GenesisA Retrospective:1966-1997 |
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Overview:In the history of rock and roll, there aren’t many bands who’ve enjoyed the kind of longevity as Genesis. They were celebrated as one of the premiere progressive-rock groups in their early incarnation with Peter Gabriel on vocals. They created classic albums such as Selling England by the Pound and The Lamb Lies Down on Broadway. After Gabriel’s departure, drummer Phil Collins stepped up to the mike and the group soldiered on, reaching new commercial peaks and establishing themselves as a classic rock act in the late ‘70s and early ‘80s with the albums And Then There Were Three, Duke, and Abacab, promoted by songs like “Follow You, Follow Me,” “Turn It on Again,” “Misunderstanding,” “Abacab,” “No Reply at All,” and “Paperlate.” They went on to become one of the biggest bands in the world in the ‘80s and ‘90s with multi-platinum albums Genesis, Invisible Touch, and We Can’t Dance, fueled by top-ten hits “That’s All,” “Invisible Touch,” “Throwing It All Away,” “Tonight, Tonight, Tonight,” “Land of Confusion,” “In Too Deep,” “No Son of Mine,” “I Can’t Dance,” and “Hold on My Heart.” After Collins left in 1992, the group enlisted Ray Wilson as the lead singer and released one more album before calling it quits. Collins, Banks, and Rutherford reunited for tours in 2007 and 2021. Genesis have sold an estimated 100 to 150 million albums worldwide. The Players:
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The Beginning:In 1965, 15-year-olds Peter Gabriel and Tony Banks formed the Garden Wall at Charterhouse School in Godalming, Surrey. Meanwhile, fellow students Michael Rutherford and Anthony Phillips were in a group called Anon. When the two groups merged, they formed New Anon and recorded a six-song demo of songs mostly written by Rutherford and Phillips. BE A fellow Charterhouse alum, producer Jonathan King, heard their tape and got them into the studio. Now rechristened Genesis – at King’s suggestion – they had their first formal recording sessions in December of 1967. They released their debut single, “The Silent Sun,” in February 1968 and a second single, “A Winter’s Tale,” followed. “At this time, their music was a form of lyrical folk-based progressive pop, built on lush melodies primarily carried on acoustic guitar and piano, with lyrics that tended toward the florid and trippy, in keeping with the tastes of the time – psychedelia was in vogue, and Genesis…showed an exceptional facility with poetic content as well as gorgeous melodies.” BE |
From Genesis to Revelation (1969)Genesis |
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About the Album:“Every band has to start somewhere” JP and with Genesis’ “members barely past their 18th birthdays… [they were] still working out what they wanted to sound like.” AM As “produced by English impresario Jonathan King,” JP “they sound like the Bee Gees… (picture something similar to the…Odessa album)” AM “trying to be the Moody Blues.” AMGo to the DMDB page for more about this album including chart peaks, sales figures, awards, and information about individual songs.
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Trespass (1970)Genesis |
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About the Album:For their second album, Genesis were signed to a new label (Charisma). Trespass“showed the first signs of the band that Genesis would become – it was still more folk-based than most progressive rock of the period, and some of the songs couldn’t quite carry their length; and they had some way to go in terms of vocal and instrumental finesse. But it had reach if not grasp – most of the album was comprised of extended pieces, sung with dramatic, almost operatic intensity and highly involved arrangements and complex parts for all of the instruments. One number in particular, an extended conceptual piece called The Knife, stood out, and an excerpt from it was issued as a single.” BEGo to the DMDB page for more about this album including chart peaks, sales figures, awards, and information about individual songs.
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Nursery Cryme (1971)Genesis |
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About the Album:After losing two members, Genesis brought in Phil Collins, a former child actor turned drummer. Guitarist Anthony Phillips, who suffered from crippling stage fright, was replaced by Steve Hackett. He was new enough to the band that he barely played on the Nursery Cryme album. Mike Rutherford wrote and played most of the guitar parts, including “The Musical Box,” the centerpiece of the album. The song, which originated during Phillips’ tenure and used some material he had composed, told a “Victorian-era story of children, murder, and ghostly apparitions.” BEGo to the DMDB page for more about this album including chart peaks, sales figures, awards, and information about individual songs.
