The First Rock and Roll Record |
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Released: October 20, 2011 Recorded: 1916-1956 Peak: -- US, -- UK, -- CN, -- AU Sales (in millions): -- US, -- UK, -- world (includes US and UK) Genre: rock/pop/country/R&B/blues |
Tracks: Artist “Song Title” (date of single release, chart peaks) Click for codes to singles charts. Disc 1:
Disc 2:
Disc 3:
Total Running Time: 3:46:28 |
Rating: 4.685 out of 5.00 (average of 6 ratings)
Awards: (Click on award to learn more). |
About the Album: “Rock & roll as an American musical form is very much like a delta, collecting elements from jazz, blues, country, gospel, R&B, show tunes, and whatever else was floating around into a high-charged, rambunctious music that defined and drove pop culture…So where is the start of all this?” AMG “It’s an unanswerable question, but the search for rock’s origins digs up many a treat” AP via this three-disc collection. “It delves back to the middle of the first world war, raking through blues, country, gospel, R&B, jazz and showtunes in search of clues.” AP “You could say that The First Rock and Roll Record is exhaustive to a fault.” AP “The first CD seems less interested in music than in semantics” AP as it “explores songs from the 1920s, ‘30s, and ‘40s that feature rocking and/or rolling in the lyrics.” AMG “You start to wonder if the compilers think that there was any music released in America in the ‘30s and ‘40s that didn’t have an influence on the birth of rock ‘n’ roll, up to and including Judy Garland’s The Joint Is Really Jumpin’ Down at Carnegie Hall and the Andrews Sisters’ Boogie Woogie Bugle Boy.” AP It always seems to have referred to transcendence of one kind or another… For those attending 1916’s Camp Meeting Jubilee, it was all about fervent prayer. For Trixie Smith – a more forthright lady than you might expect to meet in 1922 – it involved the more straightforward matter of availing yourself of a man in possession of an enormous penis and limitless stamina: by the end of My Man Rocks Me, she’s apparently been having it off non-stop for a hugely impressive nine hours.” AP “Fans of Marc Bolan might find their jaws dropping at Georgia bluesman Tampa Red’s frantic 1927 debut single It’s Tight Like That.” AP “Midway through the second CD, however, things become noticeably more linear.” AP It is packed with songs that “if they weren’t actually rock ‘n’ roll, sounded so much like it as to make the argument academic: Amos Milburn’s Chicken Shack Boogie, Stick McGhee’s Drinking Wine Spo-Dee-O-Dee, Fats Domino’s The Fat Man, the latter a fabulous, million-selling testament to the New Orleans’ singer’s qualities that suggests he might have got on a treat with Trixie Smith.” AP There’s also “Les Paul and Mary Ford’s timelessly amazing How High the Moon, the first single in the modern world to suggest the recording studio itself was a player in all this.” AMG You also get a clear sense of how everything new owes a debt to the past. “Everyone who has read a little about rock’s origins knows Bill Haley’s Rock Around the Clock bore a suspicious resemblance to Hank Williams’ blackly comic 1947 tale of marital discord Move It on Over, or about the line that connects Robert Johnson’s handful of 1930s recordings to the musical explosion of the ‘60s.” AP It wraps up appropriately with Elvis Presley and the first song he recorded after jumping from Sun Records to RCA for a then “unprecedented sum of $40,000.” BR As the King of Rock and Roll’s first ascension to the throne, Heartbreak Hotel is “as close to a template for the perfect rock & roll single as one is likely to find.” AMG The liner notes refer to it as “everything a rock and roll record should be.” The compilers admit that they haven’t reached a definitive answer as to what the first rock and roll record is, but cheekily suggest that “whatever it is, it’s probably here.” In the end, though, this collection “is proof that sometimes, the evidence is more interesting than the verdict.” AP Notes: The liner notes reference the Jim Dawson and Steve Propes’ book What Was the First Rock ‘n’ Roll Record?, noting that 37 of the 50 songs referenced in that book are included in this collection. A now dead link offers one the chance to download the other 13 songs, which are Jack McVea’s “Open the Door, Richard” (1946), Lonnie Johnson’s “Tomorrow Night” (1948), John Lee Hooker’s “Boogie Chillen” (1948), Professor Longhair’s “Mardi Gras in New Orleans” (1949), Muddy Waters’ “Rollin’ and Tumblin’” (1950), Hardrock Gunter’s “Birmingham Bounce” (1950), Hank Snow’s “I’m Movin’ On” (1950), Ruth Brown’s “Teardrops from My Eyes” (1950), Johnnie Ray with the Four Lads’ “Cry” (1961), Billy Haley & the Saddlemen’s “Rock the Joint” (1952), Hank Williams’ “Kaw-Liga” (1953), the Penguins’ “Earth Angel (Will You Be Mine)” (1954), and Johnny Ace’s “Pledging My Love” (1954). |
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First posted 11/17/2020; last updated 2/5/2022. |
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