Showing posts with label I Can't Explain. Show all posts
Showing posts with label I Can't Explain. Show all posts

Wednesday, August 18, 2021

The Who's Top 100 Songs/Studio Albums Ranked

The Who

Top 100 Songs/
Studio Albums Ranked

The Who were a rock group that formed in London in 1964. In their early years, they became known for their antics of destroying their instruments on stage. They became a staple of album rock with classics such as the 1969 rock opera Tommy and 1971’s Who’s Next The original lineup of singer Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle, and drummer Keith Moon lasted until 1978 when Moon died at age 32 from a drug overdose.

At their concert in Cincinnati on December 3, 1979, eleven people were trampled to death when fans tried to push their way in before the show. The band broke up in 1982, but regrouped for Live Aid in 1986 and again in 1989 for a 25th anniversary tour. They subsequently regrouped multiple times. Just before their 2002 tour, Entwistle died at age 57 from a cocaine-induced heart attack.

In 2006, they released their first studio album, Endless Wire, in 24 years. They reconvened again for the album Who in 2019.

Click here to see other best-of lists from performers and here to see other best-of lists from songwriters and/or producers.


Spotify Podcast:

Check out Dave’s Music Database podcast: The 50th Anniversary of Who’s Next which draws from this list. It premieres August 17, 2021 at 7pm CST. Tune in every Tuesday at 7pm for a new episode based on the lists at Dave’s Music Database.

Awards:


Top 100 Songs


Dave’s Music Database lists are determined by song’s appearances on best-of lists as well as chart success, sales, radio airplay, streaming, and awards. This list includes solo material from Pete Townshend and Roger Daltrey as well as music by The Who.

DMDB Top 1%:

1. My Generation (1965)
2. Won’t Get Fooled Again (1971)
3. Baba O’Riley (1971)

DMDB Top 2%:

4. I Can See for Miles (1967)
5. I Can't Explain (1965)
6. Pinball Wizard (1969)
7. Behind Blue Eyes (1971)

DMDB Top 5%:

8. Who Are You (1978)
9. Magic Bus (1968)
10. Love Reign O’er Me (1973)
11. You Better You Bet (1981)

DMDB Top 10%:

12. Substitute (1966)
13. Happy Jack (1966)
14. Squeeze Box (1975)
15. The Kids Are Alright (1966)
16. Pictures of Lily (1967)
17. The Seeker (1970)
18. Eminence Front (1982)
19. Join Together (1972)
20. 5:15 (1973)

21. Let My Love Open the Door (Pete Townshend, 1980)
22. Summertime Blues (1970)
23. Bargain (1971)

DMDB Top 20%:

24. I’m Free (1969)
25. We’re Not Gonna Take It/See Me Feel Me (1970)
26. I’m a Boy (1966)
27. Athena (1982)
28. Relay (1972)
29. Anyway, Anyhow, Anywhere (1965)
30. Long Live Rock (1974)

31. The Real Me (1973)
32. Let’s See Action (1971)
33. Rough Boys (Pete Townshend, 1980)
34. Call Me Lightning (1968)
35. Face the Face (Pete Townshend, 1985)
36. Don’t Let the Sun Go Down on Me (Roger Daltrey, 1987)

Beyond the DMDB Top 20%:

37. A Legal Matter (1965)
38. Don’t Let Go the Coat (1981)
39. Boris the Spider (1966)
40. Without Your Love (Roger Daltrey, 1980)

41. The Song Is Over (1971)
42. Another Tricky Day (1981)
43. Goin’ Mobile (1971)
44. After the Fire (Roger Daltrey, 1985)
45. Dogs (1968)
46. The Last Time (1967)
47. Slip Kid (1975)
48. Giving It All Away (Roger Daltrey, 1973)
49. Pure and Easy (Pete Townshend, 1972)
50. My Wife (1971)

51. Gettin’ in Tune (1971)
52. It’s Not Enough (2006)
53. Behind Blue Eyes (acoustic version by Pete Townshend, 1983)
54. Give Blood (Pete Townshend, 1985)
55. Quicksilver Lightning (Roger Daltrey, 1986)
56. A Friend Is a Friend (Pete Townshend, 1989)
57. Free Me (Roger Daltrey, 1980)
58. Slit Skirts (Pete Townshend, 1982)
59. Love Ain’t for Keepin’ (1971)
60. Real Good Looking Boy (2004)

