Showing posts with label No Jacket Required. Show all posts
Showing posts with label No Jacket Required. Show all posts

Monday, May 22, 2023

Dave's Music Hall of Fame: Album Inductees (May 2023)

The Top Classic Pop (‘60s to ‘80s) Albums

Originally posted 5/22/2023.

January 22, 2019 marked the 10-year anniversary of the DMDB blog. To honor that, Dave’s Music Database announced its own Hall of Fame. This month marks the eighteenth group of album inductees. These are taken from are taken from the DMDB’s top pop albums of all time list. The focus of this set inductees is only on those pop albums from the ‘60s through ‘80s. Previous inductees to fit this category are Bon Jovi’s Slippery When Wet, Def Leppard’s Hysteria, Fleetwood Mac’s Rumours, Guns N’ Roses’ Appetite for Destruction, Michael Jackson’s Thriller, Elton John’s Goodbye Yellow Brick Road, Journey’s Escape, Carole King’s Tapestry, The Police’s Synchronicity, Prince’s Purple Rain, Simon & Garfunkel’s Bridge Over Troubled Water, Bruce Springsteen’s Born in the U.S.A., U2’s The Joshua Tree, Stevie Wonder’s Songs in the Key of Life, the Dirty Dancing soundtrack, the Grease soundtrack, and the Saturday Night Fever soundtrack.

See the full list of album inductees here.

The Beatles A Hard Day’s Night (1964)

Inducted May 2023 as “Top Classic Pop (‘60s to ‘80s) Albums.”

The Beatles’ third album featured all original songs by John Lennon and Paul McCartney – and what a collection it was. In addition to the chart-topping title cut and “Can’t Buy Me Love,” the album featured “I Should Have Known Better,” “And I Love Her,” and “If I Fell.” The U.S. version topped the charts for 14 weeks but was vastly inferior with only 8 of the 14 cuts from the UK version and four unnecessary instrumentals. Read more.

The Beatles Help! (1965)

Inducted May 2023 as “Top Classic Pop (‘60s to ‘80s) Albums.”

As impressive as A Hard Day’s Night was, the Beatles outdid themselves with Help! Once again, the U.S. version was a truncated collection rounded out by unnecessary instrumentals. Both the U.S. and UK versions featured the #1’s “Help!” and “Ticket to Ride,” but the latter album also had “Yesterday,” another #1 in the U.S. The collection also included “You’ve Got to Hide Your Love Away” and “You’re Gonna Lose That Girl.” Read more.

Phil Collins No Jacket Required (1985)

Inducted May 2023 as “Top Classic Pop (‘60s to ‘80s) Albums.”

A Facebook post by Amanti Del Rock famously claimed that in the 1980s, one out of every four songs on the radio was by Phil Collins. While it was a humorously exaggerated claim, he did seem to be inescapable that decade, alternating between solo hits and success with his band Genesis. No Jacket Required was the album that established Collins as a superstar, giving him #1 hits with “One More Night” and “Sussudio” as well as top-10 hits “Don’t Lose My Number” and “Take Me Home.” The Grammy winner for Album of the Year would sell more than 25 million copies worldwide. Read more.

Whitney Houston Whitney (1987)

Inducted May 2023 as “Top Classic Pop (‘60s to ‘80s) Albums.”

Whitney Houston’s self-titled debut album sent three songs to #1, setting up an impossibly high bar for her sophomore effort. Whitney pulled off the unthinkable – another four chart-toppers, including the iconic “I Wanna Dance with Somebody.” It gave her a record seven consecutive #1 songs. The album spent eleven weeks atop the Billboard album chart and sold more than 20 million copies worldwide. Read more.

Janet Jackson Rhythm Nation 1814 (1989)

Inducted May 2023 as “Top Classic Pop (‘60s to ‘80s) Albums.”

Jackson’s 1986 album Control gave her five top-ten hits, putting her in the top tier pop echelon alongside her famous brother Michael. His Thriller album spawned a record-setting seven top-tens. Janet outdid him with seven top-five hits from her Rhythm Nation 1814 album – four of them went all the way to #1. Read more.

Michael Jackson Bad (1987)

Inducted May 2023 as “Top Classic Pop (‘60s to ‘80s) Albums.”

