Keb’ Mo’ “This is My Home” released

This Is My Home Keb’ Mo’ with Jaci Velasquez

Writer(s): Kevin Moore, John Lewis Parker (see lyrics here) Released: May 31, 2019 First Charted: -- Peak: 1 DF (Click for codes to charts.) Sales (in millions): -- Airplay/Streaming (in millions): -- radio, 0.14 video, 2.92 streaming

Awards: Click on award for more details.

About the Song: Blues singer/songwriter and guitarist Kevin Roosevelt Moore (stage name “Keb’ Mo’”) was born in South Los Angeles, California, on October 3, 1951. He began his musical career playing steel drums in a calypso band before playing blues in various backup bands in the ‘70s and ‘80s. He released his first album, Rainmaker, in 1980 but it was fourteen more years before he put out a follow-up. It was at that point that his career as a solo artist really took off. To date, he has won four Grammys for Best Contemporary Blues Album and a Grammy for Best American Album. The latter award was for his 2019 album, Oklahoma, which featured the track “This Is My Home.” The song “considers the immigrant experience” AM by telling “a trio of stories about people searching for a better life.” AM He said, Americans need “a reminder that…the longest most of us have been here is 400 years…So we’re all immigrants.” AM “When people start getting down on immigrants, it makes me want to tell a story about Americans who I really respect.” AM The song was inspired by Lupe, his housekeeper in L.A., and the people she introduced him to as well as Mohammed, an Iranian taxi driver who was very kind to Keb’ Mo’ when he didn’t have his wallet. He explained that he opted for a stripped-down arrangement featuring just steel guitar, accordion, and backing vocals from Jack Velasquez. He said, “the point was to not overshadow the story.” AM He also said, “I wanted the guitar to sound a little more exotic, more like world music, tribal, just different, like something from a foreign land.” AM Resources: AM AllMusic.com (5/31/2019). “Keb’ Mo’ Tells the Story Behind His All-American New Track, ‘This Is My Home’” by Chris Steffen Related Links: First posted 3/13/2025.

Benny Goodman: Top 100 Songs

First posted 5/30/2012; updated 5/31/2019.

image from lessignnets.com

Jazz clarinetist and bandleader known as “The King of Swing” for ushering in more dance-oriented jazz, fueled by Fletcher Henderson’s arrangements, which appealed to teens. Born Benjamin David Goodman on 5/30/1909 in Chicago, Illinois. Died 6/13/1986. Was in a band by age 14. Worked with Isham Jones, Ted Lewis, Red Nichols, Ben Pollack (25-29), and Ben Selvin. Formed his own band in 1934. He launched the careers of many other jazz musicians including guitarist Charlie Christian and drummer Gene Krupa and was one of the first to lead integrated jazz groups. His 1/16/1938 Carnegie Hall concert in New York is, as All Music Guide’s Bruce Eder called it, “the single most important jazz or popular music concert in history.”

For a complete list of this act’s songs and albums honored by the DMDB, check out the DMDB Music Maker Encyclopedia entry.

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Top 100 Songs

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Dave’s Music Database lists are determined by song’s appearances on best-of lists as well as chart success, sales, radio airplay, streaming, and awards.

MB = Mildred Bailey, HF = Helen Forrest, DH = Dick Haymes, PL = Peggy Lee, MT = Martha Tilton, LT = Louise Tobin, HW = Helen Ward. Songs which peaked at #1 on the U.S. pop charts are noted (#1).

