Showing posts with label Wolfgang Amadeus Mozart. Show all posts
Showing posts with label Wolfgang Amadeus Mozart. Show all posts

Monday, June 29, 2026

The Top 50 Classical Composers

Classical Composers:

Top 50

This list was originally presented as a note on the DMDB Facebook page on February 2, 2011. That original post was prompted by Anthony Tommasini, who in January 2011, undertook the two-week task in the New York Times of selecting the top 10 classical music composers in history. That list, and 13 others (see sources below), have been aggregated to create the official Dave’s Music Database list below. As always, the goal is to present an objective list based on others’ opinions. Besides, I’m less informed on classical music than any other genre, so I couldn’t compose a list of my own if I wanted to. My apologies for any misspellings.

Note: this list has been updated to aggegate 23 best-of lists focused on classical artists. Roughly the first half of the list is determined by putting all composers who reached at least 8 lists in order based on overall Dave’s Music Database. The remainder of the list is determined by taking all composers who reached between 2 and 7 lists and ranking them based on overall Dave’s Music Database status.

See other lists of Acts/Music Makers by Categories.


Ludwig van Beethoven

1. Ludwig van Beethoven
2. Wolfgang Amadeus Mozart
3. Johann Sebastian Bach
4. Igor Stravinsky
5. Gustav Mahler
6. Béla Bartók
7. Frederic Chopin
8. Sergei Rachmaninoff
9. Felix Mendelssohn
10. Pyotr Il’yich Tchaikovsky

11. Dmitri Shostakovich
12. Antonin Dvorák
13. Maurice Ravel
14. Franz Schubert
15. Richard Wagner
16. Joseph Haydn
17. Hector Berlioz
18. Johannes Brahms
19. Robert Schumann
20. Antonio Vivaldi

21. George Friedrich Händel
22. Claude Debussy
23. Giusseppe Verdi
24. George Gershwin
25. John Philip Sousa
26. Franz Liszt
27. Claudio Monteverdi
28. Aaron Copland
29. Giacomo Puccini
30. Edward Elgar

31. Richard Strauss
32. Jean Sibelius
33. Kurt Weill
34. Modest Mussorgsky
35. Sergei Prokofiev
36. Arnold Schoenberg
37. Charles Ives
38. Giovanni Pierluigi de Palestrina
39. Anton Bruckner
40. Samuel Barber

41. Henry Purcell
42. Georges Bizet
43. Philip Glass
44. Ferde Grofe
45. Jean-Philippe Rameau
46. Ralph Vaughan Williams
47. John Cage
48. Camille Saint-Saëns
49. Pierre Boulez
50. Edvard Grieg


Resources/Related Links:

  • Dave’s Music Database: Lists of Acts/Music Makers by Categories
  • Amazon.com: Essential Artists

    Consists of two lists: one of popular music’s essential artists and another of classical composers. Links take you to shortbios and more links to works by the artist/composer. Classical list has 52 entries, unranked.

  • Answers.com Greatest Classical Composers. By del_icious_manager (date?)

    A user posted a question asking for people to list 7 of the greatest classical composers and state reasons for choices. The best answer, as chosen by the asker, was from del_icious_manager who listed seven composers chronologically with sentence-longbios/justifications.

  • BiographyOnline.net Greatest Classical Music Composers of All Time. (date?)

    Top ten ranked list with brief paragraphs on each entry.

  • Cleveland.com Who are the 10 greatest classical-music composers of all time? You decide. By Donald Rosenberg. (1/30/2011)

    Response to Anthony Tommasini’s top 10 list in the New York Times. Picks seven composers himself, but doesn’t rank them.

  • DigitalDreamDoor.com The 100 Greatest Classical Music Composers. Edited by Guy/Brian. (12/31/2006)

    Top 100 ranked list. No commentary.

  • eHow.com 10 Most Famous Classical Composers. By Amber D. Walker. (1/3/2010)

    This article focuses on ten composers with paragraph entries on each. No ranking.

  • HubPages.com Top 5 Classical Composers of All Time. By Isabella Snow. (date?)

    This article focuses on five composers with paragraph entries on each. No ranking.

