Showing posts with label Life magazine. Show all posts
Showing posts with label Life magazine. Show all posts

Tuesday, December 1, 1992

Life Magazine "40 Years of Rock & Roll": The Songs

Life Magazine:

40 Years of Rock & Roll: The Songs

In 1992, Life magazine devoted a special issue to celebrate rock & roll, using the Moondog Coronation Ball held on March 21, 1952 in Cleveland as their starting point for rock & roll. They picked five songs to represent each year from 1952 to 1991. They also picked one album for each year from 1955 to 1991.

Click here to see other lists from publications and/or organizations. 1952:

  • The Dominoes “Have Mercy, Baby”
  • Lloyd Price “Lawdy Miss Clawdy”
  • Johnny Ace “My Song”
  • The Clovers “One Mint Julep”
  • Jimmy Forrest “Night Train”

1953:

  • Willie Mae Thornton ““Hound Dog”
  • The Clovers “Money Honey”
  • The Orioles “Crying in the Chapel”
  • Ruth Brown “Mama, He Treats Your Daughter Mean”
  • Bill Haley & His Comets “Crazy Man Crazy”

1954:

  • The Chords “Sh-Boom”
  • Johnny Ace “Pledging My Love”
  • Hank Ballard & the Midnighters “Work with Me Annie”
  • The Drifters “Honey Love”
  • Big Joe Turner “Shake, Rattle and Roll”

1955:

1956:

1957:

1958:

  • Dion & the Belmonts “I Wonder Why”
  • Little Anthony & the Imperials “Tears on My Pillow”
  • Chuck Berry “Johnny B. Goode”
  • Jackie Wilson “Lonely Teardrops”
  • Eddie Cochran “Summertime Blues”

1959:

  • Dion & the Belmonts “A Teenager in Love”
  • Wilbert Harrison “Kansas City”
  • The Drifters “There Goes My Baby”
  • Ritchie Valens “Donna” / “La Bamba”
  • The Crests “Sixteen Candles”

1960:

  • Brenda Lee “I’m Sorry”
  • Mark Dinning “Teen Angel”
  • Percy Faith “Theme from ‘A Summer Place’”
  • Roy Orbison “Only the Lonely”
  • Maurice Williams & the Zodiacs “Stay”

1961:

1962:

  • The Four Seasons “Big Girls Don’t Cry”
  • The Crystals “He’s a Rebel”
  • The Miracles “You’ve Really Got a Hold on Me”
  • Gene Chandler “Duke of Earl”
  • The Isley Brothers “Twist and Shout”

1963:

1964:

1965:

1966:

1967:

1968:

1969:

1970:

  • The Kinks “Lola”
  • The Miracles “The Tears of a Clown”
  • James Taylor “Fire and Rain”
  • Crosby, Stills, Nash & Young “Woodstock”
  • Van Morrison “Moondance”

1971:

1972:

1973:

  • Edgar Winter Group “Frankenstein”
  • Lou Reed “Walk on the Wild Side”
  • Gladys Knight & the Pips “Midnight Train to Georgia”
  • The Rolling Stones “Angie”
  • The O’Jays “Love Train”

1974:

  • Lynyrd Skynyrd “Sweet Home Alabama”
  • Bachman-Turner Overdrive “Takin’ Care of Business”
  • Steely Dan “Rikki Don’t Lose That Number”
  • Eagles “Best of My Love”
  • Joni Mitchell “Help Me”

1975:

  • Eagles “One of These Nights”
  • Linda Ronstadt “You’re No Good”
  • Queen “Bohemian Rhapsody”
  • David Bowie “Fame”
  • Bob Marley & the Wailers “No Woman, No Cry”

1976:

  • Peter Frampton “Show Me the Way”
  • Paul Simon “50 Ways to Leave Your Lover”
  • Heart “Crazy on You”
  • Daryl Hall & John Oates “She’s Gone”
  • Boz Scaggs “Lowdown”

