Saturday, September 30, 1978

Styx charted with Pieces of Eight

Pieces of Eight

Styx


Released: 9/1/1978


Peak: 6 US, -- UK, -- CN, 70 AU, 15 DF Click for codes to charts.


Sales (in millions): 3.0 US


Genre: classic arena rock


Tracks:

Click on a song titled for more details.
  1. Great White Hope [4:22]
  2. I’m O.K. [5:41]
  3. Sing for the Day [4:57]
  4. The Message [1:08]
  5. Lords of the Ring [4:33]
  6. Blue Collar Man (Long Nights) [4:05]
  7. Queen of Spades [5:38]
  8. Renegade [4:13]
  9. Pieces of Eight [4:44]
  10. Aku Aku [2:57]

Total Running Time: 42:18


The Players:

  • Dennis DeYoung (vocals, keyboards)
  • Tommy Shaw (vocals, guitar)
  • James “J.Y.” Young (guitar, vocals)
  • Chuck Panozzo (bass)
  • John Panozzo (drums)

Rating:

3.913 out of 5.00 (average of 24 ratings)


Awards:

(Click on award to learn more).

Following a Top-Ten, Multi-Platinum Album

Styx became an arena rock favorite with their seventh album, 1977’s The Grand Illusion. It became their first top-10 album and was a multi-platinum seller on the strength of hits “Come Sail Away” and “Fooling Yourself.” Pieces of Eight followed suit and became the band’s second multi-platinum top-10 album, also fueled by a pair of top-40 hits.

Production

Like The Grand Illusion, “Pieces of Eight’s overall production credit was again given to the entire band…with engineering by longtime collaborators Barry Mraz and Rob Kingsland. Po8 was recorded at Paragon Studios in Chicago.” SW

Songwriting

Like its predecessor, Pieces of Eight was “a tour de force for the band’s trio of songwriters…with the superb backing of the Panozzo rhythm section.” UCR Tommy Shaw helmed the album’s major hits, including “Blue Collar Man” and “the frolicking romp of Renegade.” AM Dennis DeYoung said, “After eight albums I felt musically bankrupt as a composer…I never liked my contribution. I think that was Tommy Shaw’s finest work in Styx.” LS

Styx’s Last Hurrah for Prog Rock?

“While the writing may stray slightly from what Styx provided on The Grand Illusion, Pieces of Eight kept their established rock formula intact quite firmly.” AM Some considered Pieces of Eight to be the band’s last album “with significant progressive rock leanings” WK or “their final great pomp rock moment.” LS

Sing for the Day, Lords of the Ring, and Aku-Aku all contain slightly more complex instrumental foundations, and are lyrically reminiscent of the material from albums like The Serpent Is Rising or Man of Miracles, but not as intricate or instrumentally convoluted.” AM The aforementioned “Lords of the Ring” as well as “DeYoung’s title track…provided more majestic pomp rock highlights, and JY simply brought the house down with Great White Hope and (with DeYoung) the simply sublime Queen of Spades.” UCR

Theme

It’s also considered a theme album focused on “uniform, isolation, disappointment, frustration, mistrust and duplicity.” LS Dennis DeYoung explained that it was about “not giving up your dreams just for the pursuit of money and material possessions.” WK

James “JY” Young said, “There was never an intentional theme…Five young men had finally gained success. We achieved our goal and finally the money and all its trappings were rolling in for us. By the age of 30 we were doing well for ourselves. You always dream about how your life will change when you become successful but in reality going from having very little to having lots is a transition that affects you personally, professionally and emotionally in ways that you didn’t expect – and in a way those sentiments are reflected in the title of the record.” LS

The Cover

The album cover was done by “Hipgnosis — the British company known for creating instantly memorable album-package artwork for Pink Floyd, Led Zeppelin, UFO, 10cc, and scores of other bands.” SW “The design and positioning of the ‘mature’ female heads…is patterned after the monolithic stone statues that appear all throughout Easter Island in the Valparaiso region of Chile.” SW