  • Jaltcoh.blogspot.com The Top 10 Greatest Classical Composers. By John Althouse Cohen. (1/22/2011)

    A personal top ten ranking with detailed entries on each composer. Inspired by the New York Times article.

  • Legends of American Music stamp series (1993-1999)

    This series of stamps started in 1993 covering various genres. Eight classical composers/conductors were introduced in 1997.

  • Listverse.com Top 15 Greatest Composers of All Time. By FlameHorse. (12/17/2009)

    Top 15 ranked list with detailed entries and video posts.

  • NYTimes.com The Greatest. By Anthony Tommasini. (1/21/2011)

    The original post which inspired the DMDB list and several of the other entries in this category. He undertook a two-week series to select the top 10 classical musical composers in history. He laid out the list via articles, videos, and blog posts which garnered more than 1500 responses.

  • Squidoo.com The Best Classical Composers of All Time. By ?. (date?)

    Unranked list of five composers with links to purchase music and other related products. Writer and date unidentified.

  • The-Top-Tens.com Greatest Classical Composers. By ?. (date?)

    Users post lists here and then others vote on them. This top ten list has expanded to 23 entries as added by users. Original list generator and date of creation unidentified. Very few commentaries.


First posted 7/28/2012; last updated 6/29/2026.

Sunday, February 22, 2026

Top 25 Chamber Music Works

Chamber Music:

Top 25 Works

Chamber music is a form of classical music composed for a small group of instruments, traditionally a group which could fit in a palace chamber. This list was comprised by taking the top 25 chamber music works as determined by their overall ranking in the Dave’s Music Database. Most of these are album-length works and therefore qualify for album lists with the exception of those works marked with an asterisk (*).

Check out other best-of-genre/category lists here.


Composer Name of Work (year composition was finished)
1. Franz Schubert Piano Quintet in A Major (“Trout”) (1814)
2. Ludwig van Beethoven String Quartet No. 14 (1826)
3. Ludwig van Beethoven String Quartet No. 13 (1825)
4. Johann Pachelbel “Canon in D major” (1694) *
5. Ludwig van Beethoven String Quartet No. 15 (1825)

6. Franz Josef Haydn String Quartet No. 5 in D major (Largo) (1797)
7. Felix Mendelssohn Octet for Strings in E flat major (1825)
8. Franz Josef Haydn String Quartet No. 3 in C major (Emperor) (1797)
9. Johann Sebastian Bach Sonatas and Partitas for Violin (1720)
10. Wolfgang Amadeus Mozart Clarinet Quintet in A Major (Stadler) (1789)

11. Claudio Monteverdi Madrigals of Love and War (Madrigali Guerrieri ed Amorosi) (1638)
12. Giovanni Gabrieli “Canzon Noni Toni a 12, CH 183 (Brass Choir)” (1597) *
13. Ludwig van Beethoven String Quartet No. 16 (1826)
14. Ludwig van Beethoven String Quartet No. 7 (1806)
15. Ludwig van Beethoven String Quartet No. 9 (Hero) (1806)

16. Franz Schubert String Quintet in C major (1828)
17. Ludwig van Beethoven String Quartet No. 8 (1806)
18. Ludwig van Beethoven String Quartet No. 10 (Harp) (1809)
19. Ludwig van Beethoven String Quartet No. 12 (1824)
20. Franz Josef Haydn String Quartet No. 2 in D minor (1797)

21. Ludwig van Beethoven String Quartet No. 2 (1801)
22. Ludwig van Beethoven String Quartet No. 4 (1801)
23. Franz Schubert String Quartet No. 14 in D minor (Death and the Maiden) (1824)
24. Johann Sebastian Bach Musikalisches Opfer (The Musical Offering) (1747)
25. Johann Sebastian Bach The Art of the Fugue (Die Kunst der Fuge) (1750)


Resources and Related Links:


First posted 10/4/2023; last updated 2/22/2026.

Friday, November 22, 2024

Dave's Music Hall of Fame: Album Inductees (November 2024)

The Top Symphonies

Originally posted 11/22/2024.

January 22, 2019 marked the 10-year anniversary of the DMDB blog. To honor that, Dave’s Music Database announced its own Hall of Fame. This month marks the 24th group of album inductees. These are the top 10 operas of all time (see the full list here). Three were already inducted in previously classes, all symphonies by Ludwig van Beethoven: Symphony No. 5, Symphony No. 7, and Symphony No. 9.