1977:

1978:

  • Talking Heads “Psycho Killer”
  • Tom Petty & the Heartbreakers “Breakdown”
  • Billy Joel “Just the Way You Are”
  • Elvis Costello “Watching the Detectives”
  • Meat Loaf “Paradise by the Dashboard Light”

1979:

  • The Police “Roxanne”
  • Dire Straits “Sultans of Swing”
  • Donna Summer “Bad Girls”
  • The Doobie Brothers “What a Fool Believes”
  • Joe Jackson “Is She Really Going Out with Him?”

1980:

  • Blondie “Call Me”
  • The Pretenders “Brass in Pocket (I’m Special)”
  • Pink Floyd “Another Brick in the Wall Part II”
  • Bruce Springsteen “Hungry Heart”
  • Bob Seger & the Silver Bullet Band “Against the Wind”

1981:

  • Kim Carnes “Bette Davis Eyes”
  • The Cars “Shake It Up”
  • The Go-Go’s “Our Lips Are Sealed”
  • The Pointer Sisters “Slow Hand”
  • REO Speedwagon “Keep on Loving You”

1982:

  • Joan Jett & the Blackhearts “I Love Rock and Roll”
  • Joe Cocker & Jennifer Warnes “Up Where We Belong”
  • The Clash “Rock the Casbah”
  • Human League “Don’t You Want Me?”
  • Men at Work “Who Can It Be Now?”

1983:

1984:

1985:

1986:

  • Bruce Hornsby & the Range “The Way It Is”
  • Robert Palmer “Addicted to Love”
  • Prince “Kiss”
  • Whitney Houston “How Will I Know”
  • Steve Winwood “Higher Love”

1987:

1988:

  • Tracy Chapman “Fast Car”
  • INXS “New Sensation”
  • Terence Trent D’Arby “Wishing Well”
  • Guns N’ Roses “Sweet Child O’ Mine”
  • Def Leppard “Love Bites”

1989:

  • Paula Abdul “Straight Up”
  • Public Enemy “Fight the Power”
  • Bonnie Raitt “Thing Called Love”
  • Fine Young Cannibals “She Drives Me Crazy”
  • Tone Loc “Wild Thing”

1990:

  • SinĂ©ad O’Connor “Nothing Compares 2 U”
  • Faith No More “Epic”
  • Mariah Carey “Vision of Love”
  • Chris Isaak “Wicked Game”
  • Technotronic “Pump Up the Jam”

1991:


Resources/Related Links:

First posted 4/9/2021.

Monday, May 9, 1988

Terence Trent D’Arby “Wishing Well” hit #1

Wishing Well

Terence Trent D’Arby

This post has been moved here.

Saturday, May 23, 1987

Suzanne Vega “Luka” charted

Luka

Suzanne Vega

Writer(s): -- (see lyrics here)


First Charted: May 23, 1987


Peak: 3 US, 4 CB, 3 RR, 3 AC, 15 AR, 1 CO, 23 UK, 5 CN, 21 AU, 1 DF (Click for codes to charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 85.73 video, 87.45 streaming

Awards:

Click on award for more details.

About the Song:

The ‘80s and ‘90s saw the rise of female singers rooted in folk and alternative rock such as Tracy Chapman, Melissa Etheridge, the Indigo Girls, Sheryl Crow, and Sarah McLachlan. They were all preceded, however, by Suzanne Vega who gained a following first at college radio, but eventually on the pop charts. As author Toby Creswell said, “Vega almost single-handedly started her own female folk boom.” TC

Vega was born in 1959 in California but grew up in New York. She attended the High School of the Performing Arts and started playing small clubs at Greenwich Village while studying at Barnard College. She released her self-titled debut in 1985. It didn’t gain a lot of attention in the United States, although it reached #11 in the UK and generated a #21 hit with the song “Marlene on the Wall.” She gained more attention with the track “Left of Center” from the Pretty in Pink soundtrack the next year.

