Showing posts with label I've Heard That Song Before. Show all posts
Showing posts with label I've Heard That Song Before. Show all posts

Monday, July 22, 2019

Dave's Music Database Hall of Fame: Song Inductees (July 2019)

Originally posted 7/22/2019.

In honor of the 10th anniversary of the DMDB blog on January 22, 2019, Dave’s Music Database launched its own Hall of Fame. This is the third set of song inductees. These are the ten biggest #1 pop songs of the pre-rock era (before 1955). Each of these songs spent 13 weeks or more on top of the Billboard pop charts. Not listed here are previous inductees “White Christmas” by Bing Crosby and “My Blue Heaven” by Gene Austin.

Francis Craig with Bob Lamm “Near You” (1947)

Inducted July 2019 as “Top 10 #1 Pop Songs of the Pre-Rock Era.”

Craig was a nearly fifty-year-old has-been orchestra leader when he wrote the melody for “Near You” for his grandchildren. The song topped the Billboard pop charts in 1947 for 17 weeks. It set a record that wouldn’t be surpassed until Lil’ Nas X hit #1 for 19 weeks in 2019 with “Old Town Road.” Read more.

The Ink Spots “The Gypsy” (1946)

Inducted July 2019 as “Top 10 #1 Pop Songs of the Pre-Rock Era.”

Billy Reid was the first British songwriter to top the pop charts in the United States. He wrote “The Gypsy” for Welsh singer Dorothy Squires when she joined his group. It was a hit in the U.S. with five top-ten versions in 1946, but the biggest was by the African-American pop vocal group the Ink Spots, who spent 13 weeks at the pinnacle. Read more.

Harry James with Helen Forrest “I’ve Heard That Song Before” (1943)

Inducted July 2019 as “Top 10 #1 Pop Songs of the Pre-Rock Era.”

Composer Jule Styne and lyricist Sammy Cahn launched a successful musical writing partnership with this Academy Award-nominated song TY featured in the 1942 film Youth on Parade. Bob Crosby introduced the song in the film, but the big hit was by Harry James’ Orchestra with Helen Forrest on vocals. Read more.

Glenn Miller “In the Mood” (1939)

Inducted July 2019 as “Top 10 #1 Pop Songs of the Pre-Rock Era.”

“In the Mood” is “one of the best known musical themes of the World War II era” NRR and one of the big band era’s most recognizable songs. Tin Pan Alley composers Joe Garland and Andy Razaf arranged it based on “Tar Paper Stomp,” a 1930 song by Joseph “Wingy” Manone. After it passed through several others’ hands, Miller arranged it to include the famous tenor sax battle WK and it became the biggest hit of Miller’s career. Read more.

Patti Page “Tennessee Waltz” (1950)

Inducted July 2019 as “Top 10 #1 Pop Songs of the Pre-Rock Era.”

Pee Wee King and Redd Stewart wrote this in 1947 while riding in Stewart’s truck. King’s recording hit #3 on the country charts and versions by Cowboy Copas and Roy Acuff followed. However, when Patti Page, the best-selling female singer of the ‘50s, JA put her stamp on the song, it marked the moment when country went mainstream. LW With 13 weeks at #1 on the pop charts and sales of six million, it was one of the ten best sellers of the first half of the century. PM Read more.

Ben Selvin “Dardanella” (1920)

Inducted July 2019 as “Top 10 #1 Pop Songs of the Pre-Rock Era.”

Over his career, Ben Selvin’s 2000+ recordings rank him above any other bandleader. PM His biggest hit, however, was an instrumental version of “Dardanella.” It was the first song to sell over 5 million copies, PM one of the ten best sellers of the first half of the 20th century, PM and the biggest-selling song in the first quarter-century of recorded music. SB Read more.

Artie Shaw “Frenesi” (1940)

Inducted July 2019 as “Top 10 #1 Pop Songs of the Pre-Rock Era.”

