Showing posts with label Keep on Loving You. Show all posts
Showing posts with label Keep on Loving You. Show all posts

Saturday, March 21, 1981

REO Speedwagon “Keep on Loving You” hit #1

Keep on Loving You

REO Speedwagon

Writer(s): Kevin Cronin (see lyrics here)


Released: November 4, 1980


First Charted: November 29, 1980


Peak: 11 US, 11 CB, 11 HR, 2 RR, 1 CL, 9 AR, 7 UK, 2 CN, 3 AU, 1 DF (Click for codes to singles charts.)


Sales (in millions): 2.0 US, 0.2 UK, 2.2 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 80.8 video, 217.45 streaming

Awards:

Click on award for more details.

About the Song:

“For at least a few years in the early ’80s, REO Speedwagon became quite possibly the biggest rock band in America.” SG They formed in 1967 and built a following during the ‘70s from constant touring, but hadn’t become a real chart threat, having peaked with the “radio-rock nugget ‘Time for Me to Fly’” SG at a mere #56. According to Kevin Cronin, the band’s lead singer, the group “didn’t know the Billboard charts from a cookbook.” FB

“Keep on Loving You” “changed everything for REO Speedwagon, and for power balladry in general.” SG It “made effective use of that formula: Slow build, enormous crashing melodramatic chorus, triumphantly blazing guitar solo, quick coda.” SG As Cronin said, “I realized that you can take a ballad and put the energy there…It doesn’t have to be fast and loud.” FB

Cronin wrote the song after finding out his wife had cheated on him before they were married. In the song, he is “clearly bitter about what’s happened, but he pledges to remain with this woman anyway.” SG He called it, “the most painful song I ever wrote.” SF He and his wife divorced a few years later. Cronin shared how couples told him “it was the first dance at their wedding or its ‘their song’…My first thought is always, ‘Wait. Did you listen to the verses of the song?” SF

It is a “rough song” SG but it “became a slow-dance anthem because of the chorus, which is the part of the song that everyone actually remembers.” SG “Cronin might be pouring his heart out on the long first verse, but he almost seems to be killing time before the monster hook, the lighters-up moment.” SG

The band didn’t want to record the piano-based song because it was too soft but it worked once Gary Richrath’s “big, crashing guitar chords lent [it] weight and force.” SG “Cronin’s pinched and reedy voice gets bigger and more robust as the song keeps going. Underneath him, the backing vocals sound like a choir. The pianos gleam. The guitar solo wails. It’s all very sharp and precise and professional – a cheap-seats rocker that just barely pierces your consciousness when it plays over in-store speakers in a Walgreens.” SG


Resources:

  • FB Fred Bronson (2003). The Billboard Book of Number One Hits (5th edition). Billboard Books: New York, NY. Page 539.
  • SF Songfacts
  • SG Stereogum (4/27/2020). “The Number Ones” by Tom Breihan
  • WK Wikipedia


Related Links:


First posted 6/29/2022; last updated 10/28/2022.

Friday, November 21, 1980

REO Speedwagon’s Hi Infidelity was released: November 21, 1980

Hi Infidelity

REO Speedwagon


Released: November 21, 1980


Peak: 115 US, 6 UK, 2 CN, 6 AU, 14 DF


Sales (in millions): 10.0 US, 0.06 UK, 13.40 world (includes US and UK)


Genre: arena rock


Tracks:

Song Title (date of single release, chart peaks) Click for codes to charts.

  1. Don’t Let Him Go (3/21/81, 24 BB, 11 AR)
  2. Keep on Loving You (11/29/80, 1 BB, 9 AR, 7 UK, platinum)
  3. Follow My Heart
  4. In Your Letter (8/8/81, 20 BB, 26 AC)
  5. Take It on the Run (3/21/81, 5 BB, 6 AR, 19 UK, gold)
  6. Tough Guys (3/21/81, 25 AR)
  7. Out of Season (3/28/81, 59 AR)
  8. Shakin’ It Loose
  9. Someone Tonight
  10. I Wish You Were There


Total Running Time: 34:55


The Players:

  • Kevin Cronin (vocals, guitar, piano)
  • Gary Richrath (guitar)
  • Neal Doughty (keyboards)
  • Bruce Hall (bass)
  • Alan Gratzer (drums)

Rating:

3.893 out of 5.00 (average of 21 ratings)


Quotable:

“If you need proof why arena rock was giant, this is it…This is really arena rock’s Blood on the Tracks.” – Stephen Thomas Erlewine, All Music Guide

Awards:

(Click on award to learn more).

About the Album:

“If you need proof why arena rock was giant, this is it.” AMG REO Speedwagon could arguably be credited with bringing arena rock to its pinnacle. They “had been slogging it out in the arenas of the U.S.” AMG for nearly a decade, “building up a sizeable audience because they could deliver live.” AMG This was much the same story for the band’s peers like Styx, Journey, and Foreigner. The difference is that all those bands had landed a couple top ten albums. The highest REO ever previously reached was #29.

Then, in 1981, all four bands topped the album charts. However, REO got their first “with this incredibly mainstream collection of power ballads and economic hard rock.” RO They did it with a fifteen-week chart-topper which sold more than 9 million copies in the U.S. This was “a record that not just summarized their strengths, but captured everything that was good about arena rock. This is the sound of the stadiums in that netherworld between giants like Zeppelin and MTV’s slick, video-ready anthems.” AMG

“The band’s strongest attribute is its inconspicuous nature. You never see it coming. Kevin Cronin has a serviceable voice and Gary Richrath is a solid if unspectacular lead player” RO “but there’s a real urgency to the songs and the performances.” AMG Keep on Loving You set “the pattern for the power ballads that would take many a hard rock band to the top of the charts throughout the ‘80s.” RO That song “and the surging Take It on the Run…define their era.” AMG There’s also “the Bo Diddley-inspired opener, Don’t Let Him GoAMG and other radio-friendly songs like “the sun-kissed ‘60s homage In Your Letter, and Tough Guys.” AMG

“What’s really great about these songs is not just the sheen of professionalism that makes them addictive to listen to, but there’s a real strain of pathos that runs through these songs – the album’s title isn't just a clever pun, but a description of the tortured romantic relationships that populate this record’s songs. This is really arena rock’s Blood on the Tracks, albeit by a group of guys instead of a singular vision, but that makes it more affecting, as well as a killer slice of ear candy.” AMG

Resources and Related Links:


First posted 10/6/2010; last updated 11/17/2023.