Showing posts with label From the New World. Show all posts
Showing posts with label From the New World. Show all posts

Friday, July 15, 2022

Alan Parsons From the New World released

From the New World

Alan Parsons


Released: July 15, 2022


Peak: -- US, -- UK, -- CN, -- AU


Sales (in millions): -- US, -- UK, -- world (includes US and UK)


Genre: progressive rock lite


Tracks:

Song Title [time] (date of single release, chart peaks) Click for codes to singles charts.

  1. Fare Thee Well [4:36]
  2. The Secret [4:17]
  3. Uroboros (v: Tommy Shaw) [4:08] (5/25/22, --)
  4. Don’t Fade Now [4:16]
  5. Give ‘Em My Love (v: James Durbin) [3:22] (7/15/22, --)
  6. Obstacles [3:37]
  7. I Won’t Be Led Astray (v: David Pack) [4:40] (6/23/22, --)
  8. You Are the Light [4:26]
  9. Halo [4:18]
  10. Goin’ Home [4:57]
  11. Be My Baby [2:51]


Total Running Time: 45:28


The Players:

  • Alan Parsons (vocals, backing vocals, guitar)
  • Tommy Shaw, David Pack, James Durbin, P.J. Olsson, Todd Cooper, Dan Tracey, Mark Mikel, Tabitha Fair (vocals)
  • Tommy Shaw, P.J. Olsson, Todd Cooper, Dan Tracey, Doug Powell, Mark Mikel, Chris Shutters, Scott Hunt (backing vocals)
  • Jeff Kollman, Dan Tracey, Doug Powell, Jeff Marshall, James Durbin, Tim Pierce (guitar)
  • Joe Bonamassa (guitar on “Give ‘Em My Love” and “I Won’t Be Led Astray”)
  • Guy Erez (bass)
  • Danny Thompson (drums)
  • Tom Brooks, Doug Powell, Matt McCarrin, Kim Bullard (keyboards)
  • Todd Cooper (sax)
  • Mika Larson (cello on “I Won’t Be Led Astray”)

Rating:

3.180 out of 5.00 (average of 6 ratings)


Awards: (Click on award to learn more).

About the Album:

Alan Parsons, “the eleven-time Grammy nominated legendary music icon and master of progressive rock,” AZ made a name for himself in the late ‘60s and early ‘70s when he did production and engineering work on legendary albums such as the Beatles’ Abbey Road and Pink Floyd’s Dark Side of the Moon. In 1975, he formed the Alan Parsons Project and released ten studio albums through the ‘70s and ‘80s. The collective featured a wide variety of players with Eric Woolfson being the one constant.

In 1990, Parsons lent a hand to Woolfson’s official debut album, Freudiana, before they parted ways. Parsons released his first official solo album, Try Anything Once, in 1993. It featured many of the same players he’d worked with on the Project. Now, nearly 30 years later, Parsons is releasing only his sixth album as a solo artist. From the New World “continues with the classic sound Parsons has become known for…fusing progressive, symphonic, and classic rock elements together throughout this stunning new album.” UCR

“An Alan Parsons album is a project by any name, regardless of how the veteran British artist and studio technician chooses to brand it.” GG From the New World “feels more intimate and reflective, but it has many of the same hallmarks, sonically in spots and with its corps of instrumental and vocal contributors. Parsons, meanwhile, spearheads everything as composer, producer and visionary, conducting and arranging all of the elements into a pristine but still organic-sounding 11-song set that would have worked as easily as the follow-up to 1977’s I, Robot as it does in 2022.” GG

Parsons turns to one familiar player from the Project days– David Pack. Pack was with the group Ambrosia in the ‘70s and ‘80s, singing lead on top-10 hits “Biggest Part of Me” and “How Much I Feel.” Parsons engineered the band’s debut album in 1975 and produced their 1976 album. He brought the entire group in to work on the Project’s debut album, Tales of Mystery and Imagination. Pack would return to work with Parsons on the Try Anything Once and 2004’s A Valid Path. He returns here to lend his vocals to From the New World’s second single, I Won’t Be Led Astray. The song has the feel of a classic Alan Parsons Project ballad.

The album’s lead single, Uroboros, features an even better known classic rock singer – Tommy Shaw from Styx. Shaw first appeared on the band’s 1976 Crystal Ball and sang lead on classics like “Renegade,” “Blue Collar Man,” and the top-10 hit “Too Much Time on My Hands.” Shaw not only lends his vocal chops to “the muscular ‘Uroboros,” GG but plays guitar.

Other special guests include “guitar viruoso Joe Bonamassa,” UCR who “lends nuanced guitar parts to Give ‘Em My Love and ‘I Won’t Be Led Astray.’” GG The former features American Idol alumni James Durbin, who adds “wonderful atmosphere to the stunning performances by Alan and his incredible backing band.” AZ The song was released as the third single from the album.

