Showing posts with label Lucinda Williams. Show all posts
Showing posts with label Lucinda Williams. Show all posts

Saturday, November 1, 2025

Americana: Top 100 All-Time Albums

Americana:

The Top 100 Albums

Americana has become a catch-all phrase for roots-oriented music that taps primarily into folk and country. It has, however, become a genre that also builds off the folk-rock movement of the ‘60s, the country rock movement of the ‘70s, and the alt-country movement of the ‘90s.

The DMDB aggregated more than 30 lists and then took those albums from 3 or more lists and ranked them according to overall DMDB points. It should be noted that I have created separate lists for country and folk/folk-rock albums, but some of those titles also appear here. Check out other best-of-genre/category lists here.

1. Bob Dylan Blood on the Tracks (1975)
2. Neil Young After the Gold Rush (1970)
3. The Band The Band (1969)
4. The Band Music from Big Pink (1968)
5. Wilco Yankee Hotel Foxtrot (2001)
6. Grateful Dead American Beauty (1970)
7. The Byrds Sweetheart of the Rodeo (1968)
8. Bob Dylan The Freewheelin’ Bob Dylan (1963)
9. Kacey Musgraves Golden Hour (2018)
10. Bruce Springsteen Nebraska (1982)

11. Sufjan Stevens Illinois (2005)
12. Chris Stapleton Traveller (2015)
13. Gram Parsons Grievous Angel (1974)
14. Beck Sea Change (2002)
15. Mumford & Sons Sigh No More (2009)
16. Grateful Dead Workingman’s Dead (1970)
17. Mumford & Sons Babel (2012)
18. The Flying Burrito Brothers The Gilded Palace of Sin (1969)
19. Robert Plant & Alison Krauss Raising Sand (2007)
20. Fleet Foxes Fleet Foxes (2008)

21. Lucinda Williams Car Wheels on a Gravel Road (1998)
22. Bon Iver For Emma, Forever Ago (2007)
23. Creedence Clearwater Revival Willy and the Poor Boys (1969)
24. Nick Drake Pink Moon (1972)
25. Sturgill Simpson A Sailor’s Guide to Earth (2016)
26. Joanna Newsom Ys (2006)
27. Bob Dylan Nashville Skyline (1969)
28. John Prine John Prine (1972)
29. Neutral Milk Hotel In the Aeroplane Over the Sea (1998)
30. Johnny Cash American IV: The Man Comes Around (2002)

31. Sufjan Stevens Carrie & Lowell (2015)
32. Gram Parsons G.P. (1973)
33. Nitty Gritty Dirt Band Will the Circle Be Unbroken (1972)
34. Kacey Musgraves Same Trailer, Different Park (2013)
35. Bon Iver Bon Iver (2011)
36. Chris Stapleton Starting Over (2020)
37. Johnny Cash American Recordings (1994)
38. Bright Eyes I’m Wide Awake, It’s Morning (2005)
39. Elliott Smith Either/Or (1997)
40. Jason Isbell & the 400 Unit The Nashville Sound (2017)

41. Emmylou Harris Wrecking Ball (1995)
42. Brandi Carlile By the Way, I Forgive You (2018)
43. Courtney Barnett Sometimes I Sit and Think and Sometimes I Just Sit (2015)
44. Fleet Foxes Helplessness Blues (2011)
45. Bruce Springsteen Western Stars (2019)
46. Gillian Welch Time (The Revelator) (2001)
47. The Lumineers The Lumineers (2012)
48. Bruce Springsteen We Shall Overcome: The Seeger Sessions (2006)
49. Father John Misty I Love You, Honeybear (2015)
50. John Hiatt Bring the Family (1987)

51. Noah Kahan Stick Season (2022)
52. Phoebe Bridgers Punisher (2020)
53. Zach Bryan American Heartbreak (2022)
54. Tom Petty Wildflowers (1994)
55. The Highwomen The Highwomen (2019)
56. Chris Stapleton From a Room, Volume 1 (2017)
57. Bob Dylan Rough and Rowdy Ways (2020)
58. Kacey Musgraves Star-Crossed (2021)
59. Hozier Hozier (2014)
60. Lucinda Williams Lucinda Williams (1988)

