Showing posts with label Darkness on the Edge of Town. Show all posts
Showing posts with label Darkness on the Edge of Town. Show all posts

Sunday, June 29, 2025

Bruce Springsteen: Top 100 Songs / Studio Albums Ranked

Bruce Springsteen

Top 100 Songs / Studio Albums Ranked

Rock singer/songwriter and guitarist born Bruce Frederick Joseph Springsteen on 9/23/1949 in Freehold, NJ. Known as “The Boss.” Worked local clubs in New Jersey and Greenwich Village in the mid-60’s. Married to model/ actress Julianne Phillips from 1985-1989. Married Patti Scialfa on 6/8/91.

Has recorded and toured solo and with the E Street Band. Current members: Roy Bittan (k: 74-), Jake Clemons (sax: 12-), Nils Lofgren (g: 84-), Patti Scialfa (v/k/g: 84-), Gary Tallent (b: 72-), Steven Van Zandt (g: 75-83,95-), and Max Weinberg (d: 74-). Past members have included Clarence Clemons (sax: 72-11; died in 2011), Danny Federici (k: 72-08; died 2008), Vini Lopez (d: 72-74), and David Sancious (k: 72-74).

Born to Run” is featured in the DMDB book The Top 100 Songs of the Rock Era, 1954-1999. Two of his albums, Born to Run (1975) and Born in the U.S.A. (1984), are featured in the DMDB book The Top 100 Albums of All Time.

For a complete list of this act’s DMDB honors, check out the DMDB Music Maker Encyclopedia entry.

Click here to see other acts’ best-of lists.


Spotify Podcast:

Check out the Dave’s Music Database podcast episodes The Best of Bruce Springsteen, 1973-1988 and The Best of Bruce Springsteen, 1992-2022 based on this list. Premieres: February 21 and 28, 2023 at 7pm CST. New episodes based on Dave’s Music Database lists are posted every Tuesday at 7pm CST.

Awards:


Top 100 Songs Written and/or Performed
by Bruce Springsteen


Dave’s Music Database lists are determined by song’s appearances on best-of lists, appearances on compilations and live albums by the featured act, and songs’ chart success, sales, radio airplay, streaming, and awards. Songs which hit #1 on various charts are noted. (Click for codes to charts.)

DMDB Top 1%:

1. Born to Run (1975)
2. Born in the U.S.A. (1984)
3. Dancing in the Dark (1984) #1 CB, #1 AR
4. Streets of Philadelphia (1994) #1 CN
5. Thunder Road (1975)

DMDB Top 2%:

6. Blinded by the Light (Manfred Mann’s Earth Band, 1976) #1 US, 1 CB, 1 HR, 1 RR, 1 CL, 1 CN
7. Hungry Heart (1980)

DMDB Top 5%:

8. Glory Days (1984)
9. I’m on Fire (1984)
10. The River (1980)

11. Rosalita (Come Out Tonight) (1973)
12. Brilliant Disguise (1987) #1 AR
13. The Rising (2002) #1 AA
14. Badlands (1978)
15. Jungleland (1975)
16. Because the Night (Patti Smith, 1978)
17. Tunnel of Love (1987) #1 AR
18. My Hometown (1984) #1 AC
19. Santa Claus Is Coming to Town (live, 1975)
20. Atlantic City (1982)

21. Fire (The Pointer Sisters, 1978)
22. Tenth Avenue Freeze Out (1975)
23. Secret Garden (1995)

DMDB Top 10%:

24. Human Touch (1992) #1 AR
25. Pink Cadillac (1984)
26. Prove It All Night (1978)
27. 4th of July (Sandy) (1973)
28. Cover Me (1984)
29. Radio Nowhere (2007)
30. American Skin (41 Shots) (live, 2000)

31. The Ghost of Tom Joad (1995)
32. War (live, 1985)
33. Backstreets (1975)
34. I’m Goin’ Down (1984)
35. Fire (1978)
36. This Land Is Your Land (live, 1980)
37. Devils & Dust (2005)
38. One Step Up (1987)
39. Spirit in the Night (1973)
40. We Take Care of Our Own (2012)

41. Racing in the Street (1978)
42. Because the Night (10,000 Maniacs; 1993)
43. Fade Away (1980)
44. The Promised Land (1978)
45. Better Days (1992)
46. Darkness on the Edge of Town (1978)
47. Spare Parts (1987)
48. Girls in Their Summer Clothes (2007)
49. Tougher Than the Rest (1987)
50. Growin’ Up (1973)

51. We Shall Overcome (1998)
52. No Surrender (1984)
53. Bobby Jean (1984)

DMDB Top 20%:

54. Trapped (live, 1984) #1 AR
55. The Wrestler (2008)
56. Lonesome Day (2002)
57. Jesse James (2006)
58. My City of Ruins (2000)
59. Murder Incorporated (1982)
60. This Little Girl (Gary “U.S.” Bonds, 1981)

