Showing posts with label Deep Purple. Show all posts
Showing posts with label Deep Purple. Show all posts

Sunday, October 19, 2014

Rock and Roll Hall of Fame's Greatest Snubs

image from earthsmightiest.com

With the announcement of the Rock and Roll Hall of Fame’s 2015 nominees, it is time once again to commence with the whining, complaining, and Hall bashing. Blogs and social media everywhere will light up with people griping that the Hall is worthless because their favorite band has not been enshrined.

These are just personal opinions. Dave’s Music Database has consolidated more than 50 lists (see resources at bottom of page) to determine just who is getting overlooked most. Here are the results:

  1. The Moody Blues
  2. Cheap Trick
  3. Deep Purple
  4. Chicago
  5. Journey
  6. Electric Light Orchestra
  7. Yes
  8. Stevie Ray Vaughan & Double Trouble *
  9. The Cure
  10. Iron Maiden

  11. The Cars
  12. T-Rex
  13. Bon Jovi
  14. Joy Divison
  15. Def Leppard
  16. Judas Priest
  17. Depeche Mode
  18. Motorhead
  19. The Smiths *
  20. The Doobie Brothers

  21. Pat Benatar
  22. Warren Zevon
  23. Boston
  24. Roxy Music
  25. Jethro Tull
  26. Joe Cocker
  27. Dire Straits
  28. Devo
  29. Peter Frampton
  30. Kraftwerk *

  31. Todd Rundgren
  32. Bad Company
  33. Replacements
  34. Thin Lizzy
  35. Steve Miller Band
  36. New York Dolls
  37. The Zombies
  38. Joan Jett & the Blackhearts *
  39. Emerson, Lake & Palmer
  40. Duran Duran

  41. The Guess Who
  42. Gram Parsons
  43. MC5
  44. Foreigner
  45. Chic *
  46. King Crimson
  47. The B-52’s
  48. Styx
  49. The Monkees
  50. Steppenwolf

  51. Big Star
  52. Pixies
  53. Scorpions
  54. Motley Crue
  55. Sonic Youth
  56. Dick Dale
  57. Black Flag
  58. Kate Bush
  59. Nick Drake
  60. Barry White

  61. New Order
  62. Jimmy Buffett
  63. Three Dog Night
  64. Procol Harum
  65. The Runaways
  66. Tommy Janes & the Shondells
  67. Afrika Bambaataa
  68. Whitney Houston
  69. Dead Kennedys
  70. Love

  71. Blue Oyster Cult
  72. Slayer
  73. Joan Baez
  74. X
  75. Los Lobos
  76. War
  77. INXS
  78. Janet Jackson
  79. Meat Loaf
  80. Eurythmics

  81. J. Geils Band
  82. Television
  83. Johnny Burnette & the Rock ‘N’ Roll Trio
  84. Willie Nelson
  85. Toto
  86. Brian Eno
  87. Weird Al Yankovic
  88. Captain Beefheart
  89. Ozzy Osbourne
  90. Carole King

  91. Soundgarden
  92. Commodores
  93. Little Feat
  94. Carpenters
  95. Harry Nilsson
  96. The Jam
  97. The Buzzcocks
  98. The Spinners *
  99. The Clovers
  100. Grand Funk Railroad

* 2014 nominee


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Tuesday, February 26, 2013

Albums to Look Forward to in 2013

image from ps23bronx.org

Here are some of the major album releases for 2013. Check the “Resources and Related Links” at the bottom for even more complete lists. I am highlighting releases from major acts and those with at least one album in the DMDB’s top 1000 of all time.

