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| Don’t You Forget About MeSimple Minds |
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| Don’t You Forget About MeSimple Minds |
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![]() | Flashdance…What a Feelin’Irene Cara |
Writer(s): Irene Cara, Keith Forsey, Giorgio Moroder (see lyrics here) Released: March 1983 First Charted: April 2, 1983 Peak: 16 US, 16 CB, 14 GR, 15 RR, 4 AC, 2 RB, 2 UK, 13 CN, 17 AU, 8 DF (Click for codes to charts.) Sales (in millions): 1.0 US, 0.25 UK, 3.25 world (includes US + UK) Airplay/Streaming (in millions): -- radio, 84.2 video, 315.66 streaming |
Awards:Click on award for more details. |
About the Song:Italian composer Giorgio Moroder, dubbed the “Father of Disco,” was a pioneer in electronic dance music. He was best known for his production work with Donna Summer, but also worked with Blondie, David Bowie, Janet Jackson, and others. He worked on soundtracks as well, including 1978’s Midnight Express, 1980’s American Gigolo, and 1983’s Flashdance. The latter sold more than 20 million copies worldwide, fueled by Michael Sembello’s “Maniac” and Irene Cara’s “Flashdance…What a Feelin’,” both #1 hits. Moroder wrote the music for the latter with Irene Cara in mind because of what she did with the theme song (#3, 1980) for Fame. He would later write “Danger Zone” and “Take My Breath Away” for 1986’s Top Gun. SF Cara was initially reluctant to work with Donna Summer’s producer because, as she expected, critics suggested she sounded like Summer on “What a Feelin’.” FB She considered the accusations sexist because, as she said, “There are so many records made by male artists today that sound alike. But nobody makes an issue of that.” FB The Flashdance soundtrack knocked Michael Jackson’s Thriller from the top of the album chart for two weeks during Irene Cara’s six-week run at the top with “Flashdance…What a Feelin’.” Thriller would return to the top for 20 more weeks – 37 total – before getting knocked out by another music-themed movie soundtrack – Footloose. “What a Feelin’” earned an Academy Award for Best Original Song and a Golden Globe Award for Best Original Song. Cara also took him a Grammy for Best Female Pop Vocal. Resources:
First posted 11/2/2019; last updated 4/15/2023. |
![]() | Hot StuffDonna Summer |
Writer(s): Pete Bellotte, Harold Faltermeyer, Keith Forsey (see lyrics here) Released: April 21, 1979 First Charted: April 20, 1979 Peak: 13 US, 14 CB, 13 GR, 15 HR, 12 RR, 3 RB, 11 UK, 12 CN, 11 AU, 7 DF (Click for codes to charts.) Sales (in millions): 2.0 US, 0.2 UK, 2.35 world (includes US + UK) Airplay/Streaming (in millions): -- radio, 82.8 video, 301.66 streaming |
Awards:Click on award for more details. |
About the Song:Summer’s earlier top-ten hits “Love to Love You Baby” and “I Feel Love” “introduced the world to the synthetic-psychedelic Euro-disco sound.” SG and established her as “the reigning queen of disco.” SG By 1979, she was “starting to get sick of disco” SG and “wanted to sing a rock song.” SG Neil Bogart, the head of her Casablanca label, suggested they give the resulting “Hot Stuff” to Cher, FB but Summer insisted on recording it herself “and she did it with a vengeance.” SS It was “one of the hardest-rocking singles of the 1970s” SS and even won a Grammy for best rock female vocal. Of course, “Hot Stuff” “still sounded a whole hell of a lot like a disco song” SG and ended up “a classic of the disco era.” DJ Although “Summer wasn’t an especially wild woman in real life, she could play one on record.” SG This was “one of the most salaciously sexually” SS songs of the decade. It “is a song about absolutely needing sex right now, about being so horny that you’re practically climbing the walls. Summer sells the hell out of it.” SG She’s “all feverish urgency.” SG The groove on ‘Hot Stuff’ is just a monster. The beat is a slowed-down panther-stalk version of the disco boom. The synth hook whines and nags, pushing the intensity further while also providing one more sticky hook.” SG At the end, Jeff “Skunk” Baxter of the Doobie Brothers and formerly with Steely Dan, “shows up to play a guitar solo that’s all spiky, discordant edges, growling just as hard as Summer.” SG It was the lead single from Bad Girls, the “last, biggest, and best” SG of a run of six studio albums in the last half of the ‘70s. Rolling Stone called it “the only great disco album other than Saturday Night Fever.” SG Resources:
First posted 1/23/2023. |