61. Steve Earle Guitar Town (1986)
62. Billy Bragg & Wilco Mermaid Avenue (1998)
63. Ryan Adams Heartbreaker (2000)
64. Zach Bryan Zach Bryan (2023)
65. Wilco Being There (1996)
66. The Avett Brothers I and Love and You (2009)
67. Uncle Tupelo No Depression (1990)
68. Brandi Carlile In These Silent Days (2021)
69. Robert Plant & Alison Krauss Raise the Roof (2021)
70. Neko Case Fox Confessor Brings the Flood (2006)

71. The Decemberists The Crane Wife (2006)
72. Johnny Cash American III: Solitary Man (2000)
73. Joanna Newsom Have One on Me (2010)
74. Jason Isbell & the 400 Unit Reunions (2020)
75. Kris Kristofferson Kristofferson (aka “Me and Bobby McGee”) (1970)
76. The Microphones The Glow Pt. 2 (2001)
77. The Jayhawks Hollywood Town Hall (1992)
78. Jason Isbell Southeastern (2013)
79. The Lumineers Cleopatra (2016)
80. Guy Clark Old No. 1 (1975)

81. Los Lobos How Will the Wolf Survive? (1984)
82. Johnny Cash American V: A Hundred Highways (2006)
83. The Decemberists Picaresque (2005)
84. The Flying Burrito Brothers Burrito Deluxe (1970)
85. Dillard & Clark The Fantastic Expedition of Dillard & Clark (1969)
86. Ry Cooder Paradise and Lunch (1974)
87. Townes Van Zandt Townes Van Zandt (1969)
88. Gillian Welch The Harrow and the Harvest (2011)
89. John Hiatt Slow Turning (1988)
90. Bonnie “Prince” Billy I See a Darkness (1999)

91. Jason Isbell & the 400 Unit Weathervanes (2023)
92. Ryan Adams & the Cardinals Cold Roses (2005)
93. Iron & Wine Our Endless Numbered Days (2004)
94. Mount Eerie A Crow Looked at Me (2017)
95. Rhiannon Giddens Freedom Highway (2017)
96. Iris DeMent Infamous Angel (1992)
97. Gene Clark White Light (1971)
98. Neko Case Blacklisted (2002)
99. Joanna Newsom The Milk-Eyed Mender (2004)
100. Calexico Feast of Wire (2003)


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First posted 3/22/2024; last updated 11/1/2025.

Friday, March 22, 2024

The Top 60 Folk/Folk Rock Albums of All Time

Folk/Folk Rock:

The Top 60 Albums

Call it folk, folk-rock, roots music, country rock, or whatever else floats your fancy. Music typically driven by acoustic instruments or which harkens back to musical forms of a century ago has played a large role in shaping popular music and then responding to popular music trends. The DMDB aggregated more than 30 lists and then took those albums from 3 or more lists and ranked them according to overall DMDB points.

This has since been divided into two lists. This one focuses on folk and folk rock, roughly music from the 1930s through the 1980s. A second list has been been dedicated to what I’m calling “New Americana.” Like folk and folk rock, this is music which is roots-based, but tends to have a more modern spin as it is largely comprised of albums from the 21st century with representation of the ‘80s and ‘90s as well. In addition to Americana, this music is also referred to as indie folk and alt-country.

Make sure you also check out the DMDB list of top country albums as there is a lot ocross-polination between country, folk, and Americana. I’ve created three separate lists for these genres and allowed an album to only show up on one of the three lists. Check out those and other best-of-genre/category lists here.

