Showing posts with label The Chronic. Show all posts
Showing posts with label The Chronic. Show all posts

Tuesday, April 14, 2009

Chris Smith 101 Albums That Changed Popular Music

Chris Smith:

101 Albums That Changed Popular Music

Excerpt of description on Amazon: This book “tells the fascinating stories behind the most groundbreaking, influential, and often controversial albums ever recorded, ranging from Anthology of American Folk Music (1952) to Elephant (2003) by The White Stripes.” “Selected on the basis of their popular appeal and influence on later genres, the albums included represent a wide variety of genres, such as blues, jazz, rock, reggae, rockabilly, folk, soul, hip-hop, and country.” “Organized chronologically to capture the flow of culture from one album to the next, this volume illuminates how these classic recordings reflected – and sometimes changed – the political, social, and economic culture of their eras.”

“Among the featured albums are releases from the hard-blues explosion of the ‘60s, including Robert Johnson’s King of the Delta Blues Singers, a landmark collection whose songs were later covered by the likes of Cream, Led Zeppelin, and the Rolling Stones. Punk made its mark in the ‘70s with Patti Smith’s Horses and the Clash’s London Calling. In the ‘80s Michael Jackson’s blockbuster LP, Thriller, not only topped the charts, it became the best-selling record of all time. Diversity defined the ‘90s, with the most influential albums ranging from Garth Brooks’ No Fences, which made country one of the hottest musical genres of the decade, to Dr. Dre’s debut, Dr. Dre The Chronic (1992)
, a multi-platinum smash hit that brought West Coast hip hop into the mainstream.”

Check out other best-of album lists by individuals/critics here.

1. Various Artists compiled by Harry Smith Anthology of American Folk Music (box set, recorded 1926-32, released 1952)
2. Elvis Presley Elvis Presley (aka Rock ‘N’ Roll) (1956)
3. Miles Davis Birth of the Cool (recorded 1949-50, released 1957)
4. The Weavers At Carnegie Hall (1957)
5. Miles Davis Kind of Blue (1959)
6. Dave Brubeck Time Out (1959)
7. Muddy Waters At Newport (live: 1960)
8. Robert Johnson King of the Delta Blues Singers (archives: 1936-37, released 1961)
9. Ray Charles Modern Sounds in Country and Western Music (1962)
10. Bob Dylan The Freewheelin’ Bob Dylan (1963)

11. The Beatles Please Please Me (1963)
12. Bob Dylan Bringing It All Back Home (1965)
13. The Byrds Mr. Tambourine Man (1965)
14. The Beatles Rubber Soul (1965)
15. Frank Zappa/The Mothers of Invention Freak Out! (1966)
16. The Beach Boys Pet Sounds (1966)
17. The Doors The Doors (1967)
18. Jefferson Airplane Surrealistic Pillow (1967)
19. Velvet Underground & Nico Velvet Underground & Nico (1967)
20. The Beatles Sgt. Peppers Lonely Hearts Club Band (1967)

21. The Jimi Hendrix Experience Are You Experienced? (1967)
22. The Moody Blues Days of Future Passed (1967)
23. The Band Music from Big Pink (1968)
24. The Byrds Sweetheart of the Rodeo (1968)
25. Led Zeppelin Led Zeppelin I (1969)
26. The MC5 Kick Out the Jams (live, 1969)
27. The Who Tommy (1969)
28. King Crimson In the Court of the Crimson King (1969)
29. Captain Beefheart & His Magic Band Trout Mask Replica (1969)
30. James Taylor Sweet Baby James (1970)

31. Miles Davis Bitches Brew (1970)
32. Black Sabbath Paranoid (1970)
33. Carole King Tapestry (1971)
34. Marvin Gaye What’s Going On (1971)
35. Sly & the Family Stone There’s a Riot Goin’ On (1971)
36. Mahavishnu Orchestra with John McLaughlin The Inner Mounting Flame (1971) Nuggets: Original Artyfacts from the First Psychedelic Era 1965-1968 (box set: 1964-68, released 1972)
38. David Bowie The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
39. The Stooges Raw Power (1973)
40. Pink Floyd Dark Side of the Moon (1973)

