Showing posts with label Sorry. Show all posts
Showing posts with label Sorry. Show all posts

Saturday, April 23, 2016

Beyoncé’s Lemonade released

Lemonade

Beyoncé


Released: April 23, 2016


Peak: 11 US, 110 RB, 11 UK, 11 CN, 11 AU


Sales (in millions): 3.0 US, 0.4 UK, 5.9 world (includes US and UK)


Genre: R&B


Tracks:

Song Title (date of single release, chart peaks) Click for codes to singles charts.

  1. Pray You Catch Me
  2. Hold Up (8/16/16, 13 US, 6 RB, 11 UK, 37 CN, 25 AU, platinum single)
  3. Don’t Hurt Yourself (with Jack White)
  4. Sorry (5/3/16, 11 US, 4 RB, 33 UK, 40 CN, 74 AU, platinum single)
  5. 6 Inch (with The Weeknd)
  6. Daddy Lessons
  7. Love Drought
  8. Sandcastles
  9. Forward (with James Blake)
  10. Freedom (with Kendrick Lamar) (9/6/16, 36 US, 21 RB, 40 UK, 60 CN, 62 AU)
  11. All Night (12/6/16, 38 US, 23 RB, 60 UK, 73 CN)
  12. Formation (2/6/16, 10 US, 6 RB, 31 UK, 32 CN, 17 AU, platinum single)


Total Running Time: 45:42

Rating:

4.348 out of 5.00 (average of 15 ratings)


Awards: (Click on award to learn more).

About the Album:

“When life gives you lemons, make lemonade.” The well-known proverb is spoken by Hattie White, Beyoncé’s grandmother-in-law, in the song “Freedom.” WK It serves as the the premise behind Beyoncé’s sixth studio album, a cathartic exploration of the emotional turmoil she endured after her husband, rapper and business mogul Jay-Z, cheated on her. In an interview with Elle magazine, she said, “Everyone experiences pain, but sometimes you need to be uncomfortable to transform.” WK

She uses “her heartbreak masterpiece, Lemonade” RS500 “to demand contrition from her adulterous partner, assert her excellence, reflect upon the bonds with the men in her life, and their relationships with other women, and wonders if her trust can be earned back.” AMG She announces on the album, “Nine times out of 10 I’m in my feelings.” RS500

However, this album goes beyond the anger and hurt of a woman scorned. This is an “expansive and personal statement, tapping into marital breakdown and the state of the nation.” RS500 The song cycle explores “her husband’s infidelity in a generational and racial context.” WK “It was a different side than she’d shown before, raging over infidelity and jealousy, but reveling in the militant-feminist-funk strut of Formation.” RS500 Melina Matsoukas, who directed that song’s video, said Beyoncé “wanted to show the historical impact of slavery on black love, and what it has done to the black family, and black men and women – how we’re almost socialized not to be together.” WK

Musically, Beyoncé is “claiming her place in all of America’s music traditions.” RS500 The album is rooted in R&B, but also incorporates Americana, blues, country, electronica, funk, gospel, hip-hop, reggae, rock, soul, and trap. WK She drew inspiration from female black singers including Bessie Smith, Sister Rosetta Tharpe, Memphis Minnie, and Dionne Warwick. WK The album samples and interpolates a number of hip-hop and rock songs and also includes guest spots from James Blake, Kendrick Lamar, The Weeknd, and Jack White. WK

There is “an apparent disregard for appealing to commercial radio that makes Lemonade a distinct addition to her catalog.” AMG It was, in fact, dropped “as a Saturday-night surprise, knocking the world sideways.” RS500 However, the album was not only commercially successful, but the most acclaimed of her career, WK landing a Grammy nomination for Album of the Year and winning for Best Urban Contemporary Album and Best Music Video. It was named Album of the Year by Rolling Stone and Dave’s Music Database. In 2020, Pitchfork’s Marc Hogan called oit one of the great art pop albums of the last 20 years. WK The Associated Press named it the album of the decade. WK