“Like most of Parsons’ work, From the New World has a thematic grounding to tie together its 45 minutes. The title nods to Antonin Dvorak’s Symphony No. 9, aka New World Symphony, which Parsons writes in the album’s notes was a favorite of his father’s. In this case, it serves as a reference to the new world that's come in the wake of the pandemic, but there’s a direct connection, too, in Parsons’ inclusion of Goin’ Home. The 1922 song with lyrics by Dvorak’s student William Arms Fisher became the source for Symphony No. 9’s Largo movement, and it’s a deeply emotional elegy for the brink of death (‘Mother's there ‘specting me / Father’s waiting, too / Lots of folk gathered there / All the friends I knew’). Given Parsons’ 73 years and recent news of a serious spinal issue, it has profound resonance as the album’s penultimate track.” GG

“But the mood lightens when ‘Goin’ Home’ is followed by a faithful take on the Ronettes’ Be My Baby, as if that’s the music greeting Parsons’ narrator as he or she arrives on the other side. Before all that, however, From the New World is an easily digestible song set that’s generally more gentle and restrained than the Project approach, with nods to Parsons’ prog roots but little of the bombast that comes with it.” GG

Fare Thee Well starts things with a ringing guitar pattern that references I, Robot – as well as references to mortality.” GG “In addition to vocals, mainstay Todd Cooper accents "Fare Thee Well" with his saxophone.” GG

Obstacles finds a common ground between the Beatles’ ‘Across the Universe’ and vintage Renaissance, while Don’t Fade Now also mines a folky field with Parsons and P.J. Olsson sharing lead vocals. You Are the Light is a joyous pop love song, and The Secret continues to express Parsons’ passion for magic, which was the topic of his previous solo album of the same name.” GG “At this point, Parsons is no longer dealing in the ‘tales of mystery and imagination’ of the Project heyday – to everyone’s benefit. Leading with his heart makes this New World a worthwhile place to spend some time.” GG

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Other Related DMDB Pages:


First posted 7/20/2022.

Monday, May 24, 1993

Today in Music (1893): Dvořák’s Symphony No. 9

Symphony No. 9 in E minor (From the New World)

Antonin Dvořák (composer)


Composed: 1/10/1893 – 5/24/1893


First Performed: December 16, 1893


Peak: --


Sales (in millions): --


Genre: classical > symphony


Parts/Movements:

  • Adagio…Allegro molto
  • Largo
  • Molto vivace…Poco sostenuto
  • Allegro con fuoco


Average Duration: 40:00

Rating:

4.596 out of 5.00 (average of 9 ratings)


Awards:

(Click on award to learn more).

About the Work:

Dvorák subtitled his ninth symphony “From the New World,” honoring the years he lived in New York City and established a music school. He “absorbed essential bits of the character of New York, and by extension America: Underpinning his themes is a deep restlessness, a sense of unresolved striving.” TM

“Like other European musicians, he found himself enchanted. But he was also homesick, and that contradiction drives the piece. This dizzying, craftily integrated celebration of spirituals, Native American folk songs, and other ethnographic elements was together by someone who couldn’t wait to get back to the old country.” TM

“Chauvinists among us still claim that its themes are either Amerindian or African-American, which Dvorák refuted in 1900: ‘Omit the nonsense about my having made use of ‘American’ motifs...I tried only to write in the spirit of those national melodies.’” AM

“This dust-up managed to ignore influences both stronger and more subtle. Dvorák already knew Tchaikovsky’s Fifth Symphony, completed in 1888, and he likewise used a motto-theme to link the four movements in his symphony in E minor. The introduction can be made to sound a lot more Tchaikovskian, indeed, than a subsequent theme can be made to sound like ‘Swing Low, Sweet Chariot,’ as alleged.” AM

“Beyond the Slavic gravitas of both symphonies, however, Dvorák’s musical signature was intrinsically Czech, even in the Largo movement that represented, he once said, Hiawatha at the grave site of Minnehaha (a quasi-Spiritual, ‘Goin’ Home’ text was created post facto by a white American pupil). By the time he heard any Amerind music, during the summer of 1893 near a Czech settlement at Spillville, Iowa, Dvorák had finished the Ninth Symphony. From the structural standpoint, two sonata-form movements (with an exposition repeat in the first) bracket two movements in song form (ABA), all of them with brief introductions and codas.” AM

Adagio:

“The 2/4 Allegro molto has an Adagio preface in 4/8 time. Horns introduce the motto theme, answered by clarinets and bassoons, then strings. Flutes and oboes play a melody in G minor before the ‘Swing Low’ closing subject shifts from minor to G major. Sectional development omits the G minor tune; reprise and coda are distillations.” AM

Largo:

“The ‘Largo’ begins in D flat major, far from single sharped E minor. A plaintive English horn melody dominates both here and later on. In between a C sharp minor section marked Un poco più mosso, winds introduce two themes, more palpitant than the D flat section’s big tune, before the motto makes a sinister appearance.” AM Dvorák “grapples with the earthy, deeply rooted tones of African American spirituals.” TM

Molto Vivace:

“Song sections marked Scherzo: Molto vivace, in E minor, pay homage less to Indian pow-wows than to the scherzo movement of Beethoven’s Ninth Symphony. A briefer subject in E major recalls the G major closing theme of the first movement, followed by the motto. The Poco sostenuto Trio is pure Czech, beginning in C major, with a G major second theme related to the Beethoven rhythm in sections A and A.” AM

Allegro con Fuoco:

Allegro con fuoco is the marking of the final movement with a martial main theme in E minor for horns and trumpets. The clarinet counters with a nostalgic sub-theme, after which flutes and fiddles play a closing subject in G major. The development combines music from previous movements with the main theme of movement 4. Following the recap, a Grand Coda ends with a fortissimo restatement of the motto, then a diminuendo to pianissimo on the final chord.” AM

Dvorák “expects the ensemble to summon an overgrown American exuberance, and anything less can cast ugly shadows on the subtle music that’s come before.” TM

Reviews:


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First posted 4/2/2008; last updated 2/27/2026.