DMDB Top 1%:

1. Sing, Sing, Sing (With a Swing) (1938)
2. These Foolish Things Remind Me of You (w/ HW, 1936) #1
3. Taking a Chance on Love (w/ HF, 1943) #1
4. There’ll Be Some Changes Made (w/ LT, 1941) #1
5. Goody Goody (w/ HW, 1936) #1
6. And the Angels Sing (w/ MF, 1939) #1

DMDB Top 5%:

7. Moonglow (1934) #1
8. Darn That Dream (w/ MB, 1940) #1
9. Don’t Be That Way (1938) #1
10. Jersey Bounce (w/ PL, 1942) #1

11. Goodnight My Love (w/ Ella Fitzgerald, 1937) #1
12. The Glory of Love (w/ HW, 1936) #1
13. This Can’t Be Love (w/ MF, 1938)
14. Somebody Else Is Taking My Place (1942) #1
15. Why Don’t You Do Right? (w/ PL, 1943)
16. Stardust (1936)
17. Stompin’ at the Savoy (1936)
18. I Didn’t Know What Time It Was (w/ LT, 1939)
19. Ev’ry Time We Say Goodbye (w/ Peggy Mann, 1945)
20. You Turned the Tables on Me (w/ HW, 1936) #1

21. St. Louis Blues (1936)
22. Gotta Be This Or That (w/ Dottie Reid, 1945)
23. Blue Moon (w/ HW, 1935)
24. Blues in the Night (My Mama Done Tol’ Me) (w/ PL, 1942)
25. Body and Soul (1935)
26. It’s Been So Long (w/ HW, 1936) #1
27. Blue Skies (w/ Art Lund, 1946)

DMDB Top 10%:

28. Give Me the Simple Life (w/ Liza Morrow, 1946)
29. How High the Moon (w/ HF, 1940)
30. Symphony (w/ Liza Morrow, 1945)

31. This Year’s Kisses (w/ Margaret McRae, 1937) #1
32. I Let a Song Go Out of My Heart (w/ MF, 1938) #1
33. Goodbye (1936)
34. The Way You Look Tonight (w/ PL, 1942)
35. On a Slow Boat to China (1948) 36. Cabin in the Sky (w/ HF, 1943)
37. The Man I Love (1937)
38. After You’ve Gone (1935)
39. Exactly Like You (w/ Lionel Hampton, 1936)
40. How Deep Is the Ocean? (w/ PL, 1941)

41. Bei Mir Bist Du Schoen (Means That You’r-e Grand) (w/ MF, 1938)
42. What’s New? (w/ LT, 1939)
43. Idaho (w/ DH, 1942)
44. The Japanese Sandman (1935)
45. As Long As I Live (1941)
46. Love Me or Leave Me (original, 1934)
47. Love Me or Leave Me (new recording, 1936)
48. Scatter-Brain (w/ LT, 1939)
49. You Can’t Pull the Wool Over My Eyes (w/ HW, 1936)
50. Blue Orchids (w/ LT, 1939)

DMDB Top 20%:

51. I Thought about You (w/ MB, 1939)
52. Sometimes I’m Happy (1935)
53. Flying Home (1939)
54. King Porter Stomp (1935)
55. Intermezzo (Souvenir De Vienne) (w/ HF, 1941)
56. A Gal in Calico (w/ Eve Young, 1947)
57. I Got It Bad and That Ain’t Good (w/ PL, 1941)
58. It’s Only a Paper Moon (1945)
59. For Every Man There’s a Woman (w/ PL, 1948)
60. Please Be Kind (w/ MF, 1938)

61. I Know That You Know (1936)
62. You’re a Heavenly Thing (w/ HW, 1935)
63. Oh Babe! (1950)
64. China Boy (1936)
65. Afraid to Dream (w/ Betty Van, 1937)
66. The Dixieland Band (w/ HW, 1935)
67. We’ll Meet Again (w/ PL, 1942)
68. Serenade in Blue (w/ DH, 1942)
69. Yours (Quiereme Mucho) (w/ HF, 1941)
70. Basin Street Blues (1934)

71. Bob White (Whatcha Gonna Swing Tonight?) (w/ MF, 1937)
72. Rose of Washington Square (1939)
73. I Want to Be Happy (1937)
74. I Don’t Know Enough About You (w/ Art Lund, 1946)
75. My Sister and I (1941)
76. Basin Street Blues (1934)
77. Air Mail Special (w/ HF, 1941)
78. In a Sentimental Mood (1936)
79. Solo Flight (w/ Charlie Christian, 1941)
80. I’m Gonna Love That Guy (w/ Dottie Reid, 1945)

