Showing posts with label Bonnie Raitt. Show all posts
Showing posts with label Bonnie Raitt. Show all posts

Sunday, February 5, 2023

Bonnie Raitt “Just Like That” won Grammy for Song of the Year

Just Like That

Bonnie Raitt

Writer(s): Bonnie Raitt (see lyrics here)


Released: April 22, 2022 (album cut)


First Charted: --


Peak: 1 DF (Click for codes to charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 0.98 video, -- streaming

Awards:

Click on award for more details.

About the Song:

If the Grammys gave out an award for biggest surprise of the night, the 2023 prize would have landed in Bonnie Raitt’s hands. When she was announced as the winner of the Grammy for Song of the Year, no one looked more shocked than she did. She hesitated to even go on stage, possibly thinking this was some kind of La La Land Oscar fiasco. Indeed, critics figured it would go to one of the big name artists like Adele, Beyoncé, Harry Styles, or Taylor Swift. Raitt herself joked that the other artists must have cancelled each other out. TC

Raitt said in her acceptance speech that she wrote the song as a tribute to the late folk singer/songwriter John Prine. She further explained the meaning behind the song, saying, “I was so inspired for this song by the incredible story of the love and the grace and the generosity of someone that donates their beloved’s organs to help another person live and the story was so simple and so beautiful for these times.” Indeed, the catalyst was a real story of a man who received a heart donation and tracked down the donor’s mother and let her listen to her son’s heart beating inside his chest. TC

Raitt initially sings from the woman’s perspective as she mourns the loss of her son. Later she assumes the man’s voices, singing “I’ve spent years just trying to find you / So I could finally let you know / It was your son’s heart that saed me / And a life you gave us both.” She returns to the Mom’s perspective, singing “I lay my head upon his chest and I was with my boy again.”

It wasn’t Raitt’s first Grammy. At the 1990 ceremony, she evoked equal sentiments of shock when Nick of Time won the Grammy for Album of the Year. She won four Grammys that year and has now accumulated 13 total. In addition to the win for Song of the Year at the 2023 Grammys, she also took home trophies for Best Americana Performance (“Made Up Mind”) and Best American Roots Song (“Just Like That”).


Resources:


First posted 2/6/2023.

Tuesday, April 19, 2022

National Recording Registry: 2022

National Recording Registry:

2022 Inductions

The National Recording Registry was established by the National Recording Preservation Act of 2000. The Librarian of Congress appoints members to the National Recording Preservation Board which, since 2002, has selected 25 recordings annually for preservation in the Library of Congress. As the website says, the recordings showcase “the range and diversity of American recorded sound heritage in order to increase preservation awareness.” Most inductees are songs and albums, but there are also radio, news, and sports broadcasts along with other spoken word recordings.

Below is a list of the 2022 inductees, announced April 13, 2022. Click on a song or album title to see its DMDB page. Click here to read more about each of them on the National Recording Registry website. You can also read essays on more than 500 of the inductees here, including one by yours truly on Kenny Loggins’ “Footloose.”


Spotify Podcast:

Check out the Dave’s Music Database podcast: National Recording Registry 2022 which highlights all of the songs on the list below as well as selections from the album inductees. Premiere: April 19, 2022 at 7pm CST. Tune in every Tuesday at 7pm for a new episode based on the lists at Dave’s Music Database.


1. SONG: James P. Johnson “Harlem Strut” (1921)
2. Franklin D. Roosevelt: Complete Presidential Speeches (1933-1945)
3. SONG: Ernest Tubb “Walking the Floor Over You” (1941)
4. “On a Note of Triumph” (May 8, 1945)
5. SONG: The Soul Stirrers “Jesus Gave Me Water” (1950)
6. ALBUM: Duke Ellington At Newport (1956)
7. ALBUM: Max Roach We Insist! Max Roach’s Freedom Now Suite (1960)
8. SONG: Nat “King” Cole “The Christmas Song (Chestnuts Roasting on an Open Fire)” (1961)
9. ALBUM: The Shirelles Tonight’s the Night (1961)
10. SONG: Andy Williams “Moon River” (1962)
11. ALBUM: Terry Riley In C (1968)
12. SONG: The Disenyland Boys Choir “It’s a Small World After All” (1964)
13. SONG: Four Tops “Reach Out (I’ll Be There)” (1966)
14. Hank Aaron’s 715th Career Home Run (April 8, 1974)
15. SONG: Queen “Bohemian Rhapsody” (1975)
16. SONG: Journey “Don’t Stop Believin’” (1981)
17. ALBUM: Linda Ronstadt Canciones de Mi Padre (1987)
18. ALBUM: Bonnie Raitt Nick of Time (1989)
19. ALBUM: A Tribe Called Quest The Low End Theory (1991)
20. ALBUM: Wu-Tang Clan Enter the Wu-Tang (36 Chambers) (1993)
21. ALBUM: Various Artists Buena Vista Social Club (1997)
22. SONG: Ricky Martin “Livin’ La Vida Loca” (1999)
23. ALBUM: Alicia Keys Songs in A Minor (2001)
24. WNYC broadcasts for the day of 9/11 (Sept. 11, 2001)
25. “WTF with Marc Maron” (Guest: Robin Williams) (April 26, 2010)