Aubrey “Po” Powell explained, “When we thought of the idea of Pieces of Eight, automatically…you think of treasure — doubloons, and other stuff pirates would have like that – so we wanted to move as far away from that as possible.” SW It was master designer Storm Thorgerson who said, “Why don’t we create something like a strange cocktail party with a housewives-from-Phoenix kind of context?” SW While they initially wanted to shoot the background on Easter Island, it was difficult to get there in those days so they opted for “a collage of these very conservative, upmarket, rich women attending a cocktail party…and they all had to be wearing those Aku-Aku earrings.” SW

He admitted that the image had very little to do with Styx or their music but hoped it was “an image that’s…impactful enough that people…take note.” SW “At that time in the ’70s, in the record emporiums like Tower Records…you wanted to create something that was a little different…When an album like Pieces of Eight went up on the wall, it would garner people’s attention.” SW

Reissue

A 2012 DVD featured Styx performing The Grand Illusion and Pieces of Eight albums live in their entirety.

The Songs

Here’s a breakdown of each of the individual songs.

Great White Hope

Styx

Writer(s): Dennis DeYoung


Released: Pieces of Eight (1978)


Peak: 12 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 1.31 streaming


About the Song:

“The record opens with the rollicking ‘Great White Hope,’ another classic JY rocker that sets the thematic tone for the rest of the album.” LS

I’m O.K.

Styx

Writer(s): Dennis DeYoung, James Young


Released: Pieces of Eight (1978)


Peak: 12 DF Click for codes to charts.


Sales (in millions): -- US, -- UK, -- world (includes US + UK)


Airplay/Streaming (in millions): -- radio, -- video, 1.63 streaming


About the Song:

Dennis DeYoung’s “I’m O.K.” “is a stark confessional, neatly summarising his on-and-off bouts of self-doubt and disillusion during the preceding years.” LS As he said, “So many times I write songs to remind myself what I should be thinking when I’m certainly not. I went through a very difficult period in 1976, 1977 and parts of 1978 where I suffered from depression and anxiety. This song was really me trying to remind myself that I was fine.” LS

“The absolutely brilliant pipe-organ solo performed by keyboardist/vocalist Dennis DeYoung in the middle…was recorded at the St. James Cathedral, which is located at the corner of Huron and Wabash Streets in Chicago. It is the oldest Episcopal Church in the United States, having been founded in 1834 and completed in 1857.” SW

Sing for the Day

Styx

Writer(s): Tommy Shaw


Released: October 1978 as a single, Pieces of Eight (1978)


Peak: 41 BB, 41 CB, 38 GR, 39 HR, 17 CL, 27 CN, 9 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 1.93 streaming


About the Song:

This “acoustic-driven treasure” SW was the third single from Pieces of Eight. It just missed the top-40. It was still an impressive personal accomplishment for Tommy Shaw as all three singles were penned by him.

“The ‘Hannah’ whom Tommy namechecks throughout the song is meant to be the representative embodiment of the mutual respect between the band and their substantive female following.” SW It “is a tribute to the audience and their belief in, and support of, Styx’s music.” LS

The Message

Styx

Writer(s): Dennis DeYoung


Released: Pieces of Eight (1978)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, -- streaming


About the Song:

This is just a short instrumental piece by DeYoung, somewhat following the pattern of previous albums with an instrumental leading into a bombastic effort at an epic (“Prelude 12” and “Suite Madame Blue” on Equinox and “Clair de Lune” and “Ballerina” on Crystal Ball).

Lords of the Ring

Styx

Writer(s): Dennis DeYoung


Released: Pieces of Eight (1978)


Peak: 20 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.82 streaming


About the Song:

The song “has nothing whatsoever to do with JRR Tolkien but is…an acerbic observation on the cult of stardom.” LS DeYoung said, “It was really about the silliness and the façade of being a rock star, of the realisation that success, in all of its manifestations, was not really going to give me fulfilment.” LS

James Young said, “Originally, Dennis was going to sing it and I was slated to sing ‘I’m OK.’ But that song was such a personal statement about himself that he ended up singing it and putting me on ‘Lords of the Ring.’” LS

Blue Collar Man (Long Nights)

Styx

Writer(s): Tommy SHaw


Released: 9/9/1978 as a single, Pieces of Eight (1978), Caught in the Act (live, 1984), Classics (compilation, 1987)


Peak: 21 BB, 21 CB, 22 HR, 21 R, 4 CL, 9 CN, 98 AU, 2 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 35.31 streaming

Awards:

(Click on award to learn more).