1. Simon & Garfunkel Bridge Over Troubled Water (1970)
2. Bob Dylan Blonde on Blonde (1966)
3. Carole King Tapestry (1971)
4. Bob Dylan Highway 61 Revisited (1965)
5. Bob Dylan Blood on the Tracks (1975)
6. Van Morrison Astral Weeks (1968)
7. Joni Mitchell Blue (1971)
8. Neil Young After the Gold Rush (1970)
9. Neil Young Harvest (1972)
10. Love Forever Changes (1967)

11. The Band The Band (1969)
12. Crosby, Stills, Nash & Young Déjà Vu (1970)
13. Robert Johnson The Complete Recordings (1936-37)
14. Bob Dylan Bringing It All Back Home (1965)
15. Van Morrison Moondance (1970)
16. The Band Music from Big Pink (1968)
17. George Harrison All Things Must Pass (1970)
18. Creedence Clearwater Revival Cosmo’s Factory (1970)
19. Tracy Chapman Tracy Chapman (1988)
20. Grateful Dead American Beauty (1970)

21. Bob Dylan The Freewheelin’ Bob Dylan (1963)
22. Crosby, Stills & Nash Crosby, Stills & Nash (1969)
23. Nick Drake Five Leaves Left (1969)
24. Bruce Springsteen Nebraska (1982)
25. Bob Dylan Love and Theft (2001)
26. Leonard Cohen The Songs of Leonard Cohen (1967)
27. Simon & Garfunkel Bookends (1968)
28. Neil Young Everybody Knows This Is Nowhere (1969)
29. The Byrds Younger Than Yesterday (1967)
30. The Byrds Mr. Tambourine Man (1965)

31. Grateful Dead Workingman’s Dead (1970)
32. Bob Dylan Time Out of Mind (1997)
33. Various Artists compiled by Harry Smith Anthology of American Folk Music (box set, recorded 1926-32, released 1952)
34. James Taylor Sweet Baby James (1970)
35. Bob Dylan John Wesley Harding (1967)
36. Bob Dylan Modern Times (2006)
37. John Cougar Mellencamp Scarecrow (1985)
38. Nick Drake Bryter Layter (1970)
39. Fairport Convention Liege and Lief (1969)
40. Nick Drake Pink Moon (1972)

41. Cat Stevens Tea for the Tillerman (1970)
42. Buffalo Springfield Again (1967)
43. Woody Guthrie Dust Bowl Ballads (1940)
44. Simon & Garfunkel Parsley, Sage, Rosemary & Thyme (1966)
45. Bob Dylan The Royal Albert Hall Concert (The Bootleg Series Volume 4) (live, 1966)
46. Richard & Linda Thompson I Want to See the Bright Lights Tonight (1974)
47. Neil Young On the Beach (1974)
48. Bob Dylan Nashville Skyline (1969)
49. Bob Dylan Another Side of Bob Dylan (1964)
50. John Prine John Prine (1972)

51. Richard & Linda Thompson Shoot Out the Lights (1982)
52. The Kingston Trio At Large (1959)
53. Randy Newman 12 Songs (1970)
54. Bob Dylan The Times They Are A-Changin’ (1964)
55. Indigo Girls Indigo Girls (1989)
56. Leonard Cohen Songs of Love and Hate (1971)
57. Tim Buckley Starsailor (1970)
58. Fairport Convention Unhalfbricking (1969)
59. Bob Dylan Rough and Rowdy Ways (2020)
60. Eagles Eagles (1972)


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First posted 3/4/2013; last updated 3/22/2024.

Friday, November 11, 2022

Willie Nelson “Live Forever” released

Live Forever

Willie Nelson & Lucinda Williams

Writer(s): Billy Joe Shaver, Eddy Shaver (see lyrics here)


Released: November 11, 2022 (album cut)


First Charted: --


Peak: 1 DF (Click for codes to charts.)


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, 2.39 video, -- streaming

Awards:

Click on award for more details.