Michael Jackson faced an impossible task in creating a follow-up to Thriller, the best-selling album of all time. Bad would still sell an impressive 35 million copies worldwide and it would outdo its predecessor on one front. It became the first album in history to generate five chart-topping hits. Read more.

Billy Joel The Stranger (1977)

Inducted May 2023 as “Top Classic Pop (‘60s to ‘80s) Albums.”

Billy Joel landed his first top-40 hit in 1973 with the iconic “Piano Man” but couldn’t match that accomplishment over his next couple of albums. 1977’s The Stranger, however, established Joel as a pop force to be reckoned with. He had a #3 hit with “Just the Way You Are” as well as top-40 hits “Movin’ Out,” “”Only the Good Die Young,” and “She’s Always a Woman.” The Grammy Hall of Fame inductee was his most successful album, selling 15 million copies worldwide. Read more.

Cyndi Lauper She’s So Unusual (1983)

Inducted May 2023 as “Top Classic Pop (‘60s to ‘80s) Albums.”

Lauper’s video for “Girls Just Want to Have Fun” was a perfect fit for MTV, showcasing her vibrant personality and equally colorful wardrobe. It became a fun party song that was also embraced as a message of female empowerment. It could have been a one-hit wonder, but she followed it with the chart-topping “Time After Time,” a ballad that showed she had some depth as well. She also landed top-five hits with “She Bop” and “All Through the Night.” She won the Grammy for Best New Artist and garnered nominations for Album, Record, and Song of the Year. Read more.

Madonna Like a Virgin (1984)

Inducted May 2023 as “Top Classic Pop (‘60s to ‘80s) Albums.”

It isn’t often one can pinpoint the exact moment someone became a star. With Madonna, it was when she sang “Like a Virgin” while she writhed on stage in a wedding dress at the MTV Video Music Awards. The song spent six weeks at #1 and propelled the album of the same name to the top as well. The album also generated the top-five hits “Material Girl,” “Angel,” and “Dress You Up.” As if that weren’t enough, in the middle of the album’s success, she also topped the charts with “Crazy for You” from the movie Vision Quest and, in the UK, with “Into the Groove” from Desperately Seeking Susan. Read more.

George Michael Faith (1987)

Inducted May 2023 as “Top Classic Pop (‘60s to ‘80s) Albums.”

George Michael sailed to success with Wham! and the #1 hit “Wake Me Up Before You Go-Go.” He followed that with his own chart-topping “Careless Whisper,” making it clear that he was on the verge of becoming a breakout solo star. His 1987 album Faith more than accomplished that task. It generated four #1 songs, spent twelve weeks atop the Billboard album chart, and sold 25 million copies worldwide. It also won the Grammy for Album of the Year. Read more.

Monday, February 18, 1985

Phil Collins released No Jacket Required

No Jacket Required

Phil Collins


Released: February 18, 1985


Peak: 16 US, 15 UK, 18 CN, 13 AU


Sales (in millions): 12.0 US, 1.93 UK, 26.45 world (includes US and UK)


Genre: pop/mainstream rock


Tracks:

Song Title (Writers) [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Sussudio (1/14/85) 1 US, 10 AR, 30 AC, 8 RB, 12 UK, 10 CN, 8 AU, gold single)
  2. Only You Know and I Know
  3. Long Long Way to Go
  4. I Don’t Wanna Know (4/13/85, 42 AR)
  5. One More Night (12/30/84, 1 US, 4 AR, 1 AC, 80 RB, 4 UK, 1 CN, 2 AU, gold single)
  6. Don’t Lose My Number (4/6/85, 4 US, 33 AR, 25 AC, 11 CN, 10 AU)
  7. Who Said I Would? (2/2/91, 73 US, 34 CN)
  8. Doesn’t Anybody Stay Together Anymore
  9. Inside Out (3/30/85, 9 AR)
  10. Take Me Home (7/25/85, 7 US, 12 AR, 2 AC, 19 UK, 23 CN, 64 AU)
  11. We Said Hello Goodbye (4/2/88, 34 AC)


Total Running Time: 50:27

Rating:

4.183 out of 5.00 (average of 12 ratings)


Awards: (Click on award to learn more).

