Showing posts with label The Stars and Stripes Forever. Show all posts
Showing posts with label The Stars and Stripes Forever. Show all posts

Saturday, November 29, 2025

1890-1899: Top 100 Songs

Top 100 Songs of the Decade:

1890-1899

These are the songs which kicked off the recorded music era and the debut of charts to track the popularity of songs. Often a song’s popularity in this era had more to do with sheet music than specific recorded performances by individual artists. As such, there are multiple songs repeated here.

Rankings are figured by combining sales figures, chart data, airplay, awards, and appearances on best-of lists.

Check out other “songs of the decade” lists here.

DMDB Top 1%:

1. Katharine Lee Bates (lyrics) & Samuel A. Ward (music) “America the Beautiful” (1895)
2. George J. Gaskin “After the Ball” (1893)
3. James M. Black & Katharine E. Purvis (songwriters) “When the Saints Go Marching In” (1896)
4. Arthur Collins “Hello Ma Baby” (1899)
5. Patty S. Hill & Mildred J. Hill (composers) “Happy Birthday to You” (1893)
6. Scott Joplin “Maple Leaf Rag” (1899)
7. Billy Golden “Turkey in the Straw” (1891)
8. John Philip Sousa “The Stars and Stripes Forever” (1897)
9. Dan Quinn “Daisy Bell (A Bicycle Built for Two)” (1893)
10. Len Spencer “Ta-Ra-Ra Boom-De-Ay” (1892)

11. Dan Quinn “A Hot Time in the Old Town” (1896)
12. “I’ve Been Working on the Railroad” (1894)
13. Dan Quinn “The Sidewalks of New York” (1895)
14. Dan Quinn “The Band Played On” (1895)
15. Edison Male Quartette “My Old Kentucky Home” (1898)
16. George J. Gaskin “On the Banks of the Wabash” (1897)
17. Frank Kidson (first published by) “Scarborough Fair” (1891)
18. traditional “She’ll Be Coming ‘Round the Mountain” (1899)
19. John Yorke Atlee “Listen to the Mocking Bird (aka “The Mocking Bird”)” (1891)
20. Len Spencer “The Old Folks at Home (Swanee River)” (1892)

21. U.S. Marine Band “The Washington Post March” (1890)
22. Dan Quinn “At a Georgia Camp Meeting” (1898)
23. traditional “Red River Valley” (1896)
24. Silas Leachman “Dem Golden Slippers” (1894)
25. Vess Ossman “Yankee Doodle (aka ‘Yankee Doodle Went to Town’)” (1894)
26. Albert Campbell “My Wild Irish Rose” (1899)
27. Len Spencer “Hello Ma Baby” (1899)
28. Len Spencer “Mr. Johnson, Turn Me Loose” (1897)
29. John Yorke Atlee “After the Ball” (1893)
30. George J. Gaskin “Drill, Ye Terriers, Drill” (1891)

31. George Washington Johnson “The Laughing Song” (1891)
32. George J. Gaskin “Break the News to Mother” (1898)
33. U.S. Marine Band “Semper Fidelis” (1890)

DMDB Top 2%:

34. Arthur Collins “I’d Leave My Happy Home for You” (1899)
35. Jules Levy “My Country ‘Tis of Thee” (1893)
36. Len Spencer “A Hot Time in the Old Town” (1897)
37. George J. Gaskin “Oh Promise Me” (1893)
38. George J. Gaskin “My Old New Hampshire Home” (1898)
39. George J. Gaskin “The Fatal Wedding” (1893)
40. Gilmore’s Band “The Star-Spangled Banner” (1892)

41. Sousa’s Band “El Capitan March” (1895)
42. J.W. Myers “The Sidewalks of New York” (1895)
43. Dan Quinn “In the Baggage Coach Ahead” (1896)
44. George J. Gaskin “The Sidewalks of New York” (1895)
45. Tom Turpin (writer) “Harlem Rag” (1897)
46. Steve Porter “On the Banks of the Wabash” (1898)
47. United States Marine Band “The Liberty Bell” (1894)
48. Dan Quinn “The Little Lost Child” (1895)
49. J.W. Myers “Just Tell Them That You Saw Me” (1895)
50. Len Spencer “Smoky Mokes” (1899)

51. James Thornton (music/lyrics) “When You Were Sweet Sixteen” (1898)
52. George J. Gaskin “Sweet Rosie O’Grady” (1897)
53. George J. Gaskin “Down in Poverty Row” (1896)
54. John Yorke Atlee “Home Sweet Home” (1891)
55. U.S. Marine Band “The Thunderer” (1890)
56. Arthur Collins “I Guess I'll Have to Telegraph My Baby” (1899)
57. Dan Quinn “Curse of the Dreamer” (1899)
58. George Washington Johnson “The Whistling Coon” (1891)
59. Bill Dooley “Frankie and Johnny” (1899)
60. Vess Ossman “Yankee Doodle (aka ‘Yankee Doodle Went to Town’)” (new version, 1897)

61. George J. Gaskin “My Wild Irish Rose” (1899)
62. Eubie Blake “Charleston Rag” (1899)
63. George J. Gaskin “A Hot Time in the Old Town” (1897)
64. Sousa’s Band “The Star-Spangled Banner” (1898)
65. Len Spencer “The Bully (aka ‘Dat New Bully’)” (1895)
66. Emile Berliner “Twinkle Twinkle Little Star” (1890)
67. Len Spencer “Carry Me Back to Old Virginny” (1893)
68. Dan Quinn “Daddy Wouldn’t Buy Me a Bow Wow” (1892)
69. Edward M. Favor “Say Au Revoir, But Not Goodbye” (1894)
70. Manhansett Quartette “Sally in Our Alley” (1892)

