Showing posts with label angus young. Show all posts
Showing posts with label angus young. Show all posts

Wednesday, January 26, 2022

The Top 100 Guitarists of All Time

Guitarists:

Top 100

This list first surfaced on 5/29/10 in a response to a voter-based list released by Gibson.com. Barely two weeks went by when an update became necessary thanks to an LA Times Magazine article listing the 50 greatest guitarists of all time. The DMDB’s revised list of best guitarists was posted on the DMDB Facebook page.

In November 2011, Rolling Stone posted a new list of the 100 Greatest Guitarists of All Time. As such, this post has been revised yet again to reflect the inclusion of that list. 34 lists have been compiled to create this aggregate list.

Click on names to see their entries in the Dave’s Music Database Music Makers Encyclopedia. The highlights – selected by browsing best-guitar-solo lists – link to videos.

See other lists of Acts/Music Makers by Categories.

1. Jimi Hendrix Highlight: “Machine Gun”
2. Jimmy Page Highlight: “Stairway to Heaven” (with Led Zeppelin)
3. Eric Clapton Highlight: “Crossroads” (with Cream)
4. Stevie Ray Vaughan Highlight: “Texas Flood”
5. Eddie Van Halen Highlight: “Eruption” (with Van Halen)
6. B.B. King Highlight: “The Thrill Is Gone”
7. Jeff Beck Highlight: “Cause We’ve Ended As Lovers”
8. Angus Young Highlight: “You Shook Me All Night Long” (with AC/DC)
9. Chuck Berry Highlight: “Johnny B. Goode”
10. Duane Allman Highlight: “Dreams” (with the Allman Brothers Band)

11. Steve Vai Highlight: “For the Love of God”
12. David Gilmour Highlight: “Comfortably Numb” (with Pink Floyd)
13. Keith Richards Highlight: “(I Can’t Get No) Satisfaction” (with the Rolling Stones)
14. Ritchie Blackmore Highlight: “Highway Star” (with Deep Purple)
15. Joe Satriani Highlight: “Surfing with the Alien”
16. Slash Highlight: “November Rain” (with Guns N’ Roses)
17. Randy Rhoads Highlight: “Crazy Train” (with Ozzy Osbourne)
18. Yngwie Malmsteen Highlight: “Black Star”
19. Tony Iommi Highlight: “War Pigs” (with Black Sabbath)
20. George Harrison Highlight: “And Your Bird Can Sing” (with The Beatles)

21. Pete Townshend Highlight: “Won’t Get Fooled Again” (with the Who)
22. Steve Cropper
23. Santana Highlight: “Europa”
24. Frank Zappa Highlight: “Zoot Allures”
25. Brian May Highlight: “Bohemian Rhapsody” (with Queen)
26. Robert Johnson
27. Mark Knopfler Highlight: “Sultans of Swing” (with Dire Straits)
28. Neil Young Highlight: “Cortez the Killer”
29. Kirk Hammett Highlight: “One” (with Metallica)
30. Les Paul

31. Tom Morello Highlight: “Bulls on Parade” (with Rage Against the Machine)
32. The Edge
33. John Frusciante Highlight: “I Could Have Lied” (with Red Hot Chili Peppers)
34. Robert Fripp Highlight: “21st Century Schizoid Man” (with King Crimson)
35. John McLaughlin Highlight: “Dream” (with Mahavishnu Orchestra)
36. Jerry Garcia Highlight: “Truckin’” (with the Grateful Dead)
37. Ry Cooder
38. Chet Atkins
39. Prince
40. John Petrucci Highlight: “Under a Glass Moon” (with Dream Theater)

41. Alex Lifeson Highlight: “Working Man” (with Rush)
42. Steve Morse Highlight: “Punk Sandwich” (with Dixie Dregs)
43. Buddy Guy
44. Peter Green
45. Darrell “Dimebag” Abbott Highlight: “Floods” (with Pantera)
46. Kurt Cobain Highlight: “Smells Like Teen Spirit” (with Nirvana)
47. Rory Gallagher
48. Richard Thompson
49. Bo Diddley
50. Django Reinhardt

51. Eric Johnson Highlight: “Cliffs of Dover”
52. Steve Howe Highlight: “Starship Trooper” (with Yes)
53. Scotty Moore
54. Joe Perry Highlight: “Walk This Way” (with Aerosmith)
55. Mick Taylor
56. Billy Gibbons Highlight: “Sharp Dressed Man” (with ZZ Top)
57. Buckethead Highlight: “Nottingham Lace”
58. Albert King
59. Gary Moore Highlight: “Still in Love with You” (with Thin Lizzy)
60. Freddie King

61. Phil Keaggy
62. Jack White
63. James Burton
64. T-Bone Walker
65. Mike Bloomfield
66. Marty Friedman Highlight: “Tornado of Souls (with Megadeth)
67. Wes Montgomery
68. Mick Ronson Highlight: “Moonage Daydream” (with David Bowie)
69. Eddie Hazel Highlight: “Maggot Brain” (with Funkadelic)
70. Michael Schenker Highlight: “Rock Bottom” (with UFO)

71. Dickey Betts Highlight: “Jessica” (with the Allman Brothers Band)
72. Jonny Greenwood Highlight: “Paranoid Android” (with Radiohead)
73. Charlie Christian Highlight: “Solo Flight” (with Benny Goodman)
74. Zakk Wylde Highlight: “No More Tears” (with Ozzy Osbourne)
75. Allan Holdsworth Highlight: “Devil take the Hindmost”
76. Joey Ramone
77. John Fahey
78. Link Wray
79. Johnny Marr
80. Warren Haynes