61. Let Me Down Easy (Roger Daltrey, 1985)
62. Under a Raging Moon (Roger Daltrey, 1985)
63. Go to the Mirror Boy (1969)
64. Amazing Journey/Sparks (1969)
65. Under My Thumb (1967)
66. It’s a Boy (1969)
67. Saturday Night’s Alright for Fighting (1991)
68. Postcard (1974)
69. All This Music Must Fade (2019)
70. Sister Disco (1978)

71. Take Me Home (Roger Daltrey, 1987)
72. Come and Get Your Love (Roger Daltrey, 1975)
73. The Acid Queen (1969)
74. Avenging Annie (Roger Daltrey, 1977)
75. A Little Is Enough (Pete Townshend, 1980)
76. Do You Think It’s Alright/Fiddle About (1969)
77. Cousin Kevin (1969)
78. Young Man Blues (1970)
79. Shakin’ All Over (1970)
80. Pinball Wizard (live version by Pete Townshend, 1986)

81. It’s Hard (1982)
82. Daily Records (1981)
83. How Can You Do It Alone (1981)
84. Be Lucky (2014)
85. Trick of the Light (1978)
86. Music Must Change (1978)
87. Won’t Get Fooled Again (Pete Townshend live with John Williams, 1981)
88. Naked Eye (live, 1971)
89. Sheraton Gibson (Pete Townshend, 1972)
90. English Boy (Pete Townshend, 1993)

91. Did You Steal My Money (1981)
92. Dig (1989)
93. You (1981)
94. Fire (1989)
95. Twist and Shout (live) (1980)
96. Walking in My Sleep (Roger Daltrey, 1984)
97. Heaven and Hell (1970)
98. How Many Friends (1975)
99. Had Enough (1978)
100. Fortune Teller (1968)


The Who: Studio Albums Ranked


Dave’s Music Database lists are determined by album’s appearances on best-of lists as well as chart success, sales, critics’ ratings, and awards. Also factored in are the status of each album’s songs in Dave’s Music Database for songs.

1. Who’s Next (1971)
2. Tommy (1969)
3. Quadrophenia (1973)
4. Sell Out (1967)
5. My Generation (1965)
6. A Quick One (1966)
7. By Numbers (1975)
8. Endless Wire (2006)
9. Who Are You (1978)
10. Face Dances (1981)

11. Who (2019)
12. Magic Bus * (1968)
13. Lifehouse (2000)
14. It’s Hard (1982)

* Technically not a studio album but a compilation, but included here because the songs were various singles, B-sides, and leftovers all recorded in 1967 and 1968.


Resources and Related Links:


Other Related DMDB Pages:


First posted 7/27/2012; last updated 8/18/2021.

Sunday, December 20, 2015

Today in Music (1965): The Who released their debut album, My Generation

My Generation

The Who


Released: December 20, 1965


Peak: -- US, 5 UK, -- CN, 153 AU Click for codes to charts.


Sales (in millions): -- US, 0.1 UK, -- world (includes US and UK)


Genre: classic rock


Tracks:

Click on a song titled for more details.
  1. Out in the Street [2:30]
  2. I Don’t Mind [2:32]
  3. The Good’s Gone [3:59]
  4. La-La-La Lies [2:12]
  5. Much Too Much [2:45]
  6. My Generation [3:15]
  7. The Kids Are Alright [2:42]
  8. Please, Please, Please [2:45]
  9. It’s Not True [2:30]
  10. I’m a Man [3:23]
  11. A Legal Matter [2:47]
  12. The Ox [3:49]

Total Running Time: 33:59


Also from This Era:


The Players:

  • Roger Daltrey (vocals)
  • Pete Townshend (guitar, vocals)
  • John Entwistle (bass)
  • Keith Moon (drums)

Rating:

3.976 out of 5.00 (average of 26 ratings)


Awards:

(Click on award to learn more).

About the Album

“An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record. Pete Townshend's exhilarating chord crunches and guitar distortions threaten to leap off the grooves on My Generation and Out in the Street.” AM

“Keith Moon attacks the drums with a lightning, ruthless finesse throughout. Some ‘Maximum R&B’ influence lingered in the two James Brown covers, but much of Townshend's original material fused Beatlesque hooks and power chords with anthemic mod lyrics, with The Good's Gone, Much Too Much, La La La Lies, and especially The Kids Are Alright being highlights.” AM

A Legal Matter hinted at more ambitious lyrical concerns, and The Ox was instrumental mayhem that pushed the envelope of 1965 amplification with its guitar feedback and nonstop crashing drum rolls. While the execution was sometimes crude, and the songwriting not as sophisticated as it would shortly become, the Who never surpassed the pure energy level of this record.” AM

U.S. Version

The U.S. version of the album, which was called The Who Sings My Generation, omitted “I’m a Man,” put “The Ox” before “A Legal Matter,” and added “Circles” at the end.