“The cathartic and wounded moments here resonate in a manner matched by few, if any, of Beyoncé's contemporaries.” AMG “There’s more power in the few seconds she chokes back tears while singing ‘Come back’ – timed with the backing vocal in Isaac Hayes’ version of ‘Walk on By’ – than there is in most contemporary ballads.” AMG Lemonade can “be heard as the dark flipside of [previous album] Beyoncé. When ‘Dishes smashed on the counter’ is bleakly observed, just before ‘Pictures snatched out the frame/Bitch, I scratched out your name and face’ is delivered with seething wrath, it’s hard to not flash back to ‘Drunk in Love,’ in which the presumably same couple were revelrous in the same room.” AMG

“She sometimes eclipses herself in terms of raw emotion, as on the throttling…Don’t Hurt Yourself,” AMG a “blues metal with Jack White.” RS500 He said, “she took just sort of a sketch of a lyrical outline and turned it into the most bodacious, vicious, incredible song.” WK The song uses an excerpt from a Malcolm X speech and samples Led Zeppelin’s “When the Levee Breaks,” a song originally performed by Memphis Minnie that referenced the displacement of hundreds of thousands of African Americans during the Great Mississippi Flood of 1927. WK That song and Daddy Lessons, on which she goes “outlaw country,” RS500 illustrate how genres established by African Americans are now seen predominantly as white music. WK

“After the first three-quarters play out in compelling if somewhat erratic fashion, Lemonade closes with a torrid stretch. Freedom is a marching anthem of resilience and preservation, produced by Just Blaze with a glowing guest verse from Kendrick Lamar.” AMG “All Night is a tangle of emotions and hints at reconciliation, facilitated by the horns from OutKast’s ‘Spottie Ottie Dopaliscious.’ And then, at last, there's the strutting ‘Formation,’ simultaneously a tack-on and an ideal finale, where Beyoncé delights in her blackness, femininity, and Southern origin with supreme wordplay.” AMG


Notes: The streaming edition of the album included a demo of “Sorry.” A sixty-five minute film aired on HBO which featured 11 chapters which corresponded to the songs on the album. It was released as a second disc to Lemonade.

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First posted 9/24/2020; last updated 4/21/2022.

Saturday, December 5, 2015

“Love Yourself” debuted at #4, giving Justin Bieber three songs in top 5

Love Yourself

Justin Bieber

Writer(s): Ed Sheeran, Benny Blanco, Justin Bieber (see lyrics here)


Released: November 9, 2015


First Charted: November 20, 2015


Peak: 12 US, 111 BA, 13 DG, 14 RR, 18 AC, 15 A40, 16 UK, 12 CN, 17 AU, 25 DF (Click for codes to charts.)


Sales (in millions): 9.0 US, 2.06 UK, 12.04 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 2207.1 video, 2114.93 streaming

Awards:

Click on award for more details.

About the Song:

“Love Yourself” was the third single from Justin Bieber’s fourth album, Purpose. All three songs went to #1 in the U.S. and UK. The song debuted at #4 on the Billboard Hot 100 while Bieber’s previous singles “What Do You Mean?” and “Sorry” were still in the top 5. Prior to Bieber, only The Beatles and 50 Cent had accomplished that feat. WK “Love Yourself” knocked “Sorry” out of the number one slot, making him the twelfth artist to succeed himself on the Hot 100. WK It did so in the UK as well, making him only the third act – after the Beatles and Elvis Presley – to do so. SF It ended up as Billboard’s number one song of the year and was nominated for Grammys for Song of the Year and Best Pop Solo Performance. It won the American Music Award for Favorite Pop/Rock Song.

