Showing posts with label Vernon Dalhart. Show all posts
Showing posts with label Vernon Dalhart. Show all posts

Saturday, October 22, 2022

Top 100 Songs from 1920-1929

Top 100 Songs of the Decade:

1920-1929

These are the top 100 songs from the 1920s according to Dave’s Music Database. Rankings are figured by combining sales figures, chart data, radio airplay, video airplay, streaming figures, awards, and appearances on best-of lists.

Check out other “songs of the decade” lists here.

1. Bessie Smith with Louis Armstrong “St. Louis Blues” (1925)
2. Al Jolson “Swanee” (1920)
3. Gene Austin “My Blue Heaven” (1927)
4. Thomas “Fats” Waller “Ain’t Misbehavin’” (1929)
5. Paul Whiteman “Whispering” (1920)
6. Al Jolson "April Showers” (1922)
7. Marion Harris “Tea for Two” (1925)
8. Vernon Dalhart “The Prisoner’s Song” (1925)
9. Ben Selvin “Dardanella” (1920)
10. Isham Jones “It Had to Be You” (1924)

11. Paul Whiteman with Bing Crosby “Ol’ Man River” (1928)
12. Cliff Edwards “I Can’t Give You Anything But Love” (1928)
13. George Olsen with Fran Frey, Bob Rice & Edward Joyce “Always” (1926)
14. Al Jolson “Sonny Boy” (1928)
15. Ben Selvin “Blue Skies” (1927)
16. Van & Schenck “Ain’t We Got Fun?” (1921)
17. Gertrude Lawrence “Someone to Watch Over Me” (1927)
18. Paul Whiteman” Three O’Clock in the Morning” (1922)
19. Ben Bernie “Sweet Georgia Brown” (1925)
20. Nick Lucas “Tip-Toe Thru the Tulips with Me” (1929)

21. Paul Whiteman with George Gershwin “Rhapsody in Blue” (1924)
22. Van & Schenck “Carolina in the Morning” (1923)
23. Gene Austin “My Melancholy Baby” (1928)
24. Al Jolson with Isham Jones “California, Here I Come” (1924)
25. Bessie Smith “Down Hearted Blues” (1923)
26. Gene Austin “Bye Bye, Blackbird” (1926)
27. Gene Austin with Billy Carpenter “Yes Sir! That’s My Baby” (1925)
28. Marion Harris “The Man I Love” (1928)
29. Paul Whiteman “My Mammy” (1921)
30. Cliff Edwards “Singin’ in the Rain” (1929)

31. Billy Jones “Yes! We Have No Bananas” (1923)
32. Eddie Cantor “If You Knew Susie Like I Know Susie” (1925)
33. Wendall Hall “It Ain’t Gonna Rain No Mo’” (1924)
34. Paul Whiteman with Franklyn Baur “Valencia (A Song of Spain)” (1926)
35. Ben Selvin “Manhattan” (1925)
36. Paul Whiteman “What’ll I Do?” (1924)
37. Eddie Cantor “Makin’ Whoopee” (1929)
38. Eddie Cantor “Margie” (1921)
39. Paul Whiteman “The Japanese Sandman” (1920)
40. Isham Jones with Ray Miller & Frank Bessinger “I’ll See You in My Dreams” (1925)

41. Ben Bernie with Scrappy Lambert & Billy Hillpot “Ain’t She Sweet?” (1927)
42. Paul Whiteman “Somebody Loves Me” (1924)
43. Arthur Gibbs & His Gang “Charleston” (1924)
44. Fanny Brice “My Man (Mon Homme)” (1922)
45. Gene Austin with Nat Shilkret & Viola Klaiss “Ramona” (1928)
46. Al Jolson “All Alone” (1925)
47. Paul Whiteman with Jack Fulton, Charles Gaylord, & Austin Young “The Birth of the Blues” (1926)
48. Al Jolson “Toot, Toot, Tootsie! (Goo’bye)” (1922)
49. Marion Harris “Look for the Silver Lining” (1921)
50. Whisperin’ Jack Smith “Me and My Shadow” (1927)