Reissue

The 2002 2-CD Deluxe Version maintains the original UK track listing, adds “Circles” on the end, and then includes a whopping 17 bonus tracks. Among the extras are alternate versions of “Anyway, Anyhow, Anywhere,” “Instant Party,” “I Don’t Mind,” “The Good’s Gone,” “A Legal Matter,” and two versions of “My Generation.” Also included are “I Can’t Explain,” “Bald Headed Woman,” “Daddy Rollin’ Stone,” “Leaving Here,” “Lubie (Come Back Home),” “Shout and Shimmy,” “Heat Wave,” “Motoring,” and “Anytime You Want Me” (2 versions).

The Songs

Here’s a breakdown of each of the individual songs.

I Can’t Explain

The Who

Writer(s): Pete Townshend


Released: single (12/19/1964), Meaty, Beaty, Big and Bouncy (compilation, 1971), Hooligans (compilation, 1981), Who’s Better Who’s Best (compilation, 1988), My Generation: The Very Best of (compilation, 1996), The Ultimate Collection (compilation, 2002), Then & Now (compilation, 2004), Greatest Hits (compilation, 2009), Hits 50! (compilation, 2014)


B-side: “Bald Headed Woman”


Peak: 93 BB, 57 CB, 72 HR, 2 CL, 8 UK, 87 AU, 7 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 14.0 video, 33.54 streaming

Awards:

(Click on award to learn more).

About the Song:

Critic Dave Marsh said, “’I Can’t Explain’ changed my life the first time I heard it, when I was fifteen, by giving me a sound whose power I’ve spent a whole lot of the rest of my life searching to renew. It was the first record I’d heard that revealed British rock with the same purifying intensity as soul and fifties rock and roll…If some aspects of what makes ‘I Can’t Explain’ great have grown fuzzier with the passage of time, the central kernel of its greatness has become more obvious: Keith Moon plays lead drums the way other bands had people playing lead guitar…The sheer audacity of that act remains amazing and inspiring.” DM

Anyway, Anyhow, Anywhere

The Who

Writer(s): Pete Townshend, Roger Daltrey


Released: single (UK, 5/21/1965), single (US, 6/5/1965), Meaty, Beaty, Big and Bouncy (compilation, 1971), Who’s Better Who’s Best (compilation, 1988), My Generation: The Very Best of (compilation, 1996), The Ultimate Collection (compilation, 2002), Hits 50! (compilation, 2014)


B-side: “Daddy Rolling Stone” (UK), “Anytime You Want Me” (US)


Peak: 26 CL, 10 UK, 8 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 0.29 video, 2.09 streaming

Awards:

(Click on award to learn more).

About the Song:

“Anyway, Anyhow, Anywhere” was the only time Roger Daltrey and Pete Townshend wrote a song together. WK The song is notable as one of the first to feature recorded guitar feedback. WK It also features piano from Rock and Roll Hall of Famer Nicky Hopkins, who also played with the Beatles, the Rolling Stones, and the Kinks.

Out in the Street

The Who

Writer(s): Pete Townshend


Released: B-side of “My Generation” (11/20/1965), My Generation (12/20/1965)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.82 streaming

I Don’t Mind

The Who

Writer(s): James Brown


Released: My Generation (12/20/1965)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.78 streaming

The Good’s Gone

The Who

Writer(s): Pete Townshend


Released: My Generation (12/20/1965)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.69 streaming

La-La-La Lies

The Who

Writer(s): Pete Townshend


Released: My Generation (12/20/1965)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.67 streaming

Much Too Much

The Who

Writer(s): Pete Townshend


Released: My Generation (12/20/1965)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.43 streaming

My Generation

The Who

Writer(s): Pete Townshend (see lyrics here)


Released: single (UK, 10/29/1965), single (US, 11/20/1965), My Generation (12/20/1965), Meaty, Beaty, Big and Bouncy (compilation, 1971), Greatest Hits (compilation, 1983), Who’s Better Who’s Best (compilation, 1988), My Generation: The Very Best of (compilation, 1996), The Ultimate Collection (compilation, 2002), Then & Now (compilation, 2004), Greatest Hits (compilation, 2009), Hits 50! (compilation, 2014)


B-side: “Shout and Shimmy” (UK), “Out in the Street” (US)


Peak: 74 BB, 99 CB, 79 HR, 1 CL, 2 UK, 3 CN, 2 AU, 1 DF Click for codes to charts.