On her second album, 1987’s Solitude Standing, Vega “moved from coffee-house folk singing to exotic and unpredictable musical experimentations.” SS The album reached #2 in the UK and #11 in the United States, largely on the strength of her top-5 hit “Luka.” The song, which was actually written before her debut album, SF was nominated for Grammys for Record and Song of the Year. It featured backing vocals by Shawn Colvin, another folk/alternative rock female singer who would rise to acclaim and commercial success in the ‘80s and ‘90s.

The song is about a boy who is abused and forbidden to talk about it. Vega based the song on a real boy named Luka who she would see playing with other children in front of her building. He really did live upstairs from her and she met him one day in the elevator. SF She said, “I didn’t know much about him, but he just seemed set apart from these other children…In the song, the boy Luka is an abused child – in real life I don’t think he was. I think he was just different.” WK She revealed years later that the song was also inspired by her own abusive experiences with her stepfather. WK

The song was nominated for Grammys for Record and Song of the Year. It featured backing vocals by Shawn Colvin, another folk/alternative rock female singer who would rise to acclaim and commercial success in the ‘80s and ‘90s.


Resources:


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First posted 8/8/2022; last updated 1/18/2025.

 

Saturday, December 13, 1986

Bruce Hornsby “The Way It Is” hit #1

The Way It Is

Bruce Hornsby & the Range

Writer(s): Bruce Hornsby (see lyrics here)


First Charted: August 2, 1986


Peak: 12 US, 11 CB, 12 RR, 12 AC, 3 AR, 15 UK, 13 CN, 12 AU, 1 DF (Click for codes to singles charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 38.89 video, 160.19 streaming

Awards:

Click on award for more details.

About the Song:

Hornsby was born in Williamsburg, Virginia. His father was a former musician and oil exec who became a successful housing developer. As a former musician, he kept a Steinway piano which Bruce learned to play. When Michael McDonald heard him while on tour with the Doobie Brothers, he encouraged Hornsby to go to Los Angeles. Bruce and his brother John went to LA in 1980 and became staff songwriters at 20th Century Fox. Bruce played keyboards with Ambrosia and with Sheena Easton’s band before forming his own band, The Range, in 1984.

He recorded a four-song demo of his own music after becoming frustrated with trying to write hits for others. One of the songs was “The Way It Is.” The song started as lyrics first and then he added a lick he liked. He thought the melody was strange, but kept playing it over and over. FB After shopping it around, he was signed to RCA.

The first single, “Every Little Kiss,” only reached #72 on the Billboard Hot 100, although it would get reissued and go to #14. The second single – “the gentle and florid soft-rock jam” SG “The Way It Is” – went all the way to #1. It “is unambiguously a song about racism and about people with money doing everything in their power to keep their place atop the societal pyramid.” SG The chorus suggests pessism with the lines, “That’s just the way it is / Some things will never change.” However, when Hornsby adds the line, “But don’t you believe them” it implores “the need to resist complacency and never resign yourself to racial injustice as the status quo.” SF

The song had “a consistent tempo and a jazz-inflected sound” SF and lacked the elements of conventional chart-toppers such as “a big chorus, shifts in momentum, [and] catchy hooks.” SF “Hornsby sings in a warm, smooth white-soul yarl. The drums echo just right, and the guitars noodle with processed precision, like they were soundtracking a cop show.” SG “That piano is something else…Hornsby keeps circling that main figure, dancing around it. He orbits the main melody, ducking in and out when it makes sense, never losing the melodic thread even when he’s playing solos.” SG


Resources:

  • DMDB encyclopedia entry for Bruce Hornsby
  • FB Fred Bronson (2007). The Billboard Book of Number One Hits (4th edition). Billboard Books: New York, NY. Page 655.
  • SF Songfacts
  • SG Stereogum (1/22/2021). “The Number Ones” by Tom Breihan
  • WK Wikipedia


First posted 10/27/2022.

