Thursday, November 29, 2018

Today in Music (1968): Van Morrison released Astral Weeks

Astral Weeks

Van Morrison


Released: November 29, 1968


Charted: --


Peak: --


Sales (in millions): 0.5 US, -- UK, 0.5 world (includes US and UK)


Genre: folk rock


Tracks:

Song Title [time] (date of single release, chart peaks) Click for codes to charts.

  1. Astral Weeks [7:06] (32 CL)
  2. Beside You [5:16]
  3. Sweet Thing [4:25] (2/6/71, --)
  4. Cyprus Avenue [7:00]
  5. The Way Young Lovers Do [3:18]
  6. Madame George [9:45] (31 CL)
  7. Ballerina [7:03]
  8. Slim Slow Slider [3:17]

All songs written by Van Morrison.


Total Running Time: 47:10


The Players:

  • Van Morrison (vocals, acoustic guitar)
  • John Payne (flute, soprano saxophone on “Slim Slow Slider”)
  • Jay Berliner (guitar)
  • Richard Davis (double bass)
  • Warren Smith Jr. (percussion, vibraphone)
  • Connie Kay (drums)
  • Larry Fallon (string arrangements, conductor, harpsichord on “Cyprus Avenue”)
  • Barry Kornfield (acoustic guitar on “The Way Young Lovers Do”)

Rating:

4.082 out of 5.00 (average of 24 ratings)


Awards:

(Click on award to learn more).

Van Morrison’s Beginnings

The Northern Irish singer/songwriter Van Morrison got his start as “the pint-sized head thug for the ruffian R&B combo Them” EK “which achieved immortality with the garage anthem ‘Gloria.’” TL After he went solo, he released the album Blowin’ Your Mind in 1967, which produced “the irresistible singalong ‘Brown-Eyed Girl.’” TL

“Bang, his record label, wanted a pop star and Morrison didn’t see himself that way.” CM Van then had “a long, now-legendary contract dispute involving the mob.” PM The label founder, Bert Berns, died from a heart attack and his wife blamed Morrison and tried to have him deported. Morrison escaped this fate by marrying his girlfriend Janet Minto. They moved to Cambridge, Massachusetts and he worked the club circuit. CQ He was heavily exposed to jazz there and “the improvisational atmosphere was the perfect musical fit for Morrison.” CQ He has said that at the time he “was broke, tired, and simply did not know what to do. He didn’t want to think about it and he wanted musicians skilled enough to just follow him.” CQ

His next move was to sign with Warner Brothers Records. His new producer, Lewis Merenstein, assembled a team of jazz players and they recorded Astral Weeks in New York in just two sessions on September 25 and October 15, 1968. TB “The spontaneity and speed of its recording is part of its legend.” TB

The Players

Among the musicians are drummer Connie Kay, who played with the Modern Jazz Quartet; bassist Richard Davis, who worked on Eric Dolphy’s Out to Lunch; and guitarist Jay Berliner, who worked with Charles Mingus and others. EK Kay and Davis “in particular push what are actually pretty simple songs with an empathy that’s seldom seen outside jazz.” EK In addition, John Payne is on reeds and Warren Smith, Jr. on vibes.

After the songs were recorded, they were overdubbed by Larry Fallon with strings and horns. “Fallon’s sympathetic violins give wings to Morrison’s voice. His tuba and trombone parts are like foghorns cutting through the mists of words.”CM

According to Davis, “the Irish bard played the outline of his songs on guitar, and expected the others to follow him. He encouraged some improvisation, and to facilitate that, gave very little guidance.” TM Berliner said, “I played a lot of classical guitar on those sessions and it was very unusual to play classical guitar in that context. What stood out in my mind was the fact that he allowed us to stretch out.” TB

“Much of the album drifts along without a fixed tempo, with the musicians swirling strains of folk melody or boppish riffage around Morrison’s lover-as-hero character.” TM The songs “depart from the obvious demarcations of verses, choruses, and bridges, to stretch out past the five-minute mark in five of the eight tracks.” TB The instrumentation is “unusual and sophisticated” TB and Morrison “listened to what the musicians were doing with his songs.” CM He then “improvises lyrics and phrases based on where the music is going.” CM

Rock Meets Jazz

“This rock monument actually draws from jazz, folk and blues to showcase Morrison’s bewitching voice.” UT In fact, this “isn’t a rock & roll album at all,” AM but “a jazz record disguised as a rock record.” JM “Accompanying himself on acoustic guitar, Morrison sings in his elastic, bluesy voice, accompanied by a jazz rhythm section.” AM “Its loose, combustible jazz sound still ranks as one of the most innovative things he’s done.” CQ

“The only constant is the gentle strum of Morrison’s acoustic guitar as the nodding lull of the upright bass, horns, and I-didn’t-know-it-could-actually-be-cool jazz flute swirl around it, always on the verge of floating away, but preferring to stay in place to catch Morrison on his next musical shift.” CQ