41. New York Dolls New York Dolls (1973)
42. Herbie Hancock Head Hunters (1973)
43. Kraftwerk Autobahn (1974)
44. Linda Ronstadt Heart Like a Wheel (1974)
45. Aerosmith Toys in the Attic (1975)
46. Bruce Springsteen Born to Run (1975)
47. Kiss Alive! (1975)
48. Patti Smith Horses (1975)
49. Brian Eno Discreet Music (1975)
50. Queen A Night at the Opera (1975)

51. Waylon Jennings, Willie Nelson, Tompall Glaser, & Jessi Colter Wanted! The Outlaws (1976)
52. Parliament Mothership Connection (1975)
53. Ramones Ramones (1976)
54. Boston Boston (1976)
55. Bob Marley & the Wailers Exodus (1977)
56. Various artists (Bee Gees et al) Saturday Night Fever (soundtrack, 1977)
57. Sex Pistols Never Mind the Bollocks, Here’s the Sex Pistols (1977)
58. Television Marquee Moon (1977)
59. Pere Ubu The Modern Dance (1978)
60. Van Halen Van Halen (1978)

61. Funkadelic One Nation Under a Groove (1978)
62. Neil Young & Crazy Horse Rust Never Sleeps (1979)
63. The Clash London Calling (1979)
64. AC/DC Back in Black (1980)
65. Michael Jackson Thriller (1982)
66. Herbie Hancock Future Shock (1983)
67. Def Leppard Pyromania (1983)
68. U2 War (1983)
69. R.E.M. Murmur (1983)
70. Stevie Ray Vaughn Texas Flood (1983)

71. Metallica Kill ‘Em All (1983)
72. Bruce Springsteen Born in the U.S.A. (1984)
73. Prince & the Revolution Purple Rain (soundtrack, 1984)
74. Hüsker Dü Zen Arcade (1984)
75. Madonna Like a Virgin (1984)
76. Run-D.M.C. Raising Hell (1986)
77. Paul Simon Graceland (1986)
78. Beastie Boys Licensed to Ill (1986)
79. Suzanne Vega Solitude Standing (1987)
80. Guns N’ Roses Appetite for Destruction (1987)

81. Public Enemy It Takes a Nation of Millions to Hold Us Back (1988)
82. Sonic Youth Daydream Nation (1988)
83. De La Soul 3 Feet High and Rising (1989)
84. N.W.A. Straight Outta Compton (1989)
85. Nine Inch Nails Pretty Hate Machine (1989)
86. Uncle Tupelo No Depression (1990)
87. Garth Brooks No Fences (1990)
88. Ice-T O.G. – Original Gangster (1991)
89. Nirvana Nevermind (1991)
90. Red Hot Chili Peppers Blood Sugar Sex Magik (1991)

91. Tori Amos Little Earthquakes (1992)
92. Dr. Dre The Chronic (1992)
93. Liz Phair Exile in Guyville (1993)
94. Wu-Tang Clan Enter the Wu-Tang Clan (36 Chambers) (1993)
95. Green Day Dookie (1994)
96. Ani DFranco Not a Pretty Girl (1995)
97. Beck Odelay (1996)
98. Spice Girls Spice (1996)
99. Dixie Chicks Wide Open Spaces (1998)
100. Eminem The Slim Shady LP (1999)
101. The White Stripes Elephant (2003)


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First posted 3/15/2024

Saturday, December 11, 1993

Snoop Dogg debuted at #1 with Doggystyle

Doggystyle

Snoop Dogg


Released: November 23, 1993


Peak: 13 US, 15 RB, 38 UK, 10 CN, 24 AU


Sales (in millions): 6.96 US, 0.3 UK, 11.0 world (includes US and UK)


Genre: rap


Tracks:

Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to charts.

  1. Bathtub
  2. G Funk (Intro)
  3. Gin & Juice (1/18/94, 8 BB, 7 CB, 28 RR, 13 RB, 39 UK)
  4. Tha Shiznit
  5. Lodi Dodi (2/12/94, 63 BA)
  6. Murder Was the Case (12/17/94, 67 BA)
  7. Serial Killa
  8. Who Am I (What’s My Name)? (11/5/93, 8 BB, 8 CB, 20 RR, 8 RB, 20 UK)
  9. For All My Niggaz & Bitches
  10. Ain’t No Fun (If the Homies Can’t Have None)
  11. Doggy Dogg World (4/14/94, 46 BA, 25a RB, 32 UK)
  12. GZ and Hustlas
  13. Pump Pump


Total Running Time: 54:44

Rating:

4.405 out of 5.00 (average of 25 ratings)


Quotable:

-- “Gangsta rap never sounded so sweet” – About.com

Awards:

(Click on award to learn more).