About the Song:

The band’s “feisty, straightforward brand of album rock is represented best by Blue Collar Man (Long Nights), …an invigorating keyboard and guitar rush — hard and heavy, yet curved by Tommy Shaw's emphasized vocals.” AM The “hard rock nugget” LS features “Dennis DeYoung on very angry Hammond organ and lyrics that pay homage to the working man.” LS

Shaw said, “I originally wrote that song on an acoustic guitar…It was quite a dark acoustic song. Once again, we electrified it and brought the growly organ in, which was a last-minute thing. We had to fight Barry Mraz on that, because as an engineer he was such a purist, and we kept turning it up to get more distortion. Dennis played that part on a really nice B3 organ.” LS

Toto guitarist and singer Steve Lukather says “Blue Collar Man” is his favorite Styx song. SW

Queen of Spades

Styx

Writer(s): Dennis DeYoung, James Young


Released: Pieces of Eight (1978)


Peak: 21 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 2.10 streaming


About the Song:

“’Queen of Spades,’ a thinly veiled comment about the lure of gambling, navigates a quiet start before erupting into pomp rock glory, finally returning to the mysterious melody that it started with in the first instance.” LS

“’That was a co-write with JY,’ notes Dennis. ‘My involvement amounted to singing the melody while JY was responsible for everything else, all the chords and the lyrics. Those are his lyrics.’” LS

Renegade

Styx

Writer(s): Tommy Shaw (see lyrics here)


Released: 1/9/1979 as a single, Pieces of Eight (1978), Classics (compilation, 1987)


Peak: 16 BB, 18 CB, 22 HR, 17 RR< 1 CL, 10 CN, 1 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 34.5 video, 238.52 streaming

Awards:

(Click on award to learn more).

About the Song:

I consider 1979 – when I was in sixth grade – to be my musical birth. That’s when I started to pay attention to music for the first time. One of my first favorite songs was “Renegade” by Styx. It came out in the spring of that year, but my exposure to it came that summer. I was at a camp and about a half dozen of us bonded and hung out together a lot. The other guys kept singing “Renegade” and by the end of the camp I loved the song despite never actually having heard the original version.

When I started buying music, I started with eight track. My first purchase was a K-Tel collection called High Energy. I bought it primarily because of four songs – Blondie’s “Heart of Glass,” Chic’s “Le Freak,” Foreigner’s “Double Vision,” and Styx’s “Renegade.” It probably isn’t surprising that three of the four songs rank among my top 100 favorites to this day (sorry Foreigner).

What still grabs me to this day is the song’s a cappella opening, first with just Tommy Shaw’s voice. A faint drumbeat emerges between lines and then the rest of the band chimes in, melding their voices beautifully. Then comes the scream – and the song lurches forward into a full-on rock tune, “the eternal barnburner.” SW. Lyrically, it is a first-person account of being on the run from the law, knowing when he’s caught he’ll be hung.

Styx was unique in that three of its players wrote and sang. Dennis DeYoung sang on most of the band’s biggest hits (“Babe,” “Come Sail Away,” “The Best of Times,” “Mr. Roboto,” “Don’t Let It End”) while Shaw tackled more rock-oriented fare such as this one as well as “Fooling Yourself,” “Blue Collar Man (Long Nights),” and “Too Much Time on My Hands.” Guitarist James Young would typically contribute a rocker to each album as well. Typically, Shaw and Young would play lead on their own songs, but Young asked to play lead on this one. Shaw obliged and Young returned the favor on “Half Penny, Two Penny” from the band’s 1981 Paradise Theatre album. WK

Dennis DeYoung said “Renegade” wasn’t originally intended to be a single. He explained that the label released “Sing for the Day” as the second single with “Renegade” on the B-side. Radio programmers, however, flipped the single and played “Renegade.” LS