The cut was “a kiss-off to a narcisstic ex-lover who did the protagonist wrong.” WK Bieber said it was “definitely about someone in my past,” WK singing “‘Cause if you like the way you look that much, oh baby you should go and love yourself.” WK Bieiber also said that it was “cool because so many people can resonate with that because how many women do we bring back that mom doesn’t really necessarily like?” WK

It was written by Bieber with Ed Sheeran and Benny Blanco. Blanco produced the track, offering the instrumentation and programming. WK The acoustic pop song featured “just vocals, an electric guitar, and a brief flurry of trumpets.” WK Sheeran, who has said he originally had Rihanna in mind for the track WK and that he considered it for his own album, SF provided background vocals. WK Of working with Sheeran, Bieber said, “I think he’s one of the most talented writers in the game right now” WK “so just to be able to work with that caliber of songwriter was really, really awesome.” WK

Consequence of Sound’s Michelles Geslani said it “sounds exactly like what you’d expect from a meeting of these two minds.” WK Entertainment Weekly’s Leah Greenblatt called it “the world’s first campfire-folk diss track” WK and Digital Spy’s Amy Davidson called it a “deliciously evil poison-pen ballad.” Spin’s Andrew Unterberger called the song “an earth-salting, cruelly chuckling kiss-off track [which] features an unprecedented-for Bieber caliber of lyrical detail.” WK


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Last updated 7/22/2023.

Saturday, November 14, 2015

Justin Bieber’s “Sorry” debuts at #2

Sorry

Justin Bieber

Writer(s): Justin Bieber, Julia Michaels, Justin Tranter, Sonny Moore, Michael Tucker (see lyrics here)


Released: October 23, 2015


First Charted: October 25, 2015


Peak: 13 US, 13 RR, 12 BA, 11 DG, 18 ST, 11 AC, 3 A40, 34a RB, 11 UK, 17 CN, 2 AU (Click for codes to charts.)


Sales (in millions): 11.0 US, 2.4 UK, 14.45 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 3614.1 video, 1834.5 streaming

Awards:

Click on award for more details.

About the Song:

“Sorry” was the second single from Justin Bieber’s album Purpose. Like its predecessor, “What Do You Mean?,” it topped the Billboard Hot 100, but it had to wait awhile. It debuted at #2 on the 11/14/2015 chart – behind Adele’s “Hello.” It spent eight non-consecutive weeks at #2 before finally dethroning Adele. WK The song would ultimately top the chart in thirteen countries. WK

The dance-pop song featured a “smooth but electrifying EDM beat incorporating brassy horn bleats, a reggaeton rhythm, [and] warm island rhythms.” WK Bieber enlisted Skrillex to produce songs for his album after working with him on top-ten hit “Where Are Ü Now.” Bieber said, “Skrillex is a genius. He’s super futuristic and I just love his sounds. I think being able to incorporate that sound with what I’m doing has been super cool because …I feel like no one’s done it before.” WK

Michael Tucker, aka BloodPop, crafted the melody with Bieber in Mind and songwriters Justin Traner and Julia Michaels helped on the lyrics. WK The idea grew out of a personal event Michaels had. WK She said the idea was to “capture that moment in a relationship…where you realize you made a mistake and you’re finally read to admit and apologize.” WK In Bieber’s hands, he wasn’t just asking a lover for a second chance, but the public as well. He called the song “the end-all of apologies that I’m giving to people, to the media” SF for “a run of boorish behavior that included reckless driving, public urination, and even an incident involving a black market monkey.” SF He later recanted that comment, saying, “It really had nothing to do with that…It was about a girl.” SF

At first, Bieber considered the song “too safe and simple,” but came to love the song and “changed a couple things to make it feel like him” WKWK Of the final results, BloodPop said “Justin’s vocal delivery and the triumphant key of the song gave the narrative a warm color…The beat is…exciting and fun.” WK

Time’s Nolan Feeney said, “with a beat this breezy…that’s nothing to be sorry about.” WK Spin’s Brennan Carley called “Sorry” “a subdued step forward for the Biebs” WK and USA Today’s Maeve McDermott said it was “just as much of an earworm as his previous single ‘What Do You Mean?’” WK AllMusic’s Andy Kellman praised both songs as showing Bieber “makinga deeper connection with his material and that…he was progressing from performer to artist.” WK Pitchfork’s Brad Nelson called them “his best performances to date.” WK


Resources:


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Last updated 7/21/2023.