81. Johnny Winter Highlight: “Highway 61 Revisited”
82. Dick Dale Highlight: “Miserlou” (Dick Dale & the Del-Tones)
83. Glenn Tipton Highlight: “Beyond the Realms of Death” (with Judas Priest)
84. Derek Trucks
85. Roy Buchanan
86. Neal Schon Highlight: “Any Way You Want It” (with Journey)
87. Humbert Sumlin
88. Paul Gilbert Highlight: “Price You Gotta Pay” (with Mr. Big)
89. Adrian Smith Highlight: “Powerslave” (with Iron Maiden)
90. Ace Frehley Highlight: “Shock Me” (with Kiss)

91. Tom Verlaine
92. Leslie West
93. Robin Trower Highlight: “Bridge of Sighs”
94. Mike McCready Highlight: “Alive” (with Pearl Jam)
95. Dave Davies Highlight: “You Really Got Me” (with The Kinks)
96. Danny Gatton
97. Andres Segovia
98. Richie Sambora
99. Ron Asheton
100. Dave Murray Highlight: “2 Minutes to Midnight” (with Iron Maiden)


Resources/Related Links:

  • Dave’s Music Database: Lists of Acts/Music Makers by Categories

  • About.com’s 100 Greatest Guitar Solos

  • AssociatedContent.com Top 10 Greatest Guitarists of All Time by Dennis Lindsay (12/29/08)

  • BBC News Zeppelin voted ‘ideal supergroup’ (7/10/05)

    Roughly 3500 music fans were polled at Planet Rock Radio for best singer, guitarist, bassist, and drummer. The top 10 of each are listed.

  • Buzzle.com Greatest Guitar Players. By Batul Nafisa Baxamusa. (4/13/10)

    Unranked list of 10 with commentaries. Another 15 with no commentary. Looks like a webzine.

  • Buzzle.com Famous Jazz and Rock Guitarists. By Madhura P. (date?)

    Commentary on only 5 guitarists (although another 11 are listed) and all from the rock genre, not jazz.

  • Digital Dream Door 100 Greatest Rock Guitarists. Edited by Andreas Haukenes, Jeffrey P., George F., and gminer. (5/11/10)

    List has no commentaries, but links to Nutsie.com where you can hear songs.

  • Digital Dream Door 100 Greatest Guitarists (All Genres). Edited by George. (2/13/08)

    This is an all-genre list with no commentaries, but links to Nutsie.com where you can hear songs. List actually includes 200 guitarists.

  • Digital Dream Door’s 100 Greatest Rock Guitar Solos edited by Eric/Lew (5/15/05)

  • EduBook.com The Greatest Guitarists of All Time. By Phil Dotree. (10/24/09)

    Top 5 ranked list with commentaries.

  • Gibson.com Top 50 Guitarists of All Time. By various writers. (5/28/10)

    List was compiled by votes over a month’s time. The end result is a ranked list with multiple ties and commentaries written by various writers. As the site indicates, votes came from the Gibson.com readers’ poll as well as Paolo Bassotti, Dave Hunter, Jeff Cease (Black Crowes), James Williamson (Iggy & The Stooges), Steve Mazur (Our Lady Peace), Martin Belmont (Graham Parker & The Rumour), and writers Ellen Barnes, Sean Dooley, Ted Drozdowski, Russell Hall, Arlen Roth, Andrew Vaughan, Aidin Vaziri, Bryan Wawzenek, Michael Wright.

  • Guitar World 30 on 30: The Greatest Guitarists Picked by the Greatest Guitarists. By multiple authors. (3/10)

    In celebration of their 30th anniversary, Guitar World asked 30 different guitarists to comment on a favorite guitarist of theirs.

  • LA Times‘s The 50 Greatest Guitarists Ever (6/10)

    Unranked list with no commentary but links to videos.

  • Mojo‘s 100 Greatest Guitarists of All Time (6/96)

    Link is for a ranked list which includes a recommended song or album and indicates the main guitar used by the guitarist.

  • MusicBanter.com 200 Greatest Guitarists in Rock. By Boo Boo. (6/05)

    List only. No commentary. Site looks like a fan-based billboard.

  • MusiciansFriend.com The 100 Greatest Guitarists Who Ever Lived. By Adam St. James. (year?)

    List is identified as being from Guitar.com and says the list is based on votes compiled at Guitar.com. A short bio notes that St. James has been the site’s editor and is an author of several instructional guitar books.

  • MyMusicLists.com Best Guitarists of All Time. (2006)

    Details of list are unclear. This appears to be a site in which fans can vote on favorites. The list includes 51 ranked guitarists, but does not indicate if ranking actually came from fan votes. There are brief comments from users.

  • PhilBrodieBand.com Greatest Guitarists. (2005)

    Page offers multiple lists (acoustic, blues, hard rock/heavy metal, jazz, R&B/soul, rock) which are identified as being from DigitalDreamDoor.com, but these same lists do not appear to be on that site. All lists are ranked without commentary. Most are top 100 lists, except for the hard rock/heavy metal and R&B/soul, which are top 30 lists.