The song became the Pittsburgh Steelers’ “defensive rally song.” UCR Mike Marchinsky, a team marketing assistant, suggested it in 2001 when the team moved into its new stadium at Heinz Field. That season, the song was played during a playoff game when the Steelers were down 24-7 against the Cleveland Browns. The song ignited the Steelers and they came back to win. Since then, it has become routine to play it during a particular moment in the second half when the defense needs to stop an offensive drive. A video is broadcast on the jumbotron, building the crowd to a frenzy by the time the scream comes in. SF It has become such a tactical tool that the coach sometimes calls for the song in key situations. SF Shaw said he’s not the biggest sports fan, but “I have stood there in one of the boxes and looked out and seen 80,000 people waving the Terrible Towels while ‘Renegade’ is playing... It’s a very welcoming environment for me.’” UCR

Pieces of Eight

Styx

Writer(s): Dennis DeYoung


Released: Pieces of Eight (1978)


Peak: 5 DF Click for codes to charts.


Sales (in millions): -- US, -- UK, -- world (includes US + UK)


Airplay/Streaming (in millions): -- radio, -- video, 2.74 streaming


About the Song:

This is “another Dennis DeYoung confessional.” LS Tommy Shaw said, “It’s one of my favourite Dennis DeYoung songs of all time…It had all the great Styx elements to it: a great lyric, beautiful melody line, big three-part harmony chorus and a melodic guitar solo.” LS

Aku Aku

Styx

Writer(s): Tommy Shaw


Released: Pieces of Eight (1978)


Peak: 34 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.57 streaming


About the Song:

The “final sign off [is] an instrumental titled ‘Aku-Aku,’ composed by Shaw, providing a neat and serene conclusion to the album. Named after a somewhat controversial book, titled Aku-Aku: The Secret Of Easter Island written by Norwegian archaeological explorer Thor Heyerdahl in 1958, the piece provides a contemplative, dare we say, progressive conclusion.” LS

Resources/References:


Related DMDB Pages:


First posted 3/24/2008; last updated 8/12/2025.

Friday, September 22, 1978

Yes Tormato released

Tormato

Yes


Released: September 22, 1978


Peak: 10 US, 10 UK, 30 CN, 22 AU


Sales (in millions): 1.0 US, 0.1 UK, 1.1 world (includes US and UK)


Genre: progressive rock


Tracks:

Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Future Times/Rejoice (Anderson, Howe, Squire, Whiteman, White) [6:46]
  2. Don’t Kill the Whale (Anderson, Squire) [3:55] (9/9/78, 36 UK)
  3. Madrigal (Anderson, Wakeman) [2:21]
  4. Release, Release (Anderson, Squire, White) [5:40] (11/78, --)
  5. Arriving UFO (Anderson, Howe, Wakeman) [6:02]
  6. Circus of Heaven (Anderson) [4:28]
  7. Onward (Squire) [4:00]
  8. On the Silent Wings of Freedom (Anderson, Squire) [7:45]


Total Running Time: 40:57


The Players:

  • Jon Anderson (vocals, guitar)
  • Steve Howe (guitar, backing vocals)
  • Chris Squire (bass, backing vocals)
  • Rick Wakeman (keyboards)
  • Alan White (drums, percussion)

Rating:

2.617 out of 5.00 (average of 8 ratings)

About the Album:

Yes’ ninth studio album came a year after the “acclaimed Going for the OneWK but Tormato marked where “the ‘70s model of Yes runs out of gas.” PC It “received less than charitable reviews upon release and its virtues are still a matter of debate for Yes fans and critics.” WK “Recorded in a morale slump and an impending haze of drink, Tormato’s decent tunes are sabotaged by Rick Wakeman’s increasing penchant for cheesy textures and the band’s thin overall sound.” PC

“Wakeman himself has said that while Tormato indeed had potential, Yes never got the best out of some of the material.” WK He has said that “the production was faulty, resulting in compressed and dull sound.” WK Fans agreed, also saying that “Squire’s bass lacked most of its earlier power.” WK Guitarist “Steve Howe admitted that Yes were unsure of themselves musically at the time.” WK Others have said that “while the compositions became shorter and more catchy, the classic Yes sound was still alive and well.” WK

