Today in Music (1962): Ray Charles’ “I Can’t Stop Loving You” hit #1 on the Hot 100

I Can’t Stop Loving You Don Gibson

Writer(s): Don Gibson (see lyrics here) First Charted: February 17, 1958 Peak: 81 US, 7 CW (Click for codes to charts.) Sales (in millions): -- Airplay/Streaming (in millions): 6.0 radio, 0.37 video, 6.18 streaming

I Can’t Stop Loving You Ray Charles

Writer(s): Don Gibson (see lyrics here) First Charted: April 30, 1962 Peak: 15 US, 15 CB, 15 HR, 15 AC, 110 RB, 12 UK, 12 CN, 14 AU, 1 DF (Click for codes to charts.) Sales (in millions): 1.0 US Airplay/Streaming (in millions): 6.0 radio, 32.67 video, 58.10 streaming

Awards (Don Gibson): Click on award for more details. Awards (Ray Charles): Click on award for more details.

About the Song: Ray Charles career was marked by the blending of multiple genres. He started out in 1949 as a blues singer, but refashioned himself as more of an R&B musician when he went to Atlantic Records in 1952. KL Before he left there, he had dipped into country music as well, one of the first R&B stars to do so. DJ Once at ABC-Paramount, he even recorded a full album of country songs with 1962’s Modern Sounds in Country and Western Music. They weren’t crazy about the idea. As Charles told Rolling Stone in 1973, ABC was concerned that he was going to lose his fan base, to which Charles said, “I’ll do it anyway.” FB The result was the best-selling album of Charles’ career, KL spearheaded by perhaps the greatest crossover song of all-time – “I Can’t Stop Loving You.” The song originated in 1958 as a #7 country hit for Don Gibson. Charles gave the song “a soulful voice and added a middle of the road choir and strings,” KL turning it into the biggest pop song of 1962, CPM the biggest R&B hit of Ray Charles’ career, his biggest pop hit, and his biggest AC hit. Ironically, the song did not hit the country charts. Of course, it might not have hit any of the charts if it weren’t for Tab Hunter. While DJs had picked up the song after the Charles’ album came out, RS500 ABC didn’t put out a single of it until after Hunter’s “note for note copy” which even duplicated the cracks in Charles’ voice. KL ABC then whittled Charles’ rendition down to “a 45-friendly two and a half minutes” and rushed it out for single release. RS500 Resources: DMDB encyclopedia entry for Don Gibson FB Fred Bronson (2003). The Billboard Book of Number One Hits (5th edition). Billboard Books: New York, NY. Page 111. DJ David Jasen (2002). A Century of American Popular Music: 2000 Best-Loved and Remembered Songs (1899-1999). Routledge: Taylor & Francis, Inc. Page 82. KL Jon Kutner and Spencer Leigh (2005). 1000 UK Number One Hits: The Stories Behind Every Number One Single Since 1952. London, Great Britain: Omnibus Press. Page 85. RS500 Rolling Stone (12/04). “The 500 Greatest Songs of All Time” CPM Joel Whitburn (1999). A Century of Pop Music. Record Research, Inc.: Menomonee Falls, WI. Page 87. Related Links: First posted 7/14/2012; last updated 11/13/2023.

Today in Music (1969): Elvis Presley hit #1 with “Suspicious Minds”

Suspicious Minds Elvis Presley

Writer(s): Mark James (see lyrics here) Released: August 26, 1969 First Charted: September 13, 1969 Peak: 11 BB, 12 CB, 12 GR, 12 HR, 4 AC, 6 CL, 2 UK, 12 CN, 13 AU, 5 DF (Click for codes to charts.) Sales (in millions): 2.0 US, -- UK, 7.0 world (includes US + UK) Airplay/Streaming (in millions): 5.0 radio, 318.70 video, 553.05 streaming

Awards: Click on award for more details.

About the Song: The BBC called this song “the last great moment in the career of Elvis Presley” BBC while a 2002 readers poll in New Musical Express made the even bolder proclamation that it was the best song of Elvis’ career. TB In 1969, the crown of the King of Rock and Roll had greatly tarnished thanks to a decade’s worth of poor choices both in song and film. TC “Suspicious Minds” was more than just a symbolic return to the top – it also marked his first #1 on the U.S. pop charts in seven years. This song emerged in the first recording sessions after Elvis’ NBC television special on December 3, 1968, which was largely seen as his comeback. FB The sessions brought him back to his Memphis roots DJ where he hadn’t recorded since his Sun sessions in July 1955. FB His renewed zest is evident in his vibrant singing backed by a “Stax-like chorus alternating with the slow-burning verses” BBC which find Elvis begging a lover not to derail their relationship with distrust. The song also sports the famous fake-out ending in which the song has nearly faded out, only to see Elvis jump back in to spit out the chorus repeatedly. BBC Memphis singer Mark James wrote the song and recorded a version, but it went nowhere. Chips Moman, a soul producer in Memphis, SF produced the original and brought it to Elvis in 1969. SF As had typically been the case in the past, Elvis’ manager Colonel Parker demanded that the song’s copyright owner hand over part of the publishing royalties. BBC However, Elvis weighed in with better judgment when his love of the song trumped The Colonel’s love of money. BBC Resources: BBC BBC Radio 2 (2004). “Sold on Song Top 100” FB Fred Bronson (2003). The Billboard Book of Number One Hits (5th edition). Billboard Books: New York, NY. Page 260. TC Toby Creswell (2005). 1001 Songs: The Great Songs of All Time. Thunder’s Mouth Press: New York, NY. Page 52. DJ David Jasen (2002). A Century of American Popular Music: 2000 Best-Loved and Remembered Songs (1899-1999). Routledge: Taylor & Francis, Inc. Page 185. SF Songfacts TB Thunder Bay Press (2006). Singles: Six Decades of Hot Hits & Classic Cuts. Outline Press Ltd.: San Diego, CA. Page 116. Related Links: First posted 9/13/2009; last updated 5/14/2025.