About the Song:

Billie Joe Shaver was an outlaw country music singer/songwriter born on 8/16/1939 in Corsicana, Texas. He died in 2020. During his career, he released 17 studio albums and 20 singles. He only had two minor chart entries on the country charts – “I Been to Georgia on a Fast Train” (#88, 1973) and “You Asked Me To” (#80, 1978) but had songs recorded by Waylon Jennings, Kris Kristofferson, and Elvis Presley. His “songs were stories of his life; they were real, and they were raw.” AZ Johnny Cash called Shaver his favorite songwriter. GW

In 1993, he released the album Tramp on Your Street, featuring the song “Live Forever” which he co-wrote with his son Eddy. Two years later, the Highwaymen covered the song on their third album The Road Goes on Forever. The country supergroup featured Johnny Cash, Waylon Jennings, Kris Kristofferson, and Willie Nelson. Actor Robert Duvall sang a snipet of the song in the 2009 movie Crazy Heart, which starred Jeff Bridges in his Oscar-winning turn as a faded country music singer. It was also featured on the soundtrack.

In 2022, the album Live Forever: A Tribute to Billy Joe Shaver was released. It featured Edie Brickell, Rodney Crowell, Steve Earle, Jason Isbell, Miranda Lambert, Nathaniel Rateliff, George Strait, and others. Willie Nelson and Lucinda Williams covered “Live Forever,” which kicked off the album.

The song puts forth the notion that one will live forever through the memories of loved ones: “When this old world is blown asunder / And all the stars from fall the sky / Remember someone really loves you / We’ll live forever, you and I.” However, there’s also a message about the impact a songwriter can specifically leave: “I will always be around / Just like the songs I leave behind me / I’m gonna live forever now.”

Hearing those words written by a songwriter who’d died just two years earlier being sung by a country legend closing in on his 90th birthday gives the song even more poetic resonance. The performance won Nelson a Grammy for Best Country Solo Performance. Nelson said, “Billy Joe Shaver is definitely the best writer in Texas. He was just real; there wasn’t one phony drop of blood in him.” GW


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First posted 11/14/2023.

Tuesday, March 10, 2020

Rick Rubin: Top 50 Albums

First posted 3/10/2020.

Rick Rubin:

Top 50 Albums

Happy birthday to Rick Rubin! He was born Frederick Jay Rubin on 3/10/1963 in Long Beach, New York. He became a record executive with Def Jam, American Recordings, and then Columbia. “The barefoot Buddha with the woolly salt-and-pepper beard” UT was once dubbed the king of rap by the Village Voice. WP He “was among the key figures behind the commercial and artistic rise of hip-hop, lending his signature rap/metal style to many of the biggest records of the pre-gangsta era.” AMG However, he branched out to work with artists as diverse as Adele, Johnny Cash, Neil Diamond, the Dixie Chicks, and the Red Hot Chili Peppers. Rolling Stone called him “the most successful producer in any genre” UT and MTV said he is “the most important producer of the last 20 years.” WK Rubin has produced more than 100 albums with total sales of more than 100 million. WP In 2007, he was named one of the 100 most influential people in the world by Time magazine. WK

Esquire magazine says Rubin is “one of the few industry giants with the confidence to just let artists be themselves.” WK Rubin says his role is “‘to inspire and challenge artists to do their best work, and to do it for the sake of the work as opposed to the ends.” UT Daron Malakian of System of a Down says, “Rick’s like the song doctor. If you play something for him, it’s like going in for a checkup…the songs always feel better after his suggestions.” WP

Rubin continues, saying “Today’s surplus of lousy albums results largely from the twisted agendas of labels and managers who fixate on deadlines and marketing rather than nurturing talent…I try to…refocus everything on the art and the artist’s truth.” UT Malakian adds, “Production with Rick doesn’t mean you're going to sit in a studio. It might mean you go to a record store or to the beach. Or you go for a drive. You bond as people first.” WP

Early Years (1963-1984):

