Saturday, August 31, 1985

Squeeze Cosi Fan Tutti Frutti released this month

Cosi Fan Tutti Frutti

Squeeze


Released: August 1985


Peak: 57 US, 31 UK, -- CN, 97 AU


Sales (in millions): --


Genre: new wave


Tracks:

Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Big Beng (4:02]
  2. By Your Side (4:24]
  3. King George Street (3:48] (4/86, --)
  4. I Learnt How to Pray (4:47]
  5. Last Time Forever (6:24] (6/15/85, 28 CO, 45 UK)
  6. No Place Like Home [4:26] (9/85, 83 UK)
  7. Heartbreaking World (Difford/Holland) [5:09] (10/85, --)
  8. Hits of the Year [3:03] (10/5/85, 39 AR, 31 CO)
  9. Break My Heart [4:51]
  10. I Won't Ever Go Drinking Again (?) [5:05]

All songs written by Difford & Tilbrook unless noted otherwise.


Total Running Time: 44:06


The Players:

  • Chris Difford (guitar, backing vocals, lead vocal on “Break My Heart”)
  • Glenn Tilbrook (vocals, guitar, keyboards, horns)
  • Jools Holland (keyboards, backing vocals, lead vocal on “Heartbreaking World”)
  • Keith Wilkinson (bass, backing vocals)
  • Gilson Lavis (drums)

Rating:

3.520 out of 5.00 (average of 14 ratings)


Awards: (Click on award to learn more).

About the Album:

Cosi Fan Tutti Frutti “heralded the return of Squeeze after a 3-year hiatus. The band had officially disbanded after the release of Sweets From a Stranger in 1982, and the years in between were used by band leaders Chris Difford and Glenn Tilbrook to launch a career as a duo. Finding neither critical nor commercial success, they reconvened with original keyboard player Jools Holland, who had departed after their third album, Argybargy.” EB

”Though spawning no big stateside hits, the album strongly makes its case with the band's solid musicianship and the always-inventive songs of Difford and Tilbrook.” EB “History and a dated production style hasn't been particularly kind to the album, [but] it is not without its merits. True, it is marred by much of the overblown ambition that undercut [the last two albums], but several of the songs…are real gems in the classic Squeeze tradition, and the move toward ‘sophistication’ is more fully realized and effective.” AMG

The album kicks off with “Wilkinson's throbbing bass lines” JA on the “interestingly experimental” Big Beng.

The “often overlooked King George Street” sounds like it should be the first single, but didn’t see release until nearly a year after the album came out. If that one wasn’t the single, then I Learnt How to Pray should have been.

Instead, Last Time Forever, “a near-flop” JA was inexplicably given those honors. The song is “a bland, deadening six-minute ballad with sequenced synth, a jazzy piano break, and nerdy voiceovers.” JA

That was followed by No Place Like Home as the second single, which was at least a slightly better choice. However, as inspired choices go, the band couldn’t have done any better than to go with Holland’s “Heartbreaking World, co-authored by Difford and featuring a wah-wah’ed guitar solo and peppy strings.” JA This song has a great feel and lyrics to match.

“The energetic Hits of the Year [features] a skittery hard rock lead guitar, funky bass line, and halfway-bearable synth windowdressing.” JA This was picked as the single to kick off the album in the U.S.

That’s followed by Break My Heart, “with a fat, leaden beat” JA and “vocal spotlights by Difford.” JA

It’s all closed out with one of the most interesting songs Squeeze has ever recorded, “the jokey ska experiment I Won’t Ever Go Drinking Again (?)).” JA Complete with the question mark at the end, the title already warns the listener to be prepared for a very tongue-in-cheek song. This and “Heartbreaking World” are the highlights of the album.

Still, overall, this is ”a flawed but certainly worthwhile album.” AMG


Notes: The 1997 UK re-release added bonus tracks “Love's a Four Letter Word” and “The Fortnight Saga.”

Resources and Related Links:


Other Related DMDB Pages:


First posted 3/6/2008; last updated 8/22/2021.

Saturday, August 10, 1985

50 years ago: “Cheek to Cheek” hit #1 for first of 11 weeks

Cheek to Cheek

Fred Astaire with Leo Reisman’s Orchestra

Writer(s): Irving Berlin (see lyrics here)


First Charted: August 3, 1935


Peak: 111 US, 15 HP, 11 GA (Click for codes to singles charts.)