Wednesday, February 9, 1983

Prince released “Little Red Corvette”

Little Red Corvette

Prince

This post has been moved here.

Friday, June 11, 1982

The Clash “Rock the Casbah” released

Rock the Casbah

The Clash

Writer(s): Topper Headon, Mick Jones, Joe Strummer (see lyrics here)


Released: June 11, 1982


First Charted: June 26, 1982


Peak: 8 US, 13 CB, 14 RR, 6 AR, 1 CO, 15 UK, 17 CN, 3 AU, 8 DF (Click for codes to singles charts.)


Sales (in millions): 2.0 US, 0.6 UK


Airplay/Streaming (in millions): -- radio, 84.26 video, 214.63 streaming

Awards:

Click on award for more details.

About the Song:

The Clash formed in London in 1976. They were one of the pillars of British punk rock, “revered for breaking new ground as rock rebels.” SF Their self-titled debut album hit #12 in the UK. 1978’s Give ‘Em Enough Rope hit #2, 1979’s London Calling hit #9, and the 1980 triple album Sandinista! reached #19. Their peak came in 1982 with Combat Rock. It got to #2 in the UK, but became the group’s only top-10 album in the United States, also reaching double platinum status.

Prior to Combat Rock, the Clash had racked up 13 chart hits in the UK, but their only success in the United States had been with 1980’s “Train in Vain,” a #23 hit on the Billboard Hot 100. “Know Your Rights,” the lead single from Combat Rock, was nother miss on the U.S. charts, but got to #43 in the UK. The second single, “Rock the Casbah,” proved to be the breakthrough for the Clash in the U.S., going all the way to #8. Vulture writer Bill Wyman called it “one of the greatest rock singles of all time.” WK

While most Clash songs grew out of the songwriting partnership between Joe Strummer and Mick Jones, this song came from the drummer, Topper Headon. He composed the song based on a piano part. Without his bandmates around, he taped parts for the drum, piano, and bass. When Strummer saw Headon’s lyrics about missing his girlfriend, Strummer “screwed the piece of paper into a ball and chucked it backwards over his head.” WK Different reports suggest the original lyrics were either really sappy WK or downright pornographic. SF By the time the song was a hit, Headon had been fired from the band for drug problems. SF

Strummer rewrote the words in the bathroom to tell a story of a ban on Western music by a Middle Eastern king. WK The king goes to extreme measure, even order jet fighters to bomb people violating the ban. The pilots ignore the orders, playing rock music on the radios in their cockpits. Strummer was inspired by Iran’s ban on Western music after the 1979 Islamic Revolution. WK


Resources:


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First posted 10/2/2022.

Saturday, March 21, 1981

REO Speedwagon “Keep on Loving You” hit #1

Keep on Loving You

REO Speedwagon

Writer(s): Kevin Cronin (see lyrics here)


Released: November 4, 1980


First Charted: November 29, 1980


Peak: 11 US, 11 CB, 11 HR, 2 RR, 1 CL, 9 AR, 7 UK, 2 CN, 3 AU, 1 DF (Click for codes to singles charts.)


Sales (in millions): 2.0 US, 0.2 UK, 2.2 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 80.8 video, 217.45 streaming

Awards:

Click on award for more details.

