First a Songwriter
Chris Stapleton was born in Kentucky in 1978. He moved to Nashville in 1996 to study engineering at Vanderbilt University, but dropped out to pursue a music career. He signed a writing and publishing contract with Sea Gayle Music and found success as a songwriter writing #1 country hits for Luke Bryan (“Drin a Beer”), Kenny Chesney (“Never Wanted Nothing More”), George Strait (“Love’s Gonna Make It Alright”), and Josh Turner (“Your Man”). He also written for or with Adele, Dierks Bentley, Kelly Clarkson, Sheryl Crow, Peter Frampton, Vince Gill, Brad Paisley, Darius Rucker, Ed Sheeran, and Taylor Swift.
Then a Performer
Even as he wrote for others, however, he fronted a bluegrass band, the Steeldrivers, and a rock band, the Jompson Brothers. PM’19 It meant that his eventual debut solo album, Traveller, “felt like a long time coming for most Nashville industry insiders, who had known Stapleton for years as the unsung hero behind many of radio’s biggest hits.” PM’19
Still, no one was prepared for how successful he would be. The “big-bearded singer-songwriter” PM’19 helped “critical acclaim meet mainstream notoriety in a way that can’t help but raise the bar for years to come.” PM’19 AmericanaHighways.org’s Andrew Gulden called Stapleton “a once-in-a-generation voice.” AH “Traveller is about as far out of the Music Row machine as mainstream artists get: no beer/pickup/roadhouse machismo, because Stapleton’s focus is closer to the bone.” TZ
He was celebrated as a return to old-school country, with a sound that was “something rougher and rowdier” AM than the more mainstream country hits he’d written – “an Eric Church without a metallic fixation or a Sturgill Simpson stripped of arty psychedelic affectations. Something closer to a Jamey Johnston, in other words, but where Johnston often seems weighed down by the mantle of a latter-day outlaw, Stapleton is rather lithe as he slides between all manners of southern styles.” AM
Cross-Genre Artist
Traveller finds Stapleton “casually switching gears between bluegrass waltz, Southern rockers, crunching blues, soulful slow-burners, and swaggering outlaw anthems – every one of them belonging to a tradition, but none sounding musty due to Stapleton’s casualness. Never once does he belabor his range, nor does he emphasize the sharply sculpted songs. Everything flows naturally, and that ease is so alluring upon the first spin of Traveller that it’s not until repeated visits that the depth of the album becomes apparent.” AM
His embracement of old country was celebrated come awards season. He won the Grammy for Country Album and took home Album of the Year prizes from the Academy of Country Music and Country Music Association. It makes Traveller “a shoo-in recommendation for the newcomer to country” PM’19 but he’s also an excellent beginning point for those interested in Americana because of his ability to blend genres. Traveller spent 130 weeks atop the Billboard Americana chart, more than twice as long as the next biggest album, Mumford & Sons’ Sigh No More (61 weeks).
The Songs
“As the rare songwriter-for-hire who also has considerable performance chops, Stapleton is sensitive to the needs of an individual song.” AM This “is evident when he’s covering Tennessee Whiskey – a Dean Dillon & Linda Hargrove tune popularized by George Jones and David Allan Coe in the early ‘80s – lending the composition a welcome smolder.” AM The song proved a monstrous success, topping the country chart and amassing 14 million in sales.
That song and Sometimes I Cry also “take advantage of his startling R&B chops.” TZ That ability to seamlessly blend genres earned him a reputation as “one of the best pure singers to emerge from country in many a moon.” TZ
Stapleton also “brings the chapped vulnerability of Willie Nelson’s and Merle Haggard’s halcyon work to the stripped-down present in songs like Whiskey and You and Daddy Doesn’t Pray Anymore.” TZ Even when he’s partying on Might As Well Get Stoned, he can’t get his mind off who’s not with him – and it’s not who you’d expect.” TZ
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