Rubin grew up in an upper-middle-class neighborhood in Long Island. He says his parents, Mickey and Linda, smothered and spoiled him and hoped he would become a doctor or lawyer. WP However, he was more interested in “aggressive sounds and outlaw music.” UT As he said, “I like things that are unique and extreme.” UT He was never into drugs, but was somewhat of an outcast in school, wearing sunglasses and black leather. WP

He had a band, the Pricks, in high school, and played guitar in an art-punk band called Hose while at New York University. WK He even played a few gigs at the legendary CBGB’s club in New York, WP but “never considered himself a musician.” UT When he enrolled at NYU, he intended to go to law school, until he was enamored by rap music, or what he considered “black punk rock.” WP He became a fixture at New York hip-hop clubs and was disappointed with most of the rap singles he purchased because he wished the records “felt and sounded like being at a club” WP instead of “disco songs with guys rapping on them.” WP As he says, “I started making records I wanted to hear. I didn’t know it was a viable job.” UT

Def Jam (1984-1988):

Rubin produced his first single, It’s Yours, in 1984 for T La Rock and Jazzy Jay. It became one of the biggest rap hits in New York and got Rubin noticed by Russell Simmons, a music promotor from Queens who also managed his brother’s group, Run-D.M.C. Simmons was shocked when he found out that “‘the blackest song he’d ever heard’ was produced by a Jewish kid from Long Island.” WP The two founded Def Jam, operating out of Rubin’s dorm room at Weinstein Hall, with his parents fronting them $5000. Def Jam made the big time when they landed a $2 million distribution deal with Columbia and broke big with LL Cool J’s 1985 album Radio. WP

The album wasn’t much more than rapping and percussive beats, showcasing Rubin’s minimalist approach which eliminated string sections, backup vocals, reverb, and other typical production elements in favor of naked vocals and instrumentation. WK Instead of a “Produced by Rick Rubin” credit in the liner notes, it read “Reduced by Rick Rubin.” WK Rubin also challenged LL Cool J, “rap’s biggest solo star,” WP “to add traditional song structure to his work, figuring that if it worked for the Beatles, it should work for everyone else.” WP Rubin’s approach had “an immediate impact, playing a key role in rap’s rise.” UT

Another trademark of Rubin’s early work became a fusion of rap and heavy rock. It was his idea for Run-D.M.C. to cover Aerosmith’s Walk This Way, a move credited with reviving Aerosmith’s career and introducing rap to mainstream audiences. WK Run- The song’s parent album, Raising Hell, along with the Beastie Boys’ “obnoxious and bratty” WP Licensed to Ill, “rap broke worldwide in 1986.” AMG The latter exploded “rap’s sonic boundaries [by] adding punk and metal to the mix,” WP a move which hooked “masses of white suburban kids” WP and gave the album the distinction of being the first rap album to top the Billboard album chart. WP

Def American (1988-1993):

Rubin’s relationship with Simmons suffered ad Def Jam flourished. In 1988, Rubin left Def Jam and moved to Los Angeles to launch Def American. He signed a number of heavy rock acts and “abrasive artists” WP like Slayer, Geto Boys, and Andrew “Dice” Clay, who recorded “shocking, controversial albums…with unflinching tracks about murder, Satanic worship, necrophilia and Nazism.” WP “I guess edgy things tend to get my attention,” Rubin said. “But it wasn’t the fact that it was offensive that made me like it…The music is what drives me.’” WP

Rubin signed a deal with Time Warner for a reported $75 to $100 million and “his label jumped out to a fast start with bestsellers from the likes of the Black Crowes and Sir Mix-a-Lot.” WP In 1991, Rubin produced Blood Sugar Sex Magik, the breakthrough album by Red Hot Chili Peppers. AMG Under the Bridge, the album’s #2 pop hit, grew out of Rubin’s discovery of a poem written by Anthony Kiedis about overcoming heroin addiction. Rubin convinced the reluctant singer to present it to the band. WP

American Recordings (1993-2006):

In 1993, Rubin dropped “Def” from the name and the label became American Recordings. Johnny Cash’s career-reviving album of the same name would signify Rubin’s greatest career achievement aside from launching rap into the mainstream. Cash had been at a creative and commercial low when Rubin met him and convinced him to overhaul unlikely rock tunes, most notably Nine Inch Nails’ Hurt, into stripped-down, emotionally-bare confessionals.