See the full list of album inductees here.

Ludwig van Beethoven Symphony No. 3 (1804)

Inducted November 2024 as “Top Symphonies.”

Beethoven’s 3rd symphony, comprised of four movements, is one of his most celebrated works marking the onset of his creative middle-period. WK It is “grounded in the Classical symphonic tradition while also stretching boundaries of form, length, harmony, and perceived emotional and possibly cultural content. It has therefore widely been considered an important landmark in the transition between the Classical period and the Romantic era.” WK Read more.

Ludwig van Beethoven Symphony No. 6 (1808)

Inducted November 2024 as “Top Symphonies.”

“Beethoven began making specific notes for a ‘Sinfonia pastorale’ in 1806 but didn’t complete the work until 1808.” AM Beethoven premiered “the heaven-storming Fifth and bucolic Sixth” AM symphonies “on surely the most historic night in Western music, December 22, 1808.” AM Read more.

Hector Berlioz Symphonie Fantastique (1830)

Inducted November 2024 as “Top Symphonies.”

Symphonie Fantastique is “an important piece of the early Romantic period.” WK Leonard Bernstein described it “as the first musical expedition into psychedelia because of its hallucinatory and dream-like nature.” WK History actually suggests Berlioz composed at least part of it under the influence of opium. WK The symphony was inspired by Berlioz’s infatuation with Harriet Smithson, a pretty British ingénue who came to Paris to play Shakespeare. AM His efforts to win her affection “led him to the work’s guiding theme – a man pursuing his romantic ideal to the gates of Hell.” TM Read more.

Johannes Brahms Symphony No. 4 (1885)

Inducted November 2024 as “Top Symphonies.”

Brahms didn’t begin writing symphonies until he turned forty, completing his first one at age 43. “The composer’s output to that point suggests a conscious process of self-education. A number of smaller-scale orchestral works…suggest preparation for what Brahms clearly saw as the elusive of compositional enterprises. He was to meet the challenge with a skill and individual spirit, one of Classicism refracted through the prism of high romanticism, that led many to pronounce him heir to Beethoven.” AM Read more.

Antonin Dvořák Symphony No. 9 (From the New World) (1893)

Inducted November 2024 as “Top Symphonies.”

Dvorák subtitled his ninth symphony “From the New World,” honoring the years he lived in New York City and established a music school. He “absorbed essential bits of the character of New York, and by extension America: Underpinning his themes is a deep restlessness, a sense of unresolved striving.” TM “This dizzying, craftily integrated celebration of spirituals, Native American folk songs, and other ethnographic elements was put together by someone who couldn’t wait to get back to the old country;” TM he was enchanted by the country but also homesick. Read more.

Wolfgang Amadeus Mozart Symphony No. 40 (1788)

Inducted November 2024 as “Top Symphonies.”

In the summer of 1788, Mozart composed his final three symphonies (39-41). These “are high points in the history of music.” TMSymphony No. 40, sometimes referred to as the “Great” symphony, “displays a thicker sense of orchestration and stormier, tempestuous proto-Beethoven moods; some believe this hints at the type of music Mozart might have made had he lived longer.” TM Read more.

Pyotr Il’yich Tchaikovsky Symphony No. 6 (1893)

Inducted November 2024 as “Top Symphonies.”

In 1893, Tchaikovsky composed this, his sixth symphony, between February and August. The work’s subtitle, “Pathétique,” translates not to “pathetic” as one might assume, but “deeply affecting the emotions.” TM It’s “an excellent description,” TM considering how Tchaikovsky “gets tangled up in tones of overwhelming sorrow, and then leaps into the swollen, outsized drama that was a trademark of his ballets. Where Beethoven’s dark moments hold an undercurrent of hope and faith in humanity, Tchaikovsky lets the despair just be despair.” TM Read more.

Thursday, August 22, 2024

Dave's Music Hall of Fame: Album Inductees (August 2024)

The Top Operas

Originally posted 8/22/2024.