Don’t Kill the Whale was their last successful single for years; the soaring Onward almost but not quite redeems the twee silliness of Arriving UFO and Circus of Heaven. Of special interest is the pounding On the Silent Wings of Freedom, which pushes Chris Squire and Alan White to the front of the mix, establishing the kind of aggressive and straightforward rhythms that would propel the band through the ‘80s.” PC

“It would be the final studio album to feature Rick Wakeman until his return in 1991 (on the Union album).” WK Singer Jon Anderson would also depart after this album although he would return by 1983 for the group’s most successful album, 90125.

“The original album title was to be Yes Tor, referring to a geological formation in southern England. The photographs taken by Hipgnosis for the album cover were seen as so unimpressive that Rick Wakeman, in frustration, threw a tomato at the pictures. The cover and title were adjusted accordingly.” WK


Notes: A 2004 reissue added “Abilene,” “Money,” “Picasso,” “Some Are Born,” “You Can Be Saved,” “High,” “Days,” “Countryside,” “Everybody’s Song,” and an orchestral version of “Onward.”

Resources and Related Links:

First posted 6/7/2011; updated 7/25/2021.

Saturday, September 16, 1978

Blondie charted with Parallel Lines

Parallel Lines

Blondie


Charted: September 16, 1978


Peak: 6 US, 14 UK, 2 CN, 2 AU, 12 DF


Sales (in millions): 1.0 US, 1.69 UK, 20.0 world (includes US and UK)


Genre: new wave


Tracks:

Song Title (date of single release, chart peaks) Click for codes to charts.

  1. Hanging on the Telephone (10/30/78, 19 CL, 7 CO, 5 UK, 39 AU, 25 DF)
  2. One Way or Another (6/2/79, 24 BB, 22 CB, 24 GR, 28 HR, 26 RR, 4 CL, 1 CO, 7 CN, 11 DF)
  3. Picture This (8/26/78, 26 CL, 13 CO, 12 UK, 88 AU)
  4. Fade Away and Radiate (32 DF)
  5. Pretty Baby (39 DF)
  6. I Know But I Don’t Know
  7. 11:59 (32 DF)
  8. Will Anything Happen? (33 DF)
  9. Sunday Girl (5/19/79, 22 CL, 4 CO, 1 UK, 5 AU, 33 DF)
  10. Heart of Glass (1/3/79, 1 BB, 1 CB, 1 GR, 1 HR, 1 RR, 44 AC, 1 CL, 1 CO, 1 UK, 1 CN, 1 AU, 1 DF, gold single)
  11. I’m Gonna Love You Too (38 DF)
  12. Just Go Away (40 DF)


Total Running Time: 39:06


The Players:

  • Deborah Harry (vocals)
  • Chris Stein (guitar)
  • Clem Burke (drums)
  • Jimmy Destri (keyboards)
  • Nigel Harrison (bass)
  • Frank Infante (guitar)

Rating:

4.466 out of 5.00 (average of 28 ratings)


Quotable:

“Downtown art-punk goes pop” – Blender Magazine

Awards:

(Click on award to learn more).

About the Album:

“After bursting onto the New York music scene with their punk-centric, self-titled debut – followed up by the rowdy Plastic Letters – fans got a taste of what silkier new wave hooks would come on their third album, Parallel Lines.” PM The album “solidified the band as pioneers of a beloved musical movement.” PM

However, “Blondie were too smart and sexy to be genuine punks” BL and “abandoned any pretensions to new wave legitimacy (just in time, given the decline of the new wave) and emerged as a pure pop band.” WR To that end, they turned to Mike Chapman for their third album. He was an “Australian-born producer who’d cut a wathe through the British charts with bubblegum glam bands.” CM He helped Blondie “forge a fusion of punk energy and gir group mystique, street smarts and disco dreams.” CM “With pop chops, disco grooves and enough cooing harmonies to pass for low-rent Ronettes, …Parallel Lines transcended new wave, winning over Middle America” BL taking Blondie “the periphery to superstardom.” CM

