Showing posts with label White Light White Heat. Show all posts
Showing posts with label White Light White Heat. Show all posts

Thursday, November 30, 2017

Today in Music (1967): Velvet Underground White Light/White Heat released

White Light/White Heat

The Velvet Underground


Released: November 30, 1967


Peak: 199 US, -- UK, -- CN, -- AU Click for codes to charts.


Sales (in millions): --


Genre: experimental rock/proto-punk


Tracks:

  1. White Light/White Heat [2:47]
  2. The Gift [8:19]
  3. Lady Godiva’s Operation [4:56]
  4. Here She Comes Now [2:04]
  5. I Heard Her Call My Name [4:38]
  6. Sister Ray [17:27]

Total Running Time: 40:12

Also from This Era:


The Players:

  • Lou Reed (vocals, guitar)
  • John Cale (viola, vocals, bass)
  • Sterling Morrison (guitar, bass)
  • Maureen Tucker (drums)

Rating:

4.007 out of 5.00 (average of 24 ratings)


Quotable:

“A notable influence on punk and experimental rock.” – Wikipedia

Awards:

(Click on award to learn more).

A Change from the First Album to the Second

“The world of pop music was hardly ready for The Velvet Underground’s first album when it appeared in the spring of 1967.” AM It “sounded like an open challenge to conventional notions of what rock music could sound like.” AM Unfortunately, album sales were disappointing and the band’s relationship with Andy Warhol, their “celebrity benefactor,” RD was deteriorating. WK

The band’s primary singer and lyricist, Lou Reed, reached out to Steve Sesnick, a Boston businessman. “The new manager urged Reed to pursue a more commercial agenda – to the displeasure of bassist/organist John Cale.” RD

The Sound of the Second Album

This led to a new producer for VU’s second album – the legendary Tom Wilson. “‘Produced’ might be too strong a term.” AD This record “sounds like it was recorded by a deaf man on a primitive home tape deck.” AD “You don’t like distortion? May as well not bother listening to anything at all from this record, then.” AD Nobody at the record company gave a damn; if they had, no doubt they wouldn't have even ALLOWED this to be released in the first place!” AD

While the group toured “throughout most of 1967, many of their live performances featured noisy improvisations that would become key elements on White Light/ White Heat.” WK The album, which was the last to feature violist and founding member John, Cale, was recorded in just two days. WK It “was a no-holds-barred frontal assault on cultural and aesthetic propriety,” AM capturing the group at their toughest and most abrasive.” AM

The Album’s Influence

The album is, “from start to finish, a searing ball of hate, masked in black leather and heroin dust.” JSH It “is easily the least accessible of The Velvet Underground’s studio albums” AM but it has become “a notable influence on punk and experimental rock.” WK If “judged sheerly on the basis of intent this is probably the all-time heavyweight punk champ.” JSH

Sterling Morrison said, “We may have been dragging each other off a cliff, but we were all definitely going in the same direction. In the White Light/ White Heat era, our lives were chaos. That’s what’s reflected in the record.” WK John Cale said, “The first one had some gentility, some beauty. The second one was consciously anti-beauty.” WK

The Songs

“Nearly every song on the album contains some sort of experimental or avant-garde quality.” WK “The record’s lyrics vary from themes of drug use and sexual references (such as fellatio and orgies).” WK

Here are thoughts on the album’s individual songs.

It Was a Pleasure Then

Nico

Writer(s): Lou Reed, John Cale, Christa Paeffgen


Recorded: April/May 1967 at Mayfair Sound Studios in New York


Released: Chelsea Girl (Nico, 1967), Peel Slowly and See (box set: 1995), Gold (compilation: 2005)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 1.76 streaming

Chelsea Girls

Nico

Writer(s): Lou Reed, Sterling Morrison


Recorded: April/May 1967 at Mayfair Sound Studios in New York


Released: Chelsea Girls (Nico, 1967), Peel Slowly and See (box set: 1995), Gold (compilation: 2005)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 3.38 streaming

There Is No Reason (demo)

The Velvet Underground

Writer(s): Lou Reed, John Cale


Recorded: early 1967


Released: Peel Slowly and See (box set: 1995)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.06 streaming

Sheltered Life (demo)

