Showing posts with label pre-rock era book. Show all posts
Showing posts with label pre-rock era book. Show all posts

Friday, October 30, 2020

100 years ago: Paul Whiteman’s “Whispering” hit #1

Whispering

Paul Whiteman’s Orchestra

Writer(s): Vincent Rose (music), John Schonberger and Richard Coburn (lyrics) (see lyrics here)


First Charted: October 30, 1920


Peak: 111 US, 12 GA, 1 5 SM (Click for codes to charts.)


Sales (in millions): 3.0 (includes 1.0 in sheet music)


Airplay/Streaming (in millions): -- radio, 0.48 video, -- streaming

Awards:

Click on award for more details.

About the Song:

This was the debut chart single for Paul Whiteman, and what a beginning it was. The song was the second biggest hit of the year CPM and the biggest chart success of Whiteman’s career. It was the first of Whiteman’s 30 songs to go all the way to the top and helped him to become the most popular bandleader of the pre-swing era and the dominant force in American popular recording. PM “Whispering” sold over two million copies which, considering the number of record players in use then, would be the equivalent today of sales of 20 million. TY1

The Whiteman orchestra started playing the song early in 1920 in Los Angeles during a gig at the Ambassador Hotel, TY1 but Ray Miller & His Black and White Melody Boys recorded it first on July 1, 1920. WK By year’s end, Victor Records released Whiteman’s version which TY1 backed by “The Japanese Sandman” (also a #1), became the first charted version.

As was common for songs from that time, “Whispering” “has a basic stepwise melody, simple harmony, and no syncopation.” TY1 In addition, “the harmony lends itself to banjo and guitar accompaniment, and the melody encourages group singing.” TY1 In 1920, many families still carried on the pre-victrola tradition of gathering for sing-along sessions. TY1

The online All Music Guide says more than 700 different versions of the song have been recorded, including versions by Harry Belafonte, Miles Davis, Tommy Dorsey, George Gershwin, Benny Goodman, Oscar Peterson, Sonny Rollins, and Frank Sinatra. WK It has also charted in four different decades. Art Hickman and John Steel followed with top-ten versions of the song. Thirty years later, Les Paul had a million-selling, top-ten hit with his 1951 recording of the song. Unlike the original slow ballad, theirs was a rhythmic version. TY1 Gordon Jenkins also had a minor hit with it that year and then Paul Whiteman himself re-recorded the song in 1954 and took it to #29. PM The song charted again in 1964 when Nino Tempo & April Stevens took it to #11. In 1977, Dr. Buzzard’s Original “Savannah” Band hit #27 with a disco medley including the song.


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First posted 10/30/2011; last updated 1/28/2023.

Friday, May 8, 2020

100 years ago: Al Jolson hit #1 with “Swanee”

Swanee

Al Jolson with Charles Prince’s Orchestra

Writer(s): Irving Caesar/George Gershwin (see lyrics here)


First Charted: May 8, 1920


Peak: 19 US, 11 GA, 12 SM (Click for codes to charts.)


Sales (in millions): 4.0 (includes 1.0 in sheet music)


Airplay/Streaming (in millions): -- radio, 0.75 video, -- streaming

Awards:

Click on award for more details.

About the Song:

George Gershwin may be America’s greatest songwriter. He began his music career making piano rolls of other composers’ works, giving him valuable insight into the makings of a hit song. LW By 1919, he had already written two Broadway revues, one of which included the song “Swanee.” LW It became his first major hit and his best-selling song in terms of both sheet music and record sales. DJ

It was also the first major hit for co-writer Irving Caesar, who later wrote “Tea for Two.” Caesar worked first as a Ford Motor Company mechanic and met Gershwin in a New York restaurant. By the time they took the bus back to Gershwin’s house, Caesar had completed the lyrics and, according to legend, Gershwin had the music down 15 minutes later. LW

However, when introduced in New York City’s Demi-Tasse Revue, the number got lost amidst the lush staging. RCG It didn’t become a million seller until Caesar persuaded his friend Al Jolson to use it in his Broadway show Sinbad; LW he subsequently recorded it in January 1920. WK That year, the All-Star Trio and Peerless Quartet each got to #11 with their versions of the song. The 1954 movie A Star Is Born also featured a memorable performance of the song by Judy Garland.

However, the song is primarily attributed to Jolson NRR and specifically his performance of it in blackface. The practice of white men donning black face paint is horrifically racist in hindsight, but was popular entertainment in the minstrel shows of the day. Lyrically, “the racism remains embedded in every word, practically in every note” DS of the song.

The song parodies Stephen Foster’s 1851 song “Old Folks at Home,” WK also known as “Way Down Upon the Swanee River.” Caesar even incorporated the line “I love the old folks at home” in “Swanee.” RCG “Old Folks” had mythologized the Suwanee River (which Foster misspelled as “Swanee”) in southern Georgia as a symbol of nostalgia for emancipated slaves. DS It came to represent freedom not just for blacks, but for immigrants. On a larger scale, “the larger-than-life, tirelessly productive image America had of itself following the First World War” DS was well represented by Jolson, “the undisputed king of popular culture.” DS


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First posted 11/9/2011; last updated 1/28/2023.