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Foxtrot (1972)Genesis |
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About the Album:“Foxtrot, issued in the fall of 1972, was the flash point in Genesis’ history, and not just on commercial terms. The writing, especially on Supper’s Ready – another conceptual piece, this time taking up an entire side of the LP – was as sophisticated as anything in progressive rock, and the lyrics were complex, serious, and clever, a far cry from the usual overblown words attached to most prog rock.” BEGo to the DMDB page for more about this album including chart peaks, sales figures, awards, and information about individual songs.
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Selling England by the Pound (1973)Genesis |
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About the Album:Selling England by the Pound “featured Gabriel’s strongest vocal performance and transcendent work by the rest of the band, especially Tony Banks’ keyboards, which took on a light yet fiercely lyrical profile.” BE “They were still a cult band in the United States…but thanks to a lot more FM radio play their music was getting heard beyond the ranks of the cultists, and finding new listeners.” BEGo to the DMDB page for more about this album including chart peaks, sales figures, awards, and information about individual songs.
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The Lamb Lies Down on Broadway (1974)Genesis |
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About the Album:The double album The Lamb Lies Down on Broadway “marked the culmination of the group’s early history. A concept album with a very involved story and a large cast of characters, its composition had been difficult, involving a story outlined and written (along with most of the lyrics) exclusively by Gabriel.” BE Division began to form in the band. Gabriel was dealing with personal problems, such as his marriage, and the group thought his costumes were distracting from the music. BE He announced his departure from the group in May 1975. Go to the DMDB page for more on this album including chart peaks, sales figures, awards, and information about individual songs.
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A Trick of the Tail (1976)Genesis |
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About the Album:After auditioning potential replacements for Gabriel, Genesis ended up turning inward to drummer Phil Collins as their new lead singer. They returned to the studio in October 1975 to work on what became A Trick of the Tail. It wasn’t a huge departure from earlier albums, but they did make more of an effort to make the music more accessible.Go to the DMDB page for more about this album including chart peaks, sales figures, awards, and information about individual songs.
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Wind and Wuthering (1976)Genesis |
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About the Album:Another album followed by year’s end. “Like its predecessor, the album fit into a progressive rock mode, but even the extended pieces…had a lighter texture and tone to much of its length and was typical of most art rock of the time.” BE The single, “Your Own Special Way,” gave the band their first taste of chart success in the U.S.Go to the DMDB page for more about this album including chart peaks, sales figures, awards, and information about individual songs.
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And Then There Were Three… (1978)Genesis |
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About the Album:On the eve of the band’s release of live album Seconds Out, Steve Hackett announced his departure from the band. Genesis used Daryl Stuermer in concert, but Rutherford stepped up to cover guitar parts in the studio. The trio “released the appropriately titled And Then There Were Three, which abandoned any efforts at progressive rock in favor of a softer pop sound.” BE The album gave them their first full-fledged taste of success in America with a gold album and a top-40 single in “Follow You, Follow Me.”Go to the DMDB page for more about this album including chart peaks, sales figures, awards, and information about individual songs.
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Duke (1980)Genesis |
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About the Album:Previous album And Then There Were Three was Genesis’ first album featuring only Tony Banks, Phil Collins, and Mike Rutherford. The trio would helm the band’s most commercially successful years through the ‘80s and ‘90s. The band’s previous five albums reached the top 10 in the UK; Duke marked their first trip to #1. The singles “Misunderstanding” and “Turn It on Again” became staples at classic rock radio; the former was a #1 hit in Canada.Go to the DMDB page for more on this album including chart peaks, sales figures, awards, and information about individual songs.