Rubin worked a similar magic for Neil Diamond, who had “created a cabaret image by drifting from his emotional core as a singer/songwriter.” UT 12 Songs “was the crooner’s best-reviewed work in decades, landing on more than a few music critics’ best-of-2005 lists.” WP It also reached #4 on the Billboard album chart, Diamond’s highest chart position in a quarter century. Diamond said, “I was one of those radio stars killed by videos. It was hard to get back on track. With Rick, I found the right path. He picked up on the vibe of acoustic guitar and understatement, something I haven’t done in years and wasn’t able to replicate until this album.” UT

During this time, Rubin lent production duties to chart-topping albums from artists as diverse as Audioslave, the Dixie Chicks, Jay-Z, System of a Down, and Justin Timberlake. He also won Producer of the Year in 2007 for work with Johnny Cash, the Dixie Chicks, Green Day, Red Hot Chili Peppers, and U2. The Dixie Chicks also won the Album of the Year Grammy for their Rick Rubin-produced Taking the Long Way.

Columbia (2007-2012):

Rubin was named co-head of Columbia Records in May 2007. He produced #1 albums for Adele, Neil Diamond, Linkin Park, and Metallica. He wond the Producer of the Year Grammy again in 2009. In 2012, Adele’s 21, with several songs produced by Rubin, won the Grammy for Album of the Year.

Republic Records (2012-):

In his post-Columbia years, Rubin lent production duties to #1 albums from Eminem, Lady Gaga, Ed Sheeran, Kanye West, and the comeback of Black Sabbath.


Rick Rubin’s Top 50 Albums:

Here are the 50 albums produced by Rick Rubin. 19 of these rank in the top 1000 albums of all time according to the DMDB.

  1. Adele 21 (2011)
  2. Public Enemy It Takes a Nation of Millions to Hold Us Back (1988)
  3. Red Hot Chili Peppers Blood Sugar Sex Magik (1991)
  4. Beastie Boys Licensed to Ill (1986)
  5. Justin Timberlake FutureSex/LoveSounds (2006)
  6. Red Hot Chili Peppers Californication (1999)
  7. Ed Sheeran X (Multiply) (2014)
  8. Tom Petty & the Heartbreakers Greatest Hits (1976-93, released 1993)
  9. Run-D.M.C. Raising Hell (1986)
  10. Red Hot Chili Peppers By the Way (2002)

  11. Lucinda Williams Car Wheels on a Gravel Road (1998)
  12. System of a Down Toxicity (2001)
  13. Red Hot Chili Peppers Stadium Arcadium (2006)
  14. Johnny Cash American Recordings (1994)
  15. Dixie Chicks Taking the Long Way (2006)
  16. U2 Best of 1980-1990 (compilation: 1980-2006, released 2006)
  17. Red Hot Chili Peppers Greatest Hits (1989-2003, released 2003)
  18. Slayer Reign in Blood (1986)
  19. Kanye West Yeezus (2013)
  20. Black Crowes Shake Your Money Maker (1990)

  21. Jay-Z The Black Album (2003)
  22. Johnny Cash American IV: The Man Comes Around (2002)
  23. Eminem The Marshall Mathers LP 2 (2013)
  24. The Mars Volta De-Loused in the Comatorium (2003)
  25. Metallica Death Magnetic (2008)
  26. Aerosmith O Yeah! The Ultimate Hits (compilation: 1973-2002, released 2002)
  27. Sheryl Crow The Globe Sessions (1998)
  28. Linkin Park Minutes to Midnight (2007)
  29. LL Cool J Radio (1985)
  30. Red Hot Chili Peppers What Hits!? (compilation: 1984-91, released 1992)