About the Song:

“For at least a few years in the early ’80s, REO Speedwagon became quite possibly the biggest rock band in America.” SG They formed in 1967 and built a following during the ‘70s from constant touring, but hadn’t become a real chart threat, having peaked with the “radio-rock nugget ‘Time for Me to Fly’” SG at a mere #56. According to Kevin Cronin, the band’s lead singer, the group “didn’t know the Billboard charts from a cookbook.” FB

“Keep on Loving You” “changed everything for REO Speedwagon, and for power balladry in general.” SG It “made effective use of that formula: Slow build, enormous crashing melodramatic chorus, triumphantly blazing guitar solo, quick coda.” SG As Cronin said, “I realized that you can take a ballad and put the energy there…It doesn’t have to be fast and loud.” FB

Cronin wrote the song after finding out his wife had cheated on him before they were married. In the song, he is “clearly bitter about what’s happened, but he pledges to remain with this woman anyway.” SG He called it, “the most painful song I ever wrote.” SF He and his wife divorced a few years later. Cronin shared how couples told him “it was the first dance at their wedding or its ‘their song’…My first thought is always, ‘Wait. Did you listen to the verses of the song?” SF

It is a “rough song” SG but it “became a slow-dance anthem because of the chorus, which is the part of the song that everyone actually remembers.” SG “Cronin might be pouring his heart out on the long first verse, but he almost seems to be killing time before the monster hook, the lighters-up moment.” SG

The band didn’t want to record the piano-based song because it was too soft but it worked once Gary Richrath’s “big, crashing guitar chords lent [it] weight and force.” SG “Cronin’s pinched and reedy voice gets bigger and more robust as the song keeps going. Underneath him, the backing vocals sound like a choir. The pianos gleam. The guitar solo wails. It’s all very sharp and precise and professional – a cheap-seats rocker that just barely pierces your consciousness when it plays over in-store speakers in a Walgreens.” SG


Resources:

  • FB Fred Bronson (2003). The Billboard Book of Number One Hits (5th edition). Billboard Books: New York, NY. Page 539.
  • SF Songfacts
  • SG Stereogum (4/27/2020). “The Number Ones” by Tom Breihan
  • WK Wikipedia


Related Links:


First posted 6/29/2022; last updated 10/28/2022.

Saturday, February 28, 1976

Peter Frampton “Show Me the Way” live version released this month

Show Me the Way

Peter Frampton

Writer(s): Peter Frampton (see lyrics here)


Released: June 1975


First Charted: July 12, 1975


Peak: 6 US, 4 CB, 6 HR, 5 RR, 1 CL, 10 UK, 4 CN, 25 AU, 1 DF (Click for codes to singles charts.)


Sales (in millions): -- US, -- UK, -- world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 40.6 video, 114.98 streaming

Awards:

Click on award for more details.

About the Song:

Guitarist Peter Frampton was born in England in 1950. He was in a band called the Little Ravens by the age of 12. By 18, he had joined forces with Steve Marriott of the Small Faces to form Humble Pie. That group had a #4 hit in the UK with “Natural Born Bugie” in 1969 and a couple of minor hits in the U.S.

After four solo albums with Humble Pie, Frampton went solo. He released three albums with minimal success. His fourth album, simply called Frampton, reached #32 in the U.S. and went gold. “Show Me the Way” was released in June 1975 as a single, but – like the rest of Frampton’s solo output up to that point – failed to chart.

His fortunes changed, however, with a live recording released the following year. It soared into the top 10 and made the guitarist a superstar. Suddenly, “girls across the globe were gazing upon the bronzed, shirtless blonde that was pinned up on their bedroom walls.” UCR The song was lifted from his 1976 live album Frampton Comes Alive, which spent 10 weeks atop the Billboard album chart on its way toward being the biggest album of the year. It went on to sell more than 8 million copies in the U.S. alone.

“Show Me the Way” is marked by vague lyrics about a protagonist seeking guidance – “a drowning man looking for someone to throw him a life preserver.” SF Frampton kept it vague on purpose, but did admit he’d met someone who gave him confidence and his life “completely changed. All the lyrics in that song are about me and her.” SF

The song was also characterized by its use of a talkbox, “a device hooked up to his guitar that allowed him to create amplified, distorted vocal sounds with his mouth.” SF It created a sensation and many musicians bought or made talkboxes as a result. SF


Resources:


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First posted 7/27/2022.