Showing posts with label AIDS. Show all posts
Showing posts with label AIDS. Show all posts

Saturday, January 4, 1992

U2 charted with “One”

One

U2

Writer(s): Bono/U2 (see lyrics here)


Released: February 24, 1992


First Charted: January 4, 1992


Peak: 10 US, 3 CB, 12 GR, 2 RR, 24 AC, 12 AR, 11 MR, 7 UK, 14 CN, 4 AU, 1 DF (Click for codes to charts.)


Sales (in millions): -- US, 0.2 UK, 0.36 world (includes US + UK)


Airplay/Streaming (in millions): -- radio, 86.0 video, 459.23 streaming

Awards:

Click on award for more details.

About the Song:

Inspired by the fall of the Berlin wall, U2 went to Germany to record their album Achtung Baby and “cast off their trad-rock shoes and restyled themselves as post-modern, electro-tinged experimentalists.” TB It has been speculated that the song “One” is about the reunification of the country SF while it is also theorized that the song is about the reunification of the group itself. They bickered over the direction over their sound and even broke up temporarily before achieving a breakthrough with “One.” WK The Edge, the band’s guitarist, said, “It was a pivotal song in the recording of the album, the first breakthrough in what was an extremely difficult set of sessions.” SF

U2’s lead singer, Bono, was initially vague about the song’s theme, but did say in the book U2 by U2 that the song “is not about oneness; it’s about difference.” SF Prompted by a number of fans who told the band they played the song at their weddings, Bono said, “Are you mad? It’s about splitting up!” WK In fact, Bono may have been writing about the Edge’s marital problems (they split soon after the recording sessions) and/or the girl troubles his friend Guggi, an Irish painter, was experiencing at the time. SF The Edge said the song was “a bitter, twisted, vitriolic conversation between two people who’ve been through some nasty stuff” SF but that it’s also about the “privilege to carry one another. It puts everything in perspective and introduces the idea of grace.” SF

In a 2005 interview with Rolling Stone, Bono said the song was “about someone I knew who was coming out and was afraid to tell his father.” SF The proceeds from the single were donated to AIDS research. American artist David Wojnarowicz, whose work created controversy for its uncompromising depictions of homosexuality and his own infection by the H.I.V. virus, created the artwork for the single. The liner notes described the depiction of how native Americans hunted buffalo by running them off cliffs as representative of how we are “pushed into the unknown by forces we cannot control or even understand.” WK One of the three videos done for the song focuses on buffalo running in a field.

Bono acknowledged “the best U2 songs seem to occupy this place of contradictions.” TC No matter its meaning, “One” is “a record that is both intensely personal and universal as well.” TC Rolling Stone said it is “a ballad in which Bono wonders whether individuality also means eternal loneliness and comes down on the side of hope.” SS Bono said the song “ironically…went in a totally different direction from everything we’d been working on.” TC It is “a much more simple, stately affair, anchored not by tinkering with the latest studio gadgetry but by an elegant four-chord riff, everyman lyrics, and a magisterial singalong chorus.” TB

Mary J. Blige, Adam Lambert, and the Glee Cast have all charted with versions of the song. Johnny Cash, Joe Cocker, Gov’t Mule, and Usher have also recorded the song. Half of the band – Adam Clayton and Larry Mullen – joined with R.E.M. members Michael Stipe and Mike Mills to perform the song at the 1993 inaugural ball for Bill Clinton.

In 1992, readers of Rolling Stone voted “One” the best single of the year. In a 2007 pool done by the Irish radio station Today FM, the song was voted the best Irish single ever. SF In 2003, it was voted the best song EVER by Q Magazine. SF More specifically, in a 2006 VH1 poll, the line “one life, with each other/ Sisters, brothers” was voted the UK’s favorite song lyric. SF


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First posted 12/29/2019; last updated 3/26/2023.

Saturday, January 18, 1986

“That’s What Friends Are For” hit #1

That’s What Friends Are For

Dionne & Friends (Elton John, Gladys Knight, & Stevie Wonder)

Writer(s): Burt Bacharach, Carole Bayer Sager (see lyrics here)


First Charted: November 9, 1985


Peak: 14 US, 13 CB, 12 RR, 12 AC, 13 RB, 16 UK, 11 CN, 11 AU, 4 DF (Click for codes to singles charts.)


Sales (in millions): 1.0 US, -- UK, 1.1 world (includes US + UK)


Airplay/Streaming (in millions): 2.0 radio, 80.74 video, 92.71 streaming

Awards:

Click on award for more details.

About the Song:

Burt Bacharach and Carole Bayer Sager, two of history’s most celebrated songwriters, combined their talents for the music for 1982’s Night Shift. The five songs they wrote for the movie were recorded by Bacharch, Al Jarreau, the Pointer Sisters, Quaterflash, and Rod Stewart. Despite the impressive talent roster, the soundtrack failed to produce a top 40 hit.

Sager had hopes for “That’s What Friends Are For,” the song recorded by Stewart. As she said, “It felt like Rod could put a little edge on the song that might make it very attractive.” FB However, she adds, “the record company didn’t want to consider it as a single for Rod because they thought it was too soft. The song quietly disappeared into oblivion.” FB

In 1983, television producer Aaron Spelling tapped Sager and Bacharach to write the theme song for Finder of Lost Loves. At Spelling’s suggestion, Bacharach reached out to Dionne Warwick to record the song. They hadn’t spoken in ten years, but Warwick had been the go-to artist to record compositions for Bacharach and then-songwriting-partner Hal David, recording 33 chart hits from 1962 to 1971 which were penned by the duo. FB

The reunion led to Bacharach and Sager producing material for Warwick in 1985. She and Stevie Wonder had just worked together on The Woman in Red soundtrack and Sager suggested the pair record “That’s What Friends Are For.” On the day of recording, Neil Simon and Elizabeth Taylor visited the studio. Sager knew what an AIDS activist Taylor was and proposed the proceeds from the song be donated to AIDS research. Warwick suggested they add Gladys Knight as a singer and Clive Davis, President of Arista Records (the company which released the single), suggested adding Elton John as well. FB In addition to singing, John and Wonder lent their respective piano and harmonica-playing skills to the song. WK

The result was a massive hit, topping the Billboard pop, adult contemporary, and R&B charts and being named the magazine’s Song of the Year. It also won the Grammy for Song of the Year. It raised $3 million for American Foundation for AIDS Research WK at a time when the disease carried a stigma for anyone even willing to discuss it. SF


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First posted 12/15/2019; last updated 10/28/2022.