  31. Johnny Cash American III: Solitary Man (2000)
  32. Public Enemy Yo! Bum Rush the Show (1987)
  33. System of a Down Mezmerize (2005)
  34. Shakira Fijacion Oral Vol. 1 (2005)
  35. Red Hot Chili Peppers One Hot Minute (1995)
  36. Audioslave Out of Exile (2005)
  37. Audioslave Audioslave (2002)
  38. Johnny Cash Unearthed (box set: 1993-2003, released 2003)
  39. Tom Petty Wildflowers (1994)
  40. Kanye West The Life of Pablo (2016)

  41. Johnny Cash American V: A Hundred Highways (2006)
  42. The Avett Brothers I and Love and You (2009)
  43. Weezer Make Believe (2005)
  44. Johnny Cash Ameican VI: Ain’t No Grave (2010)
  45. Linkin Park A Thousand Suns (2010)
  46. Neil Diamond i>12 Songs (2005)
  47. Eminem Revival (2017)
  48. Lady Gaga Artpop (2013)
  49. Tom Petty & the Heartbreakers Echo (1999)
  50. Linkin Park Living Things (2012)

Resources and Related Links:


DMDB Encyclopedia Entries for:

Tuesday, June 30, 1998

Lucinda Williams Car Wheels on a Gravel Road released

Car Wheels on a Gravel Road

Lucinda Williams


Released: June 30, 1998


Peak: 65 US, -- UK, -- CN, 69 AU


Sales (in millions): 0.81 US, 0.06 UK, 0.87 world (includes US and UK)


Genre: folk/country


Tracks:

Song title (date of single release, chart peaks) Click for codes to charts.

  1. Right in Time (1998, --)
  2. Car Wheels on a Gravel Road
  3. 2 Kool 2 Be 4-Gotten
  4. Drunken Angel
  5. Concrete and Barbed Wire
  6. Lake Charles
  7. Can't Let Go (12/5/98, 14 AA)
  8. I Lost It
  9. Metal Firecracker
  10. Greenville
  11. Still I Long for Your Kiss
  12. Joy
  13. Jackson


Total Running Time: 51:40

Rating:

4.323 out of 5.00 (average of 25 ratings)


Quotable:

Car Wheels “stands out as a hallmark of hard-worn Americana, a Southern swirl of country, blues, folk, and rock ‘n’ roll.” – Consequence.net

Awards:

(Click on award to learn more).

Lucinda Williams’ Early Career

Singer/songwriter and guitarist Lucinda Williams was born in 1953 in Louisiana. In 1978, she moved to Jackson, Mississippi to record her first album with Folkway Records. That album, 1979’s Ramblin’ on My Mind and 1980’s Happy Woman Blues, were recorded in a traditional country and blues style. Her self-titled third album took eight years but became celebrated as one of the pivotal records in the Americana movement. It was also her first to chart, reaching #39 on the Billboard album chart.

Another four years passed before Lucinda released Sweet Old World, another album that failed to chart. She then took six years before releasing Car Wheels on a Gravel Road. It became the biggest seller of her career, reaching gold status, and also won a Grammy for Best Contemporary Folk Album.

Worth the Wait

The album took a lot of time for a variety of reasons, namely Lucinda’s “meticulous perfectionism,” AM “scrapped original recordings,” PM “conflicts in the studio,” PM and label difficulties. AM She signed to Rick Rubin’s American label in 1994. Gurf Morlix, who had worked with Williams since the late ‘80s, was set to produce. When Lucinda decided she wasn’t satisfied with the results, she moved to Nashville and started over with Steve Earle. Then she thought the results were too polished and went to Los Angeles and worked with E Street Band member Roy Bittan. TB

By the time she handed the tapes over to Rubin for mixing in 1997, he was selling American Recordings to Mercury. That meant Williams had to renegotiate her deal with a new label. TB