61. 57 Channels and Nothin’ On (1992)
62. Blinded by the Light (1973)
63. Wasted Days (with John Mellencamp, 2021)
64. Because the Night (1978)
65. Cadillac Ranch (1980)
66. Letter to You (2020)
67. Working on a Dream (2008)
68. Candy’s Room (1978)
69. Land of Hope and Dreams (1999)
70. Hello Sunshine (2019)

71. Point Blank (1980)
72. Johnny 99 (1982)
73. It’s Hard to Be a Saint in the City (1973)
74. She’s the One (1975)
75. Stand on It (1983)
76. Out in the Street (1980)
77. Independence Day (1980)
78. Adam Raised a Cain (1978)
79. Wrecking Ball (2012)
80. Leap of Faith (1992)

81. Light of Day (Joan Jett & the Blackhearts, 1987)
82. Pink Cadillac (Natalie Cole, 1988)
83. Youngstown (1995)
84. If I Should Fall Behind (1992)
85. Empty Sky (2002)
86. For You (1973)
87. Waitin’ on a Sunny Day (2002)
88. Sandpaper (with Zach Bryan, 2024)
89. Thunder Road (live with Melissa Etheridge, 1995)
90. Lucky Town (1992)

91. Rocky Ground (2012)
92. All That Heaven Will Allow (1987)
93. My Lucky Day (2008)
94. Be True (1979)
95. Ramrod (1980)
96. Long Walk Home (2007)
97. I’ll Stand by You Always (2000)
98. Ghosts (2020)
99. Stolen Car (1980)
100. Darlington County (1984)


Bruce Springsteen: Studio Albums Ranked


Dave’s Music Database lists are determined by album’s appearances on best-of lists as well as chart success, sales, critics’ ratings, and awards. Also factored in are the status of each album’s songs in Dave’s Music Database for songs.

1. Born to Run (1975)
2. Born in the U.S.A. (1984)
3. Darkness on the Edge of Town (1978)
4. Nebraska (1982)
5. The Rising (2002)
6. The River (1980)
7. Tunnel of Love (1987)
8. The Wild, the Innocent, & the E Street Shuffle (1973)
9. Magic (2007)
10. Greetings from Asbury Park, N.J. (1973)

11. Wrecking Ball (2012)
12. We Shall Overcome: The Seeger Sessions (2006)
13. Western Stars (2019)
14. Devils & Dust (2005)
15. Letter to You (2020)
16. The Promise (recorded 1977-78, released 2010)
17. The Ties That Bind (recorded 1978-80, released 2015)
18. Working on a Dream (2009)
19. The Ghost of Tom Joad (1995)
20. Lucky Town (1992)

21. Human Touch (1992)
22. High Hopes (2014)
23. Only the Strong Survive (2022)


Resources and Related Links:


First posted 9/23/2011; last updated 6/29/2025.

Tuesday, November 16, 2010

Bruce Springsteen The Promise released

The Promise

Bruce Springsteen


Released: November 16, 2010


Recorded: 1977-78, 2010


Peak: 16 US, 7 UK, 27 CN, 22 AU, 14 DF Click for codes to charts.


Sales (in millions): 0.5 US, 0.1 UK, 0.85 world (includes US and UK)


Genre: classic rock


Tracks, Disc 1:

Click on a song titled for more details. Click for codes to charts.
  1. Racing in the Street (’78)
  2. Gotta Get That Feeling
  3. Outside Looking In
  4. Someday We’ll Be Together
  5. One Way Street
  6. Because the Night
  7. Wrong Side of the Street
  8. The Brokenhearted
  9. Rendezvous
  10. Candy’s Boy

Tracks, Disc 2:

  1. Save My Love
  2. Ain’t Good Enough for You
  3. Fire
  4. Spanish Eyes
  5. It’s a Shame
  6. Come On (Let’s Go Tonight)
  7. Talk to Me
  8. The Little Things My Baby Does
  9. Breakaway
  10. The Promise
  11. City of Night
  12. The Way


Total Running Time: 88:05


The Players:

  • Bruce Springsteen (vocals, guitar, harmonica, producer)
  • Roy Bittan (piano)
  • Clarence Clemons (saxophone, percussion)
  • Danny Federici (organ, glockenspiel)
  • Garry Tallent (bass)
  • Steven Van Zandt (guitar, harmony vocals, horn arrangement)
  • Max Weinberg (drums)

Rating:

3.733 out of 5.00 (average of 18 ratings)


Quotable:

“As compelling an advert for the Boss’ beautiful, blue-collar soul as you’re likely to find outside of the hits.” – BBC Music

Awards:

(Click on award to learn more).