January 22, 2019 marked the 10-year anniversary of the DMDB blog. To honor that, Dave’s Music Database announced its own Hall of Fame. This month marks the 23rd group of album inductees. These are the top 10 operas of all time (see the full list here). Four were already inducted in previously classes: George & Ira Gershwin’s Porgy and Bess, Wolfgang Amadeus Mozart’s Le Nozze di Figaro (The Marriage of Figaro) and Don Giovanni, and Richard Wagner’s The Ring Cycle (Der Ring Des Nibelungen).

See the full list of album inductees here.

Georges Bizet Carmen (1874)

Inducted August 2024 as “The Top Operas.”

Carmen is “one of the most popular and frequently performed operas in the classical canon.” WK Bizet based the four-act opera on a Prosper Mérimée novella of the same name with a libretto by Henri Meilhac and Ludovic Halévy. WK The music “has since been widely acclaimed for brilliance of melody, harmony, atmosphere, and orchestration, and for the skill with which Bizet musically represented the emotions and suffering of his characters.” WK Read more.

Wolfgang Amadeus Mozart Die Zauberflote (The Magic Flute) (1791)

Inducted August 2024 as “The Top Operas.”

The Magic Flute is a two-act opera with both singing and spoken dialogue, or libretto, by Emanuel Schikaneder. Jakob August Libeskind’s story “Lulu or the Magic Flute” is considered a possible source for Schikaneder’s libretto. AM “Although overwhelmed by many adversities, Mozart found great joy in working” AM on the opera. It premiered at Schikaneder’s Theater auf der Wieden in the suburbs of Vienna on September 30, 1791. WK Read more.

Giacomo Puccini La Bohème (The Bohemian Life) (1896)

Inducted August 2024 as “The Top Operas.”

Puccini’s opera was inspired by the “nineteenth century cultural fad of Bohemianism” AM and the “theme of Parisian starving artists.” AM While the opera world sometimes suffered “recklessly wordy narratives in search of musical anchor and gorgeous music lacking plot lines” Puccini “achieved a very happy medium” TM with La Bohème. His “musical decisions were informed by the necessities of the drama” TM and he offers “genuinely memorable melodies, songs that would be deeply affecting independent of any narrative.” TM Read more.

Giacomo Puccini Tosca (1900)

Inducted August 2024 as “The Top Operas.”

When Puccini started writing Tosca, he’d already composed four operas, including the popular La Bohème. In “a marked change from the late Romantic sentimentality” AM of that work, Tosca was an exploration of “the dark side of human emotion.” AM It “premiered in 1900 at Rome’s Teatro Costanzi to a temperate critical reception.” AM Read more.

Gioacchino Rossini Il Barbiere di Siviglia (The Barber of Seville) (1816)

Inducted August 2024 as “The Top Operas.”

The Barber of Seville “has proven to be one of the greatest masterpieces of comedy within music.” WK It is “widely considered the greatest of comic operas.” AM It is an opera buffa in two acts. The Italian libretto, by Cesare Sterbini, was based on the 1775 French Comedy Le Barbier de Séville by Pierre Beaumarchais. WK in which nobility were depicted as buffoons dependent on their servants. AM “After two hundred years, it remains a popular work.” WK Read more.

Richard Wagner Tristan Und Isolde (1859)

Inducted August 2024 as “The Top Operas.”

“Wagner once explained it was his need to ‘vent his feelings musically’ that led him to compose Tristan und Isolde.” TM He was inspired by his affair with Mathilde Wesendonck, his patron’s wife to whom he wrote poems which became the basis for five of the opera’s songs. JH The opera is largely based on Tristan, a 12th-century romance by Gottfried von Strassburg. It premiered on June 10, 1865 at the Königliches Hof- und Nationaltheater in Munich with Hans von Bülow as the conductor. WK Read more.

Wednesday, May 22, 2024

Dave's Music Hall of Fame: Album Inductees (May 2024)

The Top Concertos

Originally posted 5/22/2024.

January 22, 2019 marked the 10-year anniversary of the DMDB blog. To honor that, Dave’s Music Database announced its own Hall of Fame. This month marks the 22nd group of album inductees. These are the top 10 concertos of all time (see the full list here). Three were already inducted in previously classes: Antonio Vivaldi’s Four Seasons, Pyotr Il’yich Tchaikovsky’s Piano Concerto No. 1 in B-flat Minor, and Ludwig van Beethoven’s Piano Concerto No. 5 in E-flat Major (Emperor). A concerto is a solo instrument accompanied by an orchestra.