Resources and Related Links:


First posted 4/15/2022; last updated 4/19/2022.

Friday, January 20, 2012

Etta James: 1938-2011


Check out these books by Dave Whitaker available through DavesMusicDatabase.com or Amazon.

Also check the Dave’s Music Database Facebook page for daily music-related posts.




Etta James, “one of the great voices of the 20th century who fused R&B with gospel and blues,” RS died January 20, 2012, less than a week shy of her 74th birthday. The Grammy winner was an inductee in the Blues Hall of Fame, R&B Foundation, and the Rock and Roll Hall of Fame. Her song “The Wallflower (Roll with Me Henry)” (1955), was inducted into the Grammy Hall of Fame, and “Tell Mama” (1967) was selected to the Rock and Roll Hall of Fame’s list of 500 Songs That Shaped Rock and Roll. However, she may be most associated with wedding favorite “At Last” (1961), a Grammy Hall of Fame inductee, National Recording Registry entry, and one of the top 100 jazz songs of all time according to the DMDB. At his inauguration, President Barack Obama and first lady Michelle Obama danced to “At Last” as sung by BeyoncĂ©, who portrayed James in the 2008 film Cadillac Records.

James was diagnosed with leukemia in 2010 and battled other health problems such as drug addiction, dementia, and hepatitis C. At one point, she ballooned to a reported 400 pounds and then cut that weight in half. Lupe DeLeon, her longtime friend and manager, said “This is a tremendous loss for the family, her friends and fans around the world…She was a true original who could sing it all – her music defied category. I worked with Etta for over 30 years. She was my friend and I will miss her always.” CNN

She was born Jamesetta Hawkins in Los Angeles in 1938. Her teen mother largely abandoned her and never revealed the father’s identity, although James suspected it was famed pool player Minnesota Fats. CNN Johnny Otis, best known for the song “Willie and the Hand Jive”, discovered James when she was 14. She hit #1 on the R&B charts with “The Wallflower”, a song Otis wrote as an answer song to Hank Ballard’s “Work with Me Annie”.

Over the next decade, James charted a dozen top ten hits on the R&B charts, most with Chess Records. Her most successful run on the pop charts was “Tell Mama” with a #23 peak. She discussed her songs with CNN in 2002: “Most of the songs I sing, they have that blue feeling to it. They have that sorry feeling. And I don’t know what I'm sorry about.” CNN

She continued touring until sidelined by illness in 2009. She has been cited as an influence by current British singer Adele. In 2008, Bonnie Raitt told Rolling Stone, “There’s a lot going on [in] Etta James’ voice…A lot of pain, a lot of life, most of all, a lot of strength. She can be so raucous and down one song, and then break your heart with her subtlety and finesse the next. As raw as Etta is, there's a great intelligence and wisdom in her singing.” RS She also said, “Anybody who has a bluesy side to what they do can point to Etta James as the bridge between R&B, blues and pop singing.” UT

As James told Rolling Stone, “Life’s been rough…But life’s been good. If I had to go back and do it all over again, I would live it the exact same way.” RS





Awards:

Resources and Related Links:

Friday, December 31, 1999

Lilith Fair: Top 100 Songs

Lilith Fair:

Top 100 Songs

Lilith Fair wasn’t exactly a genre, but a celebration of female artists in the late 1990s. Discouraged by radio programmers and concert promoters who didn’t think it was commercially viable to have two female artists perform back to back, Sarah McLachlan launched the Lilith Fair festival in the summer of 1997. The concept was to feature only female artists or female-led bands. More than 30 dates featured over 70 performers. The festival was successful enough to spawn follow-ups in 1998 and 1999.