  • RateItAll.com Best Guitarists of All Time. (Originated 1/19/04)

    This ranked list appears to be generated by voter ratings and reviews. Clicking on a guitarist’s name takes one to a page with voters’ comments. List is apparently ongoing with more comments and ratings being added.

  • RateYourMusic.com 25 Greatest Guitarists of All Time. By Fatman (10/12/06)

    Site allows users to generate lists. This ranked list offers brief commentaries.

  • Rolling Stone‘s 100 Greatest Guitarists of All Time. (2003?)

    This ranked list, with commentary, is difficult to navigate on the Rolling Stone site since each guitarist has a separate page. To just see the list, check out TheInsider.com.

  • Piero Scarufi, Greatest Rock Guitarists of All Times (1999)

    This is a list only with no commentary. For no explained reason, there are 53 guitarists in ranked list followed by another 100 names in no perceivable order.

  • Squidoo.com The Top 100 Guitarists of All Time. (year?)

    Ranked list with no commentary. List appears to have been generated by original author and then others could vote on it. Author and date not identified.

  • Time Magazine The 10 Greatest Electric-Guitar Players. By Josh Tyrangiel (year?)

    Short list with only one-sentence commentaries.

  • The-Top-Tens.com Greatest Guitarists Ever. (year?)

    This top 100 ranked list offers brief comments from site visitors. List appears to be voter-generated.

  • TopTenz.net Top 10 Greatest Guitar Players. By Clarence F. (2008?)

    Top 10 ranked list with commentaries and video for each guitarist.

  • Total Guitarist Magazine The Top 100 Guitarists. (8/3/02)

    Top 100 ranked list with no commentary. Voted on by Total Guitar readers.


First posted 11/23/2011; last updated 1/25/2022.

Tuesday, July 17, 2012

Kerrang!’s “20 Greatest Rock Stars Ever”

image from Queen’s Facebook page

I am a fan of lists. They serve a purpose – they spark debate and hopefully inspire people to seek out new music. It is ridiculous to expect a list to make all people happy. In fact, I roll my eyes when people react to a list with “this sucks” or “whoever put this list together knows nothing about music.” Dear list haters – it shows an incredible arrogance to berate another’s tastes simply because they aren’t the same as yours.

However, I am baffled by this list by Kerrang!, a UK-based magazine devoted to hard rock and heavy metal. I’ll refrain from hypocritical comments like “this sucks,” but I will point out how this list differs from others.

1. This list is an oddity in that it is a mostly-singer list, but also includes AC/DC’s Angus Young, Metallica’s drummer Lars Ulrich, and Led Zeppelin guitarist Jimmy Page. Even #1, Jimi Hendrix, arguably gets there on the strength of his guitar playing more than singing.

2. Only 10 of the 20 names on this list make the DMDB’s list of the Top 100 Singers of All Time. Is the DMDB list definitive? Certainly not. I made the list and will concede it has problems (namely too little focus on the rock era). However, the DMDB list aggregates 27 best-of lists, which offers insight into what names are more universally recognized as the greats.

3. Perhaps the greatest indicator of just how idiosyncratic this list is comes in the “new” names. Seven people make the Kerrang! list – but none of the other 26 lists aggregated into the DMDB list. As already indicated, some of those are not singers (Angus Young, Lars Ulrich, Jimmy Page), but there are also singers making their virgin appearance in the database. Gene Simmons and Marilyn Manson are big enough names it might seem surprising not to have seen them show up already. But David Yow of The Jesus Lizard and Speedo of Rocket from the Crypt? Uh, yeah.

Anyway, here’s the list in full:


Kerrang!’s 20 Greatest Rock Stars Ever

Jimi Hendrix, image from greenobles.com

1. Jimi Hendrix
2. Billie Joe Armstrong
3. Freddie Mercury

Queen’s Freddie Mercury’s got nothing on Green Day’s Billie Joe Armstrong – so says Kerrang!; image from telegraph.co.uk

4. Axl Rose
5. Angus Young
6. Kurt Cobain
7. Gene Simmons

Gene Simmons – I’m surprised this is his first appearance out of the 27 best-singers lists aggregated by the DMDB. Image from theurbanpolitico.com.

8. Lars Ulrich
9. David Lee Roth
10. Dave Grohl
11. Iggy Pop
12. Courtney Love

Courtney Love is a bigger rock star than Jimmy Page? A bigger mess, perhaps. Image from ocweekly.com.

13. Bruce Dickinson
14. Jimmy Page
15. Marilyn Manson
16. Speedo (Rocket from the Crypt)

Rocket from the Crypt’s Speedo; no, I’d never heard of him either before the Kerrang! list. Image from smashingmag.com.

17. Mike Patton
18. Joey Ramone
19. Lemmy (Motorhead)
20. David Yow (The Jesus Lizard)

David Yow, apparently bigger than Robert Plant, Mick Jagger, Jim Morrison, Bono, and a slew of others. Image from theplaylist.blogspot.com.


Resources and Related Links:

Thursday, June 21, 2012

Cock Roaches and Keith Richards: Some Bands Seem to Last Forever

Originally published in my "Aural Fixation" column on PopMatters.com on June 21, 2012. See original post here.