See the full list of album inductees here.

Johann Sebastian Bach The Brandenberg Concertos (1719-1721)

Inducted May 2024 as “Top Concertos.”

Bach’s six Brandenburg concerts make for “the most complex and artistically successful failed job application in recorded history.” K1 He wrote them for Christian Ludwig, the Margrave of Brandenburg, suspecting the royal might give him a job. However, the “Margrave never thanked Bach, paid him a fee, staged a performance of the works, or offered him a position.” AS Nonetheless, the pieces showcase Bach free from the restraints of more conventional religious works. His “renegade streak emerges” TM showing him “having fun on a rare day off from church.” TM Read more.

Béla Bartók Concerto for Orchestra (1944)

Inducted May 2024 as “Top Concertos.”

This is one of Bartók’s “best-known, most popular and most accessible works.” WK “It doesn’t adhere to concerto form” TM “which features a solo instrument with orchestral accompaniment” WK nor does it fit “the template for a symphony.” TM Bartók considered it a concerto “because of the way each section of instruments is treated in a soloistic and virtuosic way.” WK He saw it “as a series of dialogs between various soloists and the larger group.” TM Read more.

Ludwig van Beethoven Violin Concerto in D Major (1806)

Inducted May 2024 as “Top Concertos.”

Beethoven’s violin concerto wasn’t initially well received upon its premiere but was revived in 1844 12-year-old violinist Joseph Joachim. On his 75th birthday, Joachim “observed that German had given the world four essential violin concertos. He esteemed Beethoven’s to be the greatest.” TM Read more.

Wolfgang Amadeus Mozart (composer) Piano Concerto No. 20 (1785)

Inducted May 2024 as “Top Concertos.”

Mozart’s 20th piano concerto has been hailed as a “trailblazing” work “that survived the neglect of so much of Mozart’s music during the nineteenth century.” AM “Beethoven, both smitten and influenced, played it publicly.” AM Mozart completed it only the day before it premiered. His father Leopold called it “a new, superb piano concerto by Wolfgang, which the copyist was still writing when we arrived.” AM He didn’t even have time to play the rondo because he was still revising copies of the orchestral parts. AM Read more.

  • Wolfgang Amadeus Mozart Piano Concerto No. 21 (1785)
  • Inducted May 2024 as “Top Concertos.”

    Mozart’s 21st piano concerto was “composed for the series of Lenten subscription concerts given by Mozart in 1765. This was an extraordinarily busy and successful period of Mozart’s life.” AM His father Leopold said, “Every day there are concerts; and the whole time is given up to teaching, music, composing and so forth...It is impossible for me to describe the rush and the bustle.” AM The first of the concerts referenced by Leopold was on February 11, when Piano Concerto No. 20 premiered. No. 21 was introduced a month later at a benefit concert at the National Court Theater. Read more.

  • Wolfgang Amadeus Mozart Clarinet Concerto in A major (1791)
  • Inducted May 2024 as “Top Concertos.”

    Mozart’s clarinet concerto was written for clarinetist Anton Stadler. Work started in 1789 and the piece was completed in October 1791, less than two months before Mozart’s death. AM It was “his final purely instrumental work.” WK It “is notable for its delicate interplay between soloist and orchestra, and for the lack of overly extroverted display on the part of the soloist (no cadenzas are written out in the solo part).” WK Read more.

    Sergei Rachmaninov Piano Concerto No. 2 in C minor (1901)

    Inducted May 2024 as “Top Concertos.”

    Rachmaninov suffered a series of failures at the end of the 19th century. He was expelled from music school in 1885 and turned to drinking after the failure of his first symphony two years later. AM By 1899, his alcoholism was threatening his career – his hands shook to the point of hampering his ability to play. In 1900, he turned to neuropsychotherapy, hypnosis, and trance therapy to turn things around. It worked – not only did he compose this concerto, but over the last 40 years of his life, he never succumbed again to depression. AM Read more.