The initial list was generated by taking all those artists who performed from 1997 to 1999 and ranking their songs. This included songs by 10,000 Maniacs and ‘Til Tuesday even though they weren’t performers because their lead singers, Natalie Merchant and Aimee Mann respectively, were performers at Lilith Fair.

I also ceated a definition of the Lilith Fair genre that disqualified some of the performers from this list. I decided to focus on artists who broke between 1985 and 1999. That excluded Lilith Fair performers such as the Pretenders and Pat Benatar who emerged in 1979. I did make exceptions for artists like Bonnie Raitt and Lucinda Williams whose careers began prior to 1985 but reached their artistic and commercial peaks in the “Lilith Fair era.”

I also decided to limit the list to artists who fit more into an alternative-rock or folk-rock vibe. That excluded rap and R&B performers at Lilith Fair such as Missy Elliott and Erykah Badu. In addition, acts generally considered country, such as the Dixie Chicks or Mary Chapin Carpenter, were excised from the list. Again, however, this is subjective as I decided to keep k.d. lang in the mix since she was a traditional country artists but found an audience in the early ‘90s along the lines of other Lilith Fair artists.

I also added artists such as the Cranberies, Melissa Etheridge, Alanis Morissette, and No Doubt, that met my criteria but weren’t actually performers at Lilith Fair.

Finally, I imposed one last restriction. I decided not to feature more than four songs by any artist since some acts, like Sheryl Crow and Alanis Morissette, threatened to overwhelm the list and keep lesser-known artists from appearin on the lists.

Click here to see other genre-specific song lists.


Spotify Podcast

Check out the Dave’s Music Database podcast episode Lilith Fair: The 25th Anniversary which references songs on this list. Premiered September 6, 2022.


Spotify Playlist

You can listen here to a Lilith Fair Spotify playlist that includes the songs below and more.


DMDB Top 1%:

1. SinĂ©ad O’Connor “Nothing Compares 2 U” (1990)
2. No Doubt “Don’t Speak” (1996)
3. Natalie Imbruglia “Torn” (1997)
4. Alanis Morissette “You Oughta Know” (1995)
5. Tracy Chapman “Fast Car” (1988)
6. Alanis Morissette “Ironic” (1995)
7. Sheryl Crow “All I Wanna Do” (1993)

DMDB Top 2%:

8. Alannah Myles “Black Velvet” (1989)
9. The Cranberries “Zombie” (1994)
10. Lisa Loeb & Nine Stories “Stay (I Missed You)” (1994)

11. Jewel “You Were Meant for Me” (1995)
12. Suzanne Vega “Luka” (1987)
13. Tracy Chapman “Give Me One Reason” (1995)
14. Shawn Colvin “Sunny Came Home” (1996)
15. 4 Non Blondes “What’s Up?” (1992)
16. Joan Osborne “One of Us” (1995)
17. Sixpence None the Richer “Kiss Me” (1997)
18. Sarah McLachlan “Building a Mystery” (1997)
19. k.d. lang “Constant Craving” (1992)
20. Alanis Morissette “You Learn” (1995)

21. Jewel “Foolish Games” (1995)
22. The Cardigans “Lovefool” (1996)
23. The Breeders “Cannonball” (1993)

DMDB Top 5%:

24. The Cranberries “Linger” (1993)
25. Elastica “Connection” (1994)
26. Macy Gray “I Try” (1999)
27. Bonnie Raitt “Something to Talk About” (1991)
28. Divinyls “I Touch Myself” (1991)
29. Alanis Morissette “Head Over Feet” (1995)
30. Indigo Girls “Closer to Fine” (1989)

31. Dido “Thank You” (1999)
32. Hole “Doll Parts” (1994)
33. Meredith Brooks “Bitch” (1997)
34. SinĂ©ad O’Connor “Mandinka” (1987)
35. Bonnie Raitt “I Can’t Make You Love Me” (1991)
36. Paula Cole “I Don’t Want to Wait” (1996)
37. Tori Amos “Silent All These Years” (1991)
38. Veruca Salt “Seether” (1994)
39. Sarah McLachlan “Angel” (1997)
40. The Sugarcubes “Birthday” (1987)