Rolling Stones publicity photo, image from popmatters.com


The Rolling Stones, the Beach Boys, Metallica and other rock groups have been around for decades. What are the keys to their longevity?
In 1986, the Beach Boys had a sturdy discography built on surf-pop gems like “Good Vibrations,” “California Dreamin’,” and “Surfin’ U.S.A.” They were closing in on their 25th anniversary, but with their last top ten hit a decade behind them, they were in danger of becoming an embarrassing nostalgia act. Their last couple singles hadn’t even cracked the top 40. Obviously their days were numbered.

That same year, the Rolling Stones’ Dirty Work album was the most panned of their career. Guitarist Keith Richards was feuding with singer Mick Jagger, who wouldn’t tour to support the new album because he was off doing a solo thing. The band was rumored to be on the verge of breaking up.

Meanwhile, a group named Metallica released their third album, Master of Puppets. It was hailed as a classic of the heavy metal genre, seemingly positioning the band for even bigger and better things. Then a bus crash killed bassist Cliff Burton.

Metallica, the Cliff Burton years; image from loudwire.com

A funny thing happened over the next few years, though. These groups wouldn’t go away. The Beach Boys landed their first #1 song on the Billboard charts in 22 years with 1988’s “Kokomo.” The Rolling Stones patched up their differences and stormed back into the limelight in 1989 with a massive tour in support of the return-to-form album, Steel Wheels. Metallica enlisted a new bassist and landed their first top-ten album with 1988’s …And Justice for All.

Fast forward to 2012 and these bands are still around. To celebrate their golden anniversary, the Beach Boys have launched a major tour, and gifted the world with their first studio album, That’s Why God Made the Radio, in 16 years.

Technically it shouldn’t be called an anniversary since the current lineup of Brian Wilson, Mike Love, David Marks, Al Jardine, and Bruce Johnston never performed together on a public stage prior to the 2012 Grammys. That is nit-picky, though, since all five “boys” have rich histories with the band. Wilson formed the band in 1961 with his brothers Dennis and Carl (who died in 1983 and 1998 respectively) as well as cousin Mike Love and friend Al Jardine. Brian did his last full tour with the band in 1965 at which point Johnston came on board. Marks was an early member who left in 1963 but returned in 1997. Jardine returns to the fold after a 14-year absence.

You have to offer kudos to a band who’s ridden the waves for so many years. Theirs is a remarkably rare feat. Today’s kiddos – and I’m talking about of-the-moment boy bands like One Direction and The Wanted – can learn a few lessons from the old foagies like the Beach Boys, the Rolling Stones, Metallica and others if they want to still be kicking in 2062. For the record, I don’t expect either of those groups to last ten years, much less fifty, but if they follow these tips they might just surprise me.


Maintain a core.

Like the Beach Boys, the Rolling Stones have endured roster changes over the years, but maintained a basic core for five decades. The audience of less than a hundred on that first historic night witnessed the seemingly indestructible Keith Richards riff on his guitar while Mick Jagger waggled those famous lips. By January 1963, drummer Charlie Watts joined and the trio have anchored the group ever since. The newbie of the group, guitarist Ronnie Wood, signed on in 1975.

A year after Wood joined the Biggest Band in the World, a quartet of Irish lads formed the band which would eventually wrestle that title away from the Stones. Bono, The Edge, Adam Clayton, and Larry Mullen Jr. formed U2 and have stayed together ever since. Think of it this way – it has become a rarity for anyone to retire from a job after 36 years of service. Imagine if four guys at the same company collected their gold watches at once.

U2, image from brainz.org


Take vacations, but let fans know you’re coming back.

Even millionaire musicians are entitled to occasional breaks. There’s no way the Beach Boys or the Stones could keep up the grueling pace of touring and releasing a couple albums a year like they did at the onset. As the decades roll on, the gaps between projects grow wider. The Stones graced us with their last studio effort, A Bigger Bang, in 2005 and the subsequent tour wrapped two years later.

The difference in a long layoff being labeled as a “break” or a “break up” comes down to public perception – and how much dirty laundry the band members air. When the Eagles went on hiatus in 1980, Don Henley famously stated the band would get back together again when Hell froze over. People definitely considered the band kaput, a point which Glenn Frey jokingly referenced on the band’s live 1994 album with the tongue-in-cheek title Hell Freezes Over: “For the record, we never broke up. We just took a fourteen-year vacation.”

the Eagles on the Hell Freezes Over tour, image from glennfreyonline.com


Stay together for the kids.

The relationships amongst band members can resemble the for-better-or-worse nature of a romantic couple. Sturdier bands withstand the rocky times, knowing the kids (or the fans) depend on them. The Stones’ near break-up of ’86 was one of many Jagger and Richards squabbles. They most recently tangled over the latter’s 2010 no-holds-barred autobiography, Life, but never to the point that fans thought it was over. There’s still serious talk of a tour and maybe even an album next year.

Metallica has now thrilled the world for 30+ years by unleashing aggression through thrashing guitars and ear-crunching vocals. However, in 2004 they took the very un-heavy-metal move of releasing a documentary, Some Kind of Monster, which keyed in on their group therapy. Even the toughest of rockers have to talk out their feelings to keep the relationship going.


What else are you gonna do?

Bono stated in a Daily Mail article (“‘Til death do them part: Bono believes unshakable U2 will stay together until they die”, 9 September 2011) that he believed the members were so defined by their band roles that they are otherwise “unemployable.” He continued, saying, “There’s only one way out, in a coffin.”