  • Jan. 14: New Order Lost Sirens
  • Jan. 21: Adam Ant Adam Ant Is the Blueback Hussar in Marrying the Gunner’s Daughter
  • Jan. 29: Justin Bieber Believe Acoustic
  • Jan. 29: Andrea Bocelli Passione
  • Feb. 2: My Bloody Valentine MBV

    MBV - the first album in 22 years from My Bloody Valentine

  • Feb. 4: Josh Groban All That Echoes
  • Feb. 10: Tim McGraw Two Lanes of Freedom
  • Feb. 18: Nick Cave & the Bad Seeds Push the Sky Away
  • Feb. 25: Atoms for Peace (Thom Yorke, Red Hot Chili Pepper’s Flea, et al) Amok
  • Feb. 25: 50 Cent Street King Immortal
  • Feb. 25: Johnny Marr The Messenger
  • Feb. 26: Emmylou Harris & Rodney Crowell Old Yellow Moon
  • Mar. 4: Dido Girl Who Got Away
  • Mar. 4: Jimi Hendrix People, Hell and Angels
  • Mar. 4: Stereophonics Graffiti on the Train
  • Mar. 5: Boz Scaggs Memphis
  • Mar. 11: Bon Jovi What About Now
  • Mar. 12: David Bowie The Next Day

  • Mar. 12: Eric Clapton Old Socks
  • Mar. 15: Justin Timberlake The 20/20 Experience
  • Mar. 18: Suede Bloodsports
  • Mar. 18: Eric Woolfson Somewhere in the Audience
  • Mar. 19: Black Crowes Wiser for the Time (live album)
  • Mar. 19: will.i.am #willpower
  • Mar. 22: Depeche Mode Delta Machine
  • Mar. 25: Simple Minds (compilation)
  • Mar. 25: Wire Change Becomes Us
  • Mar. 26: Lil Wayne I Am Not a Human Being II
  • Mar. 26: The Strokes Comedown Machine

  • March: Mariah Carey – TBA
  • Apr. 1: The Flaming Lips The Terror
  • Apr. 2: New Kids on the Block 10
  • Apr. 2: Various Artists: The Music Is You: A Tribute to John Denver
  • Apr. 8: Orchestral Manoeuvres in the Dark English Electric
  • Apr. 16: Fall Out Boy Save Rock and Roll
  • Apr. 22: Avril Lavigne Hello Candy
  • Apr. 23: Michael Bublé To Be Loved
  • Apr. 30: Iggy & the Stooges Ready to Die
  • April: Janet Jackson – TBA
  • May 7: Goo Goo Dolls Magnetic
  • May 7: Vampire Weekend Modern Vampires of the City
  • May 27: John Fogerty Wrote a Song for Everyone

  • May: Daft Punk, Lady Gaga – TBA
  • June 11: Black Sabbath 13
The following acts are expected in 2013, but no release date has been announced:
  • AC/DC
  • Christina Aguilera
  • Alice in Chains The Devil Put Dinosaurs Here
  • Backstreet Boys
  • Justin Bieber Believe 2.0
  • Jimmy Buffett
  • Deep Purple
  • Eminem
  • Nelly Furtado
  • Iron Maiden
  • Limp Bizkit
  • Jennifer Lopez
  • Megadeth
  • Nicki Minaj
  • Kylie Minogue
  • Motörhead
  • Pearl Jam
  • Katy Perry
  • Queens of the Stone Age
  • Sigur Rós
  • Britney Spears
  • The Vines

Black Sabbath will release 13, their first studio album with Ozzy Osbourne since 1978


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Thursday, October 4, 2012

The Rock and Roll Hall of Fame 2013 Nominees

image from RockHall.com

The Rock and Roll Hall of Fame has nominated its class of 2013. Over the next couple months, the Hall’s voting body of roughly 600 musicians, industry types, and journalists will vote to determine which of them will be inducted into the Hall of Fame on April 18, 2013. Here are the 15 nominees:

  • Paul Butterfield Blues Band
  • Chic
  • Deep Purple
  • Heart
  • Joan Jett & the Blackhearts
  • Albert King
  • Kraftwerk
  • The Marvelettes
  • The Meters
  • Randy Newman
  • N.W.A.
  • Procol Harum
  • Public Enemy
  • Rush
  • Donna Summer
You can read about each nominee at RockHallcom. In an interesting move, the Hall has added a way for fans to vote, although their voice will be minimal. Fans can vote at RollingStone.com and the top 5 vote getters will be entered as one of the 600+ ballots. Results will be announced in mid-December.