“But it wasn’t just Chapman that made Parallel Lines Blondie’s best album; it was the band’s own songwriting.” WR Heart of Glass, with its “burbling autobahn rhythms,” CR is the song that made the world aware of Blondie. It hit #1 on both sides of the Atlantic and “is an enduring Blondie classic for its funky guitar grooves and Harry’s biting lyricism of a toxic romance—the theme song for many a scorned lover.” PM

In the U.S., Blondie also had a top-40 hit with “the taunting roar of One Way Or Another,” PM written by new bass player Nigel Harrison. It’s “one of many songs where [Harry] played herself as the pursuer; a woman of action at odds with the sex kitten image that had started to cling to her.” CM

The album produced three more hits in the UK, including Picture This, Hanging on the Telephone, and the #1 Sunday Girl. While those may be what gets the band attention, “what impresses is the album's depth and consistency.” WR

I Know But I Don’t Know is rock & roll pop with disparate but electrifying elements that predate sampling.” CR “Harry’s vocal performances are evocative and eclectic: wary but exposed on” CM the “infectiously catchy” PM “doo-wop-inspired Pretty Baby.” PM and “yearning on Destri’s breakneck 11:59.” CM

“Pretty Baby” “served as a contrast to the eerie art-rock monument that is Fade Away and Radiate,” CM in which “the CBGB icons brought groovy psychedelia to the front of the line.” PM It also featured “a guest appearance from Robert Fripp of King Crimson on a wailing guitar solo.” PM Album tracks like “Radiate” and “Just Go Away are as impressive as the songs pulled for singles.” WR

It all combines to make for “state-of-the-art pop/rock circa 1978” WR that “boasts Blondie’s unmistakable flavor of intoxicating post-punk.” PM “Harry’s tough-girl glamour setting the pattern that would be exploited over the next decade by a host of successors led by Madonna.” WR

Resources and Related Links:


First posted 2/19/2008; last updated 6/5/2024.

Friday, September 8, 1978

Foreigner “Double Vision” released

Double Vision

Foreigner

Writer(s): Lou Gramm, Mick Jones (see lyrics here)


Released: September 8, 1978


First Charted: September 22, 1978


Peak: 2 US, 5 CB, 8 HR, 2 RR, 2 CL, 7 CN, 97 AU, 3 DF (Click for codes to singles charts.)


Sales (in millions): 1.0 US


Airplay/Streaming (in millions): -- radio, 5.7 video, -- streaming

Awards:

Click on award for more details.

About the Song:

Guitarist and songwriter Mick Jones formed Foreigner in 1976 with Ian McDonald, formerly of King Crimson, along with drummer Dennis Elliott. Those three were British while singer Lou Gramm, keyboardist Al Greenwood, and bassist Ed Gagliardi were American. Their self-titled debut was released in 1977. It reached #4 on the Billboard album chart and sold five million copies in the U.S.

Matching such feats on a sophomore release was a daunting challenge, but Foreigner outdid themselves. 1978’s Double Vision got to #3 and outsold its predecessor with seven million copies sold in America. Like the Foreigner album, Double Vision also generated two top-ten hits on the Billboard Hot 100 and a third top-20 hit. The first single, “Hot Blooded,” reached #3. The title song was released as the second single and went a rung higher, peaking at #2.

Gramm said, “A lot of people think it’s about being intoxicated or being high.” WK He said he was watching a New York Rangers game while in the vocal booth at the studio. WK Jones, however, says they were at the game. Both of them, however, agreed that a player was knocked out and it was later announced that he wouldn’t returning because he was experiencing double vision. SF

Cash Box said the song has “slashing guitars and a mean, ticking beat.” WK Joseph Bensoua of the San Pedro News-Pilot said it has “just the right hooks, phrasing and simple lyrics needed for controlled rock ‘n’ roll.” WK Kim McAuliffe of the Detroit Free Press described it as “one of those ditties…that imprints itself on your brain whether you want it to or not.” WK


Resources:


Related Links:


First posted 7/10/2022.