The dedication to music at all costs has never been captured better than in the 2008 documentary Anvil! The Story of Anvil. The titular Canadian heavy metal band formed in 1978 and seemed on the brink of success in 1984. The movie shows them enduring the humilities of paltry audiences, sleeping in train stations, and scuffling with bar owners who won’t pay them. Their big dream hasn’t happened, but they refuse to quit. Singer Steve “Lips” Kudlow said, “I started out with Rob when I was 14 years old and we said we’re gonna do it ‘til we’re old men. We really meant that.”

Richards says in Life, “There’s something beautifully friendly and elevating about a bunch of guys playing music together…It’s really teamwork, one guy supporting the others, and it’s all for one purpose.”

The Four Tops, image from thefourtopsoriginal.com

The Four Tops made some of the biggest hits during Motown’s 1960s heyday with gems like “Reach Out (I’ll Be There)” and “I Can’t Help Myself”. Until the passing of member Lawrence Payton in 1997, they’d kept the same lineup for 44 years. Years ago, a Eugene Register-Guard article (“The Four Tops come spinning to town”, 2 December 1988) discussed their endurance, citing their bio which read, “They were never greedy, never riddled by egotism or impatience, and never lost sight of what they wanted to do most: sing!”


Share the same sense of ethics and mission.

Since 1974, Rush (who just released Clockwork Angels) have maintained the same lineup of Geddy Lee, Alex Lifeson, and Neal Peart. Their Wikipedia page credits the rock trio’s strong work ethic and commitments to philanthropic causes.

An article at amanet.org article (“Great Teams: The Extraordinary Unity of U2”, 20 August 2008) asserts that keys to U2’s longevity include their similar values, shared mission, and consensus-oriented decision-making style. The Daily Mail article quoted Bono saying U2 had “a kind of belligerent respect” for each other.


Let tragedy unite you.

The amanet.org article also acknowledges the role tragedy can have in bringing a group closer together. Bono’s mother died when he was 14; Mullen lost his mom when he was 16. Through their grief, the two became very supportive friends. Later, the band rallied around Clayton to support his battle against drug and alcohol addiction.

image from guardian.co.uk

Like Metallica, other bands have rallied back from the death of a member. AC/DC may have the most phenomenal story. Brothers Angus and Malcolm Young formed the hard-rock outfit in 1973. Acute alcohol poisoning took the life of lead singer, Bon Scott, in February 1980 and seemingly sank the group’s ship just sailing into international waters. A mere six months later Back in Black, featuring new frontman Brian Johnson, made it clear the group was still afloat. 32 years later, the band is still electrifying audiences the world over and Back has put them firmly in the black: the album’s 49 million in worldwide sales is second all-time only to Michael Jackson’s Thriller (“The World’s Top 100 All-Time Best-Selling Albums”, 20 February 2012).


Hey, you’ve got a legacy to uphold – and bucks to be made.

With the exception of Anvil, the bands spotlighted here haven’t just stuck around for decades, but been hugely successful. It’s hard to keep playing if no one comes to see you. At ajc.com, Melissa Ruggieri (“The Beach Boys display fine-tuned nostalgia on anniversary tour”, 29 April 2012) sums up the Beach Boys concert trek: “There is one point to a 50th anniversary tour: nostalgia.”

The Rolling Stones, U2, Metallica, Rush, AC/DC, and other bands with thirty or more candles on their birthday cakes, aren’t new to the party. Their days of being hailed as “the next big thing” are long gone. However, these bands have entered another phase of their musical lives: fans want to see these rock and roll legends before they’re gone.

Surely it is more likely that in another quarter century, The Wanted or One Direction will still be around while the Rolling Stones’ rocking years and the Beach Boys days of harmonizing will be long behind them. Then again, there’s a long-standing joke that when the world ends the only thing left will be cock roaches and Keith Richards. Here’s hoping cock roaches know how to appreciate a good guitar solo.

Monday, November 23, 1981

AC/DC released For Those about to Rock We Salute You

First posted 9/4/2010; updated 9/7/2020.

For Those About to Rock We Salute You

AC/DC


Buy Here:


Released: November 23, 1981


Peak: 13 US, 3 UK, -- CN, 3 AU


Sales (in millions): 4.0 US, -- UK, 8.0 world (includes US and UK)


Genre: hard rock/heavy metal


Tracks: (Click for codes to singles charts.)

  1. For Those about to Rock We Salute You (12/5/81, #15 UK, #4 AR)
  2. Put the Finger on You (12/19/81, #38 AR)
  3. Let’s Get It Up (12/19/81, #44 US, #13 UK, #9 AR)
  4. Inject the Venom
  5. Snowballed
  6. Evil Walks
  7. C.O.D.
  8. Breaking the Rules
  9. Night of the Long Knives
  10. Spellbound


Total Running Time: 40:10


The Players:

  • Brian Johnson (vocals)
  • Angus Young (guitar)
  • Malcolm Young (rhythm guitar, backing vocals)
  • Cliff Williams (bass)
  • Phil Rudd (drums)

Rating:

3.500 out of 5.00 (average of 7 ratings)


Quotable: “A record Beavis and Butthead would describe as ‘cool’ – and, as usual, they’d be right.” – Andrew Mueller, Amazon.com

About the Album:

“Lesser bands might have been put off their stride by the death of their lead singer, but not AC/DC. No sooner had Bon Scott met his whiskey-sodden end in 1980 than AC/DC recruited a new singer, Brian Johnson – who sounded almost exactly like Scott – and released, in Back in Black, the biggest-selling album of their career.” AM