It “sounded like nothing he had done previously — and really, nothing anyone had done previously.” TL “The leap from all that to a delicate, graceful musing on romanticism is basically unprecedented.” EKAstral Weeks is something to be unravelled, to tug at your heart and invite you to discover your soul – and the soul and deepness of feeling of others.” AD

The Songwriter

Astral Weeks is “a gorgeous, freewheeling meditation on life and looking forward; a kaleidoscopic, sylvan soundscape focused on images and feelings rather than a coherent narrative.” CQ Morrison’s words “are more like extended poems than lyrics, full of images and phrases that tease and provoke the imagination.” TB He creates “a beautiful sonic painting” RV and “spouts stream of consciousness lyrics like the James Joyce of music.” RV

The album has been described as “achingly beautiful,” EK “an emotional outpouring cast in delicate musical structures,” AM “an ingenious orchestration of poetry and mysticism” RV and “a languid, impressionistic, utterly gorgeous song cycle.” TL

“The tunes are love songs dominated by nostalgia for youth, love, and the desire for rebirth.” TM The album “loosely follows the desperate thoughts of a young man who’s consumed by an unttainable woman, its lyrics sometimes seem so loaded with meanings and allusions they make your brain hurt.” TM “You’re hearing maybe the purest audible distillation of love and loss ever pressed onto record.” PM

Morrison said, “The songs are poetic stories, so the meaning is the same as always—timeless and unchanging. The songs are works of fiction that will inherently have a different meaning for different people. People take from it whatever their disposition to take from it is.” WK He also said, it is “probably the most spiritually lyrical album I’ve ever done.” TB

The Title

“The album’s very title suggests the spiritual dimension.” TB It is “about adventures on a plane other than this wone. It’s a world of dreams and half-recollected scenes and a place where the past and the present coexist.” CM Critic Lester Bangs said, Astral Weeks “is a record about people stunned by life, completely overwhelmed, stalled in their skins, their ages and selves, paralyzed by the enormity of what in one moment of vision they can comprehend.” CM

“Astral” was a term “from the counter-culture’s metaphysical lexicon, most commonly associated with the phrases ‘astral projection,’ an out-of-body experience, and ‘astral plane,’ a…concept of a dimension beyond the material world ruled by emotion and imagination. The duration of an ‘astral week’ could not be measured by earthly clocks, and its quality would transcend the mundane.” TB

The Singer

“His vocals are constantly morphing (a practice he would take up in later live performances), sometimes crooning, sometimes clipping the words, and sometimes not even finishing sentences at all.” CQ “Morrison may have been high strung at the time, but you would never know it listening to such a dazzling and relaxed album.” CQ

Astral Weeks Place in History

Astral Weeks is “drastically different from anything Van the Man had tried in the past or would attempt in the future.” JG It is generally considered one of the best albums in pop music history,” AM although Morrison has dismissed such lofty praise. WK “It is one of rock’s least-likely masterworks.” TL

The Warner Bros. publicity department hyped it as “the closest rock music has ever gotten to literature.” EK Nonetheless, “Astral Weeks more or less sank without a trace upon its release.” EK Detractors dismissed it as “a rambling record with a heavy jazz influence, lyrics that rival beat poets, and the average track goes on for seven minutes. It’s no wonder no one cared when it came out.” JM

“It’s mostly through the critical rehabilitation of guys like Lester Bangs that this album achieved its widespread standing.” EK Astral Weeks’ “mystic poetry, spacious grooves, and romantic incantations still resonate in ways no other music can.” TL “He never made another record quite like Astral Weeks again.” EW


Songs

Here are thoughts on the individual songs from the album.

“Astral Weeks”
“The title track finds Morrison at his most idyllic,” RV “launching you into an evocative, poetic song cycle depicting the euphoric dawning of a romance and its inevitable death rattle.” PM He “takes us from slipstreams and viaducts of your dreams to his lady-love doing her kid’s laundry, possibly while our hero is slumped on the couch watching Green Acres. Van has continued to do this throughout his career…but it’s never been quite as seamless” EK as it is here. The song “encompasses a lifetime in a mere five minutes, making the journey from innocence to experience with all of the heartache such a pilgrimage entails.” RV

“Beside You”
“A voice rises through the blues, a heart seeping through – ‘beside you, beside you’ – like a mantra. It stays with you, rain falls right on time. There's such devotion, emptiness, yet utter beauty expertly expressed.” AD It is a song about “the redemptive powers of sex.” JG “Beauty and soul, that’s Beside You.” AD

“Sweet Thing”
Reviewer Adrian Denning says, “Sweet Thing makes me cry; ‘Sweet Thing’ makes me smile; ‘Sweet Thing’ is my post to lean upon when nothing is ever going right, everything is black…Sheer happiness comes through and again, evocative images and glorious vocals…an Morrison sings so much from the heart here, that it’s sometimes too much. Devotion to music, devotion to feeling and soul.” AD