The Velvet Underground

Writer(s): Lou Reed


Recorded: early 1967


Released: Peel Slowly and See (box set: 1995)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.06 streaming

It’s All Right (The Way That You Live) (demo)

The Velvet Underground

Writer(s): Lou Reed, John Cale


Recorded: early 1967


Released: Peel Slowly and See (box set: 1995)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.28 streaming

I’m Not Too Sorry (Now That You’re Gone) (demo)

The Velvet Underground

Writer(s): Lou Reed, John Cale


Recorded: early 1967


Released: Peel Slowly and See (box set: 1995)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.05 streaming

Booker T. (live)

The Velvet Underground

Writer(s): Lou Reed, John Cale, Sterling Morrison, Maureen Tucker


Recorded: live April 1967 at the Gymnasium in New York City


Released: Peel Slowly and See (box set: 1995)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.05 streaming

Guess I’m Falling in Love

The Velvet Underground

Writer(s): Lou Reed, John Cale, Sterling Morrison, Maureen Tucker


Recorded: live April 1967 at the Gymnasium in New York City; instrumental: December 5, 1967


Released: instrumental: Another View (archives, 1986), live: Peel Slowly and See (box set: 1995)


Peak: -- Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 0.61 streaming

White Light/White Heat

The Velvet Underground

Writer(s): Lou Reed


Recorded: September 1967 at Mayfair Sound Studios in New York


Released (Velvet Underground): Nov. 1967 (single), White Light/White Heat (1967), The Best of: Words and Music of Lou Reed (compilation: 1989), Peel Slowly and See (box set: 1995), 20th Century Masters – The Millennium Collection (compilation: 2000), The Very Best of (compilation: 2003), Gold (compilation: 2005)


Released (Reed): Walk on the Wild Side: The Best of (compilation: 1977), Rock and Roll Diary (compilation: 1980), The Best of Lou Reed & Velvet Underground (compilation: 1995), Legendary (box set: 2002)


Peak: 8 CL, 12 CO, 8 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 8.42 streaming

Awards:

(Click on award to learn more).

About the Song:

The “tunefully distorted title track” RD is “an amphetamined rush that truly did blur at the sound of speed.” DT It “is actually one of the more ‘accessible’ tracks here.” AD It kicks things off “with an open and enthusiastic endorsement of amphetamines (startling even from this group of noted drug enthusiasts).” AM It “is incredibly heavy punk rock for its time, but nothing’s ever sounded quite like this since.” JSH

The Gift

The Velvet Underground

Writer(s): Lou Reed, Sterling Morrison, John Cale, Moe Tucker


Recorded: September 1967 at Mayfair Sound Studios in New York


Released: White Light/White Heat (1967), Peel Slowly and See (box set: 1995)


Peak: 10 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 2.86 streaming


About the Song:

The Gift features “a loud instrumental rock song” WK coming out of the right speaker while John Cale recites a “bizarre story” AD out of the left channel in his “amiable Welsh accent.” RD “You wanna meet a girl? Mail yourself through the post so she can unwrap you at the other end. Just be sure she doesn’t use a large sheet metal cutter to get into the package you’ve sent yourself in.” AD The musical half features “a monster riff” JSH with “hammering guitars, which ripple with sleaziness.” JSH “Moe’s fantastic on this one.” JSH

Lady Godiva’s Operation

The Velvet Underground

Writer(s): Lou Reed


Recorded: September 1967 at Mayfair Sound Studios in New York


Released: White Light/White Heat (1967), Peel Slowly and See (box set: 1995)


Peak: 27 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 3.12 streaming


About the Song:

The “incredibly nightmarish Lady Godiva’s Operation” TB “puts a queasy medical spin on the medieval legend,” RD relaying a tale of “a transsexual’s botched lobotomy.” WK

There are “voices jumping out of the psych-noir mix to artful effect.” RD It is another “Moe Tucker showpiece…the drum sounds like a heartbeat, and the heart is dark and full of malice.” JSH John Cale sings with Lou Reed coming in at places “with these stupid, half-sung words in a very loud voice quite at odds with everything else going on. It’s a dumb, stupid thing to do, but I’m sure that was the entire point!” AD