Sales (in millions): -- US, 0.25 UK


Airplay/Streaming (in millions): -- radio, 23.11 video, 260.30 streaming

Awards:

(Click on award to learn more).

About the Song:

“This was punk before its time – but not even the Sex Pistols were as negative as this.” HL This song captured in the studio the “atmosphere of chaos and disorder” TC which the Who brought to the stage with their “gear-trashing finales.” RS500 This was “a good nominee for rock’s most explosive expression of adolescent rebellion.” AMG It was “the ultimate teen anthem in 1965, and it still holds that spot today.” DT

Guitarist and songwriter Pete Townshend told Rolling Stone that it “was very much about trying to find a place in society…I was very, very lost.” RS500 His efforts were to capture the fear about “ the impending strictures of adult life, famously captured in the line ‘Hope I die ’fore I get old.’” RS500 Rumor has it that Townsend was on a train from London to Southampton, on his way to a television appearance on his twentieth birthday when he penned the song. RS500 Manager Kit Lambert had urged Townshend “to make a statement” SJ and, as Townsend said in 1967, “’It’s the only really successful social comment I’ve ever made.” SJ

Bob Dylan said, “Pete seems to have a chip on his shoulder in this song. But he’s not totally confident; he’s somewhat back on his heels. There’s a certain defensiveness. He knows people put him down just because he gets around. Perhaps he feels like he will never measure up or he knows they resent his generation’s newly abundant leisure time. He wishes they would just disappear, fade away…We all rail at the previous generation but somehow know it’s only a matter of time until we will become them ourselves.” BD

Musically, the song’s energy matched “the Who’s live gear-trashing finales.” SS The song not only sports “Townshend spewing feedback all over Keith Moon’s avalanche drumming,” RS500 but, thanks to John Entwistle, “the first ever bass solo on a pop record.” TB Of course, what made the song truly iconic was the stuttered vocal of Roger Daltrey. Lambert had suggested the style to “sound like a British kid on speed.” SF The fumbled words starting off with“F” sound like they’ll be obsence TC and end up symbolizing “the barely articulated frustration of youth.” AMG The BBC briefly banned the record because they thought the stammering was covering for bad language. SS

The song began life as a slow-talking blues based on a Jimmy Reed melody. SS It went through months of being reworked RS500 with the band attempting to record it on three different occasions AMG before getting it in two takes on October 13, 1965. RS500

The Kids Are Alright

The Who

Writer(s): Pete Townshend


Released: single (US, July 1966), single (UK, 8/12/1966), My Generation (12/20/1965), Meaty, Beaty, Big and Bouncy (compilation, 1971), Who’s Better Who’s Best (compilation, 1988), The Ultimate Collection (compilation, 2002), Then & Now (compilation, 2004), Greatest Hits (compilation, 2009), Hits 50! (compilation, 2014)


B-side: “A Legal Matter” (US), “The Ox” (UK)


Peak: 85 CB, 98 HR, 11 CL, 41 UK, 7 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 8.4 video, 9.59 streaming

Awards:

(Click on award to learn more).

About the Song:

“The Kids Are Alright” wasn’t a major single, peaking at a mere #41 in the UK and missing the Billboard Hot 100 in America entirely. However, that song and “My Generation” “became anthems for the band and the Mod subculture of Britain in the 1960s.” WK It would also become the name for a 1979 documentary about the band.

Please, Please, Please

The Who

Writer(s): James Brown, John Tery


Released: My Generation (12/20/1965)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.52 streaming

It’s Not True

The Who

Writer(s): Pete Townshend


Released: My Generation (12/20/1965)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.45 streaming

I’m a Man

The Who

Writer(s): Bo Diddley


Released: My Generation (12/20/1965)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.37 streaming

A Legal Matter

The Who

Writer(s): Pete Townshend


Released: single (3/7/1966), B-side of “The Kids Are Alright” (US, July 1966), My Generation (12/20/1965), Meaty, Beaty, Big and Bouncy (compilation, 1971), The Ultimate Collection (compilation, 2002)


B-side: “Instant Party”


Peak: 42 CL, 32 UK, 83 AU, 29 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 1.47 streaming

The Ox

The Who

Writer(s): Pete Townshend, John Entwistle, Keith Moon, Nicky Hopkins


Released: B-side of “The Kids Are Alright” (UK, 8/12/1966), My Generation (12/20/1965)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 1.15 streaming

Resources/References:


Related DMDB Pages:


First posted 5/19/2010; last updated 9/1/2025.