81. It Isn’t Fair (w/ Buddy Greco, 1950)
82. Can’t Teach My Old Heart New Tricks (w/ MF, 1937)
83. Jingle Bells (1935)
84. Wang Wang Blues (1941)
85. Close As Pages in a Book (w/ Jane Harvey, 1945)
86. Bugle Call Rag (1934)
87. The Flat Foot Floogee (1938)
88. Perfidia (Tonight) (w/ HF, 1941)
89. Clouds (w/ Ray Hendricks, 1935)
90. A String of Pearls (w/ PL, 1942)

91. Lullaby in Rhythm (1938)
92. Stompin’ at the Savoy (new recording, 1937)
93. Organ Grinder’s Swing (1936)
94. Eenie Meenie Miney Mo (w/ HW, 1935)
95. My Honey’s Lovin’ Arms (w/ MF, 1939)
96. Swingtime in the Rockies (1936)
97. No Other One (w/ HW, 1935)
98. I Was Lucky (w/ HW, 1935)
99. I Have Eyes (w/ MT, 1938)
100. I Ain’t Lazy, I’m Just Dreamin’ (w/ Jack Teagarden, 1934)

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Awards:

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Today in Music (1969): Crosby, Stills & Nash released their self-titled debut

Crosby, Stills & Nash Crosby, Stills & Nash

Released: May 29, 1969 Peak: 6 US, 25 UK, 2 CN, 10 AU Click for codes to charts. Sales (in millions): 4.30 US, 0.10 UK, 4.57 world (includes US and UK), 15.62 EAS Genre: classic rock/folk rock

Tracks: Click on a song title for more details. Suite: Judy Blue Eyes [7:25] Marrakesh Express [2:39] Guinnevere [4:40] You Don’t Have to Cry [2:45] Pre-Road Downs [3:01] Wooden Ships [5:29] Lady of the Island [2:39] Helplessly Hoping [2:41] Long Time Gone [4:17] 49 Bye-Byes [5:16] Total Running Time: 40:47 Other Songs from This Era: Blackbird The Players: David Crosby (vocals, guitar) Stephen Stills (vocals, guitar, bass, keyboards, organ, piano, percussion) Graham Nash (vocals, guitar) Dallas Taylor, Jim Gordon (drums)

Rating: 4.500 out of 5.00 (average of 24 ratings) Awards: (Click on award to learn more).