41. Sheryl Crow “If It Makes You Happy” (1996)
42. Suzanne Vega with DNA “Tom’s Diner” (remix, 1990)
43. Jewel “Who Will Save Your Soul?” (1995)
44. No Doubt “Just a Girl” (1995)
45. Mazzy Star “Fade into You” (1993)
46. Garbage “Only Happy When It Rains” (1995)
47. Edie Brickell & New Bohemians “What I Am” (1988)
48. Sheryl Crow “My Favorite Mistake” (1998)
49. The Cranberries “Dreams” (1992)
50. Tori Amos “Cornflake Girl” (1994)

51. PJ Harvey “Down by the Water” (1995)
52. ‘Til Tuesday “Voices Carry” (1985)
53. Portishead “Sour Times (Nobody Loves Me)” (1994)
54. Bonnie Raitt “Love Sneakin’ Up on You” (1994)
55. Sheryl Crow “Strong Enough” (1993)
56. Fiona Apple “Criminal” (1996)
57. K’s Choice “Not an Addict” (1996)
58. Bonnie Raitt “Nick of Time” (1989)
59. Paula Cole “Where Have All the Cowboys Gone?” (1996)
60. Tori Amos “Me and a Gun” (1991)

61. 10,000 Maniacs “Like the Weather” (1987)
62. Tracy Chapman “Talkin’ ‘Bout a Revolution” (1988)
63. Sarah McLachlan “I Will Remember You” (1995)
64. Hole “Violet” (1994)
65. Concrete Blonde “Joey” (1990)
66. Tori Amos “God” (1994)
67. Billie Myers “Kiss the Rain” (1997)
68. Melissa Etheridge “I’m the Only One” (1993)
69. Loreena McKennitt “The Mummer’s Dance” (1997)
70. Garbage “Stupid Girl” (1995)

71. Hole “Malibu” (1998)
72. SinĂ©ad O’Connor “Troy” (1987)
73. Sarah McLachlan “Possession” (1993)
74. Melissa Etheridge “Bring Me Some Water” (1988)
75. Merril Bainbridge “Mouth” (1994)
76. Tracy Bonham “Mother Mother” (1996)
77. Melissa Etheridge “Come to My Window” (1993)
78. Cowboy Junkies “Sweet Jane” (1988)
79. SinĂ©ad O’Connor “The Emperor’s New Clothes” (1990)
80. 10,000 Maniacs “These Are Days” (1992)

DMDB Top 10%:

81. Sophie B. Hawkins “Damn, I Wish I Was Your Lover” (1992)
82. Shawn Colvin “I Don’t Know Why” (1992)
83. Heather Nova “Walk This World” (1995)
84. Natalie Merchant “Wonder” (1995)
85. No Doubt “Spiderwebs” (1995)
86. Tasmin Archer “Sleeping Satellite” (1992)
87. Letters to Cleo “Here and Now” (1995)
88. Indigo Girls “Galileo” (1992)
89. Toni Childs “Don’t Walk Away” (1988)
90. Dido “Here with Me” (1999)

91. Luscious Jackson “Naked Eye” (1996)
92. Tracy Chapman “Crossroads” (1989)
93. Lone Justice “Ways to Be Wicked” (1985)
94. Natalie Merchant “Carnival” (1995)
95. Suzanne Vega with Joe Jackson “Left of Center” (1986)
96. Michelle Shocked “Anchorage” (1988)
97. The Sundays “Here’s Where the Story Ends” (1990)
98. Alana Davis “32 Flavors” (1997)
99. Aimee Mann “Save Me” (1999)
100. Belly “Feed the Tree” (1993)


Resources/Related Links:


First posted 6/24/2022; last updated 1/12/2025.

Lilith Fair: Top 50 Albums

Lilith Fair:

The Top 50 Albums

Lilith Fair wasn’t exactly a genre, but a celebration of female artists in the late 1990s. Discouraged by radio programmers and concert promoters who didn’t think it was commercially viable to have two female artists perform back to back, Sarah McLachlan launched the Lilith Fair festival in the summer of 1997. The concept was to feature only female artists or female-led bands. More than 30 dates featured over 70 performers. The festival was successful enough to spawn follow-ups in 1998 and 1999.

This list was generated by taking all those artists who performed (including groups like 10000 Maniacs who didn’t perform, but front woman Natalie Merchant did) from 1997 to 1999 and ranking their albums. It should be noted that albums by 10,000 Maniacs and ‘Til Tuesday have been included in this list even though they weren’t performers.

