National Recording Registry Adds 25 Recordings: March 21, 2013

image from npr.org

Each year, the Library of Congress announces 25 recordings (albums, songs, radio broadcasts, and other sound recordings) to be added to its National Recording Registry. This year’s entrants are:

1. “After You've Gone” Marion Harris (1918)
2. Bacon, Beans and Limousines by Will Rogers (Oct. 18, 1931)
3. “Begin the Beguine” Artie Shaw (1938)

   Begin the Beguine

4. “You Are My Sunshine” by Jimmie Davis (1940)
5. D-Day Radio Broadcast, George Hicks (June 5-6, 1944)
6. “Just Because” by Frank Yankovic & His Yanks (1947)
7. South Pacific cast album (1949)

8. Descargas: Cuban Jam Session in Miniature by Israel "Cachao" Lopez Y Su Ritmo Caliente (1957)
9. Tchaikovsky’s Piano Concerto No. 1 performed by Van Cliburn (April 11, 1958)
10. President's message relayed from Atlas satellite, Dwight D. Eisenhower (Dec. 19, 1958)
11. A Program of Song by Leontyne Price (1959)
12. The Shape of Jazz to Come by Ornette Coleman (1959)
13. “Crossing Chilly Jordan” by The Blackwood Brothers (1960)
14. “The Twist” by Chubby Checker (1960)

    The Twist

15. Old Time Music at Clarence Ashley’s by Clarence Ashley, Doc Watson, et al. (1960-1962)
16. Hoodoo Man Blues by Junior Wells (1965)
17. Sounds of Silence by Simon & Garfunkel (1966)
18. Cheap Thrills by Big Brother and the Holding Company (1968)
19. The Dark Side of the Moon by Pink Floyd (1973)

20. Music Time in Africa by Leo Sarkisian (July 29, 1973)
21. Wild Tchoupitoulas by The Wild Tchoupitoulas (1976)
22. Ramones by The Ramones (1976)
23. Saturday Night Fever soundtrack by The Bee Gees et al (1977)

24. Einstein on the Beach by Philip Glass and Robert Wilson (1979)
25. The Audience with Betty Carter by Betty Carter (1980)

Among this list are two songs which rank in the DMDB’s list of the Top 100 Songs of the Pre-Rock Era (“After You’ve Gone” and “Begin the Beguine”), one song which ranks in the DMDB’s list of the Top 100 Songs of the Rock Era (“The Twist”), and four albums which rank in the DMDB’s list of the Top 100 Albums of All Time (South Pacific, Dark Side of the Moon, Ramones, and Saturday Night Fever). For more information on these and other entrants in the National Recording Registry, check out the links below:

---

Resources and Related Links:

• Dave’s Music Database: Top 100 Songs of the Pre-Rock Era, 1890-1953
• Dave’s Music Database: Top 100 Songs of the Rock Era, 1954-1999
• Dave’s Music Database: Top 100 Albums of All Time
• National Recording Registry – master list
• USA Today Library of Congress adds 25 recordings to registry by Brian Mansfield (21 March 2013)

---

Macklemore & Ryan Lewis hit #1 with “Thrift Shop”

Thrift Shop Macklemore & Ryan Lewis with Wanz

Writer(s): Ben Hagerty/ Ryan Lewis (see lyrics here) Released: August 27, 2012 First Charted: September 15, 2012 Peak: 16 US, 12 RR, 35 A40, 114 RB, 14 MR, 11 UK, 16 CN, 17 AU, 4 DF (Click for codes to charts.) Sales (in millions): 10.74 US, 0.84 UK, 14.25 world (includes US + UK) Airplay/Streaming (in millions): -- radio, 1847.05 video, 1175.50 streaming

Awards: Click on award for more details.

About the Song: While most will remember “Thrift Shop” as the song which introduced rapper Macklemore and producer Ryan Lewis to the world, the song was actually the fifth single from the duo’s 2012 album, The Heist, although none of the others charted. After the monstrous success of the latter, however, “Can’t Hold Us” and “Same Love” were rereleased and hit #1 and #11 on the Hot 100 respectively. “Thrift Shop” gave Macklemore & Ryan Lewis the distinction of being the first duo since Los Del Rio (1996’s “Macarena”) to hit #1 with its first chart entry. SF It should be noted, though, that the song also featured guest vocals from Michael “Wanz” Wansley, a full-time software test engineer, brought in because he was a Nate Dogg sound-alike. SF The song topped the charts in the U.S. and eight other countries and became the best-selling rap song in U.S. history. WK It is one of only six songs in the history of Billboard to reach the 7 million plateau. WK It was also only the second independent song in history to top the Billboard Hot 100; the other was Lisa Loeb’s “Stay (I Missed You)” in 1994. WK The song also had the distinction of falling from #1 and returning five weeks later, the longest gap since Chubby Checker’s “The Twist” hit #1 in 1960 and returned for another chart run in 1962. SF The song was composed as a tribute to Macklemore’s love of discount clothes shopping, a stark contrast to the oppolence and materialism traditionally associated with hip-hop. Macklemore said he thought the track succeeded because, “It’s obviously against the status quo of what people normally rap about. This is a song that goes against all of that. How much can you save? How fresh can you look by not looking like anybody else?” WK Critics agreed, praising the song for “its humorous lyrics and social critique.” WK Digital Spy’s Robert Copsey called the song “a rare beast…original, musically daring and genuinely funny.” WK Kyle Jackson of Common Sense Media said the song is “funny and captures the hipster zeitgeist perfectly.” WK He also called it “an eclectic and socially conscious tour de force.” WK Resources: DMDB Encyclopedia entry for Macklemore & Ryan Lewis SF Songfacts WK Wikipedia Last updated 4/1/2024.

