Showing posts with label Irving Caesar. Show all posts
Showing posts with label Irving Caesar. Show all posts

Friday, May 8, 2020

100 years ago: Al Jolson hit #1 with “Swanee”

Swanee

Al Jolson with Charles Prince’s Orchestra

Writer(s): Irving Caesar/George Gershwin (see lyrics here)


First Charted: May 8, 1920


Peak: 19 US, 11 GA, 12 SM (Click for codes to charts.)


Sales (in millions): 4.0 (includes 1.0 in sheet music)


Airplay/Streaming (in millions): -- radio, 0.75 video, -- streaming

Awards:

Click on award for more details.

About the Song:

George Gershwin may be America’s greatest songwriter. He began his music career making piano rolls of other composers’ works, giving him valuable insight into the makings of a hit song. LW By 1919, he had already written two Broadway revues, one of which included the song “Swanee.” LW It became his first major hit and his best-selling song in terms of both sheet music and record sales. DJ

It was also the first major hit for co-writer Irving Caesar, who later wrote “Tea for Two.” Caesar worked first as a Ford Motor Company mechanic and met Gershwin in a New York restaurant. By the time they took the bus back to Gershwin’s house, Caesar had completed the lyrics and, according to legend, Gershwin had the music down 15 minutes later. LW

However, when introduced in New York City’s Demi-Tasse Revue, the number got lost amidst the lush staging. RCG It didn’t become a million seller until Caesar persuaded his friend Al Jolson to use it in his Broadway show Sinbad; LW he subsequently recorded it in January 1920. WK That year, the All-Star Trio and Peerless Quartet each got to #11 with their versions of the song. The 1954 movie A Star Is Born also featured a memorable performance of the song by Judy Garland.

However, the song is primarily attributed to Jolson NRR and specifically his performance of it in blackface. The practice of white men donning black face paint is horrifically racist in hindsight, but was popular entertainment in the minstrel shows of the day. Lyrically, “the racism remains embedded in every word, practically in every note” DS of the song.

The song parodies Stephen Foster’s 1851 song “Old Folks at Home,” WK also known as “Way Down Upon the Swanee River.” Caesar even incorporated the line “I love the old folks at home” in “Swanee.” RCG “Old Folks” had mythologized the Suwanee River (which Foster misspelled as “Swanee”) in southern Georgia as a symbol of nostalgia for emancipated slaves. DS It came to represent freedom not just for blacks, but for immigrants. On a larger scale, “the larger-than-life, tirelessly productive image America had of itself following the First World War” DS was well represented by Jolson, “the undisputed king of popular culture.” DS


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First posted 11/9/2011; last updated 1/28/2023.

Friday, February 28, 1975

50 years ago: Marion Harris hit #1 with “Tea for Two”

Tea for Two

Marion Harris

Writer(s):Vincent Youmans, Irving Caesar (see lyrics here)


First Charted: January 24, 1925


Peak: 13 US, 3 GA, 2 DF (Click for codes to singles charts.)


Sales (in millions): 1.0 US (sheet music sales)


Airplay/Streaming (in millions): -- radio, 0.05 video, -- streaming

Awards (Marion Harris)


Awards (Art Tatum):

About the Song:

This “charming boy/girl duet” LW was introduced by Louise Groody and John Barker in the Broadway musical comedy No, No, Nanette. JA The score was generally regarded as the best of composer Vincent Youman’s short career. He died from tuberculosis at 48. LW Meanwhile, lyricist Irving Caesar “demonstrates all the hallmarks of Tin Pan Alley craftsmanship, artfully simple and pleasingly full of rhymes and alliterations.” LW He was “the archetypical Tin Pan Alley cigar chomping, wisecracking showman” LW with more than a 1000 songs to his name upon his death at age 101 in 1996.

The lyrics, which were dashed off in 5 minutes, were intended to be temporary, but were never changed. TY Marion Harris had the first charted version, taking it to #1 in 1925. That same year, the Benson Orchestra of Chicago landed at #5 with their instrumental version while Ben Bernie also had a top ten hit with the song. PM Other charted versions came from the Ipana Troubadours (#15, 1930) and Teddy Wilson (#18, 1937). PM Warren Covington had a million-selling cha-cha version with the Tommy Dorsey Orchestra (“Tea for Two Cha Cha,” #7, 1958). TY

The song “is one of the most recorded standards of Tin Pan Alley,” JA having been covered by musicians as diverse as Russian classical composer Dmitri Shostakovich, who adapted the tune as “Tahiti Trot” in 1928, LW and jazz pianist Art Tatum (#18, 1939) whose instrumental version is “a masterclass in piano virtuosity.” LW Jazz musicians have particularly responded to the song because “the complex harmonic construction of the melody gives great scope for improvisation.” LW

Tatum had played the song for years, even predating his initial 1933 recording of it at his debut solo recording session. Fellow musician Fats Waller once stopped in the middle of playing at New York Club when Art Tatum entered and announced, “I play piano, but God is in the house tonight!” SS


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Last updated 11/23/2022.