About the Album:

“Following Born to Run, Bruce Springsteen was proclaimed the savior of rock & roll classicism; it was hype that threatened to derail his career. In a bitter lawsuit with his former manager, he was locked out of a studio for two years but continued writing songs at fever pitch and rehearsing them on a farm in rural New Jersey. Some of these tunes – composed during an economic recession – reflect the tension between following one’s dreams and her/his responsibilities. Still others reveal the deep influence of early rock & roll on Springsteen.” TJ

“When he was finally able to record, he cut enough material for four albums, and then pared it down to one. Darkness on the Edge of Town proved that Springsteen was no mere revivalist. The album was assembled from more sparsely produced, claustrophobic, and desperate ‘sound picture’ songs, about lives broken by work, family and perceived societal obligations, and are haunted by questions of ‘what if?’ They were a world away from the epic, busting-out-for-freedom maximalist tracks found on Born to Run.” TJ

As Springsteen said, “Darkness was my 'samurai' record…stripped to the frame and ready to rumble. But the music that got left behind was substantial.” AZ The Promise gathers a large chunk of that substantial music, offering up “21 unreleased songs written (and mostly) recorded between 1976 and 1978. They offer an aural view as to what might have been had Springsteen been able to record immediately after Born to Run.” TJ In fact, Springsteen confirms, that this material “perhaps could have/ should have been released after Born to Run and before the collection of songs that Darkness on the Edge of Town became.” AZ

“While some lyric themes here reflect the brokenness and hard choices found on Darkness, others are substantially more triumphant in their worldview; and musically, all the songs here contain more substantially production. These selections also lack the knife-edge, searing, angry guitar that saturates Darkness.” TJ

The Promise stands on its own as a great Bruce Springsteen record; it feels finished, focused, and above all, offers definitive proof that Springsteen was even at that early date, one of the greatest rock and pop songwriters America had to offer.” TJ As BBC Music said, the album “is as compelling an advert for the Boss’ beautiful, blue-collar soul as you’re likely to find outside of the hits; an indispensible portrait of an artist at the top of his game.” WK “According to long-time manager/producer Jon Landau, ‘There isn’t a weak card in this deck.’” AZ

The Songs

Here’s a breakdown of each of the individual songs.

Gotta Get That Feeling

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 8/12/1977 at Atlantic Studios in New York; 8/30/1977 at the Record Plant in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

“The galloping Gotta Get That Feeling summons Jack Nietszche’s production ears with its big mariachi brass.” TJ “This tune and numerous others contain open homages to Phil Spector’s ‘sha-na-na-na’ choruses. Clarence Clemons’ saxophone is much more prevalent on the songs of The Promise than it is on Darkness. His meat-and-potatoes tone adds heft and groove to these selections.” TJ

Outside Looking In

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 9/27/1977 at the Record Plant in New York


Released: The Promise (1978/2010)


About the Song:

A

Someday We’ll Be Together

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: September 29-30, 1977 at the Record Plant in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

Someday We’ll Be Together” is a “supreme pop opus.” AZ

One Way Street

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 7/17/1977 at Atlantic Studios in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

A

Because the Night

Bruce Springsteen

Writer(s): Bruce Springsteen, Patti Smith


Recorded: 9/27/197 at the Record Plant in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey; live: 12/28/1980


Released: The Promise (1978/2010); live version: Live 1975/1985 (live box set, 1986), Greatest Hits (2009)


First Charted: 12/6/1986


Peak: 22 AR, 6 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 11.2 video, 31.45 streaming


Covered by: Patti Smith (1978 #13 BB, 10 CB, 17 HR, 19 RR, 4 CL, 3 CO, 5 UK, 7 DF), 10,000 Maniacs (1993, #11 BB, 9 CB, 7 RR, 9 AC, 7 MR, 65 UK, 12 DF)


About the Song:

“Included are his versions of singles farmed out to other artists – Because the Night (and while this version is terrific, it means something else in the end; Patti Smith’s version remains definitive).” TJ

Wrong Side of the Street

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 10/14/1977 at the Record Plant in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

A

The Brokenhearted

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 11/29/1977 at the Record Plant in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

The poignant love poetry in” TJ “the superb soul-based vocal performance on” AZThe Brokenhearted and Spanish Eyes could have been written by Doc Pomus, and reveals the influence of Jerry Leiber’s ‘Spanish Harlem.’” TJ

Rendezvous

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: studio: 9/29/1977; live: 12/31/1980 at the Record Plant Mobile in Los Angeles, CA


Released: studio: The Promise (1978/2010); live: Tracks (box set, 1998), 18 Tracks (1999)

Covered by: Greg Kihn Band (1979), Gary “U.S.” Bonds (1982)


About the Song:

Bruce first recorded this song during the sessions for Darkness on the Edge of Town. It didn’t make the cut, but the Greg Kihn Band and Gary “U.S.” Bonds both covered the song. “Musically, it’s a Springsteen-style rock song, with a glockenspiel, a wall of guitars and a dash of pop.” MG-396

Candy’s Boy

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 6/3/1977, 6/6/1977, 6/27/1977, 8/24/1977 and 9/2/1977 at Atlantic Studios in New York


Released: The Promise (1978/2010)


About the Song:

Candy’s Boy begins lyrically in the same place as ‘Candy’s Room,’ [which appeared on Darkness on the Edge of Town] but is a very different song melodically and thematically.” TJ

