Showing posts with label Hank Ballard. Show all posts
Showing posts with label Hank Ballard. Show all posts

Friday, January 20, 2012

Etta James: 1938-2011


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Etta James, “one of the great voices of the 20th century who fused R&B with gospel and blues,” RS died January 20, 2012, less than a week shy of her 74th birthday. The Grammy winner was an inductee in the Blues Hall of Fame, R&B Foundation, and the Rock and Roll Hall of Fame. Her song “The Wallflower (Roll with Me Henry)” (1955), was inducted into the Grammy Hall of Fame, and “Tell Mama” (1967) was selected to the Rock and Roll Hall of Fame’s list of 500 Songs That Shaped Rock and Roll. However, she may be most associated with wedding favorite “At Last” (1961), a Grammy Hall of Fame inductee, National Recording Registry entry, and one of the top 100 jazz songs of all time according to the DMDB. At his inauguration, President Barack Obama and first lady Michelle Obama danced to “At Last” as sung by BeyoncĂ©, who portrayed James in the 2008 film Cadillac Records.

James was diagnosed with leukemia in 2010 and battled other health problems such as drug addiction, dementia, and hepatitis C. At one point, she ballooned to a reported 400 pounds and then cut that weight in half. Lupe DeLeon, her longtime friend and manager, said “This is a tremendous loss for the family, her friends and fans around the world…She was a true original who could sing it all – her music defied category. I worked with Etta for over 30 years. She was my friend and I will miss her always.” CNN

She was born Jamesetta Hawkins in Los Angeles in 1938. Her teen mother largely abandoned her and never revealed the father’s identity, although James suspected it was famed pool player Minnesota Fats. CNN Johnny Otis, best known for the song “Willie and the Hand Jive”, discovered James when she was 14. She hit #1 on the R&B charts with “The Wallflower”, a song Otis wrote as an answer song to Hank Ballard’s “Work with Me Annie”.

Over the next decade, James charted a dozen top ten hits on the R&B charts, most with Chess Records. Her most successful run on the pop charts was “Tell Mama” with a #23 peak. She discussed her songs with CNN in 2002: “Most of the songs I sing, they have that blue feeling to it. They have that sorry feeling. And I don’t know what I'm sorry about.” CNN

She continued touring until sidelined by illness in 2009. She has been cited as an influence by current British singer Adele. In 2008, Bonnie Raitt told Rolling Stone, “There’s a lot going on [in] Etta James’ voice…A lot of pain, a lot of life, most of all, a lot of strength. She can be so raucous and down one song, and then break your heart with her subtlety and finesse the next. As raw as Etta is, there's a great intelligence and wisdom in her singing.” RS She also said, “Anybody who has a bluesy side to what they do can point to Etta James as the bridge between R&B, blues and pop singing.” UT

As James told Rolling Stone, “Life’s been rough…But life’s been good. If I had to go back and do it all over again, I would live it the exact same way.” RS





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Friday, January 13, 2012

Today in Music (1962): Chubby Checker’s “The Twist” hit #1…again

The Twist

Chubby Checker

Writer(s): Hank Ballard (see lyrics here)


Released: June 1960


First Charted: July 18, 1960


Peak: 13 US, 18 CB, 3 GR, 15 HR, 2 RB, 5 UK, 16 CN, 20 AU, 1 DF (Click for codes to charts.)


Sales (in millions): 1.0 US, -- UK, 1.0 world (includes US + UK)


Airplay/Streaming (in millions): 2.0 radio, 54.1 video, 70.75 streaming

Awards:

Click on award for more details.

About the Song:

“The Twist” became the only song in U.S. history to top the pop charts in two separate runs. Author Andrew Hickey called it “the most successful record in chart history.” AH It was first recordedd by Hank Ballard and the Midnighters, RS500 who were “a washed-up R&B group” AH by 1958. The song’s inspiration has been cited as a new dance Ballard saw Florida teens doing, SF but Ballard claims that his band invented it from his group’s on-stage dance routines. SJ

Another account suggests the dance and song originated with Jo Jo Wallace and Bill Woodruff, members of the black gospel group the Sensational Nightingales. SS They were touring on the same bill as the Midnighters and offered the song to Ballard because they couldn’t sing a secular song about a euphemism for sex. AH He reworked the lyrics to a melody they’d used for “Is Your Love for Real?” AH and took sole composer credit. SS That song was inspired by “Whatcha Gonna Do?” by Clyde McPhatter and the Drifters. AH

The Midnighters’ version came out in early 1959 as the B-side to “Teardrops on Your Letter” but “The Twist” started getting attention from DJs at dances. TB White teenagers then started doing the twist on the TV dance-party program The Buddy Deane Show. This caught the attention of Dick Clark at American Bandstand, “the biggest of the dance-party TV shows.” TB When it became that show’s hottest dance, FB Clark wanted it on his show, but either couldn’t get the Midnighters because they were on tour or he wanted a “less threatening” artist (code for less “black”), someone younger, and/or someone with whom he had some financial interest. AH

Clark met Ernest Evans when he went to Cameo Records to record an audio Christmas card for friends. Evans, who took the stage name Chubby Checker when Clark’s wife, Barbara, said he looked like a young Fats Domino, recorded the song doing impressions of Domino, Elvis Presley, and the Chipmunks. Clark wanted someone to perform “The Twist” exactly like Hank Ballard & the Midnighters so he turned to Checker. AH Clark introduced it on his show as the “hottest dance sensation in the last four years, a thing called the twist.” TB

As for the results, Ballard said, “they cloned it.” SF In fact, when he first heard it on the radio, he thought it was his version. TBP However, he was not bitter considering the huge songwriter royalties he received once Checker’s version became a hit SF – twice. The song owed its first wave of success to the teens. However, it became a hit all over again, thanks to the Peppermint Lounge in Manhattan. AH

Joey Dee & the Starliters played covers of dance hits at the club, as happened in many bars. However, the Peppermint Lounge hired a publicist to get celebrities to their club, which would get mentioned in society columns. Since the club was close to Broadway, It started attracting major stars including Judy Garland, Marilyn Monroe, and Greta Garbo. That garnered more attention for the dancing done in the club, which helped the Starliters reach #1 with “Peppermint Twist” and revived interest in “The Twist.” AH The song was re-released went back to the top. The two chart runs gave it a record 39 weeks on the Hot 100 for a #1 song, a feat that lasted until 1988 when UB40’s second chart run with “Red Red Wine” gave that song 40 weeks on the charts. BB

Part of the success of the dance was because anyone could do it. As Checker said, “It’s like putting out a cigarette with both feet.” SJ It succeeded on American Bandstand because it “was energetic and improvisatory...adaptable enough that it didn’t have to be sexualized…[and] didn’t require a partner, so shows like Bandstand were never in danger of violating any morality codes.” TB Black activist Eldridge Cleaver called it “a guided missile, launched from the ghetto into the very heart of suburbia.” SS


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First posted 1/13/2012; last updated 4/2/2023.