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Elvis Presley “Suspicious Minds”
Writer(s): Mark James (see lyrics here)
First charted: 9/13/1969
Peak: 11, 4 AC, 2 UK (Click for codes to singles charts.)
Sales (in millions): 2.0 US, -- UK, 7.0 world (includes US and UK)
Radio Airplay (in millions): 5.0 Video Airplay (in millions): 158.8
Review: The BBC called this song “the last great moment in the career of Elvis Presley” BBC while a 2002 readers poll in New Musical Express made the even bolder proclamation that it was the best song of Elvis’ career. TB-116 In 1969, the crown of the King of Rock and Roll had greatly tarnished thanks to a decade’s worth of poor choices both in song and film. CR-52 “Suspicious Minds” was more than just a symbolic return to the top – it also marked his first #1 on the U.S. pop charts in seven years.
This song emerged in the first recording sessions after Elvis’ NBC television special on December 3, 1968, which was largely seen as his comeback. BR1-260 The sessions brought him back to his Memphis roots JA-185 where he hadn’t recorded since his Sun sessions in July 1955. BR1-260
His renewed zest is evident in his vibrant singing backed by a “Stax-like chorus alternating with the slow-burning verses” BBC which find Elvis begging a lover not to derail their relationship with distrust. The song also sports the famous fake-out ending in which the song has nearly faded out, only to see Elvis jump back in to spit out the chorus repeatedly. BBC
Memphis singer Mark James wrote the song and recorded a version, but it went nowhere. Chips Moman, a soul producer in Memphis, SF produced the original AMG and brought it to Elvis in 1969. SF As had typically been the case in the past, Elvis’ manager Colonel Parker demanded that the song’s copyright owner hand over part of the publishing royalties. BBC However, Elvis weighed in with better judgment when his love of the song trumped The Colonel’s love of money. BBC
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