For Those About to Rock We Salute You is a suitably triumphant follow-up” AM with “some decent material,” SH but it also marks the point when “AC/DC’s hot streak began to draw to a close.” SH While Back in Black was infused with the energy and spirit of paying tribute to Bon Scott, it became apparent on the follow-up that the group really did miss Scott more than it initially indicated.” SH The band “slowed down the tempo frequently, sounding less aggressive and inspired.” SH

“Brian Johnson’s lyrics started to seem more calculated and a bit clichéd, lacking Scott’s devil-may-care sense of humor,” SH although they did also show that his “lyrical preoccupations were broadly congruent with those of his predecessor: Let’s Get It Up and Inject the Venom are as subtle as their titles sound.” AM And, of course, no matter how you view the whole album, “the cannon-punctuated title track – the most auspicious marriage of music and artillery since Tchaikovsky’s ‘1812 Overture’ – still provides a spectacular finale to AC/DC concerts.” AM

In the end, this is no Back in Black, but it “is a record Beavis and Butthead would describe as ‘cool’ – and, as usual, they’d be right.” AM

Resources and Related Links:

Saturday, December 13, 1980

AC/DC chart with “Back in Black” single

Back in Black

AC/DC

This post has been moved here.

Tuesday, August 19, 1980

AC/DC released “You Shook Me All Night Long”

You Shook Me All Night Long

AC/DC

This post has been moved here.

Friday, July 25, 1980

AC/DC released Back in Black

Back in Black

AC/DC


Released: July 25, 1980


Peak: 4 US, 12 UK, 1 CN, 11 AU Click for codes to charts.


Sales (in millions): 30.0 US, 0.1 UK, 50.0 world (includes US and UK), 62.82 EAS


Genre: hard rock/heavy metal


Tracks:

Click on a song title for more details.
  1. Hell’s Bells [5:09]
  2. Shoot to Thrill [5:14]
  3. What Do You Do for Money Honey [3:33]
  4. Givin’ the Dog a Bone [3:30]
  5. Let Me Put My Love into You [4:12]
  6. Back in Black [4:13]
  7. You Shook Me All Night Long [3:28]
  8. Have a Drink on Me [3:57]
  9. Shake a Leg [4:03]
  10. Rock and Roll Ain’t Noise Pollution [4:12]

Total Running Time: 41:31


The Players:

  • Brian Johnson (vocals)
  • Angus Young (guitar)
  • Malcolm Young (rhythm guitar, backing vocals)
  • Cliff Williams (bass)
  • Phil Rudd (drums)

Rating:

4.651 out of 5.00 (average of 34 ratings)


Quotable: One of “hard rock's greatest achievements” – Greg Prato, AllMusic.com


Awards:

(Click on award to learn more).

The Bon Scott Years

The Young brothers Malcolm (rhythm guitar) and Angus (lead guitar) formed AC/DC in Australia in 1973. They went through a variety of personnel changes in their early years but cemented their identity with the arrival of vocalist Ron Belford “Bon” Scott (originally the band’s chauffeur), CS in 1974. They released their first album, High Voltage, in 1975. They released five more albums in the last half of the decade, culminating with 1979’s Highway to Hell.

The band appeared “poised for worldwide breakthrough success” AM since the album became their first in the United States to reach gold status. Then tragedy struck. Scott went on a drinking spree and was found dead in the back seat of a car, having choked on his own vomit. 500

The Arrival of Brian Johnson

Bon Scott’s dad told the band at the funeral, “You can’t stop, you have to find someone else.” CM After two days of mourning, Malcolm called Angus and they went back to work. Five months later, the result was “this smoking album with the most prophetic title ever.” ZS It “is the ultimate example of a band turning a career-threatening negative into a remarkable positive.” AM It “is one of the greatest comeback stories in rock history.” CQ

New vocalist Brian Johnson “was a perfect fit” CQ “with a voice like gravel and swagger to boot.” CQ He “was as willing to shred the upper end of his voice as Scott had been” TM and “had the same bluesy edge as Scott” AM but “sang with more power and conviction.” AM The band was able to retain “their core identity as world class hard-rock riffers” CQ even as Johnson stamped “his own personality, not to mention distinctive rasp, on the record.” VH1 He “sings as if he’s being tortured – and thoroughly enjoying it.” TL


Mutt Lange

Producer Mutt Lange had worked with AC/DC on their Highway to Hell album and gave the band “a meatier sound.” CS He returned behind the boards for Back in Black. Prior to AC/DC, he’d worked with acts like Graham Parker and the Boomtown Rats. His work with AC/DC, however, cemented him as one of the most successful rock producers of all time. He would later work on blockbuster albums like Foreigner 4 as well as Def Leppard’s Pyromania and Hysteria.