    Tuesday, October 3, 2023

    Symphonies: Top 25

    Symphonies:

    The Top 25

    This list is devoted to the top symphonies of all time as determined by their overall ranking in Dave’s Music Database. A symphony is generally large in scale, written for an orchestra, and made up of four individual movements.

    Check out other best-of-genre/category lists here.


    Composer Name of Work (year composition was finished)
    1. Ludwig van Beethoven Symphony No. 5 (1808)
    2. Ludwig van Beethoven Symphony No. 9 (1824)
    3. Ludwig van Beethoven Symphony No. 7 (1812)
    4. Ludwig van Beethoven Symphony No. 3 in E-flat “Sinfonia Eroica” (1804)
    5. Hector Berlioz Symphonie Fantastique (1830)

    6. Ludwig van Beethoven Symphony No. 6 “Pastorale” (1808)
    7. Wolfgang Amadeus Mozart Symphony No. 40 in G minor (1788)
    8. Antonin Dvorák Symphony No. 9 in E minor (“From the New World”) (1893)
    9. Wolfgang Amadeus Mozart Symphony No. 41 “Jupiter” (1788)
    10. Johannes Brahms Symphony No. 4 (1885)

    11. Pyotr Il’yich Tchaikovsky Symphony No. 6 in B minor (“Pathetique”) (1893)
    12. Franz Schubert Symphony No. 8 “Unfinished”) (1822)
    13. Wolfgang Amadeus Mozart Symphony No. 38 in D major (1787)
    14. Gustav Mahler Symphony No. 2 in C minor “Resurrection” (1894)
    15. Gustav Mahler Symphony No. 5 in C sharp minor (1902)

    16. Wolfgang Amadeus Mozart Symphony No. 35 in D major (1782)
    17. Ludwig van Beethoven Symphony No. 8 in F major (1812)
    18. Wolfgang Amadeus Mozart Symphony No. 39 in E flat major (1788)
    19. Ludwig van Beethoven Symphony No. 4 in B flat major (1806)
    20. Franz Josef Haydn Symphony No. 104 in D major (1795)

    21. Franz Schubert Symphony No. 9 in C major (1828)
    22. Gustav Mahler Symphony No. 1 in D major (“Titan”) (1884-88)
    23. Dmitri Shostakovich Symphony No. 5 in D minor (1937)
    24. Gustav Mahler Symphony No. 9 in D major “Farewell” (1912)
    25. Johannes Brahms Symphony NO. 1 in C minor (1876)


    Resources and Related Links:


    First posted 10/3/2023.

    Sunday, December 22, 2019

    Today in Music (1789): Mozart’s Clarinet Quintet in A major (Stadler) premiered

    Clarinet Quintet in A major (Stadler)

    Wolfgang Amadeus Mozart (composer)


    Composition completed: September 29, 1789


    First Performed: December 22, 1789


    Peak: --


    Sales (in millions): --


    Genre: classical > chamber music


    Parts/Movements:

    • I. Allegro
    • II. Larghetto
    • III. Menuetto with Trio I in A minor and Trio II in A major
    • IV. Allegretto con varizioni, A major (Variation III in A minor)


    Average Duration: 35 minutes

    Rating:

    4.740 out of 5.00 (average of 4 ratings)


    Awards:

    (Click on award to learn more).

    About the Work:

    “Mozart wrote a number of chamber works for strings and a wind instrument, including the flute, oboe, horn and clarinet. In each case, he managed to showcase the idiomatic character of the featured guest while setting it naturally within a chamber context for a balanced, blended ensemble.” ES

    He was “often inspired to write for a particular musician.” ES In 1786, he also wrote the – a trio for clarinet, viola, and piano – for Anton Stadler, a talented clarinetist and friend. WK He also wrote his clarinet quintet for Stadler. In an April 1790 letter, Mozart himself referred to the work as the Stadler Quintet. WK Mozart’s Clarinet Concerto was also written for Stadler and shares similarities with the quintet. WK

    A clarinet quintet is intended for one clarinet with a string quartet. This was originally written with a basset clarinet in mind, but in contemporary performances it is generally played on a clarinet in A. WK It is the only clarinet quintet completed by Mozart.