Alberto Dominguez originally wrote this for the marimba and then others adapted it as a jazz standard. WK When Artie Shaw, a bandleader and one of jazz’s finest clarinetists, recorded the song it became the biggest hit of his career, one of the biggest #1 songs in chart history, and the first million-selling song by a Mexican writer. TY The success helped “popularize Brazilian rhythms in jazz and pop music.” JA Read more.

The Weavers “Goodnight Irene” (1950)

Inducted July 2019 as “Top 10 #1 Pop Songs of the Pre-Rock Era.”

Huddie “Leadbelly” Ledbetter’s best-known song can be traced to African-American composer Gussie L. Davis, SS who first published the sentimental waltz in Cincinnati in 1886. JA By the early 1940s, the song was a mainstay in the folk community. The Weavers’ recording, complete with “violins and other orchestra touches provided by Gordon Jenkins,” SS divided folk purists but made for a monstrously successful commercial recording, hitting #1 in 1950, just months after Leadbelly’s death. Read more.

Saturday, March 6, 1993

50 years ago: Harry James hit #1 with “I’ve Heard That Song Before” for first of 13 weeks

I’ve Heard That Song Before

Harry James and Helen Forrest

Writer(s): Jule Styne, Sammy Cahn (see lyrics here)


First Charted: January 16, 1943


Peak: 113 US, 14 HP, 18 GA, 11 RB (Click for codes to charts.)


Sales (in millions): 1.25 US


Airplay/Streaming (in millions): -- radio, 0.85 video, 7.09 streaming

Awards:

Click on award for more details.

About the Song:

Composer Jule Styne and lyricist Sammy Cahn launched a successful musical writing partnership with this song TY1 about how musical numbers aid listeners in strolling down memory lane and thinking about lost loves. It was featured in the 1942 film, Youth on Parade and landed an Academy Award nomination. The pair went on to write together for numerous films and Broadway musicals, winning an Oscar for the title song of 1954’s Three Coins in the Fountain. Both are Songwriters Hall of Fame inductees.

Bob Crosby introduced the song in Youth on Parade, but it was the version by the Harry James’ Orchestra with Helen Forrest on vocals which became the hit. They recorded the song on July 31, 1942, one day before the Musician Union’s ban. WK Their rendition charted in January of 1943 and became the biggest song of the year CPM and one of the biggest #1 hits in history. In the pre-rock era, only Bing Crosby’s “White Christmas” and Francis Craig’s “Near You” spent more weeks atop the charts.

James was a trumpeter who’d played with Ben Pollack and then Benny Goodman before starting his own band in 1938. For several years, he charted only with instrumentals. However, in 1941-42, his hits tended to feature vocalists, including Forrest on the #1 song “I Don’t Want to Walk without You.” PM When the Musician Union’s ban disrupted the release of new recordings, Columbia dipped into their vaults and released older recordings by James. The most significant was a 1939 recording of “All or Nothing at All” which featured a then largely-unknown Frank Sinatra. PM James and Forrest recorded “I’ve Heard That Song Before” a day before the strike and Columbia released it five months later. SS

Forrest became one of big band’s most popular female singers SS working with Artie Shaw (“They Say,” “Thanks for Everything,” both #1’s) from 1938-39 and then had her own stint with Goodman (“Taking a Chance on Love,” #1) from 1939 to 1941. Her stint with James from 1941-43 was “her happiest band experience” SS thanks to James’ approach at building arrangements around her voice and his horn. SS She also had success recording with Dick Haymes (“Long Ago and Far Away,” #2).

Other artists to record the song included Pat Boone, the King Cole Trio, Steve Lawrence, Vera Lynn, Al Martino, Frank Sinatra, Mel Tormé, and Margaret Whiting. WK The song has also been featured in the 1986 Woody Allen movie, Hannah and Her Sisters.


Resources:


First posted 1/6/2013; last updated 4/5/2023.