Lange’s “penchant for sonic perfection and pop accessibility would keep the wheels moving.” CQ Lange “helped the group focus its high voltage rock,” AM crafting “a delicate balance of power and finesse that defined the commercial side of heavy music for years.” TM

Meat and Potatoes Rock and Roll

“It doesn’t get any simpler than this meat-and-potatoes rock and roll.” CRS Critics knocked the band for its “testosterone-laden paeans to sex, booze, and more sex and more booze,” RV but “AC/DC was never a band to bother with any niceties in their music.” CRS They charged forward with “completely straight-ahead guitar power chords, brutal beats pounded out in 4/4 time, and blistering vocals on top.” CRS

The rhythm section of bassist Cliff Williams and drummer Phil Rudd “fuse traditional blues with stadium rock dramatics.” CM They get “right near the boiling point and then hang there, waiting for the schoolboy-uniform–wearing Angus Young to deliver demonically twisted lead guitar that pushes things over the edge.” TM

Legacy

“Coming after years of synthesized disco and overproduced AOR, Back in Black proved once again the resilience of live, loud, and melodic rock, and listeners immediately responded.” TB Author Chris Smith goes so far as to say that AC/DC “rescued heavy metal.” CS He says in 1980, “metal dinosaurs like Deep Purple and Black Sabbath were losing their touch…and newcomers like Van Halen and Ted Nugent were hard to take seriously….AC/DC…remind[ed] everybody what heavy metal was all about: alienated teenagers bobbing their heads in unison to crunchy power chords, banshee screams, and a thundering rhythm section.” CS

It was one of “the greatest hard-rock album of the decade” RV and “one of rock’s all-time classics.” AM “For many, [it is] the essential hard-rock record of the modern era.” TB It “might be the purest distillation of hard rock ever;” 500 it “is a ten-song feast of tightly wound, enormously disciplined stomp rock” TM infused with “the relentless logic of a sledgehammer.” sup>500 ''This is the goes-to-11 playlist of men behaving badly the world over..” EW’12 Rolling Stone called it “the leanest, meanest record of all time.” CM

The Songs

Here’s a breakdown of each of the individual songs.

Hell’s Bells

AC/DC

Writer(s): Brian Johnson, Angus Young, Malcolm Young


Released: 10/31/80 (single), Back in Black (1980)


B Side: “What Do You Do for Money Honey”


First Charted: 3/28/81


Peak: 3 CL, 50 AR, 7 AU, 6 DF Click for codes to charts.


Sales (in millions): 3.0 US, 0.40 UK, 4.60 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, -- video, 621.76 streaming

Awards:

(Click on award to learn more).

About the Song:

The “eerie Hells BellsAM served as an “ominous opener.” CQ “It could be the most perfect opening to any album. For a full 20 seconds there’s nothing but the lone, eerie sonics of a giant ringing church bell. Then Malcolm Young plays an impossibly slow, circular rhythm guitar riff that is pure funeral march,” CM making for a fitting farewell to Bon Scott.

Shoot to Thrill

AC/DC

Writer(s): Brian Johnson, Angus Young, Malcolm Young


Released: Back in Black (1980)


First Charted: 4/11/81


Peak: 4 CL, 60 AR, 98 UK Click for codes to charts.


Sales (in millions): -- 1.0 US


Airplay/Streaming (in millions): -- radio, -- video, 561.13 streaming


About the Song:

The unforgettable opener “Hell’s Bells” is followed by “the melodic Shoot to Thrill,” AM a minor album rock hit in the beginning days of that chart’s history.

What Do You Do for Money Honey

AC/DC

Writer(s): Brian Johnson, Angus Young, Malcolm Young


Released: 10/31/80 (B side of “Hell’s Bells”), Back in Black (1980)


Peak: 26 CL Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 58.75 streaming


About the Song:

On What Do You Do for Money Honey. producer Mutt Lange “made sure that every walloping rhythm guitar supporting [Brian] Johnson’s tales of lasciviousness…weighed in at industrial strength – and was executed with surgical precision.” TM

Givin’ the Dog a Bone

AC/DC

Writer(s): Brian Johnson, Angus Young, Malcolm Young


Released: Back in Black (1980)


Peak: 18 CL Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 38.09 streaming


About the Song:

Givin’ the Dog a Bone breaks the rules of chivalry and grammar – this testosterone filled romp’s passion for bangin’ is less focused on hips than heads.” TL

Let Me Put My Love into You

AC/DC

Writer(s): Brian Johnson, Angus Young, Malcolm Young


Released: Back in Black (1980)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 39.45 streaming


About the Song:

“Though unabashed in its misogyny – Let Me Put My Love into You would be nicer if it were a request rather than a command.” AM

Back in Black

AC/DC

Writer(s): Brian Johnson, Angus Young, Malcolm Young (see lyrics here)


First


Released: 12/21/80 (single), Back in Black (1980)


B Side: “What Do You Do for Money Honey”


First Charted: 12/13/80


Peak: 37 BB, 39 CB, 35 GR, 54 HR, 1 CL, 51 AR, 27 UK, 65 AU, 4 DF Click for codes to charts.


Sales (in millions): 7.0 US, 1.8 UK, 11.72 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 1091.79 video, 2220.77 streaming

Awards:

(Click on award to learn more).

About the Song:

After five successful albums in their native Australia, AC/DC were finally being embraced by an international market with 1979’s Highway to Hell, an album which went top 10 in the UK and top 20 in the U.S. Then tragedy struck. Rock singer Bon Scott died on February 19, 1980. On his death certificate, the official cause was listed as acute alcohol poisoning. The group considered disbanding, but on the advice of their producer, Mutt Lange, brought in Brian Johnson for an audition. Scott himself had seen him perform with his former band Geordie back in 1973 and talked up the singer to the rest of the band. SF By the end of March, he had the job as the new singer for AC/DC.