71. Len Spencer “You’ve Been a Good Old Wagon But You’ve Done Broke Down” (1896)
72. Edward M. Favor “Daisy Bell (A Bicycle Built for Two)” (1894)
73. J.W. Myers “Goodbye Dolly Gray” (1897)
74. Emile Berliner “Auld Lang Syne” (1890)
75. Sousa’s Band “The Washington Post March” (1895)
76. Harry MacDonough & S.H. Dudley “Mid the Green Fields of Virginia” (1899)
77. Issler’s Orchestra “Tiger Rag” (1895)
78. Vess Ossman “At a Georgia Camp Meeting” (1898)
79. George J. Gaskin “Sweet Marie” (1894)
80. J.W. Myers “Two Little Girls in Blue” (1893)

81. Vess Ossman “Whistling Rufus” (1899)
82. Russell Hunting “Michael Casey Taking the Census” (1892)
83. Roger Harding “On the Banks of the Wabash” (1898)
84. Russell Hunting “Michael Casey at the Telephone” (1892)
85. Joe Belmont “Listen to the Mocking Bird (aka “The Mocking Bird”)” (1899)
86. Billy Golden “Bye Bye My Honey” (1898)
87. Len Spencer “My Gal Is a High-Born Lady” (1897)
88. Charles Marsh “Throw Him Down, McCloskey” (1892)
89. George J. Gaskin “The Sunshine of Paradise Valley” (1896)
90. George J. Gaskin “She Was Bred in Old Kentucky” (1898)

91. George J. Gaskin “She May Have Seen Better Days” (1896)
92. William F. Hooley “Gypsy Love Song (Slumber on, My Little Gypsy Sweetheart)” (1899)
93. Dan Quinn “The Bowery” (1893)

DMDB Top 5%:

94. Russell Hunting “Michael Casey As a Physician” (1891)
95. Dan Quinn “And Her Golden Hair Was Hanging Down Her Back” (1894)
96. Manhansett Quartette “The Picture Turned to the Wall” (1892)
97. Manhansett Quartette “The Old Oaken Bucket” (1894)
98. Dan Quinn “My Mother Was a Lady” (1897)
99. Thomas Bott “Love’s Old Sweet Song” (1892)
100. Steve Porter “My Creole Sue” (1899)


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First posted 7/27/2018; last updated 11/29/2025.

Wednesday, May 14, 1997

Today in Music (1897): John Philip Sousa “The Stars and Stripes Forever” first performed publicly

The Stars and Stripes Forever

John Philip Sousa

Writer(s): John Philip Sousa (music & lyrics) (see lyrics here)


First Performed: May 14, 1897


First Charted: July 3, 1897


Peak: 18 PM (original), 13 (new 1901 version) (Click for codes to charts.)


Sales (in millions): 10.0 (sheet music)


Airplay/Streaming (in millions): -- radio, 32.8 video, 2.38 streaming

Awards:

Click on award for more details.

About the Song:

John Philip Sousa was born in 1854 in Washington, D.C. He was the son of a trombonist in the U.S. Marine Band and was himself the director of the Marine Band from 1880-1892. He became “the nation’s most famous bandmaster” because of “his epic march compositions.” PM Marches were the favored musical form of dancers at the turn of the century, as the meter was perfect for the then “widly popular two-step dance.” TY2

After Sousa left the Marine Band, he led an ensemble identified simply as Sousa’s Band. They became “the nation’s most popular concert ensemble” TY2 – “the Elvis or Sinatra of his day.” NRR They made more than a thousand recordings TY2 and performing over 10,000 concerts around the world over the years. PM Interestingly, because of his disdain of what he called “canned music,” he rarely participated in recording, turning over conducting duties to others. The compositions, however, were often by him and “bore his distinctive, full-bodied musical style derived from the military and brass band traditions.” SS

“The Stars and Stripes Forever” was not only Sousa’s most successful composition but the most successful march ever written. SS It was, however, inspired by tragedy. On November 8, 1896, he received a telegram that David Blakely, his partner with whom he’d formed Sousa’s Band, was dead. He was in Europe at the time and headed back to America on the ocean liner the SS Teutonic. He fought through his grief by celebrating Blakely’s optimistic spirit and writing a song about how blessed he was to have been born in the United States. By the time the ship docked in New York, he’d composed a fully arranged score in his head of what became “The Stars and Stripes Forever.” NRR

He then wrote down the composition on Christmas Day in 1896. He wrote lyrics for it, but it became more popular as an instrumental. SS The first public performance of the song was in Philadelphia on May 14, 1897, for a Washingoton memorial dedication. SS

The song became one of the most recorded songs of the pre-rock era with more than 100 versions. TY2 The song charted six times prior to the introduction of the Billboard Hot 100. Sousa’s original version and his 1901 remake both hit #1. He returned to #4 with the song in 1917. That version was recorded on December 13, 1912 and officially called “The Stars and Stripes Forever March.” Horace Heidt (#26, 1940), Frankie Laine (#20, 1950), and Ralph Flanagan (#28, 1950) were the others to chart with the song. PM


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First posted 1/31/2024; last updated 2/1/2024.