Some performers were excluded from this list. Lilith Fair embraced a wide swath of genres but this list is focused on artists who fall into the alternative rock/folk rock vein. As such, acts more typically defined as R&B, rap, country, or pop were excluded. However, artists who did not perform at Lilith Fair (Alanis Morissette, Melissa Etheridge, etc.) have been included because they fit the alternative rock/folk rock label. They are noted with an asterisk (*).

An effort was also made to define the “Lilith Fair” genre as covering a certain era, specifically from the mid-‘80s to the late ‘90s. That means songs before 1985 and after 1999 were excluded. Similarly, artists (such as the Pretenders or Pat Benatar) who performed at Lilith Fair but emerged prior to 1985 have been excluded.

Check out other best-of-genre/category lists here.

1. Alanis Morissette Jagged Little Pill (1995) *
2. Tracy Chapman Tracy Chapman (1988)
3. SinĂ©ad O’Connor I Do Not Want What I Haven’t Got (1990)
4. Tori Amos Little Earthquakes (1992) *
5. Liz Phair Exile in Guyville (1993)
6. Sheryl Crow Tuesday Night Music Club (1993)
7. No Doubt Tragic Kingdom (1995) *
8. Lucinda Williams Car Wheels on a Gravel Road (1998)
9. Bonnie Raitt Nick of Time (1989)
10. Dido No Angel (1999)

11. Sarah McLachlan Fumbling Towards Ecstasy (1993)
12. Jewel Pieces of You (1995)
13. Indigo Girls Indigo Girls (1989)
14. Emmylou Harris Wrecking Ball (1995)
15. Sarah McLachlan Surfacing (1997)
16. The Cranberries No Need to Argue (1994) *
17. Garbage Garbage (1995) *
18. Sheryl Crow Sheryl Crow (1996)
19. k.d. lang Ingénue (1992) *
20. Melissa Etheridge Yes I Am (1993) *

21. Tori Amos Under the Pink (1994) *
22. Mary Chapin Carpenter Come on, Come On (1992)
23. Sheryl Crow The Globe Sessions (1998)
24. Bonnie Raitt Luck of the Draw (1991)
25. Suzanne Vega Solitude Standing (1987)
26. Lucinda Williams Lucinda Williams (1988)
27. Melissa Etheridge Melissa Etheridge (1988) *
28. Shawn Colvin A Few Small Repairs (1996)
29. Tori Amos Boys for Pele (1996)
30. Fiona Apple Tidal (1996)

31. The Cranberries Everybody Else Is Doing It So Why Can’t We? (1993) *
32. 10,000 Maniacs In My Tribe (1987)
33. Bonnie Raitt Longing in Their Hearts (1994)
34. The Breeders Last Splash (1993) *
35. Alanis Morissette Supposed Former Infatuation Junkie (1998) *
36. Joan Osborne Relish (1995)
37. Paula Cole This Fire (1996)
38. Cowboy Junkies The Trinity Session (1988)
39. Tori Amos From the Choirgirl Hotel (1998) *
40. Tracy Chapman New Beginning (1995)

41. Natalie Merchant Tigerlily (1995)
42. Fiona Apple When the Pawn… (1999)
43. SinĂ©ad O’Connor The Lion and the Cobra (1987)
44. Shawn Colvin Steady On (1989)
45. Tracy Chapman Crossroads (1989)
46. Aimee Mann Whatever (1993)
47. Edie Brickell & New Bohemians Shooting Rubberbands at the Stars (1988) *
48. Lone Justice Lone Justice (1985)
49. Toni Childs Union (1988) *
50. Indigo Girls Strange Fire (1987)


Resources and Related Links:


First posted 12/2/2024.

Wednesday, February 21, 1990

Bonnie Raitt’s Nick of Time wins Grammy for Album of the Year

Nick of Time

Bonnie Raitt


Released: March 21, 1989


Charted: April 15, 1989


Peak: 13 US, 51 UK, -- CN, 58 AU, 4 DF


Sales (in millions): 5.6 US, -- UK, 5.9 world (includes US and UK)


Genre: blues-rock


Tracks:

Song Title (date of single release, chart peaks) Click for codes to charts.