    He “crafts a masterfully integrated chamber work for equal partners where the clarinet blends and the individual strings occasionally sing alone from center stage.” ES He “conjures solo arias, duets, dances and choruses from an ample cast of five.” ES

    The work is viewed as “one of the earliest and best-known works that was written especially for the instrument” WK and “one of the most admired of the composer’s works.” WK “In a single work, Mozart combines his gifts for three genres in which he was supreme: opera, the concerto, and the string quartet.” ES Musicologist Alfred Einstein called the piece “chamber music work of the finest kind.” WK

    Reviews:


    Related DMDB Links:


    First posted 2/22/2026.

    Friday, August 10, 2018

    August 10, 1788: Mozart completed Symphony No. 41

    Last updated August 27, 2018.

    Symphony No. 41 in C major (“Jupiter”), K. 551

    Wolfgang Amadeus Mozart (composer)


    Composed: 1788


    Completed: August 10, 1788


    Sales: --


    Peak: --

    Quotable: “Regarded by many critics as among the greatest symphonies in classical music.” – Wikipedia


    Genre: classical > symphony


    Average Length: 31:50


    Parts/Movements:

    1. Allegro vivace
    2. Andante cantabile
    3. Menuetto & Trio, Allegretto
    4. Molto Allegro

    Review:

    Mozart completed three symphonies in the summer of 1788; Symphony No. 41 was “the longest and last symphony that he composed.” WK It is also known as the “Jupiter” symphony, a nickname likely coined by the impresario Johann Peter Salomon. WK It is unknown if it was performed during Mozart’s lifetime. WK

    The symphony “aptly embodies what is now identified as a paradigm of Classical symphonic form: four movements, the first and last in a quick tempo, the second slower, the third a minuet with trio. Unencumbered by norms suggested by any model, however, Mozart’s deft imagination distinguishes this work from others in a similar cast.” MR

    “The first movement is characterized in part by the dramatic and effective employment of unexpected pauses in the rhythmic flow through the use of rests, a trait shared with and perhaps influenced by the symphonies of Haydn. After an initial regularity, irregular and changing phrase lengths contribute as well to the dramatic impetus. The serene F major quietude of the second movement’s opening is soon disrupted, posed against more restless, rhythmically insistent minor-key episodes. This calm/dark conflict continues throughout, the initial spirit eventually prevailing. The falling chromatic theme and flowing, even accompaniment of the Minuet set a graceful tone for the third movement.” MR

    “The companion Trio provides an earthier, more overtly dancelike mood, which is, however, interrupted by a suddenly more serious tutti outburst. The final movement is exceptional for the richness of its contrapuntal language, a somewhat unexpected — and, some of Mozart’s contemporaries would venture, unfashionable – attribute in a symphonic work of the time. The four-note motive that begins the movement is put through its paces in a number of guises, most prominently as the beginning of a recurrent canon and fugue subject which occurs both as originally presented and in inversion. The effect is one not of academicism but of great tension and dramatic impulse which, borne bristling and in search of resolution, finds its resting place only in the final bars.” MR


    Review Source(s):


    Awards:


    Related DMDB Link(s):


    Thursday, December 5, 1991

    Today in Music (1791): Mozart died, leaving his unfinished Requiem surrounded by myth

    Requiem Mass in D Minor

    Wolfgang Amadeus Mozart (composer)


    Composed: 1791


    First performed: ?


    Charted: --


    Peak: --


    Sales (in millions): --


    Genre: classical > choral music


    Parts/Movements:

    1. Requiem aeternam
    2. Kyrie
    3. Dies irae
    4. Tuba mirum
    5. Rex tremendae
    6. Recordare
    7. Confutatis
    8. Lacrimosa
    9. Domine Deus
    10. Hostias
    11. Sanctus
    12. Benedictus
    13. Aguns Dei
    14. Lux aeterna


    Average Duration: 51:33

    Rating:

    4.502 out of 5.00 (average of 5 ratings)


    Quotable:

    “The sublimest achievement that the modern period has contributed to the church.” – E.T.A. Hoffmann WK

    Awards:

    (Click on award to learn more).