The Ultimate Supergroup “Through the 1960s, power in the music industry gradually moved from managers, promoters, producers, and songwriters to the performers themselves. Many followed the Beatles’ example and wrote their own material and by 1968 a small number of musicians were venerated as rock equivalents of the virtuosos of classical music.” TB “If one rock superstar made a band great, the logic ran, surely four superstars would make a group four times greater. Thus was born …the supergroup.” TB The coming together of David Crosby, Stephen Stills, and Graham Nash (and later Neil Young) wasn’t just any supergroup. They were “hailed by the music press of the day as the ultimate supergroup.” RD “All three were known for their immaculate grasp of close vocal harmonies, their guitar skills, and their ways with a winning folk/pop melody.” RD They were responsible for “introducing the notion of rock musicians as free agents and creating a brief vogue in ‘supergroups.’ They were one of the few American bands that even came close to rivalling the Beatles in the late 1960s.” AB A Sparkling Resume March 11, 1970. Crosby, Stills & Nash won the Grammy for Best New Artist – on the same day of the release of their second album, Déjà Vu with Neil Young. They were, however, hardly newbies. They may have had the most impressive resume a Best New Artist could have. Crosby had been a member of the Byrds, Stills was a veteran from Buffalo Springfield, and Nash had been with the Hollies. “The hippie harmonists initially found their home in the counter-culture: FM-rock radio and the festival circuit,” AB notably performing at the famed Woodstock festival in August 1969. “There is no doubt that Crosby, Stills & Nash’s quiet, heavily acoustic songs provided a welcome for audiences overdosed on hard rock and the incessant political turmoil of the period.” AB The Debut Album The trio first sang together at a party in 1969. “Genuinely surprised by how well their voices blended, they got together and recorded” TB their self-titled debut. “Their voices blended together just perfect.” KN They have said they “were meant to sing together.” KN Nash said, “In our first year together, we spent probably eleven months together, 24 hours a day…with just a couple of guitars [we] would sit people down and say, ‘Listen to this,’ and…rip off these ten songs, do them brilliantly, and floor people…Musically we ate, drank, and slept together every night.” TB It was “one of the most anticipated rock music debuts of the late 1960s.” AB They matched up to expectations “with aplomb, dishing up a collection of expertly arranged, performed, and produced songs that hinted at a whole world of influences.” RD It was “a sparkling set immortalizing the group’s amazingly close, high harmonies.” AM “The harmonies are absolutely timeless, and the best material remains rock-solid.” AM “A definitive document of its era.” AM Notes A 2006 expanded edition added bonus tracks “Do for Others,” “Song with No Words (Tree with No Leaves),” “Everybody’s Talkin’,” and an early version of “Teach Your Children.” The Songs Here’s a breakdown of each of the individual songs.

Guinnevere Crosby, Stills & Nash

Writer(s): David Crosby Recorded: June 26, 1968 Released: Crosby, Stills & Nash (1969), So Far (compilation, 1974), CSN (box set, 1991), Carry On (compilation, 1991), Greatest Hits (compilation, 2005) Peak: 15 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 12.81 streaming About the Song: The album offers “subtler, more introspective joys…in the trancelike, almost soporific Guinevere – the deep vocal lines are spine-chilling.” RD Crosby wrote the song for his girlfriend, Christine, TB who tragically died in a car crash on September 30, 1969. “David Crosby said, “When all my friends were listening to Elvis and 1950s rock ‘n’ roll, I was listening to Chet Baker, Gerry Mulligan and West Coast jazz. Later I got involved with the folk music scene. After getting kicked out of the Byrds I didn’t have a plan, but I went back to my roots, and ‘Guinnevere’ is a combination of these two influences. This was a demo I cut on borrowed studio time, hoping to land another record contract. Cyrus Faryar from the Modern Folk Quartet played bouzouki; Jack Casady’s bass still gives me chills; it’s like another voice. People ask, ‘Who was Guinnevere?’ Songs are seldom about one person. It’s a love song, an answer to some other love songs, and part of a conversation.” LN

You Don’t Have to Cry Crosby, Stills & Nash

Writer(s): Stephen Stills Recorded: December 1968 Released: Crosby, Stills & Nash (1969), CSN (box set, 1991), Carry On (compilation, 1991) Peak: 23 CL, 26 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 15.18 streaming About the Song: Stephen Stills said, “It was a letter that never got sent. I took bits and pieces of it, put then into a song and it got posted through the record business instead of the mail.” LN

Lady of the Island Crosby, Stills & Nash

Writer(s): Graham Nash Peak: February 11, 1969 Released: Crosby, Stills & Nash (1969), CSN (box set, 1991) Peak: -- Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 4.30 streaming About the Song: Nash wrote Lady of the Island about Joni Mitchell. TB Nash, however, said, “It’s a song about two ladies. The Islands in question are Ibiza and Long Island. Warm gentle feelings. Recorded in one take, Crosby and I improvising that niice little fugue in the middle.” LN

Blackbird Crosby, Stills & Nash

Writer(s): John Lennon, Paul McCartney Recorded: February 11, 1969 Released: CSN (box set, 1991) Peak: 14 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, -- streaming About the Song: Graham Nash: “A song by our favorite group. We were staying on Moscow Road in London in 1968, hoping to get onto the Apple Record label. The Beatles were recording The White Album and when we heard McCartney do ‘Blackbird’ we flipped and learned it right away. It was perfect for our three-party harmony.” LN