Rush finally gets long overdue nomination; image from progarchives.com

So who should go in? After last year’s class of nominees was announced, I tapped 39 lists arguing for who deserved inclusion. Based on that list, here’s how this year’s crop ranks:

  1. Rush (2)
  2. Deep Purple (5)
  3. Heart (12)
  4. Kraftwerk (39)
  5. Public Enemy (47)
  6. Joan Jett & the Blackhearts (53)
  7. Chic (55)
  8. Procol Harum (81)
  9. Randy Newman (86)
Not ranked: Paul Butterfield Blues Band, Albert King, The Marvelettes, The Meters, N.W.A., and Donna Summer.

As always, there will be plenty of debate regarding who didn’t get nominated – namely, KISS. In another blog post last year, I argued on behalf of KISS, Gram Parsons, Rush, Joy Division, and Deep Purple. I’m grateful that the Hall has listened to me and included two of my suggestions. ;)

Frankly, though, if that top 5 (Rush, Deep Purple, Heart, Kraftwerk, Public Enemy) were this year’s inductees, that would be an awesome class. There’s some nice diversity in terms of genre, race, and gender. We’d have a newbie (Public Enemy) and some long overdue nominees. Don’t hold your breath, though. Based on the Rock Hall’s past trends, I’d say Heart and Public Enemy have good shots among this class, but the other three slots are likely to go to the pet projects of Hall nominating committee members, meaning the other slots might well go to Chic, Albert King, and Donna Summer. They aren’t horrible picks, but they certainly aren’t more worthy than Rush and Deep Purple. We’ll see what happens.


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Wednesday, September 28, 2011

And This Year's Rock and Roll Hall of Fame Inductees Should Be...

image from abcnewsradioonline.com

September 27, 2011: The Rock and Roll Hall of Fame announced its nominees for the 2012 class. See the DMDB blog entry And This Year’s Rock and Roll Hall of Fame Nominees Are… for details on who was nominated and who looks to be the best bets to get in. Of course, the new roster of nominees stirs a long-standing frustration over who keeps getting passed over. Heck, this subject served as the first DMDB blog entry, How to Get into the Rock and Roll Hall of Fame, in January 2009.

So who has been unfairly overlooked? If the DMDB was in charge of the 2012 inductees, these would be the five to get in. Note: click on acts’ names to see their entries in the DMDB music makers’ encyclopedia.


Kiss

In February, I wrote a blog entry entitled Why Kiss Belong in the Rock and Roll Hall of Fame. I’m actually not a Kiss fan, but my argument is that it is impossible to overlook a band that is the embodiment of rock and roll. The popular criticism is that the band uses elaborate stage shows to mask an absence of substance. They may appeal to the crotch, but not the head. Any self-respecting adult would have long ago purged their collections of any traces of the group. Uh, note to the Rock Hall – apparently you’ve forgotten how much of rock and roll is about music which appeals to young adults because it is all about sex and over-the-top showmanship. By the way, once Kiss gets in, make way for the New York Dolls, Judas Priest, and Iron Maiden. That also opens the door to hair bands. Most worthy of induction are Bon Jovi and Def Leppard.

image from omg.yahoo.com


Gram Parsons

Earlier this month, I wrote a blog entry about Parsons (Country-rock pioneer Gram Parsons died: September 19, 1973). That offers a brief overview of Parsons’ contributions. To sum it up here, writer Radley Balko argues that “Parsons may be the most influential artist yet to be inducted in either the Rock and Roll or Country Music Hall(s) of Fame”. The man who has been called “The Father of Country Rock” has four DMDB top 1000 albums – his own G.P. and Grievous Angel as well as The Byrds’ Sweetheart of the Rodeo and The Flying Burrito Brothers’ Gilded Palace of Sin. Groups like the Eagles and Poco owe their very existence to the foundation he helped build.