The result was an album that asks the listener to take time to absorb it. It is “one of those multi-layered albums that opens up with repeated exposure.” RD The album received “pretty much unanimous critical praise” TB and topped many year-end album polls. TB

Production

Car Wheels “is far and away her most produced album to date, which is something of a mixed blessing. Its surfaces are clean and contemporary, with something in the timbres of the instruments (especially the drums) sounding extremely typical of a late-'90s major-label roots-rock album." AM It means “her sound is punchier and livelier.” AM

“The production also throws Williams’ idiosyncratic voice into sharp relief, to the point where it's noticeably separate from the band. As a result, every inflection and slight tonal alteration is captured.” AM The first thing to notice is “her voice, which is wistful, defiant, and wan. Then there are the remarkable arrangements in a variety of American roots idioms.” RD “But most provocative ar the stories Williams tells – she has a winding way of reaching climaxes that are…crushingly sad.” RD

The Material and Potential Themes

“It’s ultimately the material that matters, and Williams’ songwriting is as captivating as ever." AM "These up-from-Dixie tunes flow so easily, like conversations over a low backyard fence, that it’s hard to believe Williams spent six years obsessing over each chord and syllable." TL

"Intentionally or not, the album's common thread seems to be its strongly grounded sense of place – specifically, the Deep South, conveyed through images and numerous references to specific towns. Many songs are set, in some way, in the middle or aftermath of not-quite-resolved love affairs, as Williams meditates on the complexities of human passion. Even her simplest songs have more going on under the surface than their poetic structures might indicate." AM

The Album’s Influence

“There have been no shortage of Lucinda Williams imitators over the years – artists hoping to nick even an ounce of her grit, grace, and gumption and make it their own.” CQ Car Wheels “laid the roadmap for future generations of assured female singer-songwriters like Waxahatchee’s Katie Crutchfield and Margo Price to write boldly about their interior lives while discarding previously established genre constraints.” PM

But there is only one Lucinda Williams, and on Car Wheels on a Gravel Road, she demonstrates why she’s an unrivaled talent.” CQ She “was creating something entirely new; a singular blend of country, folk, blues and rock.” PM Rolling Stone called it an “alt-country masterwork.” 500 It “stands out as a hallmark of hard-worn Americana, a Southern swirl of country, blues, folk, and rock ‘n’ roll.” CQ

Lucinda “might not be the most prolific songwriter of the ‘90s, she’s certainly one of the most brilliant.” AM It “was an enduring singer-songwriter classic; a highly melodic, earthy, lived-in set of tunes that spoke to life on the road, desire, disconnect and the terror and ecstasy of love.” PM Consequence.net’s Spencer Dukoff calls her “Americana’s poet laureate” CQ and says “Car Wheels on a Gravel Road is a high watermark of the form.” CQ

The Songs

This is “a riff-laden record with a laundry list of lyrics tailor-made for tattooing on your body, doubling as a roadmap to the soul of a complicated nation.” CQ “The sexy 2 Kool 2 Be 4-Gotten” CQ “seems at first to be a disjointed string of images from a tavern, and only in the final verse does Williams describe the moment of loss that brought her to this place.” RD

Then there’s “the middle-fingers-up kiss-off of Joy, you learn a few things about the record’s central narrator, but there’s one lesson that stands out in particular: You don’t fuck with Lucinda Williams.” CQ

“The title track is one of Williams’ best: Over guitars that owe more to the Stones than to the Opry, she tells a story about the rootlessness of American life.” 500 Throughout the album “Williams rocks hard enough to give these troubled songs both dignity and a feeling of release.” 500

"On Can’t Let Go [and] I Lost It she starts with evocative nouns and everyday thoughts…and dramatizes them with indelible country and rock guitar hooks to create a sense of the modern rural South as a place that's sometimes sad, but always seductive.” TL “Can’t Let Go” garnered a Grammy nomination for Best Female Rock Vocal Performance.

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First posted 1/26/2011; last updated 12/8/2024.