Save My Love

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 1976 (written but not recorded), 7/22/2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: 11/1/2010 as a single, The Promise (1978/2010)


About the Song:

In releasing The Promise (an extension of Darkness on the Edge of Town album), Springsteen relied on the vaults as a starting point but often did some rerecording of the songs to get them up to snuff. In the case of “Save My Love,” Springsteen wrote the song in 1976 but didn’t record it although there is video of the E Street Band rehearsing the song. It is a “musically finished but lyrically rough song.” ESS

Thom Zinny found it “while scouring footage for the documentary that would accompany the anniversary box set for Darkness on the Edge of Town. Zimny loved the song, and Bruce was fascinated by it as well – enough to finish the lyrics and summon the E Street Band to his home studio to record it.” ESS They had to learn the song by watching the video. ESS

The song recalls a time when “a handful of radio stations facilitated the only semblance of on-line community.” ESS The song is about a “long-distance Romeo [who] sends a silent message out to his girl, pledging and pleading for fidelity, relying on the power of radio to keep their emotional connection strong.” ESS

Ain’t Good Enough for You

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 9/26/1977 at the Record Plant in New York


Released: The Promise (1978/2010)


About the Song:

The “hilarious” AZAin't Good Enough for You is pure handclap, call-and-response, verse and chorus, approaching a doo wop celebration.” TJ

Fire

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 6/17/1977 at Atlantic Studios in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey; live version: 12/16/1978


Released: January 1987 as a single (live version), The Promise (1978/2010); live version: Live 1975/1985 (live box set, 1986), Greatest Hits (2009)


B-Side: “Incident on 57th Street” (live)


Charted: 11/22/1986 as an album cut (live version)


Peak: 46 BB, 36 GR, 14 AR, 54 UK, 42 CN, 82 AU, 3 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 27.1 video, 25.94 streaming


Covered by: the Pointer Sisters (1978 #2 BB, 2 CB, 2 R, 2 RR, 21 AC, 14 RB, 34 UK, 3 CN, 7 AU, 3 DF)


About the Song:

Bruce gave “the gritty, soulful Fire…to the Pointer Sisters who scored big with their classy version.” TJ It peaked at #2, making it the second-highest charting Bruce Springsteen-penned song – tied with “Dancing in the Dark” but just behind Manfred Mann’s chart-topping version of “Blinded by the Light.”

Spanish Eyes

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 6/30/1977, 7/13/1977, 8/13/1977 at Atlantic Studios in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

The poignant love poetry in” TJ “the superb soul-based vocal performance on” AZThe Brokenhearted and Spanish Eyes could have been written by Doc Pomus, and reveals the influence of Jerry Leiber’s ‘Spanish Harlem.’” TJ

It’s a Shame

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 6/14/1977 at Atlantic Studios in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

A

Come On (Let’s Go Tonight)

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 12/9/1977 and 12/29/1977 at the Record Plant in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

Come On (Let's Go Tonight) is an early version of ‘Factory,’” TJ which appeared on Darkness on the Edge of Town.

Talk to Me

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 10/14/1077 at the Record Plant in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

A

The Little Things My Baby Does

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 8/15/1977 at the Record Plant or Atlantic Records in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

A

Breakaway

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 6/1/1977 (?) at Atlantic Studios in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

Breakaway” is “utterly haunting.” AZ

The Promise

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 9/28/1977 at the Record Plant in New York; February 1999; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010), 18 Tracks (1999)


About the Song:

The “fully orchestrated masterpiece and title song,” AZ The Promise, “is the only cut that might have added something to Darkness that isn’t already there. Its sense of bewilderment, betrayal, uncertainty, and regret is total. That said, the addition of strings draws it outside Darkness’ skeletal purview, underscoring the fact that Darkness is perfect as it is.” TJ

City of Night

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 10/14/1977 at the Record Plant in New York; 2010 at Thrill Hill Recording in Colts Neck, New Jersey


Released: The Promise (1978/2010)


About the Song:

A

The Way

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 8/15/1977 at the Record Plant or Atlantic Studios in New York


Released: The Promise (1978/2010)


About the Song:

A

Resources/References:

  • AZ Amazon.com
  • TJ AllMusic.com review by Thom Jurek
  • ESS EStreetShuffle.com
  • MG Philippe Margotin & Jean-Michel Guesdon (2020). Bruce Springsteen – All The Songs: The Story Behind Every Track. Cassel (an imprint of Octopus Publishing Group Ltd.): Great Britain.
  • WK Wikipedia


Related DMDB Pages:


First posted 1/26/2011; last updated 8/1/2025.