About the Album:

While Doggystyle was technically Snoop Dogg’s debut album, audiences were already familiar with him. He rapped on half the tracks on Dr. Dre’s 1992 album, The Chronic, including the hit singles. It set him up as “the biggest star in hip-hop, with legions of fans anxiously awaiting new material.” AM That set up Doggystyle as the fastest-selling debut album RD whopping first week sales exceeding 800,000. WK

Fans expected a “de facto sequel to The Chronic…another round of P-Funk-inspired grooves and languid gangsta and ganja tales.” AM That’s exactly what they got – “the same production, same aesthetic and themes, and same reliance on guest rappers.” AM

“The miracle is, it’s as good as that record.” AM The two albums “stand proudly together as the twin pinnacles” AM for transforming “the entire sound of West Coast rap by its development of what later became known as the ‘G-funk’ sound…[by expanding] gangsta rap with profanity, violent lyrics, basic beats, anti-authoritarian lyrics and multi-layered samples taken from 1970’s P-Funk records.” WK

Speaking of P-Funk, the lead single, “the whomping What’s My Name?,” RD was “a roof-raising reworking of George Clinton’s ‘Atomic Dog’ with a hit video.” RD That song and Gin and Juice both reached the top 10 on the Billboard Hot 100.

Snoop rules as “comfortably cool with the Slick Rick remake Lodi Dodi as the ragga-tinged Serial Killer and bloodcurdling Murder Was the Case.” RD There are also “legendary tracks” RD such as the title cut featuring George Clinton and the original version of Dre’s The Next Episode.” RD

When it came to making Doggystyle, Dre knew “it wasn’t time to push the limits of G-funk, and instead decided to deepen it musically, creating easy-rolling productions that have more layers than they appear. They’re laid-back funky, continuing to resonate after many listens, but their greatest strength is that they never overshadow the laconic drawl of Snoop, who confirms that he’s one of hip-hop’s greatest vocal stylists with this record…Snoop takes his time, playing with the flow of his words, giving his rhymes a nearly melodic eloquence.” AM “Snoop is something special, with unpredictable turns of phrase, evocative imagery, and a distinctive, addictive flow.” AM

Time magazine noted that the lyrics “are often unnecessarily graphic; at some points they're downright obscene.” WK Indeed, they are “as luridly stupid as Darryl Daniel’s controversial cover cartoon, reaching an unpleasant peak on Ain’t No Fun. But overlook that and there is plenty to enjoy on this album.” RD

Snoop raps about “adolescent urges, as he freely talks of casual sex, smoking marijuana and gunning down rival gang members.” WK “The album also covered…drug dealing and pimping.” WK In some circles “he was acclaimed for the realism in his rhymes and his harmonious flow,” WK but in other arenas he was “accused of glamorizing gang violence and black-on-black crime.” WK “Snoop Dogg…said, ‘I can’t rap about something I don't know. You’ll never hear me rapping about no bachelor’s degree. It’s only what I know and that’s that street life. It’s all everyday life, reality.’” WK

Snoop Dogg was weirdly celebrated as “the first major rapper to (apparently) walk it like he talked it.” RD Prior to the album’s release, Snoop Dogg got caught up in some real-life gangsta drama when he was arrested in August. Snoop was charged for driving a vehicle from which his bodyguard, McKinley Lee, shot and killed Phillip Woldermarian, a rival gang member. The rapper claimed the victim was stalking him and it was self-defense. He went to trial in late 1995 and was cleared of all charges in February of 1996. WK

Snoop wasn’t just derided for the violence of his lyrics, but the “many derogatory terms against woman, with expressions such as ‘bitches’ and ‘ho’s’ being used throughout…In certain tracks Snoop Dogg and Tha Dogg Pound casually speak of gang rape, illustrating the demeaning of women.” WK

There are some who say that it is precisely because of the articulation of “the rage of the urban underclass and its sense of intense oppression and defiant rebellion” WK that gangsta rap is an important genre. In any event, Doggystyle “is regarded by many critics as one of the most significant albums of the 1990s, and one of the most important hip hop albums released to date.” WK “It is credited with defining West Coast hip hop; shifting the emphasis to more melodious, synth-driven, and funk-induced beats. About.com stated during the period the album was released, ‘Gangsta rap never sounded so sweet.” WK

Reviews:


Related DMDB Links:


First posted 8/10/2008; last updated 7/16/2025.