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Abacab (1981)Genesis |
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About the Album:Phil Collins released his first solo album, Face Value, in the early part of the year and Genesis came back with Abacab at the end of the year. It was a “stripped-down pop/rock album that even had the three core members interacting musically with the Earth, Wind & Fire horn section. Like its predecessor, it topped the charts in England and easily made the Top Ten in the United States.” BE Phil Collins also released his first solo album, Face Value, that year. Another concert album, Three Sides Live, followed.Go to the DMDB page for more on this album including chart peaks, sales figures, awards, and information about individual songs.
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Genesis (1983)Genesis |
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About the Album:Phil Collins released another solo album in 1982 (Hello, I Must Be Going) and reached the top 10 with a cover of “You Can’t Hurry Love.” That set the stage for even more commercial success for Genesis. Their self-titled 1983 release gave the band their first top-10 hit with “That’s All.” The album became the second platinum seller for the band.Go to the DMDB page for more on this album including chart peaks, sales figures, awards, and information about individual songs.
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Invisible Touch (1986)Genesis |
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About the Album:Phil Collins roared back with another solo album, No Jacket Required, in 1985 and became one of the biggest sensations in pop music with #1 hits “One More Night” and “Sussudio.” Meanwhile, Mike Rutherford helmed the side project Mike + the Mechanics in 1985 and landed two top-10 hits with “Silent Running” and “All I Need Is a Miracle.” It all set the stage for Genesis’ greatest success yet. Invisible Touch gave the band five top-5 hits in the U.S., including the #1 title cut. The band had “a string of sold-out arena shows that cast the group in the same league as concert stalwarts like the Rolling Stones and the Grateful Dead.” BEGo to the DMDB page for more about this album including chart peaks, sales figures, awards, and information about individual songs.
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We Can’t Dance (1991)Genesis |
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About the Album:In the seven years before the next Genesis album, the members continued with side projects. Phil Collins hit #1 again with two songs from the Buster soundtrack and released another hugely successful solo album, But Seriously, in 1989. It featured four more top-10 hits, including the #1 hit “Another Day in Paradise.” Mike + the Mechanics also released the top of the charts with the title cut from their 1988 Living Years album.When the band reconvened, they once again churned out multiple hits from a mega-platinum album. It was, however, another ending for Genesis as it was Collins’ last studio effort with the group. Go to the DMDB page for more about this album including chart peaks, sales figures, awards, and information about individual songs.
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Calling All Stations (1997)Genesis |
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About the Album:Tony Banks and Mike Rutherford enlisted Ray Wilson as the new singer for one more studio effort. Calling All Stations “recalled their art rock roots in some respects” BE but “neither the critics nor the fans warmed to the album – it sold relatively poorly…the accompanying tour was equally unsuccessful.” BEGo to the DMDB page for more about this album including chart peaks, sales figures, awards, and information about individual songs.
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Turn It on Again – The HitsGenesis |
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Released: October 26, 1999 Recorded: 1973-1997 Peak: 65 US, 4 UK, 28 CN, 98 AU Sales (in millions): 0.5 US, -- UK, 4.5 world (includes US and UK) Genre: progressive rock/classic rock Rating: 4.189 out of 5.00 (average of 6 ratings)