  1. Nick of Time (9/16/89, 92 BB, 10 AC, 82 UK, 1 DF)
  2. Thing Called Love (3/18/89, 11 AR, 15 DF)
  3. Love Letter (6/24/89, 49 AR, 35 AC, 73 CN, 16 DF)
  4. Cry on My Shoulder (37 DF)
  5. Real Man (19 DF)
  6. Nobody’s Girl (34 DF)
  7. Have a Heart (2/3/90, 49 BB, 3 AC, 16 CN, 19 DF))
  8. Too Soon to Tell (38 DF)
  9. I Will Not Be Denied (37 DF)
  10. I Ain’t Gonna Let You Break My Heart Again
  11. The Road’s My Middle Name (32 DF)


Total Running Time: 42:31

Rating:

4.113 out of 5.00 (average of 20 ratings)


Awards:

(Click on award to learn more).

About Bonnie Raitt

Blues-rock singer, songwriter, and guitarist Bonnie Raitt was born in 1949 in Burbank, California. She got her start playing with Mississippi Fred McDowell at the Philadelphia Folk Festival and as an opening act for John Hammond at the Gaslight Café in New York. Word spread about her performance after she was seen by a reporter from Newsweek. She signed a record deal with Warner Bros. and released her debut album in 1971.

Raitt established herself as “an exquisite interpretive singer and formidable guitarist who’d long ago honed her bluesy chops.” AZ She became “a reliable cult artist, delivering a string of solid records that were moderate successes and usually musically satisfying.” AM They were “generally superb, commercially underachieving recordings.” AZ

No Overnight Sensation

However, in the mid-‘80s her career “looked to be heading for the graveyard.” RD when her ninth album, Nine Lives, failed to reach the top 100 on the Billboard album chart and Warner Bros. dropped her. She signed with Capitol Records and made one of the greatest comebacks in music history.

Tenth album Nick of Time, was “the watershed moment in Bonnie Raitt’s recording career, the sound of a survivor finding new focus and purpose in her art after nearly 20 years.” AZ She combined her “usual gourmet spread of smart cover choices with her own candid songs.” AZ They “resonated with her persona as a tough, smart, but ultimately tender woman.” AZ

Don Was

Most telling, however, was her decision to collaborate with producer Don Was. “The pairing seemed a little odd, since he was primarily known for the weird hipster funk of Was (Not Was) and the B-52’s’ quirky eponymous debut, but the match turned out to be inspired. Was used Raitt’s classic early-‘70s records as a blueprint, choosing to update the sound with a smooth, professional production and a batch of excellent contemporary songs.” AM

“In this context, Raitt flourishes; she never rocks too hard, but there is grit to her singing and playing, even when the surfaces are clean and inviting.” AM It “catapulted a feisty rock tomboy into a new station that made her as admired by female fans as the stage door johnnies who’d long loved her rock technique.” AZ

Grammy Surprise

Raitt shocked the music industry when Nick of Time won the Grammy for Album of the Year in February 1990. She also picked up Grammys for Best Female Rock Vocal Performance (for the album) and Best Female Pop Vocal Performance (for the title cut). That propelled the album up the charts, where it reached #1 more than a year after its release and went on to sell more than 5 million copies.

It was a great comeback album that made for a great story, but the record never would have been a blockbuster success if it wasn’t for the music, which is among the finest Raitt ever made. She must have realized this, since Nick of Time served as the blueprint for the majority of her ‘90s albums.” AM

“Nick of Time”

“She knocked one over the fence with the opening track,” AZ, “the album’s title trackRD “which smoothly sets heartache to a toe-tapping beat.” RD It is “a moving confession of a boomer’s anxieties about age, death, and the impermanence of love.” AZ

Other Songs

“While she only has two original songs here, Nick of Time plays like autobiography, which is a testament to the power of the songs, performances, and productions.” AM Her cover of John Hiatt’s Thing Called Love is “a rowdy tune that would fit easily on modern ‘new country radio.” RD “Raitt honky-tonks her way through the powerful Love Letter,” RD one of two songs originally written and performed by Bonnie Hayes. The other was Have a Heart. All three songs reached one or more Billboard charts.

Resources:


Related DMDB Links:


Last updated 12/3/2024.

Saturday, September 16, 1989

Bonnie Raitt “Nick of Time” charted

Nick of Time

Bonnie Raitt

Writer(s): Bonnie Raitt (see lyrics here)


Released: May 19, 1990


First Charted: September 16, 1989


Peak: 92 US, 10 AC, 82 UK, 1 DF (Click for codes to charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 2.2 video, 15.28 streaming

Awards:

Click on award for more details.