Sales (in millions): -- US, -- UK, -- world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 4.81 video, -- streaming

Awards: (Click on award for more details).

Awards (Ella & Louis version): (Click on award for more details).

About the Song:

Many of the era’s top songwriters worked with Astaire, smitten by “his debonair touch with a song” TM and dance numbers, usually with Ginger Rogers, which rank “among the most powerful expressions of courtship, love and loss in screen history.” TM Over the years, composer Irving Berlin crafted thirteen songs which landed in Astaire movies – all of which peaked at #15 or higher. “Cheek to Cheek,” which Berlin wrote in a day, was one of three to hit #1. TM It wasn’t just any #1, though; it “became one of Berlin’s greatest commercial successes,” TY spending more weeks atop the pop charts than any other song from 1935. WHC

Berlin used Astaire’s “frail-but-convincing tenor” TM to his advantage writing lines like “And my heart beats so that I can hardly speak” to accompany a melody which jumped up to a note Astaire could barely sing. TM

The dance sequence for the song became he and Ginger Rogers’ “most famous romantic duet,” but it was not without problems. SB When Astaire sang and danced to it in the 1935 film Top Hat, Rogers wore a gown covered with ostrich feathers which, to Astaire’s horror, shed with every dance movement.” SB He later said, “It was like a chicken attacked by a coyote, I never saw so many feathers in my life.” SB

Despite Astaire’s reaction, Rogers was determined to wear the dress. Seamstresses were able to largely resolve the problem in time for another shoot the next day, but some hard feelings lingered. Astaire and Hermes Pan, the film’s choreographer, “serenaded Rogers with a parody of the song: ‘Feathers – I hate feathers/ And I hate them so that I can hardly speak/ And I never find the happiness I seek/ With those chicken feathers dancing/ Cheek to Cheek.’” SB Astaire later gave Rogers a small gold feather for her charm bracelet as well as a note saying, “Dear Feathers, I love ya! Fred.” SB

“Cheek to Cheek” garnered an Academy Award nomination for best song. Peggy Lee, Tony Bennett, and Doris Day recorded the song as well. MM It also became a jazz standard being recorded by notables such as Ella Fitzgerald and Louis Armstrong.


Resources and Related Links:

  • DMDB Encyclopedia entry for Fred Astaire
  • DMDB Encyclopedia entry for Leo Reisman
  • DMDB Encyclopedia entry for Irving Berlin
  • DMDB Encyclopedia entry for Louis Armstrong
  • DMDB Encyclopedia entry for Ella Fitzgerald
  • MM Max Morath (2002). The NPR Curious Listener’s Guide to Popular Standards. New York, NY; Penguin Putnam Inc. Page 154.
  • SB Songbook blog
  • TM Time magazine (10/24/2011). “All Time 100 Songs
  • WHC Joel Whitburn (1999). A Century of Pop Music. Menomonee Falls, WI; Record Research, Inc. Page 52.

First posted 7/30/2014; last updated 4/22/2021.

Monday, August 5, 1985

John Cougar Mellencamp released Scarecrow

Uh-Huh

John Cougar Mellencamp


Released: October 23, 1983


Peak: 9 US, 92 UK, 9 CN, 57 AU


Sales (in millions): 3.3 US, -- UK, 3.3 world (includes US and UK)


Genre: classic heartland rock


Tracks:

Song Title (date of single release, chart peaks) Click for codes to singles charts.

  1. Crumblin’ Down (10/15/83, 9 US, 2 AR, 9 CN, 42 AU)
  2. Pink Houses (10/29/83, 8 US, 3 AR, 15 CN, 69 AU)
  3. Authority Song (2/18/84, 15 US, 15 AR, 41 CN, 93 AU)
  4. Warmer Place to Sleep
  5. Jackie O
  6. Play Guitar (2/4/84, 28 AR)
  7. Serious Business (1/28/84, 34 AR)
  8. Lovin’ Mother Fo Ya
  9. Golden Gates


Total Running Time: 32:59

Rating:

4.148 out of 5.00 (average of 9 ratings)


Quotable: “His first terrific album.” – Stephen Thomas Erlewine, All Music Guide


Awards: (Click on award to learn more).