Wooden Ships Crosby, Stills & Nash

Writer(s): David Crosby, Stephen Stills, Paul Kanter Recorded: February 20, 1969 Released: Crosby, Stills & Nash (1969), So Far (compilation, 1974), CSN (box set, 1991), Carry On (compilation, 1991), Greatest Hits (compilation, 2005) Peak: 5 CL, 9 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 33.57 streaming

Awards: (Click on award to learn more).

About the Song: Wooden Ships was jointly composed by Crosby and Stills “with a couple of lines of the song written by Paul Kantner” KN of Jefferson Airplane. It is “about two survivors of a nuclear war from opposite sides, meeting by chance on a boat and who plan to start a new civilization together. A real sixties song, to say the least.” KN While AllMusic.com’s Jason Ankeny said, “the antiwar sentiments of Wooden Ships, though well-intentioned, are rather hokey,” AM the song has also been praised for “evoking the Woodstock Nation-era perfectly.” TB David Crosby said, “Written in the main cabin of my boat the Mayan. I had the music already. Paul Kanter wrote two verses, Stephen wrote one, and I added the bits at both ends…I borrowed the first part off a little Baptist church sign in Florida that said ‘If you smile at me I will understand, because that is something everybody everywhere does in the same language.’ It’s a weird science fiction story, but one that could happen tomorrow. ‘Silver people on the shoreline’ are guys in radiation suits. We imagined ourselves as the few survivors, escaping on a boat to create a new civilization. Later on, Jackson Browne said, ‘What about all the people who got left behind?,’ and wrote ‘For Everyman’ in response.” LN

Suite: Judy Blue Eyes Crosby, Stills & Nash

Writer(s): Stephen Stills Recorded: early 1969 Released: September 1969 (single), Crosby, Stills & Nash (1969), 4 Way Street (live, 1971), So Far (compilation, 1974), CSN (box set, 1991), Carry On (compilation, 1991), Greatest Hits (compilation, 2005) B-side: “Long Time Gone” Peak: 21 BB, 15 CB, 10 GR, 18 HR, 1 CL, 11 CN, 50 AU, 2 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, 25.50 video, 133.66 streaming

Awards: (Click on award to learn more).

About the Song: “Stills’ gorgeous opener, Suite: Judy Blue Eyes,” AM is his “paean to Judy Collins.” AB It “is an epic love song remarkable in its musical and emotional intricacy.” AM It “is an almost symphonic work for vocals and guitar, with the occasional Eastern melody and that rollercoaster rush at the end.” RD “The harmonies on this tune couldn't be better.” KN Stephen Stills said, “It started out as a long narrative poem about my relationship with Judy Collins. It poured out of me over many months and filled several notebooks. I had a hell of a time getting the music to fit. I was left with all these pieces of song and I said, ‘Let’s sing them together and call it a suite,’ because they were all about the same thing and they led up to the same point. And the little kicker at the end about Cuba was just to liven it up because it had gone on forever and I didn’t want it to just fall apart. I said, ‘Now that we’ve sung all these lyrics about one thing, let’s change the subject entirely.’ And we did. Even did it in a different language just to make sure that nobody could understand it.” LN

Marrakesh Express Crosby, Stills & Nash

Writer(s): Graham Nash Recorded: early 1969 Released: 7/11/1969 (single), Crosby, Stills & Nash (1969), Replay (compilation, 1980), CSN (box set, 1991), Carry On (compilation, 1991), Greatest Hits (compilation, 2005) B-side: “Helplessly Hoping” Peak: 28 BB, 19 CB, 29 GR, 17 HR, 28 AC, 7 CL, 17 UK, 17 CN, 10 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 9.80 streaming

Awards: (Click on award to learn more).