    About the Work:

    Mozart’s “deathbed composition…ascended to truly iconic status. It did so despite fundamental mysteries of its composition and even its authenticity.” TD His widow, Constanze, “was responsible for a number of stories…including the claims that Mozart received the commission from a mysterious messenger who did not reveal the commissioner’s identity, and that Mozart came to believe that he was writing the requiem for his own funeral.” WK

    “A tangled skein of myths and fairy tales imagine the deathbed genius collapsing upon his manuscript (myths powerfully reinforced by the 1984 film Amadeus), but many facts about the piece are clear.” TD “The Countess von Walsegg passed away in February 1791. The Count commissioned a requiem mass from Mozart via a clerk (the ‘Grey Messenger’ of Requiem-mythology). Mozart accepted the job for his unknown patron, having desired to compose some ‘higher form of church music.’” TD

    In October and November of 1791, Mozart worked on the piece, TD “but it was unfinished at his death on 5 December the same year.” WK Constanze “arranged for his friends and pupils to complete the other movements.” TD “A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg.” WK “It cannot be shown to what extent Süssmayr may have depended on now lost ‘scraps of paper’ for the remainder; he later claimed the Sanctus and Agnus Dei as his own.” WK

    “Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for…Constanze.” WK

    “Mozart’s Requiem contains five sections, each capped by a fugue: ‘Requiem/Kyrie,’ ‘Sequence (Dies Irae),’ ‘Offertory,’ ‘Sanctus,’ and ‘Agnus Dei.’ Throughout, choral writing drives Mozart’s music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: Tuba mirum (solo trombone), Rex tremendae (regal dotted-rhythms), Confutatis (fiery accompaniment), and Lachrymosa (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses (Requiem aeternam), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of ‘Dies irae’ translates into major mode to open the Sanctus. Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn’s Requiem, Handel’s funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the ‘Pilgrim’s Tone.’” TD

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    Last updated 12/4/2023.

    Wednesday, October 16, 1991

    Today in Music (1791): Mozart's Clarinet Concerto premiered

    Clarinet Concerto in A major, K. 622

    Wolfgang Amadeus Mozart


    Composed: 1789-1791


    First Performed: October 16, 1791


    Peak: --


    Sales (in millions): --


    Genre: classical > concerto


    Parts/Movements:

    1. Allegro (in A major and in sonata form)
    2. Adagio (in D major and in ternary form)
    3. Rondo: Allegro (in A major and in rondo form)


    Average Duration: 28:34

    Rating:

    4.712 out of 5.00 (average of 5 ratings)


    Awards:

    (Click on award to learn more).

    About the Album:

    Mozart’s Clarinet Concerto was written for clarinetist Anton Stadler. Work started in 1789 and the piece was completed in October 1791, less than two months before his death. AM It was “his final purely instrumental work.” WK The work was initially intended for basset horn, AM “as Anton Stadler was also a virtuoso basset horn player,” WK but was revised for clarinet. AM

    “Until the mid 20th century musicologists did not know that the only version of the concerto written by Mozart’s hand had not been heard since Stadler’s lifetime…Attempts were made to reconstruct the original version, and new basset clarinets have been built for the specific purpose of performing Mozart's concerto and clarinet quintet. There can no longer be any doubt that the concerto was composed for a clarinet with an extended range.” WK Thus “the version widely known today differs from the work Mozart produced for Stadler, since the original version was written for an instrument with an extended bass compass that allowed Stadler to demonstrate his famed ability to play low notes.” AM

    The concerto was premiered by Stadler On October 16, 1791, “at his benefit concert in the Prague Theatre” AM to a generally positive reception. WK “The Berlin Musikalisches Wochenblatt noted in January 1792, ‘Herr Stadeler, a clarinettist from Vienna. A man of great talent and recognised as such at court... His playing is brilliant and bears witness to his assurance.’” WK

    It “is notable for its delicate interplay between soloist and orchestra, and for the lack of overly extroverted display on the part of the soloist (no cadenzas are written out in the solo part).” WK “Cast in the usual three movements, the gentle, nostalgic lyricism of much of the Clarinet Concerto has drawn such epithets as ‘valedictory’ and ‘autumnal,’ an assessment that downplays the extraordinary vigor and verve of this inspired work.” AM

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    Last updated 2/23/2026.