

81. Leo Sayer “You Make Me Feel Like Dancing” (1976)
82. Evelyn “Champagne” King “Shame” (1978)
83. Johnnie Taylor “Disco Lady” (1976)
84. Barry Manilow “Copacabana (At the Copa)” (1978)
85. Donna Summer “MacArthur Park” (1978)
86. Amii Stewart “Knock on Wood” (1979)
87. The Jacksons “Shake Your Body Down to the Ground” (1979)
88. Heatwave “Boogie Nights” (1977)
89. The Miracles “Love Machine” (1975)
90. Gloria Gaynor “Never Can Say Goodbye” (1974)
91. Harold Melvin & the Bluenotes “The Love I Lost” (1972)
92. Candi Staton “Young Hearts Run Free” (1976)
93. Village People “Macho Man” (1978)
94. Tavares “Heaven Must Be Missing an Angel” (1976)
95. Lou Rawls “You’ll Never Find Another Love Like Mine” (1976)
96. Silver Convention “Get Up and Boogie (That’s Right)” (1976)
97. Village People “In the Navy” (1979)
98. Donna Summer “On the Radio” (1980)
99. Commodores “Lady, You Bring Me Up” (1981)
100. Stephanie Mills “Never Knew Love Like This Before” (1980)


Resources and Related Links:

First posted 6/18/2015; last updated 5/10/2021.

Saturday, June 2, 2001

“Lady Marmalade” hit #1…again

Lady Marmalade

LaBelle

Writer(s): Bob Crewe, Kenny Nolan (see lyrics here)


Released: November 5, 1974


First Charted: December 14, 1974


Peak: 11 US, 11 CB, 2 GR, 11 HR, 3 RR, 11 RB, 17 UK, 11 CN, 13 AU, 17 DF (Click for codes to charts.)


Sales (in millions): 2.0 US


Airplay/Streaming (in millions): 2.0 radio, 15.2 video, 64.58 streaming

Lady Marmalade

Christina Aguilera, Lil’ Kim, Mya, & Pink


First Charted: April 6, 2001


Peak: 15 US, 19 RR, 25 A40, 43 RB, 11 UK, 17 CN, 13 AU, 12 DF (Click for codes to charts.)


Sales (in millions): 0.26 US, 0.97 UK, 5.5 world (includes US + UK)


Airplay/Streaming (in millions): 2.0 radio, 389.7 video, 344.05 streaming

Awards (LaBelle):

Click on award for more details.


Awards (Aguilera, et al):

Click on award for more details.

About the Song:

“Lady Marmalade,” written by Bob Crewe and Kenny Nolan, was first recorded in 1974 by the Eleventh Hour, a studio group fronted by Kenny. The song was inspired by New Orleans’ prositutes in the red-light district of the French Quarter. SF Producer Allen Toussaint heard the track and wanted LaBelle – comprised of Patti LaBelle, Noan Hendryx, and Sarah Dash – to record it. The Philadelphia trio had been around more than a decade and landed five top-40 hits on the R&B chart, but they hadn’t charted since 1966. Personnel and label changes led them to Epic in 1974 where their recording of “Lady Marmalade” became “an outrageous party anthem” SF and an early favorite of the disco era. That’s not surprising. “It’s pure fatback funk, with a huge bass and piano part playing that ae-inspiring backing lick.” TB

The song ruffled the feathers of some who saw it as glamorizing prostitution. SF LaBelle ooffered “coy invitations of ‘Voluez-vous coucer avec moi ce soir?’ in what sounded like some sort of sexual voodoo chant in the immortal verse ‘Itchi gitchi yay a da da da / Itchi gitchi ya ya here / Mocha-chocal-lata ya ya / Creole Lady Marmalade!” TB

The song reached the top in 1975, knocking Frankie Valli’s “My Eyes Adored You” from the pinnacle. It marked only the third time in history that a songwriting team succeeded themselves at #1. FB LaBelle didn’t make it back to the top-40 on the pop chart, but as a solo artist Patti LaBelle resurfaced in the mid-‘80s with the top-20 hit “New Attitude” and the #1 duet with Michael McDonald, “On My Own.”

Meanwhile, the song experienced several revivals. In 1987, Italian pop star Sabrina recorded the song and had some minor success in Belgium and France. In 1998, the girl group All Saints took their version to #1 in the UK. Three years later, Christina Aguilera, Lil’ Kim, Mya, and Pink recorded “their naughtier version” AMG with the song’s setting changed from New Orleans to the Paris nightclub Moulin Rouge. WK

The song was used in director Baz Luhrmann’s modern-day musical Moulin Rouge! about a brothel in Paris at the turn of the century. A number of big name artists were tapped to do cover songs for the soundtrack, but the version of “Lady Marmalade” had the most superpower behind it. When it topped the charts in June 2001, it marked the ninth time in chart history for two versions of a song to top the Billboard Hot 100 chart. FB It became the only song to top the UK and U.S. charts twice. SF It also gave Crewe and Nolan the distinction of the longest span of #1 hits, dating back more than 38 years to “Big Girls Don’t Cry” by the Four Seasons. FB


Resources:


First posted 2/2/2021; last updated 3/31/2023.