51. George Olsen “Who?” (1926)
52. Jan Garber with Benny Davis “Baby Face” (1926)
53. Ruth Etting “Love Me or Leave Me” (1929)
54. Henry Burr “My Buddy” (1922)
55. Isham Jones “Wabash Blues” (1921)
56. Ted Lewis & His Band “When My Baby Smiles at Me” (1920)
57. Ethel Waters “Am I Blue?” (1929)
58. Jimmie Rodgers “Blue Yodel #1 (T for Texas)” (1928)
59. Ray Miller & His Orchestra “The Sheik of Araby” (1922)
60. Ted Lewis “All by Myself” (1921)

61. Al Jolson “I’m Sitting on Top of the World” (1926)
62. Paul Whiteman “Wang Wang Blues” (1920)
63. Ted Weems “Somebody Stole My Gal” (1924)
64. Mamie Smith & Her Jazz Hounds “Crazy Blues” (1920)
65. Ben Selvin “Chicago (That Toddlin’ Town)” (1922)
66. Ed Gallagher & Al Shean “Mr. Gallagher and Mr. Shean – ‘Positively, Mr. Gallagher?’” (1922)
67. Guy Lombardo with Weston Vaughan “Charmaine!” (1927)
68. Louis Armstrong “West End Blues” (1928)
69. Billy Murray with Ed Smalle “That Old Gang of Mine” (1923)
70. Fanny Brice “Second Hand Rose” (1922)

71. Charles Harrison “I’ll Be with You in Apple Blossom Time” (1920)
72. Paul Whiteman “Parade of the Wooden Soldiers” (1923)
73. Paul Whiteman “Stumbling” (1922)
74. Rudy Vallee “Honey” (1929)
75. Paul Whiteman “Say It with Music” (1921)
76. Gene Austin “Carolina Moon” (1929)
77. Fred Waring with Tom Waring “Ah! Sweet Mystery of Life” (1928)
78. Gene Austin with Nat Shilkret’s Orchestra “Five Foot Two, Eyes of Blue” (1926)
79. Isham Jones “Swingin’ Down the Lane” (1923)
80. Marion Harris “I’m Just Wild about Harry” (1922)

81. Paul Whiteman with Jack Fulton, Charles Gaylord, & Austin Young “Among My Souvenirs” (1928)
82. Al Jolson “When the Red, Red Robin Comes Bob, Bob, Bobbin’ Along” (1926)
83. Ben Bernie with Arthur Fields “Sleepy Time Gal” (1926)
84. John Steel “The Love Nest” (1920)
85. The Carter Family “Wildwood Flower” (1928)
86. Louise Homer “America the Beautiful” (1925)
87. Maurice Chevalier “Louise” (1929)
88. Benny Krueger “I Cried for You” (1923)
89. Paul Whiteman with the Rhythm Boys “Side by Side” (1927)
90. Paul Whiteman “Linger Awhile” (1924)

91. Paul Whiteman “Hot Lips (He's Got Hot Lips When He Plays Jazz)” (1922)
92. Helen Kane with Leonard Joy’s Orchestra “I Wanna Be Loved by You” (1928)
93. Vincent Lopez “I Want to Be Happy” (1924)
94. Al Jolson “Avalon” (1920)
95. Peerless Quartet “Way Down Yonder in New Orleans” (1922)
96. Ben Pollack with Franklyn Baur “Sweet Sue, Just You” (1928)
97. Paul Whiteman with Jack Fulton “Lover, Come Back to Me” (1929)
98. Paul Whiteman “Oh, Lady Be Good” (1925)
99. Aileen Stanley “Everybody Loves My Baby” (1925)
100. Leo Reisman with Ran Weeks “With a Song in My Heart” (1929)


Resources/Related Links:


First posted 4/4/2012; last updated 10/22/2022.

Saturday, February 16, 2019

100 years ago: "Till We Meet Again" charted for the first time

Till We Meet Again

Henry Burr & Albert Campbell

Writer(s): Richard A. Whiting (music)/ Raymond B. Egan (lyrics) (see lyrics here)


First Charted: February 15, 1919


Peak: 19 US, 112 GA, 112 SM (Click for codes to charts.)


Sales (in millions): 5.0 (sheet music)


Airplay/Streaming (in millions): -- radio, -- video, -- streaming

Awards:

Click on award for more details.