Here She Comes Now

The Velvet Underground

Writer(s): Lou Reed, Sterling Morrison, John Cale


Recorded: September 1967 at Mayfair Sound Studios in New York


Released: Nov. 1967 (B side of “White Light White Heat”), White Light/White Heat (1967), demo and album versions: Peel Slowly and See (box set: 1995), The Very Best of (compilation: 2003)


Peak: 19 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 6.99 streaming


About the Song:

Here She Comes Now is a “mildly disquieting” AM and “pretty, little simple song rendered on the record with more than just a little sense of humor.” AD “It sounds so simple and easy, it sounds so addictive.” AD As such, it isn’t surprising that it is “their most covered song [including versions by Nirvana and Galaxie 500] – why shouldn’t it be?” JSH

I Heard Her Call My Name

The Velvet Underground

Writer(s): Lou Reed


Recorded: September 1967 at Mayfair Sound Studios in New York


Released: White Light/White Heat (1967), Rock and Roll Diary (compilation: 1980), Peel Slowly and See (box set: 1995), The Very Best of (compilation: 2003), Gold (compilation: 2005)


Peak: 32 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 2.07 streaming


About the Song:

“While side one was a good bit darker in tone than the Velvets’ first album, side two was where they truly threw down the gauntlet with the manic, free-jazz implosion of I Heard Her Call My Name.” AM It is “distinguishable for its distorted guitar solos and prominent use of feedback.” WK It “is unprecedented and sounds spontaneous and unrepeatable.” JSH

Sister Ray

The Velvet Underground

Writer(s): Lou Reed, Sterling Morrison, John Cale, Moe Tucker


Recorded: September 1967 at Mayfair Sound Studios in New York


Released: White Light/White Heat (1967), Peel Slowly and See (box set: 1995), 20th Century Masters – The Millennium Collection (compilation: 2000), Gold (compilation: 2005)


Peak: 9 CO, 21 DF Click for codes to charts.


Sales (in millions): --


Airplay/Streaming (in millions): -- radio, -- video, 4.21 streaming

Awards:

(Click on award to learn more).

About the Song:

“They say that heavy metal starts here.” TC “On purely musical merits, Sister Ray is hard to justify but as an organically evolving, living, gasping, sonic monster, it remains unsurpassed in the annals of rock.” TB This “epic noise jam” AM is “the big bang of noise-rock.” RD

The song is “carried along on tidal waves of serrated feedback, discordant keys, and primal garage pounding.” RD It features “swirling, pre-Doors surrealism by John Cale’s organ and Mo Tucker’s thrashing drums, an urgent setting for Reed’s flat whine.” WR “Distortion sends everything to heaven, the song dissolves completely in several places into white noise.” AD

Sterling Morrison explained that the band decided to do the song in one take, saying “whatever you want to do you better do it now…There is a musical struggle – everyone’s trying to do what he wants to do every second, and nobody’s backing off.” TC

“Reed tells a tale of debauchery:” WK “17 minutes of sex, drugs, and guns” RD “and other non-wholesome fun with the loudest rock group in the history of Western Civilization as the house band.” AM

Resources/References:


Related DMDB Pages:


First posted 8/28/2010; last updated 9/2/2026.

 

Tuesday, June 14, 2005

The Velvet Underground: A Retrospective (1965-1970)

The Velvet Underground

A Retrospective: 1964-1970

Overview:

One of the most influential rock groups of all-time. Considered the predecessor to alternative rock and punk. Formed in New York City. Active: 1964-70


The Players

  • Lou Reed (vocals, guitar: 65-70; left in August 1970 to pursue a solo career)
  • John Cale (vocals, bass, viola: 1965-68; solo)
  • Sterling Morrison (guitar, backing vox: 1965-71)
  • Moe Tucker (drums, percussion: 1965-72)
  • Nico (vocals: 1967)
  • Doug Yule (bass, backing vocals: 1969-70)
  • Billy Yule (drums: 1970)


Links

Awards

Studio Albums

Archives

Compilations


Spotify Playlist

Here’s my The Velvet Underground 1966-1970 playlist at Spotify that includes all of the songs from the above compilations (other than the Peel Slowly and See box set).

Under each album snapshot, songs featured on the anthologies are noted.