Saturday, October 4, 1980

Queen hit #1 with “Another One Bites the Dust”

Another One Bites the Dust

Queen

Writer(s): John Deacon (see lyrics here)


First Charted: August 16, 1980


Peak: 13 US, 14 CB, 12 GR, 16 HR, 2 RR, 2 RB, 1 CL, 7 UK, 14 CN, 5 AU, 1 DF (Click for codes to charts.)


Sales (in millions): 4.16 US, 0.6 UK, 7.0 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 558.3 video, 1568.70 streaming

Awards:

Click on award for more details.

About the Song:

“Crazy Little Thing Called Love,” the lead single from Queen’s eighth album The Game, took the band to #1 in the United States for the first time. The next single, “Play the Game,” stalled at #42. However, as the third single, “Another One Bites the Dust” took Queen back to #1 and gave them the biggest chart U.S. hit of their career. The song was the longest running top-10 on Billboard in 1980 with 15 weeks, 13 of which were in the top 5. It also spent more weeks total on the chart (31) than any other song that year. It won an American Music Award for Favorite Rock Single and was nominated for a Grammy for Best Rock Performance by a Duo or Group with Vocal.

Most of the band’s material was written by lead singer Freddie Mercury or guitarist Brian May. However, bassist John Deacon composed “Dust.” The only other charted song by Queen written by him was “You’re My Best Friend” in 1976. The heavy bass line, inspired by Good Times” by the disco group Chic, gave the song appeal beyond pop radio. DJ’s at clubs and black radio stations took to the song. FB According to May, Queen had to put it out as a single because so many stations in New York were playing it. WK It got all the way to #2 on the R&B chart.

Michael Jackson, who was friends with Mercury, had advocated for “Dust” as a single from the first time he heard The Game, FB although other accounts say it was after Jackson saw Queen in concert and he came back stage. SF According to Mercury, Jackson had told him “You need a song the cats can dance to.” WK When Jackson heard “Dust,” he said, “That’s it, that’s the gravy. Release it and it will top the charts.” WK

Deacon said, “I listened to a lot of soul music when I was in school…I’d been wanting to do a track like ‘Another One Bites the Dust’ for a while, but originally all I had was the line and the bass riff. Gradually, I filled it in and the band added ideas. I could hear it as a song for dancing but had no idea it would become as big as it did.” WK

With its bassline of roughly 110 beats per minute, the song served as a perfect tool for training medical professionals on the correct amount of chest compressions per minute when performing CPR. WK


Resources:

  • DMDB encyclopedia entry for Queen
  • FB Fred Bronson (2003). The Billboard Book of Number One Hits (5th edition). Billboard Books: New York, NY. Page 531.
  • SF Songfacts
  • WK Wikipedia


Related Links:


First posted 2/11/2021; last updated 7/14/2023.

Sunday, September 16, 1979

The Sugarhill Gang released "Rapper's Delight"

Rapper’s Delight

Sugar Hill Gang

Writer(s): The Sugarhill Gang, Sylvia Robinson, Nile Rodgers, Bernard Edwards, Grandmaster Caz (see lyrics here)


Released: September 16, 1979


First Charted: October 13, 1979


Peak: 36 US, 36 CB, 45 HR, 4 RB, 3 UK, 12 CN, 37 AU, 19 DF (Click for codes to charts.)


Sales (in millions): 2.0 US, 0.4 UK, 8.0 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 97.6 video, 133.97 streaming

Awards:

Click on award for more details.

About the Song:

The development of hip-hop culture dates back to the early ‘70s in the Bronx when DJs and MCs showcased the art form in night clubs and at house parties. NPR However, the movement didn’t hit the mainstream until 1979 when a New Jersey label called Sugar Hill Records introduced the Sugar Hill Gang and the group took “Rapper’s Delight” into the top 40, a first for rap music. FR

The trio of Master Gee, Wonder Mike and Big Bank Hank were unknown MCs recruited by Sugar Hill’s Sylvia Robinson. RS500 Sylvia had seen chart success – most notably with the 1957 song “Love Is Strange” (#11) and her own “Pillow Talk” (#3) in 1973. However, in 1979, the label she’d co-founded was on the verge of bankruptcy. When she saw a DJ talking to the crowd one night at a Harlem club, she thought it would be a great idea to make a rap record. Legend has it that Sylvia’s son Joey auditioned Henry Jackson (Big Bank Hank) outside a pizza joint and his friends asked if they could participate as well. TB It has also been said that they were recruited on a Friday and recorded “Rapper’s Delight” in just one take on the following Monday. NPR

The 12-inch version of “Rapper’s Delight” released in September 1979 ran 15 minutes long. A shorter version went to pop radio. NPR The song borrowed the rhythm track from Chic’s #1 hit “Good Times,” HT-594 itself a significant song in another important musical revolution of the ‘70s – disco. The practice of “borrowing” from another song became known as sampling and would become the basic approach for all raps songs to follow.

The song did not, however, deal with the heavier themes which would come to dominate rap music. While it sported the lyrical boastfulness which became typical for rap, DM “Delight” generated controversy because it was playful instead of reflective of the urban anger of other rap from the time. In addition, none of the three members had ever been a DJ or MC and two of them were from New Jersey. NPR


Resources:


First posted 10/13/2011; last updated 6/18/2023.