About the Song:

Bonnie Raitt was nearly two decades into her recording career before breaking through with Nick of Time. After being dropped by her previous record label, she got clean and sober and got a new deal with Capitol Records. It resulted in one of rock history’s greatest career resurgances. Even then, it wasn’t a hit out of the gate. The album was released in March 1989 and had three songs chart that year, but it wasn’t until a year later that it took off – thanks to the Grammys.

In February 1990, Nick of Time won the Grammy for Album of the Year. It soared up the charts, hitting #1, and would go on to sell five million copies. While the title cut had already charted back in September, it was now officially released as a single. While it barely scraped the Billboard Hot 100, it was a top-10 hit on the adult contemporary charts. The song won a Grammy for Best Female Pop Vocal Performance.

Raitt wrote “Nick of Time” while on retreat at a cabin in Mendocino, California, offering her observations on aging. She talked about a friend who was middle-aged and wanted a baby and sang about her own parents getting older. As she said, I “could really feel what it was like for a body to age. This whole idea of time and it being more precious as you age, I realized this would be what I’d write about.” WK

When recording the demo for the song, she had to get creative. Her keyboard was balanced on a chair, she hung a microphone from a lamp, and she used an old compact drum machine. When it came time to record the actual track, Raitt wanted a beat like the heartbeat pulse on Marvin Gaye’s “I Heard It Through the Grapevine.” Because there were not hand drums in the studio, drummer Ricky Fataar miked a burlap sandbag used to hold down the mike stands and played the heartbeat of the song with his hands. SF


Resources:


Related Links:


First posted 9/4/2022; last updated 12/27/2022.

Wednesday, May 22, 1974

Jon Landau wrote about Bruce Springsteen: May 22, 1974

Originally posted May 22, 2012.

Jon Landau and Bruce Springsteen,
image from reverendjeffrey.blogspot.com

38 years ago, then-writer Jon Landau wrote one of the more famous lines of rock and roll journalism: “I saw rock and roll future and its name is Bruce Springsteen.” The line referenced a concert he’d seen the Thursday before at the Harvard Square theatre where Springsteen opened for Bonnie Raitt. He also said of the two-hour set, “Can anyone really be this good; can anyone say this much to me; can rock ‘n’ roll still speak with this kind of power and glory?” He answers with a resounding “yes” saying, “Springsteen does it all” and later “there is no one I would rather watch on stage today.”

It’s Hard to Be a Saint in the City, live on 3-3-1974

Interestingly, Springsteen isn’t really the focus of the article. Springsteen’s name doesn’t show up until after the halfway point. At the grizzled age of 27, he reminisced about jamming with friends and listening to records as a freshman in college. He noted classics like Dionne Warwick’s “Walk on By,” the Drifters’ “Up on the Roof,” Wilson Pickett’s “In the Midnight Hour,” and Otis Redding’s “Respect.” He said, “Others enjoyed drugs, school, travel, adventure. I just liked music: listening to it, playing it, talking about it.”

I can relate. Other than my family (and they might complain they rank second) nothing consumes my time and attention more than music. When it comes to favorites, I cite Marillion as my favorite band and Kevin Gilbert as my favorite singer. They both have that proper “who’s that?” quality that makes me appear more in touch with music than the average person. However, when it comes to mainstream music, no one gets me as enthused as Springsteen. I became a fan in high school when Born in the U.S.A. was taking over the world. I’ve eagerly awaited every album he’s done since, lapping them up as soon as they’re released, absorbing them, and then walking away with a couple new favorites to add to The Boss’ already-ripe canon.

Kitty’s Back, live on 1-19-1974

When Landau wrote his “Growing Young with Rock and Roll” article, Springsteen had two going-nowhere albums under his belt with Greetings from Asbury Park, N.J. and The Wild, the Innocent, & the E Street Shuffle. Columbia Records had already lost $150,000 on those records and while Springsteen had a devoted local following, there seemed to be little chance he’d become a star. However, Columbia trumpeted Landau’s endorsement in full-page ads. While the original article appeared in The Real Paper, a weekly Boston newspaper which ran from 1972 to 1981, Landau had established a significant readership, having written for Rolling Stone, lending his craft to their very first issue in 1967.

More importantly, Landau joined Springsteen’s management team before year’s end. He co-produced Springsteen’s career-making album, 1975’s Born to Run and stayed on board with Springsteen ever since. Landau currently heads the nominating committee for the Rock and Roll Hall of Fame.


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