“Cyprus Avenue”
Meanwhile Cyprus Avenue, with its “the whimsical harpsichord,” CQ “could serve as the theme song for obsessive romantics too nervous to speak to their muse.” RV It “seems like an impossibly magical place to be . You can be in the song and everything is real - yet glorious daydream. Romance. Imagine writing a song about a street you’re your hometown, describing it so evocatively and beautifully.” AD

While the song paints “vivid pictures of childhood” CM Morrisons said, “It’s not about me. It’s totally fictional. It’s put together of composites, of conversations I heard – you know, things I saw in movies, newspapers, books, whatever. It comes out as stories. That’s it.” CM

“The Way Young Lovers Do”
“The jazzy lines return, the exotic sunshine and magic is all here and the sound is fuller, with brass instruments, and the song just over three minutes long.” AD

“Madame George”
“Morrison sings of lost love, death, and nostalgia for childhood in the Celtic soul that would become his signature.” TL He crafts “stories about the people of Ireland, characters searching for the solace and companionship that eludes them.” EK “The optimistic, string-soaked Madame GeorgeCQ “is an ode to an aging transvestite” RV which is “hypnotic and compelling instead of a three-chord drone.” EK

“It’s a folk song, yet extended with subtle, very subtle jazz bass lines – flute and another extraordinary from the heart and soul vocal and lyric… ‘Madame George’ captivates so much, poetry, love and joy – sadness…A masterpiece…It could carry on all day.” AD

Morrison said of this song and “Cyprus Avenue” that they “came right out. I didn’t even think about what I was writing. There are some things that you write that just come out all at once.” TB

“Ballerina”
Ballerina dated back to 1966. Morrison had even performed the song at least once with his band, Them. CM The narrator “is standing on the doorstep of the woman he loves crushed with fear and love.” CM The song “invites you to step right up, invites someone to step right up, but the imagery isn’t quite as evocative, or beautiful lyrically, as elsewhere…The sound is here, the vocal is more than here, but the heart isn’t so much here – ‘Ballerina’ is just a beautiful painting in song.” AD

“Slim Slow Slider”
The blues is expressed, yet the bass and delicate exotic nature – this strange of its own nature – of Astral Weeks is still right there all through Slim Slow Slider.” AD


Notes:

In 2008, Van Morrison performed all eight of the album’s songs live. It was recorded on November 7 and 8 at the Hollywood Bowl and released as an album the next year.

Resources and Related Links:


Other Related DMDB Pages:


First posted 11/30/2013; last updated 8/25/2024.

Friday, November 23, 2018

50 years ago: Tammy Wynette’s “Stand by Your Man” topped the country chart

Stand by Your Man

Tammy Wynette

Writer(s): Billy Sherrill, Tammy Wynette (see lyrics here)


Released: September 20, 1968


First Charted: October 19, 1968


Peak: 19 US, 23 CB, 19 HR, 11 AC, 13 CW, 13 UK, 15 CN, 9 AU, 1 DF (Click for codes to singles charts.)


Sales (in millions): -- US, 0.4 UK


Airplay/Streaming (in millions): -- radio, 45.86 video, 56.59 streaming

Awards:

Click on award for more details.

About the Song:

Producer Billy Sherrill had the idea for the song “Stand by Your Man.” He had the title scribbled on a scrap of paper which he carried in his pocket for a year. During a recording session for Tammy Wynette on August 26, 1968, he suggested the title to her. She “had an instant affinity for the concept.” TR The wrote the song in under a half hour. AC Wynette said that Sherrill told her the melody came from a work by Richard Strauss that was in the public domain. TR

The song stirred controversy amongst the women’s liberation movement as an “example of a compliant wife willing to defer to her husband,” SF but “would play well in the Bible Belt.” AC Wynette defended the song “as not a call for women to place themselves second to men, but rather a suggestion that women attempt to overlook their husbands’ shortcomings and faults if they truly love them.” WK Ironically, she was married five times.

Sherrill admitted that he intended the song for women who wanted no part of feminism. TR “Even though to some skeptics it may hint of chauvinism, as far as I’m concerned they can like it or lump it. ‘Stand by Your Man’ is just another way of saying ‘I love you – without reservations.’” TR

The song was her fifth #1 out of 20 country chart toppers. It took five releases in the UK for it to become a hit, but then it went all the way to #1 in 1975. SF It was “the most successful record of Wynette’s career, and is one of the most familiar songs in the history of country music.” WK In 2003, Country Music Television rated the song the greatest in country in music. WK “With the almost cult status of ‘Stand by Your Man,’ Tammy would never again be just another girl singer, and her stature would demand that country charts make room for…powerful women.” AC


Resources:

  • DMDB encyclopedia entry for Tammy Wynette
  • AC Ace Collins (1996). The Stories Behind Country Music’s All-Time Greatest 100 Songs. New York, NY; The Berkley Publishing Group. Pages 201-3.
  • TR Tom Roland (1991). The Billboard Book of Number One Country Hits. Billboard Books: New York, NY. Page 16.
  • SF Songfacts
  • WK Wikipedia


First posted 10/27/2021; last updated 10/23/2022.