The Velvet Underground & Nico

The Velvet Underground & Nico


Released: March 12, 1967


Charted: May 13, 1967


Peak: 129 US, 43 UK


Sales (in millions): 0.56 US, 0.3 UK, 0.96 world (includes US and UK)


Genre: experimental rock/proto-punk


Rating:

4.601 out of 5.00 (average of 37 ratings)

Tracks:

  1. Sunday Morning PS, VB, G
  2. I’m Waiting for the Man WM, PS, 20, VB, G
  3. Femme Fatale WM, PS, VB, G
  4. Venus in Furs PS, VB, G
  5. Run, Run, Run WM, PS, 20, G
  6. All Tomorrow’s Parties WM, PS, VB, G
  7. Heroin WM, PS, 20, VB, G
  8. There She Goes Again PS, G
  9. I’ll Be Your Mirror WM, PS, G
  10. The Black Angel’s Death Song PS
  11. European Son PS


About the Album:

Go to the DMDB page for more about this album including awards and more details about individual songs.

White Light/White Heat

The Velvet Underground


Released: November 30, 1967


Peak: 199 US, -- UK, -- CN, -- AU Click for codes to charts.


Sales (in millions): --


Genre: experimental rock/proto-punk


Rating:

4.007 out of 5.00 (average of 24 ratings)

Tracks:

  1. White Light/White Heat WM, PS, 20, VB, G
  2. The Gift PS
  3. Lady Godiva’s Operation PS
  4. Here She Comes Now PS, VB
  5. I Heard Her Call My Name PS, VB, G
  6. Sister Ray PS, 20, G


About the Album:

Go to the DMDB page for more about this album including awards and more details about individual songs.

The Velvet Underground

The Velvet Underground


Released: March 31, 1969


Peak: 197 US, -- UK, -- CN, -- AU Click for codes to charts.


Sales (in millions): --


Genre: experimental rock/proto punk


Rating:

4.330 out of 5.00 (average of 23 ratings)

Tracks:

  1. Candy Says PS, G
  2. What Goes On WM, PS, 20, VB, G
  3. Some Kinda Love PS, VB, G
  4. Pale Blue Eyes WM, PS, 20, VB, G
  5. Jesus PS
  6. Beginning to See the Light WM, PS, 20, VB, G
  7. I’m Set Free PS
  8. That’s the Story of My Life PS
  9. The Murder Mystery PS
  10. After Hours PS


About the Album:

Go to the DMDB page for more about this album including awards and more details about individual songs.

Loaded

The Velvet Underground


Released: August 31, 1970


Peak: -- US, -- UK, -- CN, -- AU Click for codes to charts.


Sales (in millions): --


Genre: experimental rock/proto punk


Rating:

4.330 out of 5.00 (average of 23 ratings)

Tracks:

  1. Who Loves the Sun PS
  2. Sweet Jane WM, PS, 20, VB, G
  3. Rock and Roll WM, PS, 20, VB, G
  4. Cool It Down PS
  5. New Age PS, G
  6. Head Held High PS
  7. Lonesome Cowboy Bill PS
  8. I Found a Reason PS
  9. Train Round the Bend PS
  10. Oh! Sweet Nuthin’ PS


About the Album:

Go to the DMDB page for more about this album including awards and more details about individual songs.

VU

The Velvet Underground


Recorded: 1968-69


Released: February 2, 1985

Peak: 85 US, 47 UK, -- CN, -- AU


Sales (in millions): --


Genre: experimental rock/proto-punk


Rating:

4.107 out of 5.00 (average of 26 ratings)

Tracks:

  1. I Can’t Stand It WM, PS, 20, VB, G
  2. Stephanie Says WM, PS, VB, G
  3. She’s My Best Friend
  4. Lisa Says WM, PS, G
  5. Ocean PS, G
  6. Foggy Notion PS, G
  7. Temptation Inside Your Heart PS, G
  8. One of These Days PS, G
  9. Andy’s Chest
  10. I’m Sticking with You PS, VB


About the Album:

This was the first archival collection of Velvet Underground material recorded during the Lou Reed era. Go to the DMDB page for more about this album including awards and more details about individual songs.