About the Album:

Prior to 1985, Phil Collins had released two solo albums in between albums with Genesis and topped the charts with “Against All Odds” in 1984. He’d already accomplished more than most musicians could ever dream of – and then came No Jacket Required. “The record established him as a major commercial force, and as one of the most recognizable voices of the 1980s.” AMG

Newsday’s Stephen Williams said the album “was loaded with musical hooks and textured arrangements.” WK It definitely had hooks. Eight of the album’s eleven songs (on the CD version, there were only 10 songs on the cassette version) hit one chart or another, with four of those songs hitting the top-10 of the Billboard pop charts. No Jacket Required won the Grammy for Album of the Year. With more than 25 million sales worldwide, it is one of the biggest sellers of all time. Rolling Stone’s David Bricke said, it “is not an album that waits to be liked.” WK

The title of the album came out of an incident in Chicago. Collins and Robert Plant were denied entrance to the Pump Room, a restaurant with a distinct “jacket required” dress code. Collins argued that he was wearing a jacket, but he was told it was not proper. Collins said he was never so mad in his life. WK He subsequently shared the story on late night talk shows and was sent an apology from the restaurant along with a complimentary sport coat. WK

The lead single, One More Night, was a #1 hit in the U.S. It showcased his shift to “sentimental ballads [such as with “Against All Odds”] over his previous darker and more dramatic solo material.” AMG Lori E. Pike of the Los Angeles Times said of Collins’ ballads, “When he slows down and lets his smoldering moodiness take over, the effect is magical.” WK

b>Sussudio was the follow-up single in the U.S., where it also hit #1, and the lead single in the UK. The title was a nonsense word he improvised and when he tried to replace it, he decided to keep the original and crafted lyrics around it about a schoolboy crush. WK Collins has said this is the song most people sing to him when they see him on the street. WK

The song demonstrated the other side of No Jacket Required which “found Phil Collins fully embracing horn-driven pop music, drum machines.” AMG Collins said the album was “a conscious attempt to move to a more uptempo sound.” WK The sound was similar to what he’d done with previous top-ten hits “Easy Lover” and “You Can’t Hurry Love.”

The third single, Don’t Lose My Number, was written mostly during recording sessions for his first solo album, 1981’s Face Value. Stephen Holden of The New York Times described the song’s lyrics as “vague, sketching the outlines of a melodrama but withholding the full story.” WK Collins himself said he didn’t fully understand the meaning of the lyrics. WK

“The pulsating Take Me Home utilizes the drama of ‘In the Air Tonight’ on a more wistful track.” AMG The song was the fourth from the album to reach the top 10 in the U.S. Collins has said that the lyrics refer to a patient at a mental institution and that it was inspired by the novel One Flew Over the Cuckoo’s Nest. WK

“Take Me Home” and Long Long Way to Go were both featured in episodes of Miami Vice. The latter “is one of Collins’ most effective ballads” AMG and was considered his most political song at that point in his career. WK Backup vocals were provided by Sting, who Collins met through Band Aid, the 1984 all-star gathering of British musicians who sang on the charity single “Do They Know It’s Christmas?”

“Although the major hits…quickly came to sound dated, the album contains several standout tracks…Only You Know and I Know and Inside Out…show an effective aggressive side to the singer.” AMG

Doesn’t Anybody Stay Together Anymore was Collins’ response to everyone around him getting a divorce. He sang the song at Prince Charles’ 40th birthday party, not knowing that Charles and Diana would get divorced a short time later. WK

We Said Hello Goodbye originally appeared as a B-side on “Don’t Lose My Number,” but was later added as a bonus track to the CD version of the album. A remix of the song was released on the soundtrack for the 1986 movie Playing for Keeps. Caryn James of The New York Times assessed the song as being “a straightforward comment on leaving home.” WK

In summing up the record, Holden said it “is an album bursting with soulful hooks and bright, peppy tunes. But beneath its shiny exterior, Mr. Collins’ drums and his voice carry on a disjunctive, enigmatic dialogue between heart and mind, obsession and repression.” WK Geoff Orens of All Music Guide said “it’s not a completely satisfying recording, but it is the best example of one of the most dominating and influential styles of the 1980s.” AMG


Notes: “We Said Hello Goodbye” was a bonus track on the CD version of the album. In 2016, a deluxe edition of the album included a second disc with 11 live cuts and demos of “One More Night” and “Take Me Home.”

Resources and Related Links:


Other Related DMDB Pages:


First posted 3/28/2008; last updated 9/21/2021.