Saturday, February 27, 1993

Dr. Dre & Snoop Dogg “Nuthin’ But a ‘G’ Thang” tops R&B chart

Nuthin’ But a ‘G’ Thang

Dr. Dre & Snoop Dogg

Writer(s): Tracy Curry, Calvin Broadus, Otha Haywood (see lyrics here)


Released: November 19, 1992


First Charted: January 23, 1993


Peak: 2 US, 2 CB, 24 RR, 12 RB, 31 UK, 63 AU, 24 DF (Click for codes to charts.)


Sales (in millions): 1.3 US, 0.2 UK, 1.5 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 79.82 video, 274.37 streaming

Awards:

Click on award for more details.

About the Song:

Rapper Dr. Dre (born Andre Young) started out with the World Class Wreckin’ Cru and then was part of the gangsta rap group N.W.A. before releasing his debut solo effort, The Chronic, in 1992. The album reached #3 on the Billboard album chart and sold more than five million copies, fueled by top-ten hits “Nuthin’ But a ‘G’ Thang” and “Dre Day” as well as top 40-hit “Let Me Ride.”

With “Nuthin’” Dre “brought his innovative G-Funk sound to the mainstream.” TB It was “a West Coast rap classic” TC about gangster life and getting laid. It’s ultimately a “piece of misogynistic nonsense,” TC that “reads like the patter between two adolescent boys” TC which explains why “gangsta rap essentially appealed to teenage males.” TC

The song is built around a sample from seventies funk artist Leon Haywood’s “I Want’a Do Something Freaky to You.” “All the hallmarks of his best work are here: the Funkadelic-inspired beats, the stop-start liquid bass, the subtle funk guitar, and the heavy-breathing backing vocals.” TB

The song didn’t just establish Dr. Dre as a commercially-viable solo artist, but as “one of the most clued-up talent spotters around.” TB “Nuthin’” introduced Snoop Dogg (then known as Snoop Doggy Dogg) to the mainstream; in fact, Snoop actually does most of the rapping on the song. TC The pair previously collaborated on “Deep Cover” in 1992, a #46 R&B hit from the soundtrack of the same name. Snoop’s Dr. Dre-produced debut solo album, Doggystyle, dropped the next year. It hit #1 on the Billboard album chart, sold nearly seven million copies in the United States, and produced two top-ten hits.

With those two albums, Dre “developed a sound that was so funky and fat that he quickly became one of the most inventive and powerful of rap producers; ” TC in fact, “the most important hip-hop producer of the 1990s.” TB He produced and guested on Blackstreet’s chart-topping hit “No Diggity” and would also work with Tupac Shakur, Eminem, and Mary J. Blige.


Resources:


Related Links:


First posted 6/18/2023.

Tuesday, December 15, 1992

Dr. Dre The Chronic released

The Chronic

Dr. Dre


Released: December 15, 1992


Peak: 3 US, 18 RB, 43 UK, -- CN, 91 AU


Sales (in millions): 5.7 US, 0.3 UK, 6.1 world (includes US and UK)


Genre: rap


Tracks:

Song Title (date of single release, chart peaks) Click for codes to charts.