Another View

The Velvet Underground


Recorded: 1967-1969


Released: September 1986

Peak: --


Sales (in millions): --


Genre: experimental rock/proto-punk


Rating:

3.065 out of 5.00 (average of 9 ratings)

Tracks:

  1. We’re Gonna Have a Real Good Time Together
  2. I’m Gonna Move Right In
  3. Hey Mr. Rain (version I) PS, G
  4. Ride into the Sun
  5. Coney Island Steeplechase
  6. Guess I’m Falling in Love (instrumental version) PS
  7. Hey Mr. Rain (version II)
  8. Ferryboat Bill
  9. Rock and Roll PS


Total Running Time: 36:21


About the Album:

This was the second archival collection of Velvet Underground material recorded during the Lou Reed era.

Best of: Words and Music of Lou Reed

The Velvet Underground


Recorded: 1966-1970


Released: October 10, 1989

Peak: --


Sales (in millions): --


Genre: experimental rock/proto-punk


Rating:

4.254 out of 5.00 (average of 15 ratings)

Tracks:

(1) I’m Waiting for the Man (2) Femme Fatale (3) Run, Run, Run (4) Heroin (5) All Tomorrow’s Parties (6) I’ll Be Your Mirror (7) White Light/White Heat (8) Stephanie Says (9) What Goes On (10) Beginning to See the Light (11) Pale Blue Eyes (12) I Can’t Stand It (13) Lisa Says (14) Sweet Jane (15) Rock and Roll


Total Running Time: 61:43


About the Album:

This is an excellent single-disc collection that assembles cuts from all four of the Lou Reed-era Velvet Underground albums plus songs from the archival VU collection – and smartly presented in chronological order.

Peel Slowly and See

The Velvet Underground


Recorded: 1965-1970


Released: September 26, 1995

Peak: -- US, -- UK, -- CN, -- AU, 11 DF


Sales (in millions): --


Genre: experimental rock/proto-punk


Rating:

4.335 out of 5.00 (average of 8 ratings)

Awards:

(Click on award to learn more).

Tracks, Disc 1 (July 1965 demos):

(1) Venus in Furs (2) Prominent Men (demo) (3) Heroin (4) I’m Waiting for the Man (5) Wrap Your Troubles in Dreams (demo) (6) All Tomorrow’s Parties

Tracks, Disc 2 (Velvet Underground & Nico +):

(1) All Tomorrow’s Parties (single version) * (2) Sunday Morning (3) I’m Waiting for the Man (4) Femme Fatale (5) Venus in Furs (6) Run, Run, Run (7) All Tomorrow’s Parties (8) Heroin (9) There She Goes Again (10) I’ll Be Your Mirror (11) The Black Angel’s Death Song (12) European Son (13) Melody Laughter (live) * (14) It Was a Pleasure Then * (15) Chelsea Girls *

* Songs not on original studio album.

Tracks, Disc 3 (White Light/White Heat +):

(1) There Is No Reason (demo) * (2) Shelter Life (demo) * (3) It’s All Right (The Way That You Live) (demo) * (4) I’m Not Too Sorry (Now That You’re Gone) (demo) * (5) Here She Comes Now (demo) * (6) Guess I’m Falling in Love (live) * (7) Booker T. (live) * (8) White Light/White Heat (9) The Gift (10) Lady Godiva’s Operation (11) Here She Comes Now (12) I Heard Her Call My Name (13) Sister Ray (14) Stephanie Says * (15) Temptation Inside Your Heart * (16) Hey Mr. Rain (version I) *

* Songs not on original studio album.

Tracks, Disc 4 (Velvet Underground +):

(1) What Goes On (live) * (2) Candy Says (3) What Goes On (4) Some Kinda Love (5) Pale Blue Eyes (6) Jesus (7) Beginning to See the Light (8) I’m Set Free (9) That’s the Story of My Life (10) The Murder Mystery (11) After Hours (12) Foggy Notion * (13) I Can’t Stand It * (14) I’m Sticking with You * (15) One of These Days * (16) Lisa Says * (17) It’s Just Too Much (live) * (18) Countess from Hong Kong (demo) *

* Songs not on original studio album.