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Tracks:(1) Turn It on Again (2) Invisible Touch (3) Mama (4) Land of Confusion (5) I Can’t Dance (6) Follow You Follow Me (7) Hold on My Heart (8) Abacab (9) I Know What I Like in Your Wardrobe (10) No Son of Mine (11) Tonight, Tonight, Tonight (12) In Too Deep (13) Congo (14) Jesus He Knows Me (15) That’s All (16) Misunderstanding (17) Throwing It All Away (18) The Carpet Crawlers 1999Tracks (The Tour Edition) – Disc 1:(1) Turn It on Again (2) No Son of Mine (3) I Can’t Dance (4) Hold on My Heart (5) Jesus He Knows Me (6) Tell My Why (7) Invisible Touch (8) Land of Confusion (9) Tonight, Tonight, Tonight (10) In Too Deep (11) Throwing It All Away (12) Mama (13) That’s All (14) Illegal Alien (15) Abacab (16) No Reply at All (17) The Carpet Crawlers 1999Tracks (The Tour Edition) – Disc 2:(1) Paperlate (2) Keep It Dark (3) Man on the Corner (4) Duchess (5) Misunderstanding (6) Follow You, Follow Me (7) Many Too Many (8) Your Own Special Way (9) Afterglow (10) Pigeons (11) Inside and Out (12) A Trick of the Tail (13) Counting Out Time (14) I Know What I Like in Your Wardrobe (15) Happy the Man (16) The Knife (17) CongoAbout Turn It on Again – The Hits:Banks, Collins, Gabriel, Hacket, and Rutherford reunited to record a new version of “The Carpet Crawlers” for this album. Otherwise, everything is previously released. The single disc 1999 release missed some songs, such as “Paperlate,” “No Reply at All,” and “Man on the Corner” and barely acknowledged the Peter Gabriel era. The double-disc tour edition of the album in 2007 largely corrected those problems although the Gabriel years are still under-represented.Tracks Not on Previously Noted Albums:
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Platinum CollectionGenesis |
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Released: November 29, 2004 Recorded: 1970-1997 Peak: 100 US, 21 UK Sales (in millions): -- Genre: progressive rock/classic rock Rating: 3.540 out of 5.00 (average of 9 ratings)
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Tracks, Disc 1:(1) No Son of Mine (2) I Can’t Dance (3) Jesus He Knows Me (4) Hold on My Heart (5) Invisible Touch (6) Throwing It All Away (7) Tonight, Tonight, Tonight (8) Land of Confusion (9) In Too Deep (10) Mama (11) That’s All (12) Home by the Sea (13) Second Home by the Sea (14) Illegal Alien (15) Paperlate (16) Calling All StationsTracks, Disc 2:(1) Abacab (2) Keep It Dark (3) Turn It on Again (4) Behind the Lines (5) Duchess (6) Misunderstanding (7) Many Too Many (8) Follow You Follow Me (9) Undertow (10) In That Quiet Earth (11) Afterglow (12) Your Own Special Way (13) A Trick of the Tail (14) Ripples (15) Los EndosTracks, Disc 3:(1) The Lamb Lies Down on Broadway (2) Counting Out Time (3) The Carpet Crawlers (4) Firth of Fifth (5) The Cinema Show (6) I Know What I Like in Your Wardrobe (7) Supper’s Ready (8) The Musical Box (9) The KnifeAbout Platinum Collection:This three-disc set goes deep into the Genesis catalog, covering much more of the Gabriel era (a full disc’s worth) and a fair amount of album cuts. Astonishingly, it omits “No Reply at All” but there are no other glaring oversights. The reverse chronogical order means that the different phases of Genesis are not mixed together, which is more jarring on Turn It on Again – The Hits. |
The Last Domino?Genesis |
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Released: September 17, 2021 Recorded: 1973-1991 Peak: -- US, -- UK, -- CN, -- AU Sales (in millions): -- Genre: progressive rock/classic rock |
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Tracks, Disc 1:(1) Duke’s End (2) Turn It on Again (3) Mama (4) Land of Confusion (5) Home by the Sea (6) Second Home by the Sea (7) Fading Lights (8) The Cinema Show (9) Afterglow (10) Hold on My Heart (11) Jesus He Knows Me (12) That’s All (13) The Lamb Lies Down on Broadway (14) In Too DeepTracks, Disc 2:(1) Follow You, Follow Me (2) Duchess (3) No Son of Mine (4) Firth of Fifth (5) I Know What I Like in Your Wardrobe (6) In the Glow of the Night/The Last Domino (7) Throwing It All Away (8) Tonight, Tonight, Tonight (9) Invisible Touch (10) I Can’t Dance (11) Dancing with the Moonlit Knight (12) The Carpet Crawlers (13) AbacabAbout The Last Domino?:This is a completely unnecessary cash-grab compilation designed to accompany Genesis’ tour of the same name. |
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Related DMDB Links:First posted 3/3/2010; last updated 9/16/2025. |







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