Today in Music (1962): Chubby Checker’s “The Twist” hit #1…again

The Twist Chubby Checker

Writer(s): Hank Ballard (see lyrics here) Released: June 1960 First Charted: July 18, 1960 Peak: 13 US, 18 CB, 3 GR, 15 HR, 2 RB, 5 UK, 16 CN, 20 AU, 1 DF (Click for codes to charts.) Sales (in millions): 1.0 US, -- UK, 1.0 world (includes US + UK) Airplay/Streaming (in millions): 2.0 radio, 54.1 video, 70.75 streaming

Awards: Click on award for more details.

About the Song: “The Twist” became the only song in U.S. history to top the pop charts in two separate runs. Author Andrew Hickey called it “the most successful record in chart history.” AH It was first recordedd by Hank Ballard and the Midnighters, RS500 who were “a washed-up R&B group” AH by 1958. The song’s inspiration has been cited as a new dance Ballard saw Florida teens doing, SF but Ballard claims that his band invented it from his group’s on-stage dance routines. SJ Another account suggests the dance and song originated with Jo Jo Wallace and Bill Woodruff, members of the black gospel group the Sensational Nightingales. SS They were touring on the same bill as the Midnighters and offered the song to Ballard because they couldn’t sing a secular song about a euphemism for sex. AH He reworked the lyrics to a melody they’d used for “Is Your Love for Real?” AH and took sole composer credit. SS That song was inspired by “Whatcha Gonna Do?” by Clyde McPhatter and the Drifters. AH The Midnighters’ version came out in early 1959 as the B-side to “Teardrops on Your Letter” but “The Twist” started getting attention from DJs at dances. TB White teenagers then started doing the twist on the TV dance-party program The Buddy Deane Show. This caught the attention of Dick Clark at American Bandstand, “the biggest of the dance-party TV shows.” TB When it became that show’s hottest dance, FB Clark wanted it on his show, but either couldn’t get the Midnighters because they were on tour or he wanted a “less threatening” artist (code for less “black”), someone younger, and/or someone with whom he had some financial interest. AH Clark met Ernest Evans when he went to Cameo Records to record an audio Christmas card for friends. Evans, who took the stage name Chubby Checker when Clark’s wife, Barbara, said he looked like a young Fats Domino, recorded the song doing impressions of Domino, Elvis Presley, and the Chipmunks. Clark wanted someone to perform “The Twist” exactly like Hank Ballard & the Midnighters so he turned to Checker. AH Clark introduced it on his show as the “hottest dance sensation in the last four years, a thing called the twist.” TB As for the results, Ballard said, “they cloned it.” SF In fact, when he first heard it on the radio, he thought it was his version. TBP However, he was not bitter considering the huge songwriter royalties he received once Checker’s version became a hit SF – twice. The song owed its first wave of success to the teens. However, it became a hit all over again, thanks to the Peppermint Lounge in Manhattan. AH Joey Dee & the Starliters played covers of dance hits at the club, as happened in many bars. However, the Peppermint Lounge hired a publicist to get celebrities to their club, which would get mentioned in society columns. Since the club was close to Broadway, It started attracting major stars including Judy Garland, Marilyn Monroe, and Greta Garbo. That garnered more attention for the dancing done in the club, which helped the Starliters reach #1 with “Peppermint Twist” and revived interest in “The Twist.” AH The song was re-released went back to the top. The two chart runs gave it a record 39 weeks on the Hot 100 for a #1 song, a feat that lasted until 1988 when UB40’s second chart run with “Red Red Wine” gave that song 40 weeks on the charts. BB Part of the success of the dance was because anyone could do it. As Checker said, “It’s like putting out a cigarette with both feet.” SJ It succeeded on American Bandstand because it “was energetic and improvisatory...adaptable enough that it didn’t have to be sexualized…[and] didn’t require a partner, so shows like Bandstand were never in danger of violating any morality codes.” TB Black activist Eldridge Cleaver called it “a guided missile, launched from the ghetto into the very heart of suburbia.” SS Resources: DMDB Encyclopedia entry for Chubby Checker BB Billboard (9/08). “All-Time Hot 100” TB Tom Breihan (2022). The Number Ones. Hachete Books: New York, NY. Pages 11-21. FB Fred Bronson (2003). The Billboard Book of Number One Hits (5th edition). Billboard Books: New York, NY. Page 74. AH Andrew Hickey (2021). A History of Rock Music in 500 Songs: Volume 2. Pages 459-69. RS500 Rolling Stone (12/04). “The 500 Greatest Songs of All Time” SJ Bob Shannon and John Javna (1986). Behind the Hits: Inside Stories of Classic Pop and Rock and Roll. Warner Brothers, Inc.: New York, NY. Page 98. SF Songfacts.com SS Steve Sullivan (2013). Encyclopedia of Great Popular Song Recordings (Volumes I & II). Scarecrow Press: Lanham, Maryland. Page 774. TBP Thunder Bay Press (2006). Singles: Six Decades of Hot Hits & Classic Cuts. Outline Press Ltd.: San Diego, CA. Page 47. First posted 1/13/2012; last updated 4/2/2023.