image from aquariumdrunkard.com


Rush

Rufus over Rush? The Hall has rightly acknowledged many R&B acts who have significantly shaped rock and roll. In its first two years, the Hall inducted Ray Charles, James Brown, Sam Cooke, Aretha Franklin, Marvin Gaye, and Louis Jordan. However, years after the R&B base has been more than acknowledged, the Hall continues to hail R&B acts (the 2012 nominees include Rufus, The Spinners, War, and Donna Summer) at the expense of acts which have been rock first and foremost. This is glaringly apparent when it comes to progressive rock. The Hall has an obvious bias against it, having only inducted Genesis from the genre. Still failing to receive acknowledgement are Rush; Yes; King Crimson; Jethro Tull; The Moody Blues; and Emerson, Lake & Palmer. All of these acts are worthy, but if I could only pick one, I’d go with Rush as the act who best transcended the genre to appeal to hard rock and heavy metal audiences as well.

image from photobucket.com


Joy Division

The Cure gets a nod this year and I think they are worthy of Hall induction – but not before Joy Division. These two groups most define the genre of goth rock, but Joy Division got there first. In a previous blog entry, I called them “one of the most important post-punk bands for creating the template for goth music” (Joy Division’s “Love Will Tear Us Apart charts: June 28, 1980). They only released two studio albums and gained a much wider audience in their re-incarnated-as-New Order form, but in launching goth rock, Joy Division also laid the platform on which much of ‘80s alternative rock – including The Cure – was formed. While we’re focused on groups who laid the foundation for the alt scene, The Smiths and Sonic Youth belong on the short list of acts which should be ushered in right after Joy Division.

image from sillything.altervista.org


Deep Purple

There’s still plenty of others worthy of Hall attention. I seriously considered giving this fifth spot to an artier, influential band like Kraftwerk, Roxy Music, Big Star, or Captain Beefheart. There’s also a serious case to be made for Stevie Ray Vaughan, that rare artist who moved an entire genre (the blues) forward while paying homage to its roots. However, the biggest and baddest act left deserving of enshrinement is Deep Purple. This would give the 2012 class a real dose of something the Hall has too long neglected – ROCK AND ROLL. What rock fan wouldn’t salivate at the idea that Deep Purple, Kiss, and Rush could all share a stage that night? The idea of a post-jam celebration including “Hush”, “Rock and Roll All Nite”, and “Tom Sawyer” just boggles the mind.

image from sonicabuse.com


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Saturday, February 11, 1989

50 years ago: Larry Clinton took “Deep Purple” to #1 – for the first of two times

Deep Purple

Larry Clinton with Bea Wain

Writer(s): Peter DeRose/Mitchell Parish (see lyrics here)


First Charted: February 4, 1939


Peak: 19 US, 17 HP, 18 GA, 18 SM (Click for codes to charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, -- streaming

Awards:

Click on award for more details.

About the Song:

Peter DeRose wrote “Deep Purple” as a piano composition. It was published in 1933 and the following year it was arranged for orchestra by, depending on the account, either Domenico Savino TY1 or Paul Whiteman. WK Whiteman said, he was “making a lady out of jazz.” WK When the song became a hit via sheet music, Mitchell Parish added lyrics in 1938.

In 1939, five versions of the song charted, including top 10 hits by Jimmy Dorsey and Guy Lombardo and top 20 hits by Bing Crosby and Artie Shaw. PM The biggest version, however, was the one by Larry Clinton & His Orchestra featuring Bea Wain as vocalist. PM That year the song was the #3 jukebox selection of the year. TY1 A decade later, Paul Weston’s instrumental version hit #20. PM In 1957, The Dominoes revamped the song as a doo-wop hit. The 1976 version by the brother-and-sister act of Donny and Marie Osmond was a #14 hit. HT