  1. The Chronic (intro) (with Snoop Dogg)
  2. Dre Day (with Snoop Dogg, RBX, & Jewell) (5/15/93, 8 BB, 8 CB, 25 RR, 6 RB, 59 UK, sales: ½ million)
  3. Let Me Ride (with Ruben & Jewell) (9/13/93, 34 BB, 31 CB, 38 RR, 3 RB, 31 UK)
  4. The Day the Niggaz Took Over (with RBX & Snoop Dogg)
  5. Nuthin’ But a ‘G’ Thang (with Snoop Dogg) (11/19/92, 2 BB, 2 CB, 24 RR, 1 RB, 31 UK, 63 AU, 21 DF, sales: 1.5 million)
  6. Deeez Nuuuts (with That Nigga Daz & Snoop Dogg)
  7. Lil’ Ghetto Boy (with Snoop Dogg)
  8. A Nigga Witta Gun (with Snoop Dogg)
  9. Rat-Tat-Tat-Tat (with Snoop Dogg & RBX)
  10. The $20 Sack Pyramid (with Big Tittie Nickie, D.O.C., & Samara)
  11. Lyrical Gangbang (with Rage, Kurupt, & RBX)
  12. High Powered (with RBX, That Nigga Daz, & Rage)
  13. The Doctor’s Office (with Jewell & Rage)
  14. Stranded on Death Row (with Bushwick Bill, Kurupt, & RBX)
  15. The Roach (with RBX, That Nigga Daz, Rage, & Emmage)
  16. Bitches Ain’t Shit (with Snoop Dogg, That Nigga Daz, & Kurupt)


Total Running Time: 62:52

Rating:

4.245 out of 5.00 (average of 25 ratings)


Quotable:

“One of the greatest and most influential hip-hop albums of all time” – Steve Huey, All Music Guide

Awards:

(Click on award to learn more).

About the Album:

“Without Dr. Dre, West Coast hip-hop wouldn’t be the same and the game would be eons worse for it.” PM “After helping write the book on gangsta rap with N.W.A, Andre ‘Dr. Dre’ Young started a smokin’ new chapter with his… solo debut.” BL We also have “The Chronic to thank for the burgeoning superstar careers of MCs like Snoop Doggy Dogg and 2Pac, as it effectively reinvented an entire generation of music.” PM “G-funk was vaulted into the mainstream, and gangsta rap became the prevalent mode of performance on the West Coast.” PM

“With its stylish, sonically detailed production,” SHThe Chronic managed to be both dangerous and addictive at once.” BL On this album, we experience “Dre’s invention, not quite from scratch, of a sound that defined early ‘90s urban L.A. in the same way that Motown defined ‘60s Detroit…Dre delivers his verses with hypnotically intimidating ease,” TL “sampling everyone from Led Zeppelin to Jewel to Parliament-Funkadelic to Ohio Players and Gil Scott-Heron.” PM We also get “soulful backing vocals, and live instruments in the rolling basslines and whiny synths.” SH

“Dr. Dre perfectly bridges the gap between old school and hip-hop, as one of the first artists to fully realize the commercial potential of rap.” RV “What’s impressive is that Dre crafts tighter singles than his inspiration George Clinton – he’s just as effortlessly funky, and he has a better feel for a hook, a knack that improbably landed gangsta rap on the pop charts” SH with hits like “Let Me Ride and Nuthin’ But a G Thang [which] feel like dusk on a wide-open L.A. boulevard, full of possibility and menace.” TL The latter is “one of the greatest, most infectious jams in hip-hop history. RV

“But none of The Chronic’s legions of imitators were as rich in personality, and that’s due in large part to Dre's monumental discovery, Snoop Doggy Dogg” SH “as his vocal foil.” BL “While it's debatable whether this was a net positive for the world, Snoop’s drawled-out Mississippi-ness (he was rap’s first country cousin) was just one more original element.” TL

“Snoop livens up every track he touches, sometimes just by joining in the chorus – and if The Chronic has a flaw, it’s that his relative absence from the second half slows the momentum. There was nothing in rap quite like Snoop’s singsong, lazy drawl (as it’s invariably described), and since Dre’s true forte is the producer’s chair, Snoop is the signature voice. He sounds utterly unaffected by anything, no matter how extreme, which sets the tone for the album’s misogyny, homophobia, and violence. The Rodney King riots are unequivocally celebrated, but the war wasn’t just on the streets; Dre enlists his numerous guests in feuds with rivals and ex-bandmates.” SH

“Yet The Chronic is first and foremost a party album, rooted…in ‘70s funk and soul.” SH “Its comic song intros and skits became prerequisites for rap albums seeking to duplicate its cinematic flow; plus, Snoop and Dre’s terrific chemistry ensures that even their foulest insults are cleverly turned.” SH

“That framework makes The Chronic both unreal and all too real, a cartoon and a snapshot. No matter how controversial, it remains one of the greatest and most influential hip-hop albums of all time.” SH

Resources and Related Links:


Other Related DMDB Pages:


First posted 3/20/2010; last updated 6/7/2024.