About the Album:

“Since American Fool illustrated that John Cougar was becoming an actual songwriter, it’s only proper that he reclaimed his actual last name, Mellencamp, for the follow-up, Uh-Huh. After all, now that he had success, he wanted to be taken seriously, and Uh-Huh reflects that in its portraits of brokenhearted life in the Midwest and its rumbling undercurrent of despair. Although his lyrics still have the tendency to be a little too vague, they are more effective here than ever before, as is his music; he might not have changed his style at all – it’s still a fusion of the Stones and Springsteen – except that he now knows how to make it his own.” STE

Uh-Huh runs out of steam toward the end, but the first half…makes the record his first terrific album.” STE “His best protest song, “Pink Houses”, STE “is the state-of-our-union anthem that John Mellencamp likes to boast about, but the real class-awareness beef of 1983’s Uh-HuhRW is “the punky Authority Song”: STE “‘Call up my preacher... / He said, ‘You don’t need no strength, you need to grow up, son’”).” RW

There’s also the “kidding cynicism” RW of “the dynamic rocker Crumblin’ Down,” STE “the Mellencamp-John Prine collaboration Jackie O,” RW and “the melancholy Warmer Place to Sleep.” STE

“With his Stonesy band crackling behind him, the newly minted superstar also shows that he gets the joke of his ‘serious business’” RW on “the garage rocker Play Guitar,” STE “which might have been the album’s fourth hit single if not for its admonition to ‘forget all about that macho shit.’” RW

Resources and Related Links:


Other Related DMDB Pages:


First posted 1/20/2009; last updated 8/20/2021.

Saturday, August 3, 1985

Madonna hit #1 in the UK with “Into the Groove”

First posted 11/28/2020.

Into the Groove

Madonna

Writer(s): Madonna, Stephen Bray (see lyrics here)


Released: July 15, 1985


First Charted: April 27, 1985


Peak: 6 RR, 19 RB, 14 UK, 14 AU (Click for codes to singles charts.)


Sales (in millions): 1.6 US, 1.5 UK, 4.1 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 65.17 video, -- streaming

Awards: (Click on award for more details).

About the Song:

“Into the Groove” was Madonna’s #1 song that wasn’t. The song came out while the Like a Virgin was being promoted, so it was decided not to released it as a single for fear that it would compete with “Angel,” the album’s third single. WK A similar problem had already occurred with second single “Material Girl” coming out at the same time as “Crazy for You” from the Vision Quest soundtrack. Considering that those songs hit #2 and #1 respectively, it’s hard to understand the logic of not releasing “Into the Groove,” but that was the call.

While the lack of an official single made the song ineligible for the Billboard Hot 100, it became Madonna’s most played song on the recurrent airplay chart. It also hit #19 on the R&B chart and was released as the B-side of “Angel.” The pair of songs reached the top of the Hot Dance Club Songs chart. WK The song also charted in the UK, where it became Madonna’s first #1 and her biggest selling song in the country. WK

Madonna originally wrote the song for her friend Mark Kamins’ protégée Chyne, but kept it to use for the movie Desperately Seeking Susan. The song didn’t end up on the soundtrack, but was added to the 1985 worldwide reissue of Like a Virgin. Regarding the song being about dancing, Madonna told Q magazine, “I started off wanting to be a dancer, so that had a lot to do with the song. The freedom that I always feel when I’m dancing, that feeling of…letting yourself go, expressing yourself through music. I always thought of it as a magical place.” CR

J. Randy Taraborrelli, author of Madonna: An Intimate Biography, said the song demonstrated her ability to create infectious dance music. WK Clive Barker and Simon Trussler, authors of New Theatre Quarterly, said the song was the first disco-anthem of the 1980s. WK Author Matthew Rettenmund called it the ultimate 1980s song. WK Billboard readers concurred, voting it the Song of the 1980s. SF “All the magic of the ‘80s is right here.” CR


Resources and Related Links:

  • DMDB encyclopedia entry for Madonna
  • DMDB page for parent album Like a Virgin
  • CR Toby Creswell (2005). 1001 Songs: The Great Songs of All Time. Thunder’s Mouth Press: New York, NY. Page 243.
  • SF Songfacts
  • WK Wikipedia