They weren’t the only siblings to have success with the song. Nino Tempo and April Stevens took the song back to #1 in 1963. HT The brother and sister had worked separately before meeting Ahmet Ertegun and signing with Atlantic Records. The pair had gone into the studio to record “Paradise,” but with 14 minutes left of studio time, Ahmet encouraged them to tackle “Deep Purple.” Nino was supposed to sing the second chorus, but when he couldn’t remember the words, April spoke them. The “narration” stayed in and became part of the song. FB

The sentimental ballad was a favorite of Babe Ruth, who even had DeRose play the song at his birthday parties for roughly a decade. WK In addition, the song provided the heavy metal group Deep Purple with their name. Guitarist Ritchie Blackmore’s grandmother kept asking the group if they would perform the song because it was her favorite. WK


Resources:


First posted 2/11/2013; last updated 2/27/2023.

Saturday, May 26, 1973

Deep Purple “Smoke on the Water” charted

Smoke on the Water

Deep Purple

Writer(s): Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord, Ian Paice (see lyrics here)


First Charted: May 26, 1973


Peak: 4 US, 3 CB, 11 GR, 2 HR, 1 CL, 21 UK, 2 CN, 54 AU, 1 DF (Click for codes to charts.)


Sales (in millions): 1.0 US, 0.4 UK


Airplay/Streaming (in millions): -- radio, 221.23 video, 520.78 streaming

Awards:

Click on award for more details.

About the Song:

Ritchie Blackmore’s opening guitar riff may be “the most famous in rock history.” TB Total Guitar magazine ranked it the fourth greatest guitar riff ever. WK Keyboardist Jon Lord said the song’s working title was “‘Durh Durh Durh’ – a transliteration of the riff.” RS500 It has become “the classic air guitar song,” TC “painstakingly imitated by budding guitar players of many future generations, and also patiently taught to the younger set by Jack Black in the movie School of Rock.” UCR

Jeff Tweedy of Wilco said, “This riff is absolutely the first thing I ever played on guitar, back when I was seven or eight years old.” JT He said “this riff is so dunderheaded and massive it blots out the sun” JT but “I cannot deny its importance to me, and countless others, as a budding musician.” JT “By the time I was a full-blown teenager, this bong-bruised, coughed-up lung of a song had evolved…to signify a distinct type of danger to a sensitive boy like myself.” JT

The song came about in 1971 during Deep Purple’s visit to Montreux, Switzerland – home of the famed Montreux Jazz Festival. Ian Paice, the band’s drummer, said, “We were fed up with traditional recording studios…We had played the Casino earlier that year, and the space was ideal” MM for recording their sixth album, Machine Head. The band went to see Frank Zappa and the Mothers of Invention at the Casino and a concert-goer shot off a flare gun during the show. The place caught fire and destroyed the venue.

Lead singer Ian Gillan said the band went to a restaurant nearby and watched the Casino burn. MM Bassist Roger Glover came up with the title “Smoke on the Water” to describe what he called “probably the biggest fire I’d ever seen…in my life.” WK The lyrics, written by Gilland and Glover in about twenty minutes, MM offered up a scene-by-scene account of the debacle. UCR

With their recording studio gone, Paice explained that they adjusted to new digs at Le Pavillion, a grand theater nearby that was closed for the winter. The band had already rented the Rolling Stones mobile studio and parked it outside, set up their gear inside, MM and converted hallways and stairwells into a makeshift studio. WK The band were were rushed to finish and wrote much of the material on the spot. However, “Smoke on the Water” serves as “evidence that perhaps sponaeity was a very good thing.” UCR

The Machine Head album was released in March 1972 and supported by the release of the singles “Highway Star” and “Never Before.” Glover thought the latter would be the album’s big hit; DT in fact, none of the band anticipated “Smoke on the Water” being a hit. TB It wasn’t until more than a year later it was released as a single and went top 5 in the U.S. and Canada. WK With Gillan’s “banshee range” TC and Lord’s “pretensions towards classical music” TC they became a foundational band in the shaping of heavy metal.


Resources:


Last updated 4/29/2024.