About the Song: The “Eastern-influenced musings” AM on “Nash’s incessantly tuneful travelogue” AB “now seem more than a little silly.” AM “The spiraling, upbeat” RD Marrakesh Express is “a happy-go-lucky sounding song…about an actual locomotive trip he took in 1966 between Casablanca and Marrakesh. Nash offered this song to his old group, The Hollies, but they rejected it, saying it wasn’t commercial sounding enough. No wonder he quit that band shortly after.” KN Graham Nash said, “An actual journey I took in 1966 from Casablanca to Marrakesh, with my first wife Rose. I came back and played it for the Hollies, who rejected it, along with the first ‘Sleep Song.’ After a couple of months of that a man is Liable to go insane, especially being the only one who was smoking grass at the time.” LN

Pre-Road Downs Crosby, Stills & Nash

Writer(s): Graham Nash Released: Crosby, Stills & Nash (1969), 4 Way Street (live, 1971), Replay (compilation, 1980) Peak: -- Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 4.49 streaming About the Song: “Nash’s Pre-Road Downs is buoyant folk-pop underpinned by light psychedelic textures.” AM

Helplessly Hoping Crosby, Stills & Nash

Writer(s): Stephen Stills Released: 7/11/1969 (B-side of “Marrakesh Express”), Crosby, Stills & Nash (1969), So Far (compilation, 1974), CSN (box set, 1991), Carry On (compilation, 1991), Greatest Hits (compilation, 2005) Peak: 10 CL, 10 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 195.78 streaming

Awards: (Click on award to learn more). About the Song: Stephen Stills said, “This song was inspired a long time ago by my tenth-grade English teacher in Tampa, Florida. She was a real knock-out, so much so that she got all the football players to stand up and read poetry, trying to impress her with how sensitive we were and how much we loved this awful stuff. Some of it must’ve rubbed off on me.” LN

Long Time Gone Crosby, Stills & Nash

Writer(s): David Crosby Recorded: early 1969 Released: September 1969 (B-side of “Suite: Judy Blue Eyes”), Crosby, Stills & Nash (1969), 4 Way Street (live, 1971), CSN (box set, 1991), Greatest Hits (compilation, 2005) Peak: 8 CL, 7 DF Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 17.87 streaming About the Song: “Crosby’s Long Time Gone remains a potent indictment of the assassination of Robert Kennedy.” AM The song features “excellent lead vocals sung by Crosby, but Stills’ playing of several different instruments makes this one extra special.” David Crosby said, “It was written the night Bobby Kennedy was killed. I believed in him because he said he wanted to make some positive changes in America, and he hadn’t been bought and sold like Johnson and Nixon – cats who made their deals year ago with the special interests in this country in order to gain power. I thought Bobby, like his brother, was a leader who had not made those deals. I was already angry about Jack Kennedy getting killed and it boiled over into this song when they got his brother, too.” LN

49 Bye-Byes Crosby, Stills & Nash

Writer(s): Stephen Stills Released: Crosby, Stills & Nash (1969), 4 Way Street (live, 1971), Greatest Hits (compilation, 2005) Peak: 13 CL Click for codes to charts. Sales (in millions): -- Airplay/Streaming (in millions): -- radio, -- video, 3.84 streaming

Resources/References: AB Michael Spilling (editor) (2015). Best-Selling Albums: From Vinyl Records to Digital Downloads. Amber Books Ltd.: London, United Kingdom. Page 44. AM AllMusic.com review by Jason Ankeny RD Robert Dimery (2006). 1001 Albums You Must Hear Before You Die. Quintet Publishing Limited: New York, NY. Page 159. KN Keno’s Classic Rock Album Reviews LN liner notes from CSN box set TB Thunder Bay (2005). Albums: The Stories Behind 50 Years of Great Recordings. Thunder Bay Press; San Diego, CA. Page 113. Related DMDB Pages: First posted 4/13/2008; last updated 3/21/2026.