2008: Top 25 Albums

First posted 1/8/2021.

Dave’s Music Database: Top Albums of 2008

Based on a combination of year-end lists and overall status in Dave’s Music Database, these are the top 25 albums of 2008: Taylor Swift Fearless Lady Gaga The Fame Coldplay Viva La Vida or Death and All His Friends Kings of Leon Only by the Night Fleet Foxes Fleet Foxes Bon Iver For Emma, Forever Ago Vampire Weekend Vampire Weekend Portishead Third Lil Wayne Tha Carter III Beyoncé I Am…Sasha Fierce Adele 19 Jack Johnson Sleep Through the Static TV on the Radio Dear Science Duffy Rockferry Metallica Death Magnetic MGMT Oracular Spectacular Benny Andersson & Björn Ulvaeus (composers) Mamma Mia! soundtrack Erykah Badu New Amerykah Pt. 1: 4th World War T.I. Paper Trail Shery Crow Detours R.E.M. Accelerate John Mellencamp Life, Death, Love and Freedom Elbow The Seldom Seen Kid Kanye West 808’s & Heartbreak Nickelback Dark Horse Resources and Related Links: Dave’s Music Database: “Other Year-End Album Awards”

200 years ago: Beethoven premiered his 5th symphony

Symphony No. 5 in C minor (Fate) Ludwig van Beethoven

Composed: 1804-1808 First Performed: December 22, 1808 Peak: -- Sales (in millions): -- Genre: classical > Romantic symphony

Parts/Movements: Allegro con brio Andante con moto Allegro Allegro Average Duration: 32:50

Rating: 3.905 out of 5.00 (average of 8 ratings) Awards: (Click on award to learn more).

About the Album: Beethoven’s Fifth Symphony is “one of the most popular and best-known compositions in all of classical music, and one of the most often played symphonies.” AZ The poet and composer E.T.A. Hoffman called it “one of the most important works of the time.” AZ The symphony consists of four movements: “an opening sonata, an andante, and a fast scherzo which leads attacca to the finale.” AZ Beethoven toiled away for more than four years to compose it, finally introducing it on December 22, 1808 in Vienna’s Theater an der Wien. Also included in the program were Symphony No. 6, Piano Concerto No. 4, and parts of his Mass in C. MJ While it might be considered “one of the most extraordinary concerts in history,” MJ it also should be noted that “the hall was unheated, and the musicians woefully under-prepared. As Schindler noted, ‘The reception accorded to these works was not as desired, and probably no better than the author himself had expected. The public was not endowed with the necessary degree of comprehension for such extraordinary music, and the performance left a great deal to be desired.’” MJ However, “the work achieved its prodigious reputation soon afterwards.” AZ Hoffman wrote, “How this magnificent composition carries the listener on and on in a continually ascending climax into the ghostly world of infinity!...the human breast, squeezed by monstrous presentiments and destructive powers, seems to gasp for breath; soon a kindly figure approaches full of radiance, and illuminates the depths of terrifying night.” MJ In Howard’s End, E.M. Forster writes about the symphony, saying it satisfies “all sort and conditions.” MJ The fact that he focuses heavily on the work “shows the extent to which it had become absorbed into the Romantic consciousness.” MJ “Hermann Kretzschmar wrote of the ‘stirring dogged and desperate struggle’ of the first movement, one of the most concentrated of all Beethoven’s symphonic sonata movements. It is derived almost exclusively from the rhythmic cell of the opening, which is even felt in the accompaniment of the second subject group. There follows a variation movement in which cellos introduce the theme, increasingly elaborated and with shorter note values at every reappearance. A second, hymn-like motif is heard as its counterfoil.” MJ “The tripartite scherzo follows; the main idea is based on an ominous arpeggio figure, but we hear also the omnipresent ‘Fate’ rhythm, exactly as it is experienced in the first movement. The central section, which replaces the customary trio, is a pounding fugato beginning in the cellos and basses, and then running through the rest of the orchestra. Of particular structural interest is the inter-linking bridge passage which connects the last two movements. Over the drumbeat referred to by Forster’s Tibby, the music climbs inexorably toward the tremendous assertion of C major triumph at the start of the finale. The epic grandeur of the music, now with martial trombones and piccolo added (the Fifth also calls for contrabassoon), has irresistible drive and sweep, though that eventual victory is still some way off is suggested by the return of the ominous scherzo figure during the extended development.” MJ

Resources and Related Links: DMDB encyclopedia entry for Ludwig van Beethoven MJ Michael Jameson, All Music Guide AZ Amazon.com Last updated 4/17/2022.

Beyoncé hit #1 with “Single Ladies”

Last updated 1/29/2021.

Single Ladies (Put a Ring on It) Beyoncé

Writer(s): Christopher "Tricky" Stewart, Terius "The-Dream" Nash, Thaddis Harrell, Beyoncé Knowles-Carter (see lyrics here) Released: October 12, 2008 First Charted: October 25, 2008 Peak: 14 US, 13 RR, 16 A40, 112 RB, 7 UK, 2 CN, 5 AU (Click for codes to singles charts.) Sales (in millions): 5.0 US, 0.6 UK, 7.7 world (includes US + UK) Airplay/Streaming (in millions): 0.5 radio, 765.0 video, -- streaming

Awards: (Click on award for more details).

About the Song: With “Single Ladies” Beyoncé gave the world “a dance craze that requires little more than the deployment of jazz hands with a wrist twist.” NPR’09 It helped that the song was accompanied by a “stunning, iconic black and white video” AB’00 which featured Beyoncé and two other dancers. It was famously lampooned on Saturday Night Live by Justin Timberlake and launched more than a few parodies on YouTube. Rapper Kanye West thought it so worthy of attention that he infamously interrupted Taylor Swift’s acceptance speech for Best Female Video at the Video Music Awards to tell the world so. With a message “as complicated as half a decade of psychotherapy,” TM the song captured the persona of Beyoncé as a woman “who won’t settle for less than the best.” TM She “sounds like a total pro: contained, on-message,” NPR’09 as she issues “her definitive statement for ladies stuck in limbo with a dude who can’t commit.” RS’09 Musically, “Single Ladies” “encapsulates the lessons pop songs have picked up from hip-hop: that a great beat and a great voice can carry a lot of weight, that a slightly sour sound (the little electronic swoop that keeps tugging at the song’s fringe) can make everything else sweeter, that looping your audience into a hook is a great idea.” TM The song also established The-Dream and Tricky Stewart as “the premier pop songwriters and producers of the late 2000s” NPR’09 and even let Beyoncé “stake a claim to the title Queen of Pop,” NPR’09 even if the likes of Rihanna, Lady Gaga, and Katy Perry were waiting in line to swipe it from her. Resources and Related Links: Beyoncé’s DMDB Encyclopedia entry ID Idolator.com (11/23/09) NPR’s Songs of the Decade from Boy Bands to “Single Ladies”. By Becky Bain. RS’09 Rolling Stone (12/9/09). “Songs of the Decade” (12/9/09). TM Time magazine (10/24/2011). “All Time 100 Songs”