Among the new songs recorded by the group was a song called “Back in Black,” which was a tribute to Scott. Guitarist Malcolm Young already had the main guitar riff down and the group already had the idea for the title before it had any words. SF Johnson recalled that the band asked him to write the lyrics, saying “it can’t be morbid – it has to be for Bon and it has to be a celebration.” WK Johnson responded with words such as “Forget the hearse, ‘cause I never die” and what he considered “mumbo jumbo” lines like “Nine lives. Cats’ eyes. Abusing every one of them and running wild.” The band, however, told Johnson “they saw Bon’s life in that lyric.” WK

While the song wasn’t a big hit from a chart standpoint, its iconic opening guitar riff with its “proud peacock strut” TM made it into what The Guardian called “a classic metal anthem.” WK Metal Hammer magazine said, “There are rock songs that appeal to metal fans. And there are metal songs that appeal to rock fans. Then there is ‘Back in Black’ – a rock song and metal song that appeals to everyone…and it all hangs on that monumental, no-nonsense, three-chord monster of a riff.” WK

“Few recorded riffs have proven catchier, with axeman Angus Young peppering blues runs between massive power chords. You couldn’t have chosen a better song to introduce Brian Johnson. In a gutsy move, the lyrics are eerily self-referential (‘I’m let loose/ From the noose/ That’s kept me hanging about’) and Johnson snarls ‘em with intent.” CQ

You Shook Me All Night Long

AC/DC

Writer(s): Brian Johnson, Angus Young, Malcolm Young (see lyrics here)


Released: 8/19/80 (singe), Back in Black (1980)


B Side: “Have a Drink on Me”


First Charted: 9/6/80


Peak: 36 BB, 42 CB, 26 GR, 42 HR, 1 CL, 38 UK, 8 AU, 3 DF Click for codes to charts.


Sales (in millions): 7.0 US, 1.0 UK, 11.35 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 467.63 video, 1730.39 streaming

Awards:

(Click on award to learn more).

About the Song:

AC/DC’s Back in Black has become such a mainstay on “best albums of all time” lists now that it is easy to forget the uncertainty the band faced when the album was released in 1980. On February 19 of that year, the band’s lead singer, Bon Scott, died after a drinking binge. It was Scott’s father who encouraged the band to find a new singer and soldier on. SF Brian Johnson stepped in and the band found the greatest success of their career.

Guitarists Angus and Malcom Young already had the title and the chords but needed words. Johnson supplied his “gravelly, raspy vocals and easy-to-learn, almost exultant, double-entendre lyrics.” AMG (“She told me to come but I was already there”). The song is “unabashedly sleazy.” CQ It is basically “a night-after bragging session with a heavy dose of swagger and pomp.” AMG It “was equal parts naughty and proud, pop-tinged yet stomp-worthy,” AMG which probably explains the song’s popularity at strip clubs. SF

The inspiration for the “primo dance-metal banger You Shook Me All Night Long500 came while the band was recording in the Bahamas. Never a band known for “deep, meaningful lyrics,” SF Johnson turned images of American girls into lyrics where he compared women to cars in lines like “She was a fast machine/ She kept her motor clean.” SF Johnson said it “just fell into place so I can’t claim any credit on that thing.” SF Of the Young brothers’ work, he said, “It’s one of the greatest rock and roll riffs I’ve ever heard in my life.” SF

It has “a simple beat; a melodic, heavy rock-boogie riff; a shrill, pumping guitar solo” AMG with “strutting blues-based guitar heat.” sup>500 The “pop-tinged guitar chords give the song a slap-on-the-back, beer-swilling friendliness” AMG which is probably why it has become “a hard rock staple…popular at sporting events and bars, and…one of…hard rock’s most memorable party anthems.” AMG Johnson told USA Weekend he considers the song the highlight of the band’s catalog because “It was the first song I wrote with the guys and it has a special groovy beat that won’t let you go. It has such a special place in my heart…it might be one of the best rock songs ever written – if I do say so myself.” SF

Have a Drink on Me

AC/DC

Writer(s): Brian Johnson, Angus Young, Malcolm Young


Released: 8/19/80 (B side of “You Shook Me All Night Long”), Back in Black (1980)


First Charted: 8/19/80


Peak: 8 CL, 32 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 103.17 streaming


About the Song:

“Not a single weak track is included; even the lesser-known album tracks are strong (Have a Drink on Me, Shake a Leg).” AM

Shake a Leg

AC/DC

Writer(s): Brian Johnson, Angus Young, Malcolm Young


Released: Back in Black (1980)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 27.38 streaming


About the Song:

“Not a single weak track is included; even the lesser-known album tracks are strong (Have a Drink on Me, Shake a Leg).” AM

Rock and Roll Ain’t Noise Pollution

AC/DC

Writer(s): Brian Johnson, Angus Young, Malcolm Young


Released: 11/7/80 (single), Back in Black (1980)


B Side: “Hell’s Bells”


First Charted: 11/29/80


Peak: 6 CL, 15 UK, 7 AU, 14 DF Click for codes to charts.


Sales (in millions): -- US, -- UK, 0.10 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, -- video, 112.19 streaming


About the Song:

AC/DC wraps up their metal masterpiece with “the album-closing battle cry Rock and Roll Ain't Noise Pollution,” AM an “epic…that says it all: ‘We’re just talkin’ about the future / Forget about the past / It’ll always be with us / It’s never gonna die, never gonna die.’” CM

Resources/References:


Related DMDB Pages:


First posted 7/22/2012; last updated 7/19/2026.