Tracks, Disc 5 (Loaded +):

(1) Who Loves the Sun (2) Sweet Jane (3) Rock and Roll (4) Cool It Down (5) New Age (6) Head Held High (7) Lonesome Cowboy Bill (8) I Found a Reason (9) Train Round the Bend (10) Oh! Sweet Nuthin’ (11) Satellite of Love * (12) Walk and Talk * (13) Oh Gin * (14) Sad Song * (15) Ocean * (16) Ride into the Sun * (17) Some Kinda Love (live) * (18) I’ll Be Your Mirror (live) * (19) I Love You *

* Songs not on original studio album.


Total Running Time: 379:34


About the Album:

This five-disc box set gathered up all four of the Lou Reed-era Velvet Underground studio albums as well as the cuts featured on the VU archival collection alongside previously unreleased material.

20th Century Masters – The Millennium Collection: The Best

The Velvet Underground


Recorded: 1966-70


Released: October 2000

Peak: --


Sales (in millions): --


Genre: experimental rock/proto-punk


Rating:

4.001 out of 5.00 (average of 15 ratings)

Tracks:

(1) I’m Waiting for the Man (2) Run, Run, Run (3) Heroin (4) White Light/White Heat (5) Sister Ray (6) Beginning to See the Light (7) What Goes On (8) Pale Blue Eyes (9) I Can’t Stand It 10) Sweet Jane (live) (11) Rock and Roll (live)


Total Running Time: 65:13


About the Album:

If one is looking for a single-disc retrospective, this isn’t a bad way to go but isn’t as strong as Best of: Words and Music of Lou Reed. That’s mostly because this one includes the 17-minute “Sister Ray,” which is a bit much for a casual fan, and taking it out allows for putting in several more songs in its place. Also, this one has live versions of “Sweet Jane” and “Rock and Roll” instead of the studio version that appear on Words.

The Very Best of

The Velvet Underground


Recorded: 1966-1970


Released: March 31, 2003

Peak: --


Sales (in millions): --


Genre: experimental rock/proto-punk


Rating:

4.263 out of 5.00 (average of 15 ratings)

Tracks:

(1) Sweet Jane (2) I’m Sticking with You (3) I’m Waiting for the Man (4) What Goes On (5) White Light/White Heat (6) All Tomorrow’s Parties (7) Pale Blue Eyes (8) Femme Fatale (9) Heroin (10) Here She Comes Now (11) Stephanie Says (12) Venus in Furs (13) Beginning to See the Light (14) I Heard Her Call My Name (15) Some Kinda Love (alternate take) (16) I Can’t Stand It (17) Sunday Morning (18) Rock and Roll


Total Running Time: 75:11


About the Album:

Of the three single-disc anthologies highlighted on this page, this one has the most songs but is severely hampered by presenting the songs in non-chronological order.

Gold

The Velvet Underground


Recorded: 1966-1970


Released: June 14, 2005

Peak: --


Sales (in millions): --


Genre: experimental rock/proto-punk


Rating:

4.308 out of 5.00 (average of 16 ratings)

Tracks, Disc 1:

(1) I’m Waiting for the Man (2) Femme Fatale (3) Venus in Furs (4) Run, Run, Run (5) All Tomorrow’s Parties (6) Heroin (7) There She Goes Again (8) I’ll Be Your Mirror (9) Sunday Morning (10) Chelsea Girls (11) It Was a Pleasure Then (12) White Light/White Heat (13) I Heard Her Call My Name (14) Sister Ray

Tracks, Disc 2:

(1) Temptation Inside Your Heart (2) Stephanie Says (3) Hey Mr. Rain (version I) (4) Candy Says (5) What Goes On (6) Some Kinda Love (7) Pale Blue Eyes (8) Beginning to See the Light (9) Foggy Notion (10) I Can’t Stand It (11) One of These Days (12) Lisa Says (13) New Age (live) (14) Rock and Roll (live) (15) Ocean (live) 16) Sweet Jane (live)


About the Album:

It’s unclear just who would be in the market for this. The Velvet Underground only released four albums during the Lou Reed era. How many people need a two-disc anthology when all their albums could practically fit on 2 CDs? To be fair, this collection does pull some non-album material such as a couple of cuts from Nico’s 1967 album, archival material originally released on VU and Another View and some live songs.

Resources/References:


Related DMDB Links:


First posted 8/29/2026; last updated 8/30/2026.