Symphony No. 9 in E minor (From the New World) |
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Composed: 1/10/1893 – 5/24/1893 First Performed: December 16, 1893 Peak: -- Sales (in millions): -- Genre: classical > symphony |
Parts/Movements:
Average Duration: 40:00 |
Rating:4.596 out of 5.00 (average of 9 ratings)
Awards:(Click on award to learn more). |
About the Work:Dvorák subtitled his ninth symphony “From the New World,” honoring the years he lived in New York City and established a music school. He “absorbed essential bits of the character of New York, and by extension America: Underpinning his themes is a deep restlessness, a sense of unresolved striving.” TM“Like other European musicians, he found himself enchanted. But he was also homesick, and that contradiction drives the piece. This dizzying, craftily integrated celebration of spirituals, Native American folk songs, and other ethnographic elements was together by someone who couldn’t wait to get back to the old country.” TM “Chauvinists among us still claim that its themes are either Amerindian or African-American, which Dvorák refuted in 1900: ‘Omit the nonsense about my having made use of ‘American’ motifs...I tried only to write in the spirit of those national melodies.’” AM “This dust-up managed to ignore influences both stronger and more subtle. Dvorák already knew Tchaikovsky’s Fifth Symphony, completed in 1888, and he likewise used a motto-theme to link the four movements in his symphony in E minor. The introduction can be made to sound a lot more Tchaikovskian, indeed, than a subsequent theme can be made to sound like ‘Swing Low, Sweet Chariot,’ as alleged.” AM “Beyond the Slavic gravitas of both symphonies, however, Dvorák’s musical signature was intrinsically Czech, even in the Largo movement that represented, he once said, Hiawatha at the grave site of Minnehaha (a quasi-Spiritual, ‘Goin’ Home’ text was created post facto by a white American pupil). By the time he heard any Amerind music, during the summer of 1893 near a Czech settlement at Spillville, Iowa, Dvorák had finished the Ninth Symphony. From the structural standpoint, two sonata-form movements (with an exposition repeat in the first) bracket two movements in song form (ABA), all of them with brief introductions and codas.” AM
Adagio:“The 2/4 Allegro molto has an Adagio preface in 4/8 time. Horns introduce the motto theme, answered by clarinets and bassoons, then strings. Flutes and oboes play a melody in G minor before the ‘Swing Low’ closing subject shifts from minor to G major. Sectional development omits the G minor tune; reprise and coda are distillations.” AMLargo:“The ‘Largo’ begins in D flat major, far from single sharped E minor. A plaintive English horn melody dominates both here and later on. In between a C sharp minor section marked Un poco più mosso, winds introduce two themes, more palpitant than the D flat section’s big tune, before the motto makes a sinister appearance.” AM Dvorák “grapples with the earthy, deeply rooted tones of African American spirituals.” TMMolto Vivace:“Song sections marked Scherzo: Molto vivace, in E minor, pay homage less to Indian pow-wows than to the scherzo movement of Beethoven’s Ninth Symphony. A briefer subject in E major recalls the G major closing theme of the first movement, followed by the motto. The Poco sostenuto Trio is pure Czech, beginning in C major, with a G major second theme related to the Beethoven rhythm in sections A and A.” AMAllegro con Fuoco:“Allegro con fuoco is the marking of the final movement with a martial main theme in E minor for horns and trumpets. The clarinet counters with a nostalgic sub-theme, after which flutes and fiddles play a closing subject in G major. The development combines music from previous movements with the main theme of movement 4. Following the recap, a Grand Coda ends with a fortissimo restatement of the motto, then a diminuendo to pianissimo on the final chord.” AMDvorák “expects the ensemble to summon an overgrown American exuberance, and anything less can cast ugly shadows on the subtle music that’s come before.” TM |
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Related DMDB Links:First posted 4/2/2008; last updated 2/27/2026. |







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