About the Song:

Henry Burr was one of the most successful recording artists of the first quarter of the 20th century, landing 15 songs at #1 as a solo artist. However, he also regularly worked with Albert Campbell (who sent three songs to the top on his own) and they landed another seven songs atop the charts. “Till We Meet Again” was their most successful pairing. PM

This “heartfelt farewell of a beau who promises to return and wed his love” RCG was “the most successful of all the ballads of the First World War,” RCG selling 5 million in sheet music. The United States had already entered the war when Richard Whiting and Raymond Egan penned this waltz. However, they threw it away because they disliked it. Luckily, their secretary heard the song, liked it, salvaged it from the trash, and sent it to the publisher. RCG

In 1919, five versions of the song charted – Nicholas Orlando’s Orchestra and the duo of Charles Hart & Lewis James also went to #1 with it, but Burr & Campbell had the most successful version (9 weeks at #1). Vernon Dalhart & Gladys Rice took their duet to the top 10, as did Prince’s Orchestra. PM

World War II saw the song revived and recorded by Kay Starr, Rosemary Clooney, Patti Page, Mitch Miller, and Jaye P. Morgan. RCG Doris Day and Gordon MacRae performed it for the 1951 film On Moonlight Bay. DJ The song was also played for years at the adjournment of the United States Congress. RCG


Resources:


Related Links:


First posted 2/15/2012; last updated 2/27/2023.

Tuesday, May 30, 2000

75 years ago: Vernon Dalhart’s “The Prisoner’s Song” hit #1 for first of 12 weeks

The Prisoner’s Song

Vernon Dalhart

Writer(s): Guy Massey (see lyrics here)


Recorded: August 13, 1924


Released: November 1924


First Charted: March 21, 1925


Peak: 112 US, 12 GA (Click for codes to singles charts.)


Sales (in millions): 7.0 US, 1.0 sheet music, 8.0 (includes US + UK)


Airplay/Streaming (in millions): -- radio, 0.16 video, -- streaming

Awards:

Click on award for more details.

About the Song:

“The Prisoner’s Song” is a sad ballad about a prisoner being transferred between jails and pondering his sweetheart and ‘a pillow of stone.’” RCG It was hugely important to the world of country music. As the genre’s first million-seller CM it opened record companies’ eyes to the possibilities of the genre’s marketability. CL By some estimates, the song went on to sell 7 million copies, making it one of the ten best sellers of the first half of the century, the biggest-selling non-holiday record of the pre-1955 era PM and the biggest hit of 1925. WHC The song originally charted in March 1925 and went to the top for 5 weeks. In December it re-charted and hit the pinnacle for another 7 weeks. PM

As one of the pioneers of early country music, it is fitting that Dalhart (born Marion Try Slaughter) had actually worked as a cowboy, but it is comical that he first studied and recorded as an opera singer. He’d charted half a dozen top ten hits PM before Victor Records tapped him to record a version of “The Wreck of the Old 97.” Dalhart suggested “The Prisoner’s Song” for the B-side. Dalhart would go on to sing the song for at least twenty-eight record labels under seventy different names. TY

There is some debate over the song’s authorship. Dalhart copyrighted the song in Guy Massey’s name, giving Massey 5% of the songwriting royalties and taking the other 95% himself. WK Dalhart heard the song from his cousin Guy Massey, who sang it while staying at Dalhart’s home. However, Guy reportedly heard it from his brother Robert Massey, who may have heard the song while doing time in prison. WK It has even been suggested that Robert F. Taylor carved the lyrics into a county jail cell wall in Blakely, Georgia. WK In any event, the publishers tried to generate interest by saying that the songwriter was a jailbird. RCG

Nat Shilkret fought for authorship as well. He was the A&R man over the country division of Victor Records and claimed he had to rewrite the music because what Dalhart brought in was unusuable. WK


Resources:

  • DMDB encyclopedia entry for Vernon Dalhart
  • CL Ace Collins (1996). The Stories Behind Country Music’s All-Time Greatest 100 Songs. New York, NY; The Berkley Publishing Group. Pages 6-7.
  • CM Country Music Hall of Fame Vernon Dalhart entry
  • RCG RimChiGuy.com The Old Songs (1900-1929)
  • TY Don Tyler. (1985). Hit Parade 1920-1955. New York, NY: Quill. Page 33.
  • PM Joel Whitburn (1986). Pop Memories 1890-1954. Menomonee Falls, WI; Record Research, Inc. Pages 118, 631.
  • WHC Joel Whitburn. (1999). A Century of Pop Music. Menomonee Falls, WI; Record Research, Inc. Page 40.
  • WK Wikipedia


First posted 8/12/2011; last updated 8/26/2022.