Sunday, April 9, 2000

In Concert: Bruce Springsteen & the E Street Band

Bruce Springsteen & the E Street Band

Kemper Arena in Kansas City, MO on 4/9/2000

image from ConsequenceOfSound.net


The Set List:

1. Take 'Em As They Come
2. The Promised Land 4
3. Two Hearts 5
4. Darkness on the Edge of Town 4
5. Darlington County 7
6. Factory 4
7. The River 5
8. Youngstown 11
9. Murder Inc.
10. Badlands 4
11. Out in the Street 5
12. Tenth Avenue Freeze-Out 3
13. Downbound Train 7
14. Candy’s Room 4
15. The Ghost of Tom Joad 11
16. Racing in the Street 4
17. Light of Day
18. Ramrod 5
19. Bobby Jean 7
20. Born to Run 3
21. Thunder Road 3
22. If I Should Fall Behind 10
23. Land of Hope and Dreams

* Numbers refer to the studio album which first featured the song.


Review:

Click here to see other concerts I’ve attended.

Prepare yourselves – this is as anal as it gets when it comes to details you probably don’t really need to know. It’s rare that I get any chance to share my useless knowledge of music trivia, though, and the occasion of a Springsteen concert comes as close as I can probably get to justifying my torture of others with such knowledge.

So, let’s tackle the set list based on his album releases.

1 Greetings from Asbury Park, N.J. (1973)

2 The Wild, the Innocent, & the E Street Shuffle (1973)

Alas, Bruce played NOTHING from his first two albums. I wouldn’t have minded seeing “Blinded by the Light,” “For You,” or “Spirit in the Night” off his first album. Those have all been made much better known as Manfred Mann songs. I’d have loved to see Bruce steal ‘em back.

3 Born to Run (1975): Tenth Avenue Freeze-Out was arguably the most rocking point of the evening. Bruce certainly got the crowd revved up, though. It also worked well to do an extended jam and band introductions in conjunction with this song. Of course he played Born to Run. What a shocker. Who would ever guess he would’ve played this? Of course everyone knows this as Bruce’s classic – rock lists, especially album-rock stations like KY, often put this song in their top 10 lists of all-time. However, from the standpoint of commercial success, this song only reached #23 on the pop charts. Amazingly, he had sixteen songs which were more successful on the charts and he played NONE of them! Not many artists could pull that off and still put on such a great show.

4 Darkness on the Edge of Town (1978): Bruce tackled six cuts from Darkness on the Edge of Town. I was surprised to see that album so heavily represented. It was a shame he completely ignored FIVE of his studio albums in placing so much emphasis on this album. Badlands was a rocking song, but not one of my favorites. Good choice for a live performance, though. He also tackled the title cut, which I really like, so I was glad to see it. Racing in the Street was another gem. Between this, “The River,” “Thunder Road,” “If I Should Fall Behind” and “Darkness on the Edge of Town,” I totally got my money’s worth.

5 The River (1980): Two Hearts is not one of my favorite cuts from The River. Just a plain ol’ rocker. However, the title cut was my personal highlight of the evening. At the risk of revealing a bit too much sentimentality, I was actually in tears at this one. It was absolutely gorgeous with that long sax solo, harmonica solo, and Bruce’s powerful vocal. I recognized Out in the Street when he played it, but couldn’t remember what album it was on. I never got into The River album very much. I’ll listen to it more now. Take 'Em As They Come, the opener, was on the 1998 box set of never-released material that spanned his entire career, but was recorded in 1980. I was surprised he kicked off with a fairly unknown tune.

6 Nebraska (1982): Come on! Nothing? Not even “Atlantic City”?

7 Born in the U.S.A. (1984): Darlington County was the first of three Born in the U.S.A. songs. Amazing, Bruce completely avoided the 7 top 10 hits from that album. I must say, I didn’t mind, but was quite surprised at how much he avoided the hit material from that album. I would have loved to hear a stripped down, slow version of “Born in the U.S.A.” I have such an animal from a 1996 EP that is absolutely beautiful. I love Bobby Jean. I read recently that this song isn’t really about a long-lost love, but about when Steve Van Zant first left the E Street Band. It puts the song in a new context. He also tackled Murder Inc., which first appeared on the 1995 Greatest Hits, but dates back to the Born in the U.S.A. days. I didn’t expect this, but it definitely was a good choice.

8 Tunnel of Love (1987): Sigh. Another album completely overlooked.

Light of Day (1987) was originally recorded by The Barbusters (Joan Jett and the Blackhearts) in that classic, memorable 1987 film of the same name starring Joan Jett and Michael J. Fox. (Then again, aren’t all of Fox’s screen moments classics – think Teen Wolf, Casualties of War, Greed, The Frighteners, Bright Lights Big City, etc.)

9 Human Touch (1992): Nothing.

10 Lucky Town (1992): An incredible version of If I Should Fall Behind with Patti Scalfia, Clarence Clemons, Nils Lofgren, and Little Stevie Van Zant all taking turns on vocals. I loved it! It blew away the original album version!

11 The Ghost of Tom Joad (1995): I was pleasantly surprised to see a couple cuts off this album. Then again, it’s the last studio album he recorded (time for new material, Bruce!). The original version of Youngstown was the hardest-rocking song on from that album, but was still very stripped-down and acoustic in the original version. I really liked the harder-rocking live version.

Well, there you have it - far more detail than you could have possibly wanted. I loved the concert, though, and wasn’t quite ready to move on. While I’ve been typing, I’ve “relived” the concert by playing all the album versions of the songs in order. Not quite the same, but it’s O.K. Bruuuuuuce!


Resources and Related Links:


Last updated 2/19/2023.

Friday, June 2, 1978

Bruce Springsteen Darkness on the Edge of Town released

Darkness on the Edge of Town

Bruce Springsteen


Released: June 2, 1978


Peak: 5 US, 16 UK, 7 CN, 9 AU Click for codes to charts.


Sales (in millions): 3.0 US, 0.1 UK, 5.5 world (includes US and UK), 8.5 EAS


Genre: classic rock


Tracks:

Click on a song titled for more details.
  1. Badlands [4:04]
  2. Adam Raised a Cain [4:34]
  3. Something in the Night [5:14]
  4. Candy’s Room [5:14]
  5. Racing in the Street [6:54]
  6. The Promised Land [4:29]
  7. Factory [2:19]
  8. Streets of Fire [4:03]
  9. Prove It All Night [4:01]
  10. Darkness on the Edge of Town [4:29]

Total Running Time: 42:55


The Players:

  • Bruce Springsteen (vocals, guitar, harmonica, producer)
  • Roy Bittan (piano, backing vocals)
  • Clarence Clemons (saxophone, backing vocals)
  • Danny Federici (Hammond organ, glockenspiel)
  • Garry Tallent (bass)
  • Steven Van Zandt (rhythm guitar, backing vocals, production assistance)
  • Max Weinberg (drums)

Rating:

4.530 out of 5.00 (average of 29 ratings)


Quotable:

“Material that mined [Springsteen’s] blue-collar roots with a vitality he never topped.” – Blender Magazine

Awards:

(Click on award to learn more).

About the Album

“Coming three years and one extended court battle after” AM “the grandiose Born to Run (1975) [which] proved Springsteen was far more than just another New Dylan,” BLDarkness on the Edge of Town was highly anticipated.” AM

“Some attributed the album’s embattled tone to Bruce Springsteen’s legal troubles, but it carried on from Born to Run, in which Springsteen had first begun to view his colorful cast of characters as ‘losers.’ On Darkness, he began to see them as the working class” AM and he subsequently “crafted material that mined his blue-collar roots with a vitality he never topped.” BL “His characters, some of whom he inhabited and sang for in the first person, had little and were in danger of losing even that. Their only hope for redemption lay in working harder, and their only escape lay in driving.” AM

“Springsteen presented these hard truths in hard rock settings, the tracks paced by powerful drumming and searing guitar solos. Though not as heavily produced as Born to Run, Darkness was given a full-bodied sound; Springsteen’s stories were becoming less heroic, but his musical style remained grand – the sound, and the conviction in his singing, added weight to songs like Racing in the Street and the title track, transforming the pathetic into the tragic. But despite the rock & roll fervor, Darkness was no easy listen, and it served notice that Springsteen was already willing to risk his popularity for his principles.” AM

The Songs

Here’s a breakdown of each of the individual songs.

Badlands

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 7/13/1977, 8/4/1977, 12/12/1977, 2/22/1978, 2/23/1978, and 2/25/1978 at the Record Plant in New York


Released: 7/21/1978 as a single, Darkness on the Edge of Town (1978)


Peak: 42 BB, 52 CB, 47 HR, 6 CL, 44 CN, 9 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 85.06 streaming


About the Song:

Since Born to Run, the characters in Bruce’s songs “had developed: having reached adulthood they seemed to lave lost many of their illusions.” MG-110 Bruce was inspired here by the 1973 Terrence Malick movie Badlands starring Martin Sheen, Sissy Spacek, and Warren Oates. The movie is about “two young lovers who…go on the run and sow death around them.” MG-110 They hail from a small South Dakota town. That state and Nebraska are part of the United States region known as the Badlands.

Musically, the song “introduces…the band’s new sound quality.” MG-112 It is “striking for its sense of urgency, but also for its dynamism.” MG-112 While “far from the sound of the London punks…Springsteen…understood the message of the ‘no-future’ generation and distilled it in his own way.” MG-112 It is based on the riff of the 1965 song “Don’t Let Me Be Misunderstood” by the Animals. It has become “one of his great signature songs.” MG-112

Awards:

(Click on award to learn more).

Adam Raised a Cain

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 11/9/1977, 12/15/1977, and February 15-17, 1978 at the Record Plant in New York


Released: Darkness on the Edge of Town (1978)


Peak: 42 CL, 26 DF Click for codes to charts.

Covered by: Alabama Shakes (2013)


About the Song:

“Adam Raised a Cain” was “the first in a years-long series of songwriting as therapy that begins with an attempt to untangle what we inherit from our parents from what we determine for ourselves.” ESS It was inspired by the 1955 movie East of Eden, which is loosely based on the Biblical story of Adam and his sons Cain and Abel. In the movie, Cal (the stand-in for Cain) doesn’t directly murder his brother, but does set in motion the trauma that sends him off to war where he is killed.

Bruce’s tale doesn’t focus on sibling rivalry or murder, but “Cal’s lack of self-worth, his resentment toward his father, and the emotional gulf that had grown between them.” ESS Like Cal, Bruce “felt emotionally estranged from his father, desperately seeking his approval but always feeling like he’d fallen short.” ESS

Musically, the song features “one of his most blistering guitar solos on record, an ominous organ-driven stomp of a riff, and call-and-response backing vocals that sound more haunting than haunted.” ESS

Awards:

(Click on award to learn more).

Something in the Night

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 6/1/1977, 6/14/1977, and 6/16/1977 at Atlantic Studios in New York; September to December 1977 (?) and 2/27/1978 at the Record Plant in New York


Released: Darkness on the Edge of Town (1978)


About the Song:

“It’s almost impossible to listen to ‘Something in the Night’ and not hear…a subconscious cry for help” ESS but it “did not start its life as the soul-crushing cry it evolved into.” ESS It was “a somewhat romantic me-and-her-against-the-world that would have sounded at least as much at home (if not more) on Born to Run than on Darkness on the Edge of Town.” ESS “The night represented promise, and Bruce’s characters were in search of its secrets.” ESS

In August 1976, Mike Appel (Springsteen’s former manager) won a preliminary injunction that prevented Bruce from recording new music. A month later, Bruce lost his appeal and had to hit the road again to earn money. In subsequent live performances of “Something in the Night” the lyrics “grew progressively darker and angrier.” ESS “It requires credulity to suggest that those lines weren’t informed by Bruce’s anger at the time.” ESS By February 1977, the song “was re-arranged in its close-to-final form, its lyrics still filled with anger but now also with resignation.” ESS The narrator “had surrendered to despair.” ESS

The musical arrangement also took a “definitive turn toward the dark…with the E Street Band conjuring a brooding, simmering, rumbling, and finally exploding eruption of an introduction, all accompanied by Bruce’s wordless howls that convey…anguish and emotion.” ESS

Candy’s Room

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: September to December 1977 and March 3-5, 1978 at the Record Plant in New York


Released: Darkness on the Edge of Town (1978)


Peak: 11 CL, 16 DF Click for codes to charts.


About the Song:

“Candy’s Room” merged a couple of other Springsteen songs, “Candy’s Boy” (which was eventually released on The Promise in 2010) and “The Fast Song” (no official release).

There has been speculation over Candy and who she was. A prostitute? A former girlfriend? When asked in 2010, Bruce laughed and said, “Does it matter? Does it really matter? I’ll never tell.” ESS “A fair argument can be made that Candy is a composite more than a character.” ESS “The Candy-as-courtesan interpretation supports the central conceit of the entire Darkness on the Edge of Town album: that even in the darkest of circumstance and context, Bruce’s characters cling to romance and idealism.” ESS

“For a song pieced together from parts, it’s astounding how well the final lyrics and music reflect each other. In large part, this is because Bruce abandons concern with meter and form, delivering his vocals in spoken-word for much of the song, and matching the music’s flourishes.” ESS

Racing in the Street

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 7/2/1977 and August 1977 at Altantic Studios in New York; August 1977, November 28-30, 1977, 12/6/1977, 12/9/1977, 3/21/1978, and 3/23/1978 at the Record Plant in New York


Released: Darkness on the Edge of Town (1978), ’78 version: The Promise (1978/2010)


About the Song:

“What happens after you win?” ESS Answering that question led Bruce “away from his romantic Born to Run songwriting and opened a darker, realistic vein” ESS on songs like “Racing in the Street,” which “still stands as one of his crowning songwriting achievements.” ESS

“There was still one big throughline: the getaway car.” ESS However, “in ‘Racing in the Street,’ the car still offers escape, but only for and in the moment…a short-lived high to distract from the long, dull sameness of his life.” ESS “Does our narrator go racing every night because he’s dying by degrees, or in defiance of it?” ESS

“’Racing in the Street’ is such a poetic accomplishment that it’s easy to overlook its backing track when discussing it.” ESS The song “wouldn’t work without the gradual entrance of the band members as the narrator retreats into his inner life.” ESS

An early version of “Racing in the Street” was released on The Promise in 2010. It “features different words; David Lindley’s violin makes the track a bit less personal, more anthemic; it’s absent the shadow of doubt that makes the Darkness version so devastating emotionally.” TJ

The Promised Land

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 9/30/1977, 10/27/1977, 12/1/1977, 12/27/1977, and May 1978 at the Record Plant in New York


Released: 10/13/1978 as a single (UK), Darkness on the Edge of Town (1978)


Peak: 21, CL, 17 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 33.12 streaming


About the Song:

“The Promised Land” is about a man who “idles his life away a day at a time, somewhere out in a remote area of a remote state. He holds no power, he exerts no control over his life.” ESS “What do you do when the person you’re supposed to be isn’t the person you want to be?” ESS The narrator feels trapped; he is “running from than running toward.” ESS Despite that, the narrator “still believes that somewhere, somewhere, there’s a promised land where he can realize his potential. If only he knew where, and how to get there.” ESS

Factory

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: September to December 1977, 1/2/1978, 3/10/1978, 3/14/1978 at the Record Plant in New York


Released: 5/23/1978 as the B-side of “Prove It All Night,” Darkness on the Edge of Town (1978)


About the Song:

“This is clearly an autobiographical song. Bruce is usually coy about how much a given song is drawn from reality, but we certainly know that his dad worked in a factory.” ESS

Musically, “Factory” is marked by “lyrical economy, the dance between Danny’s organ and Roy’s piano, the way the Bruce’s vocals and Max’s incessant drumbeat combine to drive home the world-weariness and rut that is at the very heart of the song, the way Bruce double-tracks his vocals on the last line of each verse – one high, one low to represent both the blessing and curse of factory work…this is a stunning piece of work – and barely more than two minutes in length!” ESS

Streets of Fire

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: August 1977, December 1977, 4/5/1978 at the Record Plant in New York


Released: 7/21/1978 as the B-side of “Badlands,” 10/13/1978 as the B-side of “The Promised Land” (UK), Darkness on the Edge of Town (1978)


Peak: 31 DF Click for codes to charts.


About the Song:

“’Streets of Fire’ isn’t a song you hear. It’s a song you feel.” ESS It “is a song of despair and self-loathing and alienation and surrender.” ESS But “don’t listen to the words. They don’t matter. Just listen to the voice.” ESS “’Streets of Fire’ is four minutes of Bruce Springsteen and the E Street Band dialed into something primal, a place of power in a vinyl groove.” ESS

Prove It All Night

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: 9/12/1977, 9/14/1977, and 9/16/1977 at the Record Plant in New York


Released: 5/23/1978 as a single, Darkness on the Edge of Town (1978)


Peak: 33 BB, 53 CB, 46 HR, 7 CL, 57 CN, 90 AU, 16 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 23.89 streaming


About the Song:

“’Prove It All Night’ is more than just rock’s most ferocious wedding song; it’s a credo that runs throughout the entire Darkness on the Edge of Town album” ESS but “with greater lyrical sophistication. On an album mostly devoid of nuance, ‘Prove It All Night’ operates on multiple levels: the earthly, the divine, the here and now, and the long road of life.” ESS

The “narrator spends the entire song trying to convince his girl to elope with him.” ESS He is “trying his best to get himself on the straight and narrow, to atone for past sins, and to build a good life for himself and his future wife.” ESS “When our narrator sings ‘Prove It All Night,’ he’s pledging to remain true and prove his love and fidelity for the remainder of their days.” ESS

“We never even find out whether these two make it to the altar, whether they blow town, or if she even accepts his proposal at all. ‘Prove It All Night’ ends without resolution. For most of us, there’s no winning or losing, we just go on playing the game.” ESS

Darkness on the Edge of Town

Bruce Springsteen

Writer(s): Bruce Springsteen


Recorded: September to December 1977 (?) and March 8-10, 1978 at the Record Plant in New York


Released: Darkness on the Edge of Town (1978)


Peak: 17 CL, 15 DF Click for codes to charts.


About the Song:

The title track is one of the “absolutely stellar standout tracks on the album.” ESS It “best accomplishes what the entire album is reaching for.” ESS “Addiction and resignation that whatever it is that’s hiding in the darkness that keeps our protagonist from moving forward, it’s something he’s not only unwilling but unable to leave behind, despite the wreckage it causes to his life and family.” ESS

Musically, this “is an example of Bruce’s most meticulous and specific composing. The verses are as plodding as the narrators life; the choruses are violently defiant. Max’s snare separates and punctuates them like a snap of anger. And the coup de grace: the tambourine in the final version, conjuring up imagery of the narrator in chains, swinging a sledgehammer to Max’s drumbeat, and shuffling off toward the horizon as the song fades out, making it clear that the narrator will never escape his mire. Perfection.” ESS

Notes:

A 2010 reissue saw the release of the The Promise, a collection of two discs of archival material recorded during the Darkness on the Edge of Town sessions.

Resources/References:

  • AM AllMusic.com review of Darkness on the Edge of Town by William Ruhlmann
  • TJ AllMusic.com review of The Promise by Thom Jurek
  • BL Blender (10/08). “100 Greatest American Albums
  • ESS EStreetShuffle.com
  • MG Philippe Margotin & Jean-Michel Guesdon (2020). Bruce Springsteen – All The Songs: The Story Behind Every Track. Cassel (an imprint of Octopus Publishing Group Ltd.): Great Britain.
  • WK Wikipedia


Related DMDB